The Sweet Ache of Memories

All day the stars watch from long ago
my mother said I am going now
when you are alone you will be all right
whether or not you know you will know
look at the old house in the dawn rain
all the flowers are forms of water
the sun reminds them through a white cloud
touches the patchwork spread on the hill
the washed colors of the afterlife
that lived there long before you were born
see how they wake without a question
even though the whole world is burning

~W.S. Merwin “Rain Light”

Well-away and be it so,
To the stranger let them go.
Even cheerfully I yield
Pasture, orchard, mowing-field,
Yea and wish him all the gain
I required of them in vain.
Yea and I can yield him house,
Barn, and shed, with rat and mouse
To dispute possession of.
These I can unlearn to love.
Since I cannot help it? Good!
Only be it understood,

It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.
~Robert Frost from “On the Sale of My Farm”

the farm where I grew up in east Stanwood
the Stanwood farm from the road

From the road, each of the two small farms where I grew up in western Washington state (Stanwood and Olympia) look nothing like they did in my childhood.  When I drive past now, whether on Google Earth virtually or for real, the outbuildings have changed and are unfamiliar, fences pulled down, the trees exponentially taller or gone altogether, the fields no longer well-tended. Instead the familiarity is in the road to get there, the lean into the curves, the acceleration in and out of dips, the landscape which triggers a simultaneous comfort and disquiet deep in my DNA.

Though my brother once stopped and got permission to look around our long-ago childhood home, and sent me pictures that looked barely recognizable, I myself have never stopped to knock; instead I have driven slowly past to sense if I feel what I used to feel in these places.  My memories are indeed triggered but feel a bit as if they must have happened to someone else.

I have the same feeling when driving past my parents’ childhood farms on Similk Bay on Fidalgo Island and in the Palouse wheat fields. Part of me belongs to these places even though they have never been truly “mine” – only part of sweet memories from my own childhood.

barn on Olympia farm
Olympia house
the driveway to my mother’s Palouse farm where she grew up
my mother’s childhood home in Spring Valley, the Palouse

One clinic day years ago, I glanced at the home address of a young man I was about to see for a medical issue and I realized he now lived in my childhood home located over 100 miles away.  When I greeted him I told him we had something in common: we had grown up under the same roof, inside the same walls, though children of two different generations. 

He was curious but seemed skeptical — how could this gray-haired middle aged woman know anything about his home?  He told me a bit about the house, the barn, the fields, the garden and how he experienced it felt altogether strange to me.  He and I had shared nothing but a patch of real estate — our recollections were so completely disparate.

The two daughters of the family who sold our current farm to us over thirty years ago have been back to visit a time or two, and have driven by whenever they are in the area. Many things remain familiar to them but also too much has changed – it is not quite the same farm they remember from their childhood. I know it aches to visit here but they do let me know when a photo I post has a particular sweet memory for them.

I worry for the fearsome ache if someday, due to age or finances, we must sell this farm we cherish ~ this beloved place our children were raised, animals bred and cared for, fruit picked from an ancient orchard, plants tended and soil turned over. It will remain on the map surely as the other two farms of my past, visible as we pass by slowly on the road, but primarily preserved in the words and photos I harvest here.

Only be it understood,
It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.


There will always be hoping something will still remain familiar on the map of my memory. After all, there is no such beauty as the place where I belonged – now and forever ago.

eveningporch51218

Tell me, where is the road
I can call my own
That I left, that I lost
So long ago?
All these years I have wandered
Oh, when will I know
There’s a way, there’s a road
That will lead me home

After wind, after rain
When the dark is done
As I wake from a dream
In the gold of day
Through the air there’s a calling
From far away
There’s a voice I can hear
That will lead me home

Rise up, follow me
Come away, is the call
With the love in your heart
As the only song
There is no such beauty
As where you belong
Rise up, follow me
I will lead you home
~Michael Dennis Browne

Blossoms Pure and White…

O! my heart now feels so cheerful as I go with footsteps light
      In the daily toil of my dear home; 
And I’ll tell to you the secret that now makes my life so bright—
      There’s a flower at my window in full bloom. 

It is radiant in the sunshine, and so cheerful after rain; 
        And it wafts upon the air its sweet perfume. 
It is very, very lovely! May its beauties never wane—
        This dear flower at my window in full bloom. 

Nature has so clothed it in such glorious array, 
      And it does so cheer our home, and hearts illume; 
Its dear mem’ry I will cherish though the flower fade away—
      This dear flower at my window in full bloom. 

Oft I gaze upon this flower with its blossoms pure and white. 
        And I think as I behold its gay costume, 
While through life we all are passing may our lives be always bright 
        Like this flower at my window in full bloom.

