A Broken Globe

The skull wasn’t there.
We listened


to the heartbeat.
Would our child


live?
Air tinted


gray, I moved
closer, searched the screen


for the halo
of bone,


touched glass

and stroked
our bad luck,


my finger leaving
its smudge


on the oval glow,

delicate as a grape.
The head would


never form.
Grace stared


at the brightness


then closed her eyes,
the light flickered


on our hands.
This second child. Never.

The dark

washed in,
heavy as water.


Did our baby know pain?
Inside tiny feet


kicking, small hands

open, fingers
reached out. Drift


of white static,
this broken globe

we had made.
~Brian Komei Dempster “Glow” from Seize

The call came in the middle of a busy night
as we worked on a floppy baby with high fever,
a croupy toddler whose breathing squeezed and squeaked,
a pale adolescent transfusing due to leukemia bleeding.

It was an anencephalic baby just born, unexpected, unwanted
in a hospital across town, and she needed a place to die.

Our team of three puzzled how to manage a baby without a brain–
simply put her in a room, swaddled, kept warm but alone?
Hydrate her with a dropper of water to moisten her mouth?
Offer her a taste of milk?

She arrived by ambulance, the somber attendants
leaving quickly, unnerved by her mewing cries.

I took the wrapped bundle and peeled away the layers
to find a plump full term baby, her hands gripping, arms waving
once freed;  just another newborn until I pulled off her stocking cap
and looked into an empty crater — only a brainstem lumped at the base.

No textbook pictures had prepared me
for the wholeness, the holiness of this living, breathing child.

Her forehead quit above the eyebrows with the entire skull missing,
tufts of soft brown hair fringed her perfect ears,
around the back of her neck.
Her eyelids puffy, squinting tight, seemingly too big
above a button nose and rosebud pink lips.

She squirmed under my fingers, her muscles strong, breaths coming steady despite no awareness of light or touch or noise.

Yet she cried in little whimpers, mouth working, seeking,
lips tentatively gripping my fingertip. A bottle warmed,
nipple offered, a tentative suck allowing tiny flow,
then, amazing,  a gurgling swallow.

Returning every two hours, more for me than for her, I picked her up
to smell the salty sweet scent of amnion still on her skin as she grew dusky.

Her breathing weakened, her muscles loosened, giving up her grip
on a world she would never see or hear or feel — to behold
something far more glorious.

I gazed into her emptiness, waiting my turn to be filled.

Revealing the Inner Tree

If we could,
like the trees,
practice dying,
do it every year
just as something we do—
like going on vacation
or celebrating birthdays—
it would become
as easy a part of us
as our hair or clothing.

Someone would show us how
to lie down and fade away
as if in deepest meditation,
and we would learn
about the fine dark emptiness,
both knowing it and not knowing it,
and coming back would be irrelevant.

Whatever it is the trees know
when they stand undone,
surprisingly intricate,
we need to know also
so we can allow
that last thing
to happen to us
as if it were only
any ordinary thing,

leaves and lives
falling away, the spirit, complex,
waiting in the fine darkness
to learn which way
it will go.
~Grace Butcher, “Learning from Trees” from Poetry of Presence

And is it not enough that every year
A richly laden autumn should unfold
And shimmer into being leaf by leaf,
It’s scattered ochres mirrored everywhere
In hints and glints of hidden red and gold
Threaded like memory through loss and grief,
When dusk descends,when branches are unveiled,
When roots reach deeper than our minds can feel
And ready us for winter with strange calm,
That I should see the inner tree revealed
And know its beauty as the bright leaves fall
And feel its truth within me as I am?

It is not yet enough. So I must try,
In my poor turn, to help you see it too,
As though these leaves could be as rich as those,
That red and gold might glimmer in your eye,
That autumn might unfold again in you,
Feeling with me what falling leaves disclose.

~Malcolm Guite from “And is it Not Enough?”

If I were to die as a leaf does,
I would want to change my clothes just bit by bit,
overnight oozing gradually to scarlet,
bleeding into the green a little bit more,
until I’m so unrecognizable,
I’ll seem brand new.

That would be ideal.

The reality is a fading to grey and brown,
my edges withered and torn,
bug-bitten with holes and weather-beaten bruised,
dangling and fearful of letting go
and so forgotten.

So I remember:
no one, not one, falls
without its Maker knowing.
No one, not one, dies
without being made brand new.

Mirrored Light

photo by Joel DeWaard

What is this unfolding, this slow-
going unraveling of gift held
in hands open
to the wonder and enchantment of it all?

What is this growing, this rare
showing, like blossoming
of purple spotted forests
by roadsides grown weary with winter months?

