A Finisterre Prayer

What words or harder gift
does the light require of me
carving from the dark
this difficult tree?


What place or farther peace
do I almost see
emerging from the night
and heart of me?


The sky whitens, goes on and on.
Fields wrinkle into rows
of cotton, go on and on.
Night like a fling of crows
disperses and is gone.


What song, what home,
what calm or one clarity
can I not quite come to,
never quite see:
this field, this sky, this tree.

~Christian Wiman, “Hard Night”

Some days, although we cannot pray, a prayer
utters itself. So, a woman will lift
her head from the sieve of her hands and stare
at the minims sung by a tree, a sudden gift.

Some nights, although we are faithless, the truth
enters our hearts, that small familiar pain;
then a man will stand stock-still, hearing his youth
in the distant Latin chanting of a train.

Pray for us now. Grade 1 piano scales
console the lodger looking out across
a Midlands town. Then dusk, and someone calls
a child’s name as though they named their loss.

Darkness outside. Inside, the radio’s prayer —
Rockall. Malin. Dogger. Finisterre.

~Carol Ann Duffy “Prayer”

photo by Bob Tjoelker

As a child falling asleep, I prayed to God with moans and groans echoing in my ears.

Growing up on a small farm located about two miles from a bay in Puget Sound, I found myself praying for safety on foggy nights as fog horns moaned in the distance. Scattered throughout the inlet, the horns called out mournful groans of warning to passing freighter ships. The resonant lowing of the horns carried miles over the surrounding landscape due to countless water particles in the fog transmitting sound waves so effectively. The louder the foghorn moan heard on our farm, the thicker and more hazardous the mist in the air. Those horns would make me unspeakably sad for reasons I could only articulate to God. Thus I prayed for the ships, and I prayed for my own shaky navigation through life.

Navigating blind in a fog necessitates taking unpredictable risks. The future can seem a murky mess. I cannot see what lies ahead: I navigate by my wits, by my best guess, but particularly by listening for the low-throated warnings coming from the rocky shores and shallows of those who have gone ahead of me.

I am easily lost in the fog of my fears – disconnected, afloat and circling aimlessly, searching for a touch point of purpose and direction. The isolation I sometimes feel may simply be my own self-absorbed state of mind, sucking me in deep until I’m soaked, dripping and shivering from the smothering gray. If only I trust the fog horn warnings and reassurances from the Word of God, I could charge into the future undaunted.

He is in the pea soup alongside me, awaiting the Sun’s dissipation of the fog. Now I know, nearly seventy years into this voyage, the fog eventually clears. The journey continues on beyond these shores.

Even so, I will keep praying with the resonant voices of wisdom and caution from shore, like the nightly tradition of the BBC radio shipping forecasts that calm so many to sleep to this day. Even a Finisterre (the end of the land) prayer holds us in safety as we find our way home.

Instead of echoing the anxious moans and groans of my childhood prayers, may my voice be heard singing an anthem of hope and promise.

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Who is the Great I Am: A Saturday of Stillness

God goes, belonging to every riven thing he’s made
sing his being simply by being
the thing it is:
stone and tree and sky,
man who sees and sings and wonders why

God goes. Belonging, to every riven thing he’s made,
means a storm of peace.
Think of the atoms inside the stone.
Think of the man who sits alone
trying to will himself into a stillness where

God goes belonging. To every riven thing he’s made
there is given one shade
shaped exactly to the thing itself:
under the tree a darker tree;
under the man the only man to see

God goes belonging to every riven thing. He’s made
the things that bring him near,
made the mind that makes him go.
A part of what man knows,
apart from what man knows,

God goes belonging to every riven thing he’s made.
~Christian Wiman “Every Riven Thing”

The Holy Saturday of our life must be the preparation for Easter,
the persistent hope for the final glory of God. 

The virtue of our daily life is the hope which does what is possible
and expects God to do the impossible. 

To express it somewhat paradoxically, but nevertheless seriously: 
the worst has actually already happened; 
we exist,
and even death cannot deprive us of this. 

