I want to write with quiet hands. I want to write while crossing the fields that are fresh with daisies and everlasting and the ordinary grass. I want to make poems while thinking of the bread of heaven and the cup of astonishment; let them be
songs in which nothing is neglected, not a hope, not a promise. I want to make poems that look into the earth and the heavens and see the unseeable. I want them to honor both the heart of faith, and the light of the world; the gladness that says, without any words, everything. ~Mary Oliver “Everything”
I usually write at dawn during the shift change as the light switch is flipped on leaving me blinking and squinting to see what the morning will bring.
I need the quiet clarity of daybreak to prepare myself for what is to come.
Yet the fading light of dusk and advancing shadow of twilight soothes my soul and calms my heart as sky relinquishes sun to moon and stars.
The stage is bare, the audience hushed, waiting expectantly for the moment the curtain will be pulled back to reveal earth’s secrets once again.
Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that he has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. ~G.K. Chesterton from Orthodoxy
To an infant, nothing is monotonous — it is all so new. The routine of the day is very simple and reassuring: sleep, wake, cry, nurse, clean up, gaze out at the world, turn on the smiles –repeat.
The routine becomes more complex as we age until it no longer resembles a routine, if we can help it. We don’t bother getting up to watch the sun rise yet again and don’t notice the sun set once more.
Weary as we may be with routine, our continual search for the next new thing costs us in time and energy. We age every time we sigh with boredom or turn away from the mundane and everyday, becoming less and less like our younger purer selves.
Who among us exults in monotony and celebrates predictability and enjoys repetition, whether it is sunrise or sunset or an infinite number of daisies?
God does on our behalf as He sees our short attention spans. He remains consistent, persistent and insistent because we are no longer are.
Do it again, God. Please, please do it again.
This year’s Lenten theme on Barnstorming:
God sees us as we are, loves us as we are, and accepts us as we are. But by His grace, He does not leave us where we are. ~Tim Keller
Will You Come and Follow Me” (The Summons) by John Bell from the albumGod Never Sleeps
The Lyrics: Will you come and follow me If I but call your name? Will you go where you don’t know And never be the same? Will you let my love be shown, Will you let me name be known, Will you let my life be grown In you and you in me?
Will you leave yourself behind If I but call your name? Will you care for cruel and kind And never be the same? Will you risk the hostile stare Should your life attract or scare. Will you let me answer prayer In you and you in me?
Will you let the blinded see If I but call your name? Will you set the prisoners free And never be the same? Will you kiss the leper clean, And do this as such unseen, And admit to what I mean In you and you in me?
Will you love the “you” you hide If I but call your name? Will you quell the fear inside And never be the same? Will you use the faith you’ve found To reshape the world around, Through my sight and touch and sound In you and you in me?
Lord, your summons echoes true When you but call my name. Let me turn and follow you And never be the same. In your company I’ll go Where your love and footsteps show. Thus I’ll move and live and grow In you and you in me.
The moon drops one or two feathers into the field.
The dark wheat listens.
There they are, the moon’s young, trying
I stand alone by an elder tree, I do not dare breathe
The wheat leans back toward its own darkness,
And I lean toward mine.
~James Wright, from “Beginning” from Above the River: The Complete Poems and Selected Prose.
And the light shone in darkness and Against the Word the unstilled world still whirled About the centre of the silent Word. ~T.S. Eliot from “Ash Wednesday”
In my beginning is my end. Now the light falls… I said to my soul, be still, and wait without hope. ~T.S. Eliot from “East Coker”
As we spend time with our young grandchildren, learning what it means to be a grandparent, we watch them discover the many joys and unending sorrows of this world. We must remember to remind them: there is light beyond the darkness, there is peace amid the chaos, there is a smile behind the tears, there is stillness within the noisiness, there is grace and mercy as old gives way to new.
…the golden hour of the clock of the year. Everything that can run to fruit has already done so: round apples, oval plums, bottom-heavy pears, black walnuts and hickory nuts annealed in their shells, the woodchuck with his overcoat of fat. Flowers that were once bright as a box of crayons are now seed heads and thistle down. All the feathery grasses shine in the slanted light. It’s time to bring in the lawn chairs and wind chimes, time to draw the drapes against the wind, time to hunker down. Summer’s fruits are preserved in syrup, but nothing can stopper time. No way to seal it in wax or amber; it slides though our hands like a rope of silk. At night, the moon’s restless searchlight sweeps across the sky. ~Barbara Crooker “And Now it’s October” from Small Rain.
