Something Is Calling…

Something is calling to me
from the corners of fields,
where the leftover fence wire
suns its loose coils, and stones
thrown out of the furrow
sleep in warm litters;
where the gray faces
of old No Hunting signs
mutter into the wind,
and dry horse tanks
spout fountains of sunflowers;
where a moth
flutters in from the pasture,
harried by sparrows,
and alights on a post,
so sure of its life
that it peacefully opens its wings.

~Ted Kooser “In the Corners of Fields” from Flying at Night.


I am a visitor here,
even though we’ve lived here
for more than 30 years.

There is something to be discovered in the field
each day if I make an effort to look and listen.

My Merlin app on my phone tells me
the birds I hear around me.
A photo of a wildflower or weed
is identified by Google.
The jet flight tracks overhead
are pinpointed by another app
saying who is flying where.

Yet I’m placed right here by my Maker.
He knows where I am at all times,
the words I write,
the thoughts I pray.

I try to be at peace in these turbulent times:
to be sure of this life I’m given,
to be sure to Whom I belong,
to simply open my wings to the light,
to be ready to fly when my time comes.

AI image created for this post

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Cold Water on a Tender Tooth

Last evening,
As I drove into this small valley,
I saw a low-hanging cloud
Wandering through the trees.
It circled like a school of fish
Around the dun-colored hay bales.
Reaching out its foggy hands
To stroke the legs of a perfect doe
Quietly grazing in a neighbor’s mule pasture.

  I stopped the car
And stepping out into the blue twilight,
A wet mist brushed my face,
And then it was gone.
It was not unfriendly,
But it was not inclined to tell its secrets.

  I am in love with the untamed things,
The cloud, the doe,
Water, air and light.
I am filled with such tenderness
For ordinary things:
The practical mule, the pasture,
A perfect spiral of gathered hay.
And although I should not be,
Consistent as it is,
I am always surprised
By the way my heart will open
So completely and unexpectedly,
With a rush and an ache,
Like a sip of cold water
On a tender tooth.
~Carrie Newcomer “In the Hayfield” from A Permeable Life: Poems & Essays

deer running in the foreground

Cool water on a tender tooth describes it exactly:

a moment of absolute wonder
brings exquisite tears to my eyes.
I’m so opened and exposed as to be painful,
feeling a clarity of being both sharp and focused.

it’s gone as quickly as it came,
but knowing it was there – unforgettable –
and knowing it is forever
only a memory,
both hurts,
and comforts…

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Daisy Morning Music

See, the grass is full of stars,
Fallen in their brightness;
Hearts they have of shining gold,
Rays of shining whiteness.

Buttercups have honeyed hearts,
Bees they love the clover,
But I love the daisies’ dance
All the meadow over.

Blow, O blow, you happy winds,
Singing summer’s praises,
Up the field and down the field
A-dancing with the daisies.
~Marjorie Pickthall “Daisy Time”

I still can’t say what life is for, but it can’t be to pretend
     that every part of it is knowable, or that what appears to be
to the naked eye or in the middle ground or documented on paper
     approximates a person any better than a daisy does our sun.

When at a loss for what I am, I know I must be feeling it
     deep in the layers, where a turbulence gives rise to clouds
so massive they collapse in a bliss of gravity, condensing into this
      music I can daisy into morning as it daisies me into morning.

~Timothy Donnelly from “Habitable Nebula”

It is possible, I suppose that sometime
we will learn everything
there is to learn: what the world is, for example,
and what it means. I think this as I am crossing
from one field to another…

At my feet the white-petalled daisies display
the small suns of their center piece, their – if you don’t
mind my saying so – their hearts. Of course
I could be wrong, perhaps their hearts are pale and
narrow and hidden in the roots. What do I know?


But this: it is heaven itself to take what is given,
to see what is plain; what the sun lights up willingly;
for example – I think this
as I reach down, not to pick but merely to touch –
the suitability of the field for the daisies, and the
daisies for the field.

