The trees are undressing, and fling in many places— On the gray road, the roof, the window-sill— Their radiant robes and ribbons and yellow laces; A leaf each second so is flung at will, Here, there, another and another, still and still.
A spider’s web has caught one while downcoming, That stays there dangling when the rest pass on; Like a suspended criminal hangs he, mumming In golden garb, while one yet green, high yon, Trembles, as fearing such a fate for himself anon. ~Thomas Hardy “Last Week in October”
We too are flung into the unknown, trembling tethered in the breezes, unready to let go of what sustains us, fated to be tossed wherever the wind blows us.
If caught up by a silken thread, left to dangle, suspended by faith, we await the hope of rescue, alone and together, another and another, still and still.
Everything is made to perish; the wonder of anything at all is that it has not already done so. No, he thought. The wonder of anything is that it was made in the first place. What persists beyond this cataclysm of making and unmaking? ~Paul Hardingfrom Tinkers
What persists indeed?
There are times when all appears to be perishing, especially in this dying time of year when the world is drying and burning up around us, blowing smoke hundreds of miles like a giant overhead dust storm soiling the air.
Each breath reminds us that we are mere ashes.
The obituary pages predominate in the paper, accompanying an overload of ongoing cases of contagious illness, bad news, riots and a pandemic of angry rhetoric.
All appears to be perishing with no relief or hope.
Waning light and shortening days color my view like the haze in the sky painting a sunset blood red. This darkness is temporary and inevitably is helpless; it can never overcome the Light of all things made.
Life persists in the midst of perishing because of the cataclysm of a loving and bleeding God dying as sacrifice on our behalf.
Nothing, nothing can ever be the same – He remains here with us through this. We only need to call His name.
God goes where God has never gone before. ~ Kathleen Mulhern in Dry Bones
The grace of God means something like: Here is your life. Here is the world. Beautiful and terrible things will happen. Don’t be afraid. I am with you. ~Frederick Buechner in Wishful Thinking in Beyond Words
What is it that goes on within the soul, that it takes greater delight if things it loves are found or restored to it than if it had always possessed them? …The storm tosses seafarers about and threatens them with shipwreck: they all grow pale at their coming death. Then the sky and the sea become calm, and they exult exceedingly, just as they had feared exceedingly. Or a dear friend is ill.… All those who long to see him in good health are in mind sick along with him. He gets well again, and although he does not yet walk with his former vigor, there is joy such as did not obtain before when he walked well and strong.…everywhere a great joy is preceded by a greater suffering. ~Augustine of Hippo from Confessions
The ghosts swarm. They speak as one person. Each loves you. Each has left something undone.
Today’s edges are so sharp they might cut anything that moved. ~Rae Armantrout from “Unbidden”
(written 19 years ago today on the evening of 9/11/01 – with the ongoing events of this year, I find I need to remind myself yet again)
Tonight was a moment of epiphany in my life as a mother and farmer. This world suddenly feels so uncertain after the horrific and tragic events today, yet simple moments of grace-filled routine offer themselves up unexpectedly. I know the Lord is beside us no matter what has happened.
For me, the routine is tucking the horses into bed, almost as important to me as tucking our children into bed. In fact, my family knows I cannot sit down to dinner until the job is done out in the barn–so human dinner waits until the horses are fed and their beds prepared.
My work schedule is usually such that I must take the horses out to their paddocks from their cozy box stalls while the sky is still dark, and then bring them back in later in the day after the sun goes down. We have quite a long driveway from barn to the paddocks which are strategically placed by the road so the horses are exposed to all manner of road noise, vehicles, logging, milk and hay trucks, school buses, and never blink when these zip past their noses. They must learn from weanling stage on to walk politely and respectfully alongside me as I make that trek from the barn in the morning and back to the barn in the evening.
Bringing the horses in tonight was a particular joy because I was a little earlier than usual and not needing to rush: the sun was setting golden orange, the world had a glow, the poplar, chestnut and maple leaves carpeting the driveway and each horse walked with me without challenge, no rushing, pushing, or pulling–just walking alongside me like the partner they have been taught to be.
I enjoy putting each into their own box stall bed at night, with fresh fluffed shavings, a pile of sweet smelling hay and fresh water. I see them breathe a big sigh of relief that they have their own space for the night–no jostling for position or feed, no hierarchy for 12 hours, and then it is back out the next morning to the herd, with all the conflict that can come from coping with other individuals in the same space. My horses love their stalls, because that is their safe sanctuary where peace and calm is restored, that is where they get special scratching and hugs, and visits from a little red haired girl who loves them and sings them songs.