…but I do try to stopper time. I try every day not to suspend it or render it frozen, but like summer flower and fruit that withers, to preserve any sweet moment for sampling through stored words or pictures in the midst of my days of winter. I roll it around on my tongue, its heady fragrance becoming today’s lyrical shared moment, unstoppered, perpetual and always intoxicating.
Holes in the shape of stars punched in gray tin, dented, cheap, beaten by each of her children with a wooden spoon.
Noodle catcher, spaghetti stopper, pouring cloudy rain into the sink, swirling counter clockwise down the drain, starch slime on the backside, caught in the piercings.
Scrubbed for sixty years, packed and unpacked, the baby’s helmet during the cold war, a sinking ship in the bathtub, little boat of holes.
Dirt scooped in with a plastic shovel, sifted to make cakes and castles. Wrestled from each other’s hands, its tin feet bent and re-bent.
Bowl daylight fell through onto freckled faces, noon stars on the pavement, the universe we circled aiming jagged stones, rung bells it caught and held. ~Dorianne Laux “My Mother’s Colander”fromOnly As the Day is Long: New and Selected Poems.
Many of my mother’s kitchen things, some over seventy years old, are still packed away in boxes that I haven’t had the time or the emotional wherewithal to open. They sit waiting for me to sort and purge and save and weep.
But this kitchen item, her old dented metal colander, she gave to me when I moved into my first apartment some 40 years ago – she had purchased a bright green plastic colander at a Tupperware party so the old metal one seemed somehow outdated, overworked and plain. It had held hundreds of pounds of rinsed garden vegetables during my childhood, had drained umpteen pasta noodles, had served as a sifter in our sandbox, and a helmet for many a pretend rocket launch to infinity and beyond.
It still works fine, thank you very much, for all intended and some unintended purposes. It does make me wonder what other treasures may surprise me when I finally decide to open up my mother’s boxes. She died ten years ago, but her things remain, as if in suspended animation, to be rediscovered when I’m ready. They wait patiently to be useful to someone again, touched lovingly and with distinct purpose as they once were, and be remembered for the part they played in one woman’s long and faith-filled life.
Maybe, just maybe, it will feel like I’ve unpacked Mom once again as well.
On the day when The weight deadens On your shoulders And you stumble, May the clay dance To balance you.
And when your eyes Freeze behind The grey window And the ghost of loss Gets into you, May a flock of colours, Indigo, red, green And azure blue, Come to awaken in you A meadow of delight.
When the canvas frays In the currach of thought And a stain of ocean Blackens beneath you, May there come across the waters A path of yellow moonlight To bring you safely home. ~John O’Donohue from “Beannacht”
I figure I was born unbalanced in one way or another. I was the kid who couldn’t manage roller skating out of fear of falling, clinging to the rail rather than risk being ground-bound yet again. My one and only cross country skiing experience was actually cross-country sitting more than gliding. I still freeze in place when trying to walk over an icy surface or down a steep incline — my brain just can’t help my body navigate anything other than a straight flat pathway.
It isn’t just physical balance that is a challenge for me. As a child, and still at times in my later years, my feelings can be intense and immobilizing too, every disappointment becoming tragedy and every happy moment so joyous I cling to it fiercely, fearing it could fade.
A blessing of balance is ideal: ground that dances to steady me when I stumble, a palette of rainbow colors to overwhelm gray emotions when I’m struggling, a lighted pathway if the going gets dark.
I’ve given up the idea of skating or skiing, but just maybe I can ride and glide through the waves of life without getting seasick.
Dear God, I cannot love Thee the way I want to.
You are the slim crescent of a moon that I see
and my self is the earth’s shadow
that keeps me from seeing all the moon.
The crescent is very beautiful
and perhaps that is all one like I am should or could see;
but what I am afraid of, dear God,
is that my self shadow will grow so large
that it blocks the whole moon,
and that I will judge myself by the shadow that is nothing.
I do not know You God
because I am in the way.
Please help me to push myself aside.
~Flannery O’Connor from her journals
I get in the way all the time — like a photobomb of a shadow casting darkness on all that is light and beauty. With my human “blinders” on, I can’t see beyond where I stand, where I move, what I feel, what I fear, what I see and hear.
And I certainly get in the way of my knowing God. I think this is all about me.
He’s there, though partially hidden in my need to be front and center.
He’s there, His glory and truth manifest behind me, if only I would turn to see.
He’s there, gently instructing me to get out of my own way.
He’s there, fully radiant, once I step back in awe.