~Mary Oliver from “Daisies”

I realize I can’t understand what all this world means.

No, I will remain in the dark until I cross from this daisy-strewn field to the next. I have to wait for heaven itself to see why we are illuminated by the Sun.

It is all cloud-covered mystery in the meantime, and sometimes a mean and joyless mystery – with pain and heartbreak and suffering, but just enough loving sacrifice to make it worthwhile.

How are we different from that stone, or that tree or that daisy?

We are breathed on.

God’s breath surges within us, as we laugh out loud, weep mightily and sing out His Words – struggling to be suitable for this field of stars, so often trampled and broken, but with plans to flourish under the illuminating stars created by the Son of heaven.

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Laid Aside His Crown: Help Me Push Myself Aside

I have seen the sun break through
to illuminate a small field
for a while, and gone my way
and forgotten it. But that was the
pearl of great price, the one field that had
treasure in it. I realize now
that I must give all that I have
to possess it. Life is not hurrying
on to a receding future, nor hankering after
an imagined past. It is the turning
aside like Moses to the miracle
of the lit bush, to a brightness
that seemed as transitory as your youth
once, but is the eternity that awaits you.

~R.S. Thomas “A Bright Field”

The secret of seeing is, then the pearl of great price. 
If I thought he could teach me to find it and keep it forever 
I would stagger barefoot across a hundred deserts

after any lunatic at all. 

But although the pearl may be found, it may not be sought.

The literature of illumination reveals this above all: 
although it comes to those who wait for it, 
it is always, even to the most practiced and adept, 
a gift and a total surprise.

I return from one walk knowing where
the killdeer nests in the field by the creek
and the hour the laurel blooms. 
I return from the same walk a day later

scarcely knowing my own name.

Litanies hum in my ears; 
my tongue flaps in my mouth. 
Ailinon, alleluia!
~Annie Dillard from Pilgrim at Tinker Creek

Dear God, I cannot love Thee the way I want to.
You are the slim crescent of a moon that I see
and my self is the earth’s shadow
that keeps me from seeing all the moon.
The crescent is very beautiful
and perhaps that is all one like I am should or could see;
but what I am afraid of, dear God,
is that my self shadow will grow so large
that it blocks the whole moon,
and that I will judge myself by the shadow that is nothing.

I do not know You God
because I am in the way.
Please help me to push myself aside.
~Flannery O’Connor from A Prayer Journal

Earth’s crammed with heaven,
And every common bush afire with God…
~Elizabeth Barrett Browning

I am learning to step aside so my own shadow stops obscuring God’s gift of illumination. I can be so blinded by discouragement, busyness and distraction that I lose sight of God Himself.

I stand in the way and need a push to let the Light shine forth.

Surprise me, dear Lord. Cram this common bush with heaven. 

Though I regularly lament in the shadows, help me lift my voice in praise and gratitude for your gift: the pearl of great price you generously hold for me to find each day.

The kingdom of heaven is like treasure hidden in a field. When a man found it, he hid it again, and then in his joy went and sold all he had and bought that field.
Matthew 13: 44

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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Roaming Soft About the Slope

The mare roamed soft about the slope,
Her rump was like a dancing girl’s.
Gentle beneath the apple trees
She pulled the grass and shook the flies,
Her forelocks hung in tawny curls,
She had a woman’s limpid eyes,
A woman’s patient stare that grieves.
And when she moved among the trees,
The dappled trees, her look was shy,
She hid her nakedness in leaves.
A delicate though weighted dance
She stepped while flocks of finches flew
From tree to tree and shot the leaves
With songs of golden twittering;
How admirable her tender stance.
And then the apple trees were new,
And she was new, and we were new,
And in the barns the stallions stamped
And shook the hills with trumpeting.
~Ruth Stone, “The Orchard” from What Love Comes To

Our retired mares are aging, the oldest now thirty and the others only a few years younger. Born on this land, they have served us well over the decades, birthing us their foals and working when asked. They deserve this easy life on pasture for as long as their legs and feet will carry them up and down the slopes of our hilly farm – they are more and more resembling our ancient crooked crippled orchard trees, some of which have already toppled in the winter winds..

