Tag: dance

But Right Now

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Maybe night is about to come
calling, but right now
the sun is still high in the sky.
It’s half-past October, the woods
are on fire, blue skies stretch
all the way to heaven. Of course,
we know that winter is coming, its thin
winding sheets and its hard narrow bed.
But right now, the season’s fermented
to fullness, so slip into something
light, like your skeleton; while these old
bones are still working, my darling,
let’s dance.
~Barbara Crooker, “Reel” from The Book of Kells

I’ve never been much of a dancer; we were taught square dancing in grade school when we were kids so I could do-si-do with the best of them.

The non-descript dancing of the sixties and seventies never appealed to me – it was kind of like writhing in place, sometimes alone, sometimes in parallel with another body.

Our church used to hold once a year square dances in November along with a harvest dinner, gathered in a school gymnasium, so my husband and I learned to Virginia Reel up and back and be sore the next day. Those were the days…

But right now, we watch our trees dance this time of year, getting more naked with each passing day and breeze. They sway and bow and join limbs, their bare bones grasping one another in preparation for their cold and narrow winter bed, wrapped in the shroud that will give way, yet again to the green leaves of spring, only a few months away.

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The Forgiveness of Sleep

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The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of that sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart “The Hundred Names of Love”

In the lull of evening, your son nested in your arms
becomes heavier and with a sigh his body
sloughs off its weight like an anchor into deep sleep,
until his small breath is the only thing that exists.

And as you move the slow dance through the dim hall
to his bedroom and bow down to deliver his sleeping form,
arms parting, each muscle defining its arc and release—
you remember the feeling of childhood,

traveling beneath a full moon,
your mother’s unmistakable laugh, a field of wild grass,
windows open and the night rushing in
as headlights trace wands of light across your face—

there was a narrative you were braiding,
meanings you wanted to pluck from the air,
but the touch of a hand eased it from your brow
and with each stroke you waded further

into the certainty of knowing your sleeping form
would be ushered by good and true arms
into the calm ocean that is your bed.
 — Alexandra Lytton Regalado, “The T’ai Chi of Putting a Sleeping Child to Bed” author of Matria

Each of those countless nights of a child wakening,
each of the hundreds of hours of lulling them in the moonlit dark,
leading them back to the soft forgiveness of sleep.

I remember the moves of that hypnotic dance,
a head nestled snug into my neck,
their chest pressed into mine,
our hearts beating in synchrony
as if they were still inside.

Even when our sleep was spare and our rest was sparse,
those night times rocking in unison
were worth every waking moment, trusting
we’re in this together, no matter what,
no matter how long.

We’re in this together.

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Caught in Our Own Careless Wreckage

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I believed only air
stretched between the dogwood

and the barberry: another
thoughtless human assumption

sidetracking the best story
this furrow spider knew to spin.

And, trying to get the sticky
filament off my face, I must look,

to the neighbors, like someone
being attacked by his own nervous

system, a man conducting an orchestra
of bees. Or maybe it’s only the dance

of human history I’m reenacting:
caught in his own careless wreckage,

a man trying to extricate himself,
afraid to open his eyes.
~Jeff Worley from Lucky Talk

It was an uneasy feeling opening my eyes this morning, waking up to a world where the election results are still uncertain. We are suspended in a sticky web of our own making and will be for some time, dangling…

Twenty years ago, I woke up not feeling well after a long night of waiting for election results to come in. I thought it was from the tension of not knowing when the outcome would be finalized but no… It ended up being appendicitis that day — my 2000 post-election surgical solution to take my mind off Bush vs Gore. It worked. I simply ceased to care about anything but my own healing, my priorities clarified by post-op recovery.

I’m not looking to resort to that remedy today in Trump vs Biden. I’d like to keep myself out of the ER and the OR and just go about my clinic day as usual. Yet in the dance of human history we badly want to determine who our leaders will be in a clear-cut and clean-cut process, something this campaign season has lacked. So why we would expect clarity now?

Instead, we are covered in a sticky-wickety web, spread all over our faces, unwilling to open our eyes to the reality of our divisive messiness, and attacked by our own nervous systems.

Today, I will open my eyes, take a few deep breaths and I hope you will too. And tomorrow and the next day. And avoid radical surgery if we can.

Maybe the dance is something we can do together — coordinated, cooperative, choreographed, and united — rather than flailing about in our careless wreckage of human history.

Spines at the Ready

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Sheep will not eat it
nor horses nor cattle
unless they are starving.
Unchecked, it will sprawl over
pasture and meadow
choking the sweet grass
defeating the clover
until you are driven
to take arms against it
but if unthinking
you grasp it barehanded
you will need tweezers
to pick out the stickers.

Outlawed in most Northern
states of the Union
still it jumps borders.
Its taproot runs deeper
than underground rivers
and once it’s been severed
by breadknife or shovel
—two popular methods
employed by the desperate—
the bits that remain will
spring up like dragons’ teeth
a field full of soldiers
their spines at the ready.

Bright little bursts of
chrome yellow explode from
the thistle in autumn
when goldfinches gorge on
the seeds of its flower.
The ones left uneaten
dry up and pop open
and parachutes carry
their procreant power
to disparate venues
in each hemisphere
which is why there will always
be thistle next year.
~Maxine Kumin “Why There Will Always Be Thistle” from The Long Marriage. 