Then comes my own restoration of returning to the sanctuary of our house, feeding my human family and tucking three precious children into bed, even though two are now taller than me. The world feels momentarily predictable within our walls, comforting us in the midst of devastation and tragedy elsewhere. Hugging a favorite pillow and wrapping up in a familiar soft blanket, there is warmth and safety in being tucked in.
I’ll continue to search for these moments of restoration whenever I’m frightened, hurting and unable to cope. I need a quiet routine to help remind me how blessed we are to be here to wake each morning to regroup, renew and restore when it seems even the ground has given way.
A writer should concern himself with whatever absorbs his fancy, stirs his heart, and unlimbers his typewriter. I feel no obligation to deal with politics. I do feel a responsibility to society. A writer has the duty to be good, not lousy; true, not false; lively, not dull; accurate, not full of error. He should tend to lift people up, not lower them down.
A writer must reflect and interpret his society, his world; he must also provide inspiration and guidance and challenge. Much writing today strikes me as deprecating, destructive, and angry. There are good reasons for anger, and I have nothing against anger. But I think some writers have lost their sense of proportion, their sense of humor, and their sense of appreciation.
I am often mad, but I would hate to be nothing but mad: one role of the writer today is to sound the alarm. The environment is disintegrating, the hour is late, and not much is being done. Instead of carting rocks from the moon, we should be carting the feces out of Lake Erie. …I think I would lose what little value I may have as a writer if I were to refuse, as a matter of principle, to accept the warming rays of the sun, and to report them, whenever, and if ever, they happen to strike me. ~E.B. White 1969 (on writing)
It becomes tiresome always feeling angry about what it is happening in the world, feeling that everything, even a virus, has been made political. I’m done with reading and writing nothing but words of frustration, but will rail against the meanness that surrounds us, and push back the bully to seek out a balance of perspective and insight.
When I need to feel something other than mad, I’ll walk as far as I can go, look up, revel in the gift of rays of light and bask in their warmth and promise.
I will accept what the sun has to offer and tell about it so that my anger drains away like so much waste flushed down a pipe, never to be seen again.
Try as I might to hold fear and suffering to the periphery of my vision, it is difficult to keep them there; like a morning fog clutching at the ground, bad news creeps out and covers everything, distorting truth and color and light, yet so seductive by softening the rough edges until reality hits.
Maybe I can turn away Maybe it won’t reach me Maybe it is all mirage, someone’s imagining.
Still, I can no longer be mere audience to the events of the day, too weak in the knees to do anything. The trouble that lies beyond this hill touches us all.
I kneel in silent witness: to wait, to listen, to pray for a flood of stillness to cover us.
The gaps are the thing. The gaps are the spirit’s one home, the altitudes and latitudes so dazzlingly spare and clean that the spirit can discover itself like a once-blind man unbound. The gaps are the clefts in the rock where you cower to see the back parts of God; they are fissures between mountains and cells the wind lances through, the icy narrowing fiords splitting the cliffs of mystery. Go up into the gaps. If you can find them; they shift and vanish too. Stalk the gaps. Squeak into a gap in the soil, turn, and unlock —more than a maple— a universe. ~Annie Dillard from Pilgrim at Tinker Creek
I think there is a yawning gaping separation threatening us right now.
I feel a fissuring gap in my life. People who have eaten at our table, shared our home, who we have worshiped alongside – are now estranged, no longer trusting. This separation is buoyed by the chill wind of politics blowing bitterly where once there was warmth and nurture and caring.
We no longer understand one another. We no longer listen to one another. The argument has become more important than the connection.
How can we even allow these gaps between us to develop? How do we fill these fissures with enough of ourselves so something new and vital can grow? How can we stalk the gaps together, knowing how we are all exposed?
Not one of us has the corner on the Truth; if we are honest with ourselves and each other, we cower together for safety in the cracks of this world, watching helplessly as the backside of God passes by too holy for us to gaze upon. He places us there together for our own good. I see you there alongside me.
We are weak together. We are dependent together. We need each other.
Only His Word – nothing else – can fill the open gaping hollow between us. His Grace is great enough to fill every hole bridge every gap bring hope to the hopeless plant seeds for the future and restore us wholly to each other.