I’m thinking we are close to the end of these loyal mares’ long lives; hard decisions must be made at some point and I don’t feel quite prepared to determine when they are no longer enjoying their time under the sun but I don’t want them to topple over like an old hollow tree in the wind. I listen for their nickers as I come into the barn each morning and still see their eagerness to be set free to the fields. I look in their eyes when they come in at night to discern what they have to say about how their day went out on the grass.

Perhaps I too identify a bit much with the stiffness as they move and their need for frequent napping times in the field, swishing at flies while they dream of younger days of flirting with stallions, nursing babies, having suppler joints and a wild gallop at twilight.

I’ve been singing a sad lullaby to myself and them as I work about the barn with slow deliberation, knowing there is somber sorrow when life eventually must come to its inevitable end.

Ah, all the pretty little horses…

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Bowing Low to Wind and Rain

Light and wind are running
over the headed grass
as though the hill had
melted and now flowed.
~Wendell Berry “June Wind” from New Collected Poems

The rain to the wind said,
‘You push and I’ll pelt.’
They so smote the garden bed
That the flowers actually knelt,
And lay lodged–though not dead.
I know how the flowers felt.
~Robert Frost “Lodged”

All that I serve will die, all my delights,
the flesh kindled from my flesh, garden and field,
the silent lilies standing in the woods,
the woods, the hill, the whole earth, all
will burn in man’s evil, or dwindle
in its own age. Let the world bring on me
the sleep of darkness without stars, so I may know
my little light taken from me into the seed
of the beginning and the end, so I may bow
to mystery, and take my stand on the earth
like a tree in a field, passing without haste
or regret toward what will be, my life
a patient willing descent into the grass.
~Wendell Berry “The Wish to be Generous” from Collected Poems

The abundant grasses in the surrounding hay fields were hit hard with heavy rainfall and wind yesterday, collapsing under the weight of the pelting moisture.  Countless four foot tall tender stems are now lodged and flattened in undulating bent-over waves of green, embracing the earth from which they arose.  If the rain continues as predicted over the next several days, the grass may not recover, unable to dry out enough to stand upright again, nor are the fields dry enough to bring tractors and equipment to the rescue. 

It is ironic to lose a crop from too much of a good thing– lush growth demands, but often cannot withstand, quenching rains.  It has matured too fast, rising up too lush, too overcome with itself so that it can no longer stand. The grass keels over in community, broken and crumpled, likely now unsuitable for cutting or baling into hay, and unless chopped quickly into silage to ferment for winter cattle feed, it must melt back into the soil again.

However–if there are dry spells amid the showers over the next few days, with a breeze to lift the soaked heads and squeeze out the wet sponge created by layered forage–the lodged crop may survive and rise back up. It may be raised and lifted again, pushing up to meet the sun, its stems strengthening and straightening.

What once was so heavy laden and down-trodden might lighten;
what was silent could once again move and sing and wave with the wind.

The hill pasture, an open place among the trees,
tilts into the valley. The clovers and tall grasses
are in bloom. Along the foot of the hill
dark floodwater moves down the river.
The sun sets. Ahead of nightfall the birds sing.
I have climbed up to water the horses
and now sit and rest, high on the hillside,
letting the day gather and pass. Below me
cattle graze out across the wide fields of the bottomlands,
slow and preoccupied as stars. In this world
men are making plans, wearing themselves out,
spending their lives, in order to kill each other.

~Wendell Berry “In This World” from Farming: A Handbook

What stood will stand, though all be fallen,
The good return that time has stolen.
Though creatures groan in misery,
Their flesh prefigures liberty
To end travail and bring to birth
Their new perfection in new earth.
At word of that enlivening
Let the trees of the woods all sing
And every field rejoice, let praise
Rise up out of the ground like grass.
What stood, whole in every piecemeal
Thing that stood, will stand though all
Fall–field and woods and all in them
Rejoin the primal Sabbath’s hymn.
~Wendell Berry, from “Sabbaths” (North Point Press, 1987)
.