Seasons affected, routinely disordered
by playful disturbance of divine glee
weaving through limbs with
sharpened shards of mirrored light,
cutting dark spaces, interlacing creation,
commanding life with whimsical delight.

What is this breaking, this hopeful
re-making, shifting stones, addressing dry bones,
dizzying me with blessings,
intercepting my grieving
and raising the dead all around me?
~Enuma Okoro “Morning Reflections” from At the Still Point: A Literary Guide to Prayer in Ordinary Time

Everything is made to perish;
the wonder of anything at all is that it has not already done so.
No, he thought.
The wonder of anything is that it was made in the first place.
What persists beyond this cataclysm of making and unmaking?
~Paul Harding
from Tinkers

God does not leave us to perish in the valley of dry bones.

We may think we are invincible, yet the truth is:
we are mere dust, ready to blow away.
The immense power of the breath of God fills newborn lungs and will someday restore the empty lungs of the resurrected dead.

He rebuilds our muscle and sinews, reconnects us bone to bone, person to person, living to rattle and sing as the body of Christ, mirrored reflections in His image.

This unfolding, this growing, this blossoming, this breaking:
Lord, keep dizzying us with your blessings, now and always.

As the Rain Begins…

The room darkened, darkened until
our nakedness became a form of gray;
then the rain came bursting,
and we were sheltered, blessed,
upheld in a world of elements
that held us justified.
In all the love I had felt for you before,
in all that love,
there was no love
like that I felt when the rain began…
~John Updike from “The Blessing” from Collected Poems.

As the rains return,
as we shelter together,
blessed by the passing years and miles,
our unknowns have become known,
our understanding breathed in silence.

Though we be gray as the clouds above,
our hearts still beat in synchrony
each pulsing moment
more sacred than the last.

Lyrics: A soft voice, a kind word
A tender touch in a hard world
Your voice like rain after the seeds are sown
Your kindness and grace is all I’ve ever known

We’re not the same, you and me
You’re an evergreen and I’m a maple tree
Sometimes I’m bare, sometimes I’m sweet
You can carry on consistently
And in a million little ways, you show
How to take two souls and make one home

You love the dirt, I find life in words
I sit and think, you relish your work
You could teach, teach a master class
Without a word you show us how to make a feast from scratch
And in a million little ways, you show
How to take two souls and make one home
And in a million little ways, you show
How to take two souls and make one home

A sanctuary for our children
A sanctuary for our fears and hopes
Here in the wilderness, our world longs for this
To be known and loved
To be known and loved

Lyrics: In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
And the sky is clear and red,
When the summer’s ceased its gleaming
When the corn is past its prime,
When adventure’s lost its meaning –
I’ll be homeward bound in time

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

If you find it’s me you’re missing
If you’re hoping I’ll return,
To your thoughts I’ll soon be listening,
And in the road I’ll stop and turn
Then the wind will set me racing
As my journey nears its end
And the path I’ll be retracing
When I’m homeward bound again

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
I’ll be homeward bound again.

~Marta Keen “Homeward Bound”

So Easy to Love

ahmama
fogtree
mud36141

It’s easy to love a deer
But try to care about bugs and scrawny trees
Love the puddle of lukewarm water

From last week’s rain.
Leave the mountains alone for now.
Also the clear lakes surrounded by pines.
People are lined up to admire them.
Get close to the things that slide away in the dark.
Be grateful even for the boredom
That sometimes seems to involve the whole world.
Think of the frost
That will crack our bones eventually.
~Tom Hennen “Love for Other Things”

shuksan9271821

My only purpose this moment
is looking at a lizard.
Does he know he’s not alone?

He breathes with tiny push-ups,
his skin all hairline caverns
soaking up the sun.

I doubt, alive, I’m liable to get
closer to timelessness than this,
looking at a little lizard breathing.

~Barry Spacks “Looking at a Lizard” from Shaping Water

Oh, it is easy to love the beautiful things of God’s creation~
we drive long hours to stand in awe,
gaping at mountains and valleys and waterfalls
and kaleidoscopes of color

so if God decides He wants a slug or lizard or bug
and allows drought and mud and frost
and ice storms and hurricanes
then I guess, if He so chooses,
He could look at each of us and say
I need one of you too.

newyearsice
wwudeer1

A Life-Cherishing Force

Poetry is a life-cherishing force.
For poems are not words, after all,
but fires for the cold, ropes let down to the lost,
something as necessary as bread in the pockets of the hungry.
~Mary Oliver from A Poetry Handbook

…I want to write with quiet hands. I
want to write while crossing the fields that are
fresh with daisies and everlasting and the
ordinary grass. I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be

songs in which nothing is neglected,
not a hope, not a promise. I want to make poems
that look into the earth and the heavens
and see the unseeable. I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.