Now is the Holy Saturday of our ordinary life, 
but there will also be Easter, our true and eternal life. 
~Karl Rahner “Holy Saturday” in The Great Church Year

This is the day in between when nothing makes sense
 we are lost, hopeless, grieving, riven beyond recognition.

We are brought to our senses by this one Death, this premeditated killing, this senseless act that darkened the skies, shook the earth and tore down the curtained barriers to the Living Eternal God.

The worst has already happened, despite how horrific are the constant tragic events filling our headlines.

Today, this Holy Saturday we are in between, stumbling in the darkness but aware of hints of light, of buds, of life, of promised fruit to come.

The best has already happened; it happened even as we remained oblivious to its impossibility.

We move through this Saturday, doing what is possible even when it feels senseless, even as we feel split apart, torn and sundered.

Tomorrow it will all make sense: our hope brings us face to face with our God who is and was and does the impossible.

So Joseph bought some linen cloth, took down the body, wrapped it in the linen, and placed it in a tomb cut out of rock. Then he rolled a stone against the entrance of the tomb. Mary Magdalene and Mary the mother of Joseph saw where he was laid.
Mark 15:46-47

Wait for the Lord; be strong and take heart and wait for the Lord.
Psalm 27:14

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

I see his blood upon the rose
And in the stars the glory of his eyes,
His body gleams amid eternal snows,
His tears fall from the skies.

I see his face in every flower;
The thunder and the singing of the birds
Are but his voice-and carven by his power
Rocks are his written words.

All pathways by his feet are worn,
His strong heart stirs the ever-beating sea,
His crown of thorns is twined with every thorn,
His cross is every tree.

~Joseph Plunkett “I See His Blood Upon the Rose”

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Freed From Pain and Woe: Weary with Weeping

Jesus comes near and he beholds the city
And looks on us with tears in his eyes,
And wells of mercy, streams of love and pity
Flow from the fountain whence all things arise.
He loved us into life and longs to gather
And meet with his beloved face to face
How often has he called, a careful mother,
And wept for our refusals of his grace,
Wept for a world that, weary with its weeping,
Benumbed and stumbling, turns the other way,
Fatigued compassion is already sleeping
Whilst her worst nightmares stalk the light of day.
But we might waken yet, and face those fears,
If we could see ourselves through Jesus’ tears.

~Malcolm Guite “Jesus Weeps”

On this Holy Monday, facing ahead to
a week of knowing our world is in disarray~
a week of facing our own shame and mortality,
a week where thorns and tears overwhelm the blossoms~~

To remember what He did this week long ago,
to conquer the shroud and the stone,
to defy death,
makes all the difference to me.

Indeed Jesus wept and groaned for us.

To be known for who we are
by a God who weeps for our sin and despair
and groans with pain we caused:
we can know no greater love.

This week ends our living for self, only to die,
and begins our dying to self, in order to live.

And when he drew near and saw the city, he wept over it, saying, “Would that you, even you, had known on this day the things that make for peace!
But now they are hidden from your eyes. 

Luke 19:41

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

Seems the sorrow untold, as you look down the road
At the clamoring crowd drawing near
Feel the heat of the day, as you look down the way
Hear the shouts of Hosanna the King

Chorus
Oh, daughter of Zion your time’s drawing near
Don’t forsake Him, oh don’t pass it by
On the foal of a donkey as the prophets had said
Passing by you, He rides on to die

Come now little foal, though you’re not very old
Come and bear your first burden bravely
Walk so softly upon all the coats and the palms
Bare the One on your back oh so gently

Midst the shouting so loud and the joy of the crowd
There is One who is riding in silence
For He knows the ones here will be fleeing in fear
When their shepherd is taken away

Soon the thorn cursed ground will bring forth a crown
And this Jesus will seem to be beaten
But He’ll conquer alone both the shroud and the stone
And the prophesies will be completed
On the foal of a donkey as the prophets had said
Passing by you He rides on to die
~Michael Card

He Laid Aside His Crown: One Fierce Sweet Hour

On the outskirts of Jerusalem
the donkey waited.
Not especially brave, or filled with understanding,
he stood and waited.