From The Nicene Creed

Et expecto resurrectionem motuorum.
Et vitam venturi saeculi. Amen. Alleluia. 

And I look for the resurrection of the dead,
And the life of the world to come. Amen. Alleluia

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To Seek the Whole…

… why should I not sit, every morning of my life,
on the hillside, looking into the shining world?
Can one be passionate about the just, the
ideal, the sublime, and the holy, and yet commit
to no labor in its cause? I don’t think so.

 
Be ignited, or be gone.
~Mary Oliver from “What I Have Learned So Far”

How often do we miss the fainter note
Or fail to see the more exquisite hue,
Blind to the tiny streamlet at our feet,
Eyes fixed upon some other, further view.
What chimes of harmonies escape our ears,
How many rainbows must elude our sight,
We see a field but do not see the grass,
Each blade a miracle of shade and light.
How then to keep the greater end in eye
And watch the sunlight on the distant peak,
And yet not tread on any leaf of love,
Nor miss a word the eager children speak?
Ah, what demand upon the narrow heart,
To seek the whole, yet not ignore the part.

~Philip Britts “Sonnet 1” from Water at the Roots

We are born nearly blinded, focused solely on our emptiness – a hunger to be filled and our need to be held.  As we grow, our focus sharpens to fall in love with those who feed and nurture us.

Eventually we discover, challenge and worship He who made us. I need to seek out and harvest the beauty growing in each moment.

This world is often too much for me to take in as a whole — an exquisite view of shadow and light, color and gray, loneliness and embrace, sorrow and joy.

With more years and a broader vision, I scan for the finer details within the whole before it disappears with the changing light.  Time’s a wasting (and so am I) as I try to capture it all with the lenses of our eyes and hearts.

The end of life comes too soon, when once again my vision blurs and the world fades away from view. I will hunger yet again to be filled and held.

And then heaven itself will seem almost too much to take in – my heart full to bursting with light and promise for the rest of eternity.

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A Miracle of Mucus

In the waning evening light, I stood in the barnyard
holding the hose to fill the water trough,
gazing across a sunset-lit field of grass and weeds,
puzzling over an intermittent flash and glimmer thirty yards away.

Trough filled, I set out to find what glinted and blinked in the breeze,
assuming an errant piece of foil or lost piece of jewelry to be reclaimed,
somehow fallen mysteriously from the sky into the middle of a horse pasture.

As I moved closer, my body blocked the sun’s rays
so the glistening ceased. I moved aside,
hoping to allow the fading light
to re-ignite the spark that drew me there.

Doused by the advancing shadow of sunset,
it vanished as I neared the spot.
Looking closely, I found only a broad blade of grass
shimmering with a silvery trail left behind by a slug tail.

Mere mucus slime scintillating in the setting sun!
A complex mix of proteoglycans, glycosaminoglycans,
glycoprotein enzymes, hyaluronic acid, antimicrobial peptides,
and metal ions of zinc, iron, copper and manganese.

Precious trace metals flashing in the grass, masquerading as jewels.

What a fool to think only something man-made could lure me there.
Instead, this miracle of mucus trailing from a lowly slug proved
a far greater treasure is always hiding in the grass,
if I only bother to look.

Hermaphroditic slugs mating on the side of our field’s water barrel/trough,
hanging form a strand of mucus from the rim.

Girls are like slugs—they probably serve some purpose, but it’s hard to imagine what.
― Bill Watterson, in Calvin and Hobbes

From David Attenborough’s Life on our Planet
(a truly remarkable video of how slug mucus becomes integral in their reproductive cycle)

A new book from Barnstorming is available to order here:


Turning Darkness Into Light: Unutterable and Unearthly

We were familiar with the night.
We knew its favourite colours,
its sullen silence
and its small, disturbing sounds,
its unprovoked rages,
its savage dreams.