~Mary Oliver from “Everything” from New and Selected Poems: Volume Two

Poetry may make us from time to time
a little more aware
of the deeper, unnamed feelings
which form the substratum of our being,
to which we rarely penetrate;
for our lives are mostly a constant evasion of ourselves.
—T.S. Eliot
from The Use of Poetry and the Use of Criticism

Much of the time, on the surface, we appear a tangled mess –
a jumble of unarticulated feelings and desires, needs and wants.

Deeper down, there is a hungry soul in a place that can’t be seen.

We rarely dip in there; it can be a sore spot we are tempted to touch
but avoid doing so because of its tenderness.

The bright light of a few well chosen words can ring us like a bell;
we are struck dumb finding such clarion clarity comes
to a place so well hidden.

A rope of words drops to lift up the lost and sad and empty –
a reminder mere words can rescue and revive.

A Mosaic of Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn
Autumn
Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this farm lane to stand at the same spot
countless times through the year,
as witness to the changing palette around me.

The Artist lovingly chooses His color and technique
with a gentle touch for each season.

So too, He paints my life with richness and variety:
from the austere lines in winter,
to a green emergence in spring,
a summer of sweet fruitfulness
and a mosaic crescendo in autumn.

The Artist’s signature can be spotted on each masterpiece,
gracing the transforming canvas of each of our lives.

When Old and Lame

All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;

and after noon’s heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun’s muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground – old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
~Donald Hall “Name of Horses”

Today, we said goodbye to our last Haflinger mare after four decades of being a breeding farm. We have two geldings left on the farm, in their early 20’s.

I was dreading this day but knew it would eventually come.

Belinda, who I have written about here, flew from the Netherlands as a baby with her mother in 1998, bringing new bloodlines to North America from an East German Haflinger breeding program, at the time only recently accessible to breeders with the opening of the Berlin Wall.

She proved to be a great broodmare here on our farm and her foals all sold quickly to other breeders. However, her last twelve years of retirement were complicated by metabolic imbalance and a tendency toward laminitis. We finally had to make the hard choice to bring out the vet to gently help her pass with intravenous medication into eternal lush pastures she could tolerate. Then the local hauler picked her up for cremation. No bullets to the brain, no hole to be dug.

We have done our final parting with our horses in this way over our forty years of Haflinger ownership. It is certainly different from how it was done when I was a kid on a small cow and horse farm. Our family mare, Dolly, in 1965, was put down by a vet’s bullet to the head after an agonizing bout with colic. My dad sent me back to the house beforehand, not wanting me to watch. Still, I could not help but hear the gunshot as if it had gone right through me as well. It took Dad the rest of the day to dig a hole deep enough so she could be buried on our farm.

At first her grave was my place to cry where no one but the trees and wild flowers could see.

When my tears finally dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.

And before I left for college, it became the sanctuary where I retreated to talk to God when my church no longer was.

I suspect her bones lie there still, with tall trees now growing through her ribs. That dent in the ground will always betray the spot.

We’ll remember you fondly, Belinda. You traveled far to come here and gave us your best. We promised you would live here on this farm, in peace, until your last breath.

Belinda’s last evening out on pasture

What Else is There?

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—


this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.


And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

~Carolyn Locke “What Else?” from The Place We Become

So this is how life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away
to be carried off beyond this air and water and soil.

We thrive where we are planted,
do what we could with a little nurture,
then transcend the here and now.

So shall we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never seek to overshadow the sun
but step aside so its light fully shines on whoever comes next.

That is Just the Point…

And that is just the point…
how the world, moist and beautiful,
calls to each of us to make a new and serious response.

That’s the big question,
the one the world throws at you every morning.
“Here you are, alive.
Would you like to make a comment?”
~Mary Oliver
“The Morning Poem”

It is impossible to stay a silent observer of the world when you awake still alive.

An autumn morning demands a response.

I would like to make a comment.

It isn’t only nature
pulling what was once lush and young into the ground:
we witness flying leaves and dropping temperatures
giving way to brisk winds and chill rains.

Humankind, like the change in seasons, is skilled at dying:
we face violence across borders, nurture hatred
which blusters, rips, drenches, encompasses, buries.

Nothing can remain as it was.

Yet I awake, lit and alive,
struck and wrung by vanishing darkness,
a witness to the sun rising up
to catch the moon.

Called to comment.
Dying to respond.