How horses, turned out into the meadow,
   leap with delight!
How doves, released from their cages,
   clatter away, splashed with sunlight.

But the donkey, tied to a tree as usual, waited.
Then he let himself be led away.
Then he let the stranger mount.

Never had he seen such crowds!
And I wonder if he at all imagined what was to happen.
Still, he was what he had always been: small, dark, obedient.

I hope, finally, he felt brave.
I hope, finally, he loved the man who rode so lightly upon him,
as he lifted one dusty hoof and stepped, as he had to, forward.
~Mary Oliver “The Poet thinks about the donkey” from her book Thirst.

photo by Anna Blake

With monstrous head and sickening cry
And ears like errant wings…

The tattered outlaw of the earth,
Of ancient crooked will;
Starve, scourge, deride me: I am dumb,
I keep my secret still.

Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet.
G. K. Chesterton from “The Donkey”

photo by Anna Blake, Infinity Farm

Palm Sunday is a day of dissonance and dichotomy in the church year, very much like the donkey who figured as a central character that day. 

Sadly, a donkey gets no respect, then or now – for his plain and awkward hairy looks, for his loud and inharmonious voice, for his apparent lack of strength — yet he was the chosen mode of transportation for a King riding to His death.

There was a motley parade to Jerusalem: cloaks and palms laid at the feet of the donkey bearing the Son of God, disorderly shouts of adoration and blessings, the rebuke of the Pharisees to quiet the people, His response that “even the stones will cry out” knowing what is to come.

But the welcoming crowd waving palm branches, shouting sweet hosannas and laying down their cloaks did not understand the fierce transformation to come, did not know within days they would be a mob shouting words of derision and rejection and condemnation.

The donkey knew because he had been derided, rejected and condemned himself, yet still kept serving. Just as he was given voice and understanding centuries before to protect Balaam from going the wrong way, he could have opened his mouth to tell them, suffering beatings for his effort. Instead, just as he bore the unborn Jesus to Bethlehem and stood over Him sleeping in the manger, just as he bore a mother and child all the way to Egypt to hide from Herod, the donkey would keep his secret well.  

Who, after all, would ever listen to a mere donkey?

We would do well to pay attention to this braying wisdom. 

The donkey knows – he’s a believer.

He bears the burden we have shirked. He treads with heavy heart over the palms and cloaks we lay down as meaningless symbols of honor. He is the ultimate servant to the Servant who laid aside His crown.

A day of dichotomy —
of honor and glory laid underfoot only to be stepped on, 
of blessings and praise turning to curses,
of the beginning of the end becoming a new beginning for us all.

And so He wept, knowing all this. I suspect the donkey bearing Him wept as well, in his own simple, plain and honest way, and I’m quite sure he kept it as his special secret.

Rejoice greatly, Daughter Zion! Shout, Daughter Jerusalem! See, your king comes to you, righteous and victorious, lowly and riding on a donkey, on a colt, the foal of a donkey.
Zechariah 9:9

This Lenten season I reflect on the words of the 19th century southern spiritual hymn “What Wondrous Love is This”

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A Feather on the Bright Sky

N.Scott Momaday passed into eternity last week at age 89.

On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, a tall, young N.Scott Momaday strolled to the front, wrote the 60 words of an Emily Dickinson poem “Further in Summer”on the blackboard. He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition. In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.

But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through the poem. What on the surface appears a paean to late summer insect droning – doomed to extinction by the desolation of oncoming winter – is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves. As summer begins its descent into the dark death of winter, we, unlike cicadas and crickets, become all too aware we too are descending. There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.

Yet the written Word is not silent; the Word brings Grace unlike any other, even when the summer, pathetic and transient as it is, is gone. The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.

There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted by our Creator God, yielding a fruited plain.

Scott was one of my most remarkable and influential teachers, teaching me to trust memories, to use the best words, and to describe beauty as best I can. I know his words will forever live on.