Against the rubber tongues of cows and the hoeing hands of men
Thistles spike the summer air
And crackle open under a blue-black pressure.

Every one a revengeful burst
Of resurrection, a grasped fistful
Of splintered weapons and Icelandic frost thrust up

From the underground stain of a decayed Viking.
They are like pale hair and the gutturals of dialects.
Every one manages a plume of blood.

Then they grow grey, like men.
Mown down, it is a feud. Their sons appear,
Stiff with weapons, fighting back over the same ground.
~Ted Hughes “Thistles”

Reluctantly the summer goes
In a cloud of thistledown.
~Beverly Ashour from “September”

It is armored, it is deeply rooted, it is relentless.
Highly ambitious, it produces downy tasty dancing seeds ready to soar far. Generation after generation of thistles persist due to this delicate ballerinas’ flight to the next horizon.

I should be strive to be as persistent, as rooted, as determined, yet as fluffy and tender under my defensive prickles and spines.

And then, may I softly dance in the journey to the next life.

This Tranquil Dust

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I like to live in the sound of water,
in the feel of mountain air. A sharp
reminder hits me: this world still is alive;
it stretches out there shivering toward its own
creation, and I’m part of it. Even my breathing
enters into the elaborate give-and-take,
this bowing to sun and moon, day or night,
winter, summer, storm, still—this tranquil
chaos that seems to be going somewhere.
This wilderness with a great peacefulness in it.
This motionless turmoil, this everything dance.
~William Stafford, “Time for Serenity, Anyone?” from Even in Quiet Places

We are, as breathed on dust, called into the service and company of another, called to do work other than our own. This creature, formed of dust, is entrusted with the garden, with all the animals, and with all living things. Our creatureliness binds us to the role of steward, friend, and companion of all other creatures who share our fragility.
~Walter Brueggemann from “Remember You Are Dust”

As a physician, I am reminded daily of the fragility of our bodies and minds, this breathed-on dust of us, especially now as a mere novel virus has immobilizes the world’s population.

As a farmer, I dwell compatibly with the dust I’m entrusted to steward.  I carry it around under my fingernails, on my boots, my skin smudged in unexpected ways and places as I go about my chores and tasks.  The dust of the barnyard wilderness clings to me, not wanting to let go of one of its own as I return indoors.  Sunbeams in our house swirl with released dust motes given new life through solar energy, each mote a source of fragile strength, tranquil beauty, complex simplicity.  Such joyful dust dance makes me reluctant to get out the dust rags and cleaning solutions.

As a child of the Creator, I am well aware of the cleansing needed in this grimy, desperately soiled world.  The dustiest parts of me lie far deeper than my shedding skin — the breathed-on dust that innervates, circulates and motivates me.

God sent His Son to be the dust rag I sorely need;  I cling to Him as He comes to clean house.

Finding My Way Home

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Bees do have a smell, you know,
and if they don’t they should,
for their feet are dusted with spices
from a million flowers.”
~Ray Bradbury, Dandelion Wine


I studied bees, who were able
to convey messages through dancing
and could find their ways
home to their hives
even if someone put up a blockade of sheets
and boards and wire.
Bees had radar in their wings and brains
that humans could barely understand.
I wrote a paper proclaiming
their brilliance and superiority
and revised it at a small café
featuring wooden hive-shaped honey-dippers
in silver honeypots
at every table.
~Naomi Shihab Nye from “Bees Were Better”

Suddenly a bee, big as a blackberry,
bumbles against my window, knocking
for attention. Rolling in azalea cups all morning,
she weaves in slow motion then hovers
like a helicopter, humming
to herself. The key, C major.
No black notes, no sharps, no flats.
Only naturals—the fan of her own wings,
the bliss of her own buzz.

She doesn’t practice.
She doesn’t have to. She knows.
To make honey, you follow the dance.
~Alice Friman  from “The Key”

I wish I had a homing device in my body that would bring me home no matter where I wander. I simply turn my face to the sun and my wings take me back there, even if I wasn’t paying attention to the dance of others and I’m off kilter or too stubborn to admit home is where I need to be.

After a summer of watching thousands of bees making a “bee-line” to home at night as if they are on a superhighway to their very own hive and honey cell, I need to be just as determined, just as committed, just as confident that I’m heading to where I belong.

The rest are waiting for me and have left the light on.


Late Revelers at Dawn

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Bending above the spicy woods which blaze,
Arch skies so blue they flash, and hold the sun
Immeasurably far; the waters run
Too slow, so freighted are the river-ways
With gold of elms and birches from the maze
Of forests. Chestnuts, clicking one by one,
Escape from satin burs; her fringes done,
The gentian spreads them out in sunny days,
And, like late revelers at dawn, the chance
Of one sweet, mad, last hour, all things assail,
And conquering, flush and spin; while, to enhance
The spell, by sunset door, wrapped in a veil
Of red and purple mists, the summer, pale,
Steals back alone for one more song and dance.
~Helen Hunt Jackson “October”

 

Summer is stretching long this fall,
with warm temperatures both day and night,
grass growing like spring
bushes blooming confused six months off
sun rises lit by flame that lick the sky.

I am eager for one more song and dance,
one more sweet hour,
each dawn bringing renewed revelry.

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