~Lucian Watkins “The Flower at My Window” from Voices of Solitude

Details of the life of poet Lucian Watkins are few: a black man born in 1879 in Virginia, educated as a teacher, a writer and poet, then served as a U.S. Army Sergeant during WWI in the Philippines and France, dying of an unknown illness in Fort McHenry hospital in 1921.

He leaves behind only a handful of poems, including the one above.

Among the sparse information available about Lucian are three letters written by him. This was a young man who earnestly wanted to have both a writing career and a “bread-winning vocation.” He describes feeling compelled to compose poetry, no matter what else he accomplishes.

The obvious challenges he faced –
–as a black man looking for a suitable place to live in Illinois so he can attend a college where there are no other people of color nearby,
–as a veteran of a most horrific war,
–as a creative mind trying to find a way to make a living.

He writes passionately about the aspirational purity of a white flower outside his window. Its bright radiance represents what he longs for in his own life.

From his letter to President Bissell of Bissell Colleges in Effingham, Illinois in 1919 after President Bissell is unable to assist in finding him a place to live, having suggested that the war veteran might consider “doing light housekeeping” – essentially live as a servant in a white household:

“About this matter of a boarding place. While I had hoped to obtain board with a member of my own race in Effingham, I had not thought it imperative that I should do so. I feel sure that there is enough Christianity in Effingham to provide that a brother-stranger in their midst shall not die of hunger.

What would Jesus do?

It seems that some places in the south they rise more readily to our American ideal of democracy than in the North and Middle-West. ‘The Richmond Planet’ of Richmond, Va., states that ‘right here in Richmond, the capital of the late Confederacy, colored soldiers are welcomed to aristocratic Westhampton, and with no sigh of racial discrimination or antipathy to their being there.’

What is the matter with Illinois?

I am not sure as to what your question involves. We shall talk it over when I arrive. There must be a way that is just and that will be good for all concerned. Very respectfully, signed Lucian B. Watkins

**This man was not only a poet. He was a statesman.**

And a few months later, to the Editor of Crisis Magazine, the publication for the NAACP:

I have tried my best to forget poetry since being here – this with the hope I could the better prepare for a sure-enough bread-winning vocation. But the spell is on me again.

With me, this thing is a madness. I hope you understand me, as it is really a painful matter that I have never expressed to anyone before. I have always felt that people can never know as to what this fever means.

Had I the world to give, I would give it freely for my ability to concentrate my mental and physical forces on real money-earning work as I seem compelled to do in the making of a quatrain. Now unless I can get away from this verse-making obsession, I must fail in everything, because success as a poet means very little, in a material way, even for those who are called masters in the art.

I hope you will pardon me for this much of your time I have taken.

Though Lucian Watkins’ life was cut short by an unknown illness, and his portfolio of poetry is small, he is nonetheless a gift to generations of future poets and readers.

This black artist did not let the inevitable rainfall in his life discourage his world view; he himself is radiant with illumination, showing a budding cheerfulness. His work reminds us:

Something as simple as observing a resilient flower outside our window can help heal painful hurts and fulfill our deepest longing.

Something as basic as seeing life through different perspectives or lenses can make all the difference in how we feel about our existence.

In his writing, Lucian Watkins draws a thin line between joy and sorrow, embracing joy in a simple white flower in full bloom —
before it, as will we all, fades away.

From this low-lying valley; Oh, how sweet 
And cool and calm and great is life, I ween, 
There on yon mountain-throne—that sun-gold crest! 

From this uplifted, mighty mountain-seat: 
How bright and still and warm and soft and green
Seems yon low lily-vale of peace and rest! 

~Lucian Watkins “Two Points of View”

from Artist Point
photo by Josh Scholten — view of Mt Shuksan from the top of Mt. Baker
photo by Josh Scholten – dawn from the top of Mt. Baker, seeing its shadow to the west

Flower gleam and glow
let your power shine
make the Clock reverse
bring back what once was mine
What once was mine
Heal what has been hurt
change the fate’s design
Save what has been lost
bring back what once was mine
what once was mine

~Healing Song from Tangled

https://www.youtube.com/embed/gYyasBjwoCc?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparentNo matter if you’re bornTo play the king or pawnFor the line is thinly drawn ‘tween joy and sorrowSo my fantasy becomes realityAnd I must be what I must be and face tomorrowSo I’ll continue to continue to pretendMy life will never endAnd flowers never bend with the rainfall~Paul Simon

Always Enough


There is always enough.
       My old cat of long years, who
              stayed all the months of his dying,


though, made sick by food,
       he refused to eat, till, long-stroked,
              he turned again to accept


another piece of dry catfood
       or spoonful of meat, a little water,
              another day through which


he purred, small engine
       losing heat—I made him nests
              of pillow and blanket, a curve of body


where he curled against my legs,
       and when the time came, he slipped out
              a loose door into the cold world


whose abundance included
              the death of his choosing.