…<Dickinson’s Further in Summer is> one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time.  The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world.  She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state.  Words are indivisible with the highest realization of human being.
~N.Scott Momaday from The Man Made of Words

Gathered Here Together

Dearly.
How was it used?
Dearly beloved.
Dearly beloved, we are gathered.
Dearly beloved, we are gathered here
in this forgotten photo album
I came upon recently.

Dearly beloved, gathered here together
in this closed drawer,
fading now, I miss you.
I miss the missing, those who left earlier.
I miss even those who are still here.
I miss you all dearly.
Dearly do I sorrow for you.


Sorrow: that’s another word
you don’t hear much anymore.
I sorrow dearly.
~Margaret Atwood from “Dearly”

All day we packed boxes.
We read birth and death certificates.
The yellowed telegrams that announced
our births, the cards of congratulations
and condolences, the deeds and debts,
love letters, valentines with a heart
ripped out, the obituaries.
We opened the divorce decree,
a terrible document of division and subtraction.
We leafed through scrapbooks:
corsages, matchbooks, programs to the ballet,
racetrack, theater—joy and frivolity
parceled in one volume—
painstakingly arranged, preserved
and pasted with crusted glue.
We sat in the room in which the beloved
had departed. We remembered her yellow hair
and her mind free of paradox.
We sat together side by side
on the empty floor and did not speak.
There were no words
between us other than the essence
of the words from the correspondences,
our inheritance—plain speak,
bereft of poetry.
~Jill Bialosky “The Guardians” from The Players.

This time of year, huge flocks of migrating birds pass noisily overhead, striving together in their united effort to reach home. I envy their shared instinct to gather together with purpose.

Human families can be far more scattered and far less harmonious, yet still plenty noisy.

Through these holiday weeks, I take time to remember those who left this life long ago. It is bittersweet to be all together only in a photo album, with youth and smiles preserved indefinitely.

In a flash of time, three generations have passed: children have had children who now have children. Newlyweds have become grandparents, trying valiantly to fit the shoes of those who came before.

In our own eventual leave-taking, we will become the missing to be missed. There will come along new generations – those we will never meet – who will turn the pages of photograph albums and writings and wonder aloud about these unknown people from whom they descend.

Dearly beloved,
we who are missing are right here,
waiting in a drawer or a file or a book on the shelf,
ready to share, in plain words bereft of poetry,
all our love and hopes and sorrows for you,
the future generations to come.

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Moments Out of Sight

A neighborhood.
At dusk.

Things are getting ready
to happen
out of sight.

Stars and moths.
And rinds slanting around fruit.

But not yet.

One tree is black.
One window is yellow as butter.

A woman leans down to catch a child
who has run into her arms
this moment.

Stars rise.
Moths flutter.
Apples sweeten in the dark.

~Eavan Boland “This Moment” from In a Time of Violence

photo by Nate Gibson

At times, particularly at night, I’m keenly aware of all the unknowable and uncountable lives happening behind closed doors and curtained windows, each one living their own sacred moment in time.

So many meals being eaten, baths taken, tears shed, stories told, prayers recited, kisses shared.

These moments are the blessings of a quotidian predictability that we try to pass on to our children. In our routines, we may become oblivious to the mysteries happening all around us: innumerable stars shining, fragile moths fluttering and sweetening apples hanging heavy — yet there is mystery within each of us as well.

In the dark of night, despite our weariness:
We are remarkably loved and loving.
We try our best in difficult times and circumstances.
We grieve losses while struggling to survive sorrows.
We seek purpose and meaning, despite feeling unworthy.

Each passing moment becomes one to cherish.
Each moment mysteriously holy and sweet.

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What was Bound to Happen

Outside the house the wind is howling
and the trees are creaking horribly.
This is an old story
with its old beginning,
as I lay me down to sleep.
But when I wake up, sunlight
has taken over the room.
You have already made the coffee
and the radio brings us music
from a confident age. In the paper
bad news is set in distant places.
Whatever was bound to happen
in my story did not happen.
But I know there are rules that cannot be broken.
Perhaps a name was changed.
A small mistake. Perhaps
a woman I do not know
is facing the day with the heavy heart
that, by all rights, should have been mine.
~Lisel Mueller “In November” from Alive Together

It does not escape me~
(I awake every day knowing this)
a disastrous earthquake happened somewhere else,
a war ravages families on both sides of a border,
a windstorm leveled a town,
a drunk driver devastated two families,
a fire left a house in ashes,
a mother nearly died giving birth,
a flood ravaged a village,
a grim diagnosis darkened
someone’s remaining days.