Every time I turn to peer at my reflection in the mirror,
a cruel bargain comes in play: the glass takes off another day
from my expected living span. It’s vanity’s fair payment plan.
Each time I look I pay, alas. I see already how the glass
has laced its silver in my hair, my youth was stolen unaware.
The real me just fades away, glance by glance, day by day,
until too late I’ll turn to see the mirror has stolen off with me! ~John Thornberg “Stolen Glances”
Reflections sometimes are blurred and not altogether an accurate representation of the real thing.
When I look at how I’ve changed over the years, as I pass by, just catching a glance in the mirror, I marvel at how the same brain and heart can exist in such a changing shell. I am still me, but the mirror seems to be stealing away the girl and young woman that I was.
And it is as it must be: no fountain of youth on this soil.
Further in Summer than the Birds Pathetic from the Grass A minor Nation celebrates Its unobtrusive Mass.
No Ordinance be seen So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
Antiquest felt at Noon When August burning low Arise this spectral Canticle Repose to typify
Remit as yet no Grace No Furrow on the Glow Yet a Druidic Difference Enhances Nature now ~Emily Dickinson
“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:
So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.” ~N. Scott Momaday from The Man Made of Words
On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard. He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition. In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a white New England recluse poet — someone as culturally distant from him and his people as possible.
But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem. What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.
As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending. Not only are the skies are filled with smoke from uncontrolled wildfires, but the streets are filled with protesters and counter-protesters who loot and shoot rather than meet to ask questions, and our future is filled with the uncertain timeline of ongoing pandemic destruction as nature has the upper hand yet again.
There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.
Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone. The Word brings Grace, like no other, to pathetic and transient man who shall emerge transformed.
There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.
Who made the world? Who made the swan, and the black bear? Who made the grasshopper?
I don’t know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I have been doing all day. Tell me, what else should I have done? Doesn’t everything die at last, and too soon? Tell me, what is it you plan to do with your one wild and precious life?
I’m reminded daily of how short our time on earth is – the evidence is everywhere. Yesterday it was the stark finality of discovering a beetle-cleaned bighorn sheep skull in the woods, in addition to the bold reality of a black bear paw print on the car sitting next to our cabin.
Each day I receive an email from the local hospital where I’ve had clinical privileges for 35 years – it innumerates the number of admitted COVID-19 cases and deaths, the number of ICU beds filled and the number of ventilators in use. Reading those numbers is like scanning the obituaries for names and ages and causes of death in the newspaper, the only consistent thing I read in the paper anymore. The deaths are reported dispassionately, as if they are inevitable, which they are, yet each happens too soon.
Much too soon.
So the admonition is to pay attention to each living thing and witness each moment, falling onto the grass in worship of this “wild and precious life” I’ve been given rather than dwell on the future when I’ll be buried under the grass.
I shall celebrate being a consumer of this precious life, overjoyed by these sweet weeds and colorful wildflowers. There is still much that awaits me on this earth before, inevitably, I too become the consumed.
My life flows on in endless song above earth’s lamentation. I hear the real, though far-off hymn that hails a new creation. No storm can shake my inmost calm, while to that rock, I’m clinging Since love prevails in heaven and earth, How can I keep from singing?
Through all the tumult and the strife I hear its music ringing It sounds an echo in my soul How can I keep from singing?
While though the tempest round me roars, I know the truth, it liveth. And though the darkness round me close, songs in the night it giveth. No storm can shake my inmost calm, while to that rock, I’m clinging Since love prevails in heaven and earth, How can I keep from singing?
I Lift my eyes. The cloud grows thin; I see the blue above it. And day by day, this pathway smooths, since first I learned to love it. No storm can shake my inmost calm, I hear the music ringing. It sounds an echo in my soul. How can I keep from singing? ~Robert Lowry
We are spending a few precious days with our grandson in Colorado before his first birthday. He loves being sung to – he rocks and bops to the melodies and rhythms and then relaxes to sleep listening to us sing the quiet evening hymns we sang to his father at night.
He will see so much in his lifetime that we can’t even imagine. Already in his short time on earth there have been plenty of cataclysmic events, and without a doubt, more are in store.
No matter what comes, we pray he will always hear his parents’ and four grandparents’ voices resounding inside his head when things get rough. The hymns and the prayers said over him will give him calm and confidence in the face of trouble.
God’s reality and truth are shared with him in songs and words every day, and as he someday raises children of his own, how can he keep from singing that out when it is most needed?