~Robin Chapman “Enough” from Abundance

\

I remember the long orange carp you once scooped
from the neighbor’s pond, bounding beyond
her swung broom, across summer lawns

to lay the fish on my stoop. Thanks
for that. I’m not one to whom offerings
often get made. You let me feel

how Christ might when I kneel,
weeping in the dark
over the usual maladies: love and its lack.

Only in tears do I speak
directly to him and with such
conviction. And only once you grew frail

did you finally slacken into me,
dozing against my ribs like a child.
You gave up the predatory flinch

that snapped the necks of so many
birds and slow-moving rodents.
Now your once powerful jaw

is malformed by black malignancies.
It hurts to eat. So you surrender in the way
I pray for: Lord, before my own death,

let me learn from this animal’s deep release
into my arms. Let me cease to fear
the embrace that seeks to still me.
~Mary Karr “For a Dying Tomcat Who’s Relinquished His Former Hissing and Predatory Nature”

I have reposted these memories of José after learning of my farmer friend Zach’s recent loss of his 16 year old black farm cat friend Toby, after years of love, companionship, shenanigans and persistent doctoring…

When you look back, Zach, you’ll know Toby’s secret power was to always be enough to get you through the day…

José had been our front porch cat for years.

Not our garage cat, our upper barn cat, our lower barn cat or those that come and go on the farm because we’re a hospitable place where food is always on the table.

He was the king of the farm cats.  No one questioned him (usually) and no one occupied his front porch bench/throne without his express permission. His Majesty showed mercy to any who showed proper submission, and every once in awhile, that included the dogs.

He trained every pup here over the years.

He was the official front porch farm greeter, rising from his throne cushion to investigate any newcomer walking up the sidewalk, mewing a cheerful little “chirp” of a meow in welcome. Then he turned around and returned to his perch.

José was a performance cat, having been trained in his younger years to ride on a bareback pad on our Haflingers, at walk, trot and over jumps (sorry, no pictures). This once again proved his ability to get any creature, large or small, to submit to his will.

The only love of his life was our daughter, Lea. As José arrived to our farm at an indeterminate age, we didn’t really know how many years he would be with us. Before Lea headed off to college, and when home on breaks, they had many happy snuggles together for nearly 15 years.

During our harsh winter storms, José would move to a warm farm building with all the necessary provisions until the storm was done, then reclaim his favorite spot on the front porch when he deemed it cozy enough to be worthy of him.

After one particularly nasty storm, when the cold northeast wind went away, José didn’t return from his hiding place.

I looked, I called, I left goodies out. But no José. No chirpy meow, no yellow-eyed gaze, no black velvet fur to stroke, no rumbly purr to vibrate in my lap. I think this tough cat chose a bad winter to leave for warmer quarters far far away.

I suspect – as I still keep an eye out for it — there must be a velvety black coat he abandoned somewhere here on the farm.

He simply didn’t need it any more and unafraid, he left it behind.

photo by Lea

Gone to Feed the Roses

Done are the toils and the wearisome marches,
Done is the summons of bugle and drum.
Softly and sweetly the sky overarches,
Shelt’ring a land where Rebellion is dumb.
Dark were the days of the country’s derangement,
Sad were the hours when the conflict was on,
But through the gloom of fraternal estrangement
God sent his light, and we welcome the dawn.
O’er the expanse of our mighty dominions,
Sweeping away to the uttermost parts,
Peace, the wide-flying, on untiring pinions,
Bringeth her message of joy to our hearts.

Ah, but this joy which our minds cannot measure,
What did it cost for our fathers to gain!
Bought at the price of the heart’s dearest treasure,
Born out of travail and sorrow and pain;
Born in the battle where fleet Death was flying,
Slaying with sabre-stroke bloody and fell;
Born where the heroes and martyrs were dying,
Torn by the fury of bullet and shell.
Ah, but the day is past; silent the rattle,
And the confusion that followed the fight.
Peace to the heroes who died in the battle,
Martyrs to truth and the crowning of Right!