No mistake has been made,
yet I awake knowing this part of my story
has yet to visit me –
I hear of so much suffering,
knowing the heavy heart
that could have been mine
still beats,
still breaks,
still aches,
still believes in grace, mercy, and miracles.

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It Matters More Than Anything

In a hundred trillion years—
an actual number
though we can’t begin
to grasp it—the last traces
of our universe will be not
even a memory
with no memory to lament it.

The last dust of the last star
will not drift in the great nothing
out of which everything we love
or imagine eventually comes.

Yet every day, every four hours
around the clock, Debbie prepares
her goat’s-milk mix
for the orphaned filly
who sucks down all three liters of it,
gratefully, it seems,
as if it matters more
than anything in the universe—
and it does—at this moment
while the sun is still
four hours from rising
on the only day that matters.

~Dan Gerber “Only This Morning” from Particles

Marlee, the orphan filly

Over eight years ago, our Haflinger mare Marlee passed on to her forever home, far sooner than we planned. She was only twenty two, born only two months after our daughter’s birth, much too young an age for a Haflinger to die.

But something dire was happening to her over the previous two weeks — not eating much, an expanding girth, then shortness of breath. It was confirmed she had untreatable lymphoma.

Her bright eyes were shining to the end so it was very hard to ask the vet to turn the light off. But the time had clearly come.

Marlee M&B came to us as a six month old “runty orphan” baby by the lovely stallion Sterling Silver, but she was suddenly weaned at three days when her mama Melissa died of sepsis. She never really weaned from her around the clock bottle/bucket feeding humans Stefan and Andrea Bundshuh at M&B Farm in Canada. From them she knew people’s behavior, learned their nonverbal language, and understood human subtleties that most horses never learn. This made her quite a challenge as a youngster as it also meant there was no natural reserve nor natural respect for people. She had no boundaries taught by a mother, so we tried to teach her the proper social cues.

When turned out with the herd as a youngster, she was completely clueless–she’d approach the dominant alpha mare incorrectly, without proper submission, get herself bitten and kicked and was the bottom of the social heap for years, a lonesome little filly with few friends and very few social skills. She had never learned submission with people either, and had to have many remedial lessons on her training path. Once she was a mature working mare, her relationship with people markedly improved as there was structure to her work and predictability for her, and after having her own foals, she picked up cues and signals that helped her keep her foal safe, though she was one of our most relaxed “do whatever you need to do” mothers when we handled her foals as she simply never learned that she needed to be concerned.

Over the years, as the herd changed, Marlee became the alpha mare, largely by default and seniority, so I don’t believe she really trusted her position as “real”. She tended to bully, and react too quickly out of her own insecurity about her inherited position. She was very skilled with her ears but she was also a master at the tail “whip” and the tensed upper lip–no teeth, just a slight wrinkling of the lip. The herd scattered when they saw her face change. The irony of it all is that when she was “on top” of the herd hierarchy, she was more lonely than when she was at the bottom. And I think a whole lot less happy as she had few grooming partners any more.

She accompanied us to the fair for a week of display of our Haflingers year after year after year — she could be always counted on to greet the public and enjoy days of braiding and petting and kids sitting on her back.

The day she started formal under saddle training was when the light bulb went off in her head–this was a job she could do! This was constant communication and interaction with a human being, which she craved! This was what she was meant for! And she thrived under saddle, advancing quickly in her skills, almost too fast, as she wanted so much to please her trainer.

For a time, she had an unequaled record among North American Haflingers. She was not only regional champion in her beginner novice division of eventing as a pregnant 5 year old, but also received USDF Horse of the Year awards in First and Second Level dressage that year as the highest scoring Haflinger.