We slept by turns,
attentive to the flock.
We said little.
Night after night, there was little to say.
But sometimes one of us,
skilled in that way,
would pipe a tune of how things were for us.

They say that once, almost before time,
the stars with shining voices
serenaded
the new born world.
The night could not contain their boundless praise.

We thought that just a poem —
until the night
a song of solar glory,
unutterable, unearthly,
eclipsed the luminaries of the night,
as though the world were exorcised of dark
and, coming to itself, began again.

Later we returned to the flock.
The night was ominously black.
The stars were silent as the sheep.
Nights pass, year on year.
We clutch our meagre cloaks against the cold.
Our aging piper’s fumbling fingers play,
night after night,
an earthly echo of the song that banished dark.
It has stayed with us.

~Richard Bauckham “Song of the Shepherds”

There is no specific “song of the shepherds” recorded in scripture.  They were unlikely people to be inspired to use flowery words and memorable turns of phrase.   Scripture says simply they looked at each other and agreed to get to Bethlehem as fast as possible and see for themselves what they had been told by God.   There was no time to waste singing out praises and thanksgiving;  they “went with haste.”

Witnessing an appearance of the heavenly host followed by seeing for themselves the incarnation of the living God in a manger must have been overwhelming to those who otherwise spent much time alone and in silence.  They must have been simply bubbling over with everything they had heard and been shown.  At least scripture does tell us the effect the shepherds’ witnessing words had on others: “and all who heard it wondered…”

I don’t think people wondered if the shepherds were embroidering the story, or had a group hallucination, or were flat out fabricating for reasons of their own.  I suspect Mary and Joseph and the townspeople who heard what the shepherds had to say were flabbergasted at the passion and excitement being shared about what had just taken place.  Seeing became believing and all could see how completely the shepherds believed by how enthusiastically they shared everything they knew.

We know what the shepherds had to say, minimalist conversationalists that they are.   So we too should respond with wonder at what they have told us all.

And believe.

We stood on the hills, Lady,
Our day’s work done,
Watching the frosted meadows
That winter had won.

The evening was calm, Lady,
The air so still,
Silence more lovely than music
Folded the hill.

There was a star, Lady,
Shone in the night,
Larger than Venus it was
And bright, so bright.

Oh, a voice from the sky, Lady,
It seemed to us then
Telling of God being born
In the world of men.

And so we have come, Lady,
Our day’s work done,
Our love, our hopes, ourselves,
We give to your son.
~Bob Chillcott “The Shepherd’s Carol”

A Cottonwood Dream

Stand near the river with your feet
slightly apart. Push your toes down
beyond the mud, below the water.
Stretch your arms and head back
deliberately, until straight lines
no longer matter—until the sky
from any angle is your desire.
Let the skin go grey and split open.
If you die a little somewhere
the wind will carve the branches back
into an alphabet
someone will try to remember
how to read. Stay this way
half a century or more, turning leaves
in the half-note tides of the air.
Inside, with that blood so slow
no one hears it, set buds for spring
by each late October. November,
December, dream what it means
being owl…or star.
~Kathleen Cain, “What This Means, Being Cottonwood” from Times of Sorrow, Times of Grace

According to old Morton Lawrence, the original owner of this farm, this particular cottonwood was a special tree. He called it the “Balm of Gilead” tree for the sticky resin that exudes from its spring buds, which he liked to rub into his dry cracked hands. The scent is memorable, both sweet and green, and invokes the smell of spring ground awakening from a long winter.

The big tree stands apart from the rest of the forest, always a sentinel of the seasons, blowing cotton fluff in the late spring and heart-shaped leaves in the fall, covering the surrounding fields.

The buds may well have healing properties, as described in the Book of Jeremiah in the Old Testament, but it is this tree that I depend upon for its unblinking steadiness through the worst wind storms, the driest summers and our iced-over winters. The cottonwood, in its multi-armed reach to the skies, is balm to my eyes, no matter when I look at it — a dream of the healing I’ll find someday in heaven for all that ails me.