Out of the blood of a conflict fraternal,
Out of the dust and dimness of death,
Burst into blossoms of glory eternal
Flowers that sweeten the world with the breath.
Flowers of charity, peace, and devotion
Bloom in the hearts that are empty of strife;
Love that is boundless and broad as the ocean
Leaps into beauty and fullness of life.
So, with the singing of paeans and chorals,
And with the flag flashing high in the sun,
Place on the graves of our heroes the laurels
Which their unfaltering valor has won!

~Paul Dunbar “Ode for Memorial Day”

homepristinerose

I am not resigned to the shutting away
of loving hearts in the hard ground.
So it is, and so it will be,

for so it has been, time out of mind:

Into the darkness they go, the wise and the lovely.  Crowned
With lilies and with laurel they go; but I am not resigned.
Lovers and thinkers, into the earth with you.
Be one with the dull, the indiscriminate dust.

A fragment of what you felt, of what you knew,
A formula, a phrase remains,—but the best is lost.
The answers quick and keen, the honest look,

the laughter, the love,—
They are gone.  They are gone to feed the roses.  Elegant and curled
Is the blossom.  Fragrant is the blossom.  I know. 

But I do not approve.

More precious was the light in your eyes
than all the roses in the world.
Down, down, down into the darkness of the grave
Gently they go, the beautiful, the tender, the kind;

Quietly they go, the intelligent, the witty, the brave.
I know.  But I do not approve.  And I am not resigned.
~Edna St. Vincent Millay “Dirge Without Music”

weepingrose

Each Memorial Day weekend without fail ~

we gather with family, have lunch, reminisce,
and trek to a cemetery high above the Sound
to catch up with our relatives who lie there, still.
Some for nearly 120 years, some more recent,
some we knew and loved and miss every day,
others not so much, unknown to us
except on genealogy charts,
their long-ago names and dates and these stones
all that is left of them.

Seven generations together briefly,
above and below the ground,
age 6 through 200 years.

Yet we know each
(as we know for ourselves and others)
was tender and kind, even though flawed and broken,
was beautiful and strong, even though wrinkled and frail,
was hopeful and faithful, even though too soon in the ground.

We know this about them
as we know it about ourselves:
someday we too will feed roses,
the light in our eyes transformed into elegant swirls
emitting the fragrant scent of heaven.

No one asks if we approve.
Nor am I resigned to this but only know:
So it is, so it has been, so it will be.

roseonblack

Goin’ home, goin’ home,
I’m a goin’ home;
Quiet like, some still day,
I’m jes’ goin’ home.
It’s not far, jes’ close by,
Through an open door;
Work all done, care laid by,
gwine to fear no more.

Mother’s there ‘spectin’ me,
Father’s waitin’ too;
Lots o’folk gather’d there,
All the friends I knew.

Home, home,
I’m goin’ home!
Nothin’ lost, all’s gain,
No more fret nor pain,
No more stumblin’ on the way,
No more longin’ for the day,
Gwine to roam no more!

Mornin’ star lights the way,
Res’less dreams all done;
Shadows gone, break o’day,
Real life jes’ begun.

Dere’s no break, ain’t no end,
Jes’ a livin’ on;
Wide awake, with a smile.
Goin’ on and on.

Goin’ home, goin’ home,
I’m jes’ goin’ home.
It’s not far, jes’ close by,
Through an open door;
I’m jes’ goin’ home.
Goin’ home.

A Delicate Sadness of Dusk

The talkative guest has gone,
and we sit in the yard
saying nothing. The slender moon
comes over the peak of the barn.

The air is damp, and dense
with the scent of honeysuckle. . . .
The last clever story has been told
and answered with laughter.

With my sleeping self I met
my obligations, but now I am aware
of the silence, and your affection,
and the delicate sadness of dusk.
~Jane Kenyon, “The Visit” from Collected Poems

From morning suns and evening dews
At first thy little being came:
If nothing once, you nothing lose,
For when you die you are the same;
The space between, is but an hour,
The frail duration of a flower.
~Philip Freneau from “The Wild Honey Suckle”

It sprang up wild along the chain link fence—thick,
with glorious white
and yellow summer blooms, and green tips that we
pinched and pulled for one
perfect drop of gold honey. But Dad hated
it—hated its lack
of rows and containment, its disorder. Each
year, he dug, bulldozed,
and set fire to those determined vines. But each
year, they just grew back
stronger. Maybe that’s why I felt the urge to
plant it that one day
in May, when cancer stepped onto my front porch
and rang the doorbell,
loose matches spilling out of its ugly fists.
~Karla Morton “Honeysuckle” from Accidental Origami: New and Selected Works

Some things are very dear to me–
Such things as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain . . .
The iridescence of a gem,
The moon’s cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.
And many sounds are also dear–
Like winds that sing among the trees
Or crickets calling from the weir
Or Negroes humming melodies.
But dearer far than all surmise
Are sudden tear-drops in your eyes
~Gwendolyn Bennett— Sonnet 2

I am an easy cryer. It takes very little to tip me over the edge: a hymn, a poem, simply witnessing a child’s joy.