She had a career of mothering along with intermittent riding work, with 5 foals –Winterstraum, Marquisse, Myst, Wintermond, and Nordstrom—each from different stallions, and each very different from one another.

This mare had such a remarkable work ethic, was “fine-tuned” so perfectly with a sensitivity to cues–that our daughter said:   “Mom, it’s going to make me such a better rider because I know she pays attention to everything I do with my body–whether my heels are down, whether I’m sitting up straight or not.”  Marlee was, to put it simply,  trained to train her riders.

I miss her high pitched whinny from the barn whenever she heard the back door to the house open. I miss her pushy head butt on the stall door when it was time to close it up for the night. I miss that beautiful unforgettable face and those large deep brown eyes where the light was always on. Keeping that orphan alive when she was so vulnerable in the first two months was all that mattered.

What a ride she had for twenty two years, that dear little orphan. What a ride she gave to many who trained her and who she trained over the years. Though I never climbed on her back, what joy she gave me all those years, as the surrogate mom who loved and fed her. May I meet her in my memories, whenever I feel lonesome for her, still unable to resist those bright eyes forever now closed in peace.

Marlee’s photo album:

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Do Not Look Back

He loved to ask his mother questions. It was the pleasantest thing for him to ask a question and then to hear what answer his mother would give. Bambi was never surprised that question after question should come into his mind continually and without effort. 

Sometimes he felt very sure that his mother was not giving him a complete answer, was intentionally not telling him all she knew.  For then there would remain in him such a lively curiosity, such suspicion, mysteriously and joyously flashing through him, such anticipation, that he would become anxious and happy at the same time, and grow silent.
~Felix Salten from Bambi

A Wounded Deer—leaps highest—
I’ve heard the Hunter tell—
‘Tis but the Ecstasy of death—
And then the Brake is still!
~Emily Dickinson “165″

As the house of a person
in age sometimes grows cluttered
with what is
too loved or too heavy to part with,
the heart may grow cluttered.
And still the house will be emptied,
and still the heart.

Empty and filled,
like the curling half-light of morning,
in which everything is still possible and so why not.

Filled and empty,
like the curling half-light of evening,
in which everything now is finished and so why not.

Beloved, what can be, what was,
will be taken from us.
I have disappointed.
I am sorry. I knew no better.

A root seeks water.
Tenderness only breaks open the earth.
This morning, out the window,
the deer stood like a blessing, then vanished.

~Jane Hirschfield from “The Standing Deer”


My first time ever
seated next to my mother
in a movie theater, just
a skinny four year old girl
practically folded in half
by a large padded chair
whose seat won’t stay down,
bursting with anticipation
to see Disney’s Bambi.

Enthralled with so much color,
motion,  music, songs and fun
characters, I am wholly lost
in this new world of animated
reality when suddenly
Bambi’s mother looks up,
alarmed, from eating
a new clump of spring grass
growing in the snow.

My heart leaps
with worry.
She tells him
to run quickly
for the thicket –
find the safest place where
she has always
kept him warm
next to her.

She follows behind,
urges him to run faster,
not to look back,
don’t ever look back.

Then the gun shot
hits my belly too.

My stomach twists
as he cries out
for his mother,
pleading for her.
I know in my heart
she is lost forever,
sacrificed to save him.

I sob as my mother
reaches out to me,
telling me not to look.
I bury my face
inside her hug,
knowing Bambi
is cold and alone
with no mother
any more.

My mama took me home
before the end.
I could not bear to watch
the rest of the movie 
for years.

Those cries
still echo
in my ears
any time someone hunts and shoots
to kill the innocent.

Now, my own three children are grown,
they have babies of their own,
my mom is gone from this earth.
I can even keep the seat from folding
me in half in a movie theater.

I am nearing my eighth decade, and
there are still places in this world where
mothers and fathers
sons and daughters
grandmothers and grandfathers
sisters and brothers
and babies are hunted down
despite the supposed safety of the thicket~
the sanctuary, the school, the grocery store, the home,
places where we believe we are shielded from violence.

There can be no innocence when any of us may be hunted.

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