Suddenly my eyes fill up.

I blame this on my paternal grandmother who was in tears much of the time while visiting our family, crying happy, crying sad, crying frustrated and angry tears, crying desperate tears after being diagnosed with metastatic pancreatic cancer. I think of her often as she was the age I am now, grateful I too have not been visited with such dire news.

My greatest trigger to weep myself is watching someone else tear up.
I think my grandmother left behind some powerful empathy genes and I will honor that when I visit her grave this weekend to lay flowers.

I needed to desensitize my response to others’ tears to be effective as a physician/healer. Witnessing tears in the exam room is a normal part of the job: patients are anxious, ill, in pain or just need to decompress in safety. I learned early on to be unobtrusive and not interrupt, letting the flow of tears be part of how the patient was trying to communicate their distress. It was a struggle when my inclination was to cry right along with them.

But I needed to remain the rock in the room, solid and steady. I could understand their tears as yet another symptom of a clinical presentation, allowing me to observe without being clouded by my own emotional response.

Sometimes that worked. Sometimes not. At times overwhelmed myself, I wept at births, I wept at deaths, I wept at the sharing of bad news.

Now retired and liberated from the exam room, I freely and regularly weep at the state of the world, or when I read of disaster and tragedy, and especially when I witness intentional harm and cruelty in others. I’m no longer a stone, but more like an over-filled sponge being squeezed – everything builds up until I can hold it no more.

Reading headlines in the news is sometimes more than I can bear.
I cry myself dry.

And that is okay, thanks to Grandma. Once emptied out, I can be filled again by so much that is good and precious and beautiful in this life – a sad and delicate dusk, the promising light of dawn, the persistence of the wild honeysuckles, the raindrops on colorful blooms, the resonance of a heartfelt spiritual, the love of my husband, children, grandchildren and friends.

Now those are worth weeping over.

The Bee-Loud Glade

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made;
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the morning to where the cricket sings;
There midnight’s all a glimmer, and noon a purple glow,
And evening full of the linnet’s wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart’s core.

~William Butler Yeats “The Lake Isle of Innisfree”

O gentle bees, I have come to say
That grandfather fell to sleep to-day.
And we know by the smile on grandfather’s face.
He has found his dear one’s biding place.
So, bees, sing soft, and, bees, sing low.
As over the honey-fields you sweep,—
To the trees a-bloom and the flowers a-blow
Sing of grandfather fast asleep;
And ever beneath these orchard trees
Find cheer and shelter, gentle bees.
~Eugene Field from “Telling the Bees”

Here is the place; right over the hill    
Runs the path I took; 
You can see the gap in the old wall still,    
And the stepping-stones in the shallow brook. 

There is the house, with the gate red-barred,    
And the poplars tall; 
And the barn’s brown length, and the cattle-yard,    
And the white horns tossing above the wall. 

There are the beehives ranged in the sun;    
And down by the brink 
Of the brook are her poor flowers, weed-o’errun,    
Pansy and daffodil, rose and pink. 

A year has gone, as the tortoise goes,    
Heavy and slow; 
And the same rose blows, and the same sun glows,    
And the same brook sings of a year ago. 

I can see it all now,—the slantwise rain    
Of light through the leaves, 
The sundown’s blaze on her window-pane,    
The bloom of her roses under the eaves. 

Just the same as a month before,—    
The house and the trees, 
The barn’s brown gable, the vine by the door,—    
Nothing changed but the hives of bees. 

Before them, under the garden wall,    
Forward and back, 
Went drearily singing the chore-girl small,    
Draping each hive with a shred of black. 

Trembling, I listened: the summer sun    
Had the chill of snow; 
For I knew she was telling the bees of one    
Gone on the journey we all must go! 
~John Greenleaf Whittier from “Telling the Bees”

If you talk to him,
he will not pretend to be
an ordinary man.
He won’t let on
he is one who isn’t afraid to hold
in his outstretched hands
the buzzing gold.

He won’t tell you he is the man who keeps farmers
warm in their livelihood,
or the man who keeps the grocery shelves
full, then adds, simply for good measure,
jars of his shining honey.
He won’t explain that he is the one
who sets his suffering neighbors
free from their pain
with gifts of jars that sting.

He won’t let on to be the lifegiver or a god.
He will pretend he is just an old man with sand-colored hair,
a blue truck heavy with breezy hives,
and a comb-spinner in his cellar.

~Sidney Hall Jr., from This Understated Land

…The world was really one bee yard,
and the same rules work fine in both places.
Don’t be afraid, as no life-loving bee wants to sting you.
Still, don’t be an idiot; wear long sleeves and pants.
Don’t swat. Don’t even think about swatting.
If you feel angry, whistle.

Anger agitates while whistling melts a bee’s temper.
Act like you know what you’re doing, even if you don’t.
Above all, send the bees love. Every little thing wants to be loved.

~Sue Monk Kidd from The Secret Life of Bees

He calls the honeybees his girls although
he tells me they’re ungendered workers
who never produce offspring. Some hour drops,
the bees shut off. In the long, cool slant of sun,
spent flowers fold into cups. He asks me if I’ve ever
seen a Solitary Bee where it sleeps. I say I’ve not.
The nearest bud’s a long-throated peach hollyhock.
He cradles it in his palm, holds it up so I spy
the intimacy of the sleeping bee. Little life safe in a petal,
little girl, your few furious buzzings as you stir
stay with me all winter, remind me of my work undone.
~Heid E. Erdrich, from “Intimate Detail” from The Mother’s Tongue

It was just like I was telling the bees last night. I saw two of them asleep inside the cup of a hollyhock, covered in pollen, just holding each other’s feet, just sleeping in the flower waiting for the sun to warm them so they could fly off. To see two of them curled up like that, it was very sweet.
~Diana Gabaldon/Matt Roberts from the final episode of Outlander TV series

A beekeeper must be a loving and patient person; the bees know who loves them, and who will always be there to care for them.

An old Celtic tradition necessitates sharing any news from the household with the farm’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death.  This ensures the hives’ well-being and continued connection to home and community – the bees are kept in the loop, so to speak, so they stay at home, not swarm and move on to a more hospitable place.

Each little life safe at home, each little life with work still undone.

Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all.

These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.

Our Creator (the ultimate Beekeeper) says personally to each of us:
“Here is what has happened. All will be well, dear one. We will navigate your life together.”

Not One Will Know

photo by Josh Scholten

There will come soft rains and the smell of the ground,
And swallows circling with their shimmering sound;

And frogs in the pools, singing at night,
And wild plum trees in tremulous white,

Robins will wear their feathery fire,
Whistling their whims on a low fence-wire;

And not one will know of the war, not one
Will care at last when it is done.

Not one would mind, neither bird nor tree,
If mankind perished utterly;

And Spring herself, when she woke at dawn,
Would scarcely know that we were gone.
~Sara Teasdale “War Time  There will come soft rains”

photo by Josh Scholten

Not much to me is yonder lane  
 Where I go every day;  
But when there’s been a shower of rain  
 And hedge-birds whistle gay,  
I know my lad that’s out in France
 With fearsome things to see  
Would give his eyes for just one glance  
 At our white hawthorn tree.

.    .    .    .  

Not much to me is yonder lane  
 Where he so longs to tread:
But when there’s been a shower of rain  
I think I’ll never weep again  
 Until I’ve heard he’s dead.

~Siegfried Sassoon “The Hawthorn Tree”

…war spreading,
families dying,
the world in danger,
I walk the rocky hillside,
sowing clover…

~by Wendell Berry, “February 2, 1968”, from The Peace of Wild Things

The headlines talk about ceasefires on several fronts –
Ukraine/Russia, Israel/Gaza, Iran/U.S.
yet they seem unconvincing.

Still, with talks of peace, drone bombs fly and reap destruction,
their fire and smoke overpowering any negotiations to stop killings.

Modern war attacks remotely
but death is never remote.
It is real and devastating and final.

So the soft rains come,
like long-held-back tears,
trying to heal scarred land
and despairing hearts.

We keep planting for the future,
sowing hope in weary bloody ground.

Swallowed with All Hope

Measure the walls. Count the ribs. Notch the long days.
Look up for blue sky through the spout. Make small fires
with the broken hulls of fishing boats. Practice smoke signals.
Call old friends, and listen for echoes of distant voices.
Organize your calendar. Dream of the beach. Look each way
for the dim glow of light. Work on your reports. Review
each of your life’s ten million choices. Endure moments
of self-loathing. Find the evidence of those before you.
Destroy it. Try to be very quiet, and listen for the sound
of gears and moving water. Listen for the sound of your heart.
Be thankful that you are here, swallowed with all hope,
where you can rest and wait. Be nostalgic. Think of all
the things you did and could have done. Remember
treading water in the center of the still night sea, your toes
pointing again and again down, down into the black depths.
~ Dan Albergotti “Things to Do in the Belly of the Whale” from The Boatloads

“In my distress I called to the Lord,
    and he answered me.
From deep in the realm of the dead I called for help,
    and you listened to my cry.
You hurled me into the depths,
    into the very heart of the seas,
    and the currents swirled about me;
all your waves and breakers
    swept over me.
 I said, ‘I have been banished
    from your sight;
yet I will look again
    toward your holy temple.’
The engulfing waters threatened me,[b]
    the deep surrounded me;
    seaweed was wrapped around my head.
To the roots of the mountains I sank down;
    the earth beneath barred me in forever.
But you, Lord my God,
    brought my life up from the pit.

“When my life was ebbing away,
    I remembered you, Lord,
and my prayer rose to you,
    to your holy temple.

“Those who cling to worthless idols
    turn away from God’s love for them.

 But I, with shouts of grateful praise,
    will sacrifice to you.
What I have vowed I will make good.
    I will say, ‘Salvation comes from the Lord.

~from Jonah 2

Jonsh Leaving the Whale by Jan Brueghel the Elder

“It is a childish work—the whale has the head of a dog
and Jonah looks suspiciously fresh.”

                                                       —www.artbible.info

In candied red, the white-bearded
prophet emerges hands still clasped in prayer,
clean, really clean, maybe too clean, first-day-
of-school clean, baptism clean.  It is a childish
painting, perhaps, the punished coming up
for air after a three-day, divine timeout,
his begging and pleading inside this flesh
box, sincere or not, but he’s out, old and fresh
in a world around him, Brueghel is sure
to make clear, swirling blue-black and solid
brown, the earth’s bruising, perhaps a wish
of healing yellow in the distance, a light
faded behind the eye’s focus. The dogfish
eyes big and rolling back mouth open

like the cave like the tomb like the brown creek
carp we refuse to touch hate to catch squishy
and formless but counted nonetheless.  But
he will dirty himself again after Nineveh
under the vine cussing at God telling
God His own business, and he will forget
the welcoming red the fresh fruit color
of that cloak—the thin (or thinning) clearing
in the background beyond sea and storm,
even the mouth as exit as release.
He will soon forget to consider how
suspicious it is for a man like him
sitting in death’s darkness for three days
to come out so clean so bright so forgiven.

~Jacob Stratman “a poem for my sons when they yell at God” from Christian Century

As I grumble about what I think is wrong with the world, I fail to understand that God has heard much grumbling from His children before. And much of what is wrong with the world is also wrong with me.

It must get tiresome, listening to it.

Perhaps that is why Jonah, who wanted to die rather than deal with the sinful city he had been sent to redeem, was given a little respite for three days to think things over until he understood what his role was.

By counting all those ribs inside the whale, he was thinking about all the things he had done wrong and all the things he should have done, but didn’t.

Whenever I stand in a structure with powerful beams towering over and surrounding me, I too feel swallowed whole. I am no more than a tiny speck within a vast organism.

Nevertheless, small as I am, I still matter to God. I am being prepared to be spit out, to do what I’m supposed to do, and not be concerned nearly as much with my disgruntlement with the rest of the world as with my disgruntlement with myself.

Swallowed whole by hope. Spit out forgiven.

The Lines Went Flat…

First of all, we’ve been using the wrong word all these years. It means without rhythm. The only arrhythmia is asystole, I tell my students. That’s the flat line accompanied by the clang of alarms in all the television dramas. There’s not much you can do about it; the patient is dead and usually stays dead. The correct word to describe all the ways a heart can dance and die is dysrhythmia, which means a disordered rhythm. There’s the soldiered march of ventricular tachycardia or the pirouette twirl of Torsades. Ventricular fibrillation simply quivers on the monitor. When these rhythms occur, the patient is pulseless and sometimes you give magnesium, usually shock, and always pump their chest to the beat of whatever song lives in your head. Once I was speaking with a man who stopped in the middle of a word, and I watched the rhythm on the monitor change. When I didn’t feel a pulse, I started CPR, and then we placed the paddles on his chest and shouted, Clear, just like in the movies. And it worked. He opened his eyes and looked at me and said, I don’t feel good. And I said, It’s okay, I’m going to get you better and smoothed the fair from his forehead, but then the alarms blared and the V tach returned, and we did it all over again—the drugs and compressions and shocks, and his eyes opened one more time and he mouthed I’m scared around the tube I’d placed in his throat, and I said, I’m here with you. But that was the last time he said anything. We didn’t stop for thirty minutes or more. He’d waved to his family when the medics loaded him into the ambulance with just a little chest pain, so they were shocked when I entered the small consult room to tell them he had died. His teenage son collapsed and landed on his knees and punched the ground and said, But we were fighting, and I think the last thing I said was I hate you.

All I’m trying to say is that it’s really important to use the right words.
~Rachel Mallalieu “A Brief History of Arrhythmia” from the journal PEMBROKE MAGAZINE

If you break
break going out not in.
How you live your life I don’t care
but I’ll sell my arms for you,
hold your secrets for ever.

If I speak of death
which you fear now, greatly,
it is without answers,
except that each
one we know is
in our blood.
Don’t recall graves.
Memory is permanent.

~Michael Ondaatje from “To a Sad Daughter”

I was still a kid
interning at State
he reminisces late in the meal—
It was a young red-headed woman
looked like my sister
when the lines went flat
I fell apart
shook
like a car with a broken axle
Went to the head surgeon
a fatherly man
Boy, he said, you got to fill a graveyard
before you know this business
and you just did row one, plot one.
~Alicia Suskin Ostriker, “The Surgeon” from The Book of Seventy

Like many other medical professionals who have worked in the trenches of frontline healthcare, I too am fascinated by the emergency room streaming drama “The Pitt.”

At first, I couldn’t watch without feeling I too should be working at the bedside alongside the ER team, trying my best to do the task assigned to me, responding to each new instruction, grateful when things go as hoped, crushed when nothing helps and the patient is lost.

The Pitt is the newest addition to the canon of medical dramas and feels like the real thing. All the technology is there, the medical terminology and procedures are real, in addition to the fraught interaction of professionals under stress. Most of all, it feels real because it shows patients and their families trying to cope with the worst day of their lives.

And medical miracles do happen, on TV and in real life.

Recently, a church friend was rescued in a drowning event, was unconscious on a ventilator for nearly a week, with much uncertainty about how much damage his brain had endured while under water. Several weeks later, he is now home, dealing with some memory gaps and muscle weakness, but improving strength daily.

Last week, I had the privilege of meeting a middle-aged pastor who was saved a few weeks ago when his heart stopped in his sleep. His wife started CPR, paramedics shocked his heart in the field more than once, he was stabilized in the ER, unconscious on a ventilator, cooled down to a lower body temperature to preserve his brain function.

His care team, along with family and friends, watched and waited and prayed, uncertain what would be the rest of his story.

When he was warmed up 24 hours later, he woke up, able to breathe on his own. Other than no memory for those brief hours of unconsciousness, he is still himself – living with a new awareness of his vulnerability and an immense gratitude, now with an implanted defibrillator in his chest.

The right words after being brought back from the dead?
The right words when we never know if they will be the last words we utter or the last we will ever hear?

I know what they would be for me. I carry them in my heart…

Ordinary as Unmown Grass

I will seek a letter at the mailbox’s red flag, how many more times?
Walk this puddled gravel drive with the dog and cat, how many more times?

Dislike the sight, row of brown molehills risen like my own petty complaints?
Be here to hear the just-before-spring birds tune up, how many more times?

My life, ordinary as unmown grass, tattered and dormant in fencerows….
Sons asleep upstairs under quilts pieced of castoff jeans, how many more times?

Witness sunrise over the barn, frost on the grass, deer by the pines? Think of “Jesus asking that man, Do you want to be made well? How many more times?

Think of Him asking me. Of walking back to the mailbox in late afternoon,
of pulling it open, reaching in again, how many more times?
~Daye Phillippo “Ordinary Ghazal” from Thunderhead

…it’s easy to forget that the ordinary is just the extraordinary that’s happened over and over again. Sometimes the beauty of your life is apparent. Sometimes you have to go looking for it. And just because you have to look for it doesn’t mean it’s not there.
God, grant me the grace of a normal day.

~Billy Coffey

I tend to get complacent in my daily routines, confident in the knowledge that tomorrow will be very much like yesterday.

I look out on plenty of unmown grass.

The reality is there is nothing ordinary about the events of this day or any other – it might have been otherwise and some day it will be otherwise.

I am reminded to stop rushing, take a look around and actually revel in the quiet moments of daily work, chats, walks, meals, and sleep, and yes, lawn mowing. As both of us suffered, one after the other, through a spring cold which interrupted our plans and schedules, we still knew how remarkable it is to just be here living life together.

We are granted peace even, maybe especially, when not feeling well.

Christ came to earth to remind us to dwell richly in the experience of these moments, to live, wanting to be well, despite our limitations.

God knows, such is a foretaste of the heaven which is to come.