Fixing Eyes on the Unseen – Realizing the Snow is Melting…

Our heart wanders lost in the dark woods.
Our dream wrestles in the castle of doubt.
But there’s music in us. Hope is pushed down
but the angel flies up again taking us with her.
The summer mornings begin inch by inch
while we sleep, and walk with us later
as long-legged beauty through
the dirty streets. It is no surprise 
that danger and suffering surround us.
What astonishes is the singing.
We know the horses are there in the dark
meadow because we can smell them,
can hear them breathing. 
Our spirit persists like a man struggling 
through the frozen valley
who suddenly smells flowers
and realizes the snow is melting
out of sight on top of the mountain,
knows that spring has begun.

~Jack Gilbert “Horses at Midnight Without a Moon”

As if —
we are walking through the darkest valley, still stuck in the throes of winter, and catch a whiff of a floral scent, or a hint of green grass, or hear the early jingle bells song of peeper frogs in the wetlands, or feel the warm breath of horses puffing steam at night.

As if —
there is hope on the other side, refreshment and renewal and rejoicing only around the corner.

As if —
things won’t always be frozen or muddy or barren, that something is coming behind the snowdrops and crocus.

The snow is melting, imperceptibly, but melting nonetheless.
And that, in turn, melts me…

This year’s Lenten theme:
So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
2 Corinthians 4: 18

Dawn on our Darkness: For Unto Us…

photo from Lynden Choral Society

A little heat caught
in gleaming rags,
in shrouds of veil,
torn and sun-shot swaddlings:

   over the Methodist roof,
two clouds propose a Zion
of their own, blazing
(colors of tarnish on copper)

   against the steely close
of a coastal afternoon, December,
while under the steeple
the Choral Society

   prepares to perform
Messiah, pouring, in their best
blacks and whites, onto the raked stage.
Not steep, really,

   but from here,
the first pew, they’re a looming
cloudbank of familiar angels:
that neighbor who

   fights operatically
with her girlfriend, for one,
and the friendly bearded clerk
from the post office

   —tenor trapped
in the body of a baritone? Altos
from the A&P, soprano
from the T-shirt shop:

   today they’re all poise,
costume and purpose
conveying the right note
of distance and formality.

   Silence in the hall,
anticipatory, as if we’re all
about to open a gift we’re not sure
we’ll like;

   how could they
compete with sunset’s burnished
oratorio? Thoughts which vanish,
when the violins begin.

   Who’d have thought
they’d be so good? Every valley,
proclaims the solo tenor,
(a sleek blonde

   I’ve seen somewhere before
—the liquor store?) shall be exalted,
and in his handsome mouth the word
is lifted and opened

   into more syllables
than we could count, central ah
dilated in a baroque melisma,
liquefied; the pour

   of voice seems
to make the unplaned landscape
the text predicts the Lord
will heighten and tame.

   This music
demonstrates what it claims:
glory shall be revealed. If art’s
acceptable evidence,

   mustn’t what lies
behind the world be at least
as beautiful as the human voice?
The tenors lack confidence,

   and the soloists,
half of them anyway, don’t
have the strength to found
the mighty kingdoms

   these passages propose
—but the chorus, all together,
equals my burning clouds,
and seems itself to burn,

   commingled powers
deeded to a larger, centering claim.
These aren’t anyone we know;
choiring dissolves

   familiarity in an up-
pouring rush which will not
rest, will not, for a moment,
be still.

   Aren’t we enlarged
by the scale of what we’re able
to desire? Everything,
the choir insists,

   might flame;
inside these wrappings
burns another, brighter life,
quickened, now,

   by song: hear how
it cascades, in overlapping,
lapidary waves of praise? Still time.
Still time to change.

~Mark Doty “Messiah (Christmas Portions)”

Lynden Choral Society

Our small town
Has more churches than banks-

With a century old choral society
With a Christmas tradition of singing Handel’s Messiah.

Sixty-some enthusiastic singers recruited without auditions
Through church bulletin announcements:

Farmers, store clerks, machinists, students
Grade schoolers to senior citizens

Gather in an unheated church for six weeks of rehearsal
To perform one man’s great gift to sacred music.

Handel, given a libretto commissioned to compose,
Isolated himself for 24 days – barely ate or slept,

Believed himself confronted by all heaven itself
To see the face of God,

And so created overture, symphony, arias, oratorios
Soaring, interwoven themes repeating, resounding

With despair, mourning, anticipation
Renewal, redemption, restoration, triumph.

Delicate appoggiaturas and melismata
Of astounding complexity and intricacy.

A tapestry of sound and sensation unparalleled,
To be shouted from the soul, wrung from the heart.

This changing group of rural people gathers annually to join voices
Honoring faith foretold, realized, proclaimed.

Ably led by a forgiving director with a sense of humor
And a nimble organist with flying feet and fingers.

The lilting sopranos with angel song,
The altos a steadfast harmonic support,

The tenors echo plaintive prophecy
The base voices remain full and resonant.

The strings paint a heaven-sent refrain
In a duet of counterpoint melody.

The audience sits, eyes closed
Remembering oft-repeated familiar verses.

The sanctuary overflows
With thankfulness and praise as we shall be changed.

Glory to God! For unto us a Child is born
And all the people, whether singers or listeners, are comforted.

Dan and Emily after the 2008 Messiah performance

This year’s Advent theme “Dawn on our Darkness” is taken from this 19th century Christmas hymn:

Brightest and best of the sons of the morning,
dawn on our darkness and lend us your aid.
Star of the east, the horizon adorning,
guide where our infant Redeemer is laid.
~Reginald Heber -from “Brightest and Best”

Our small town choral society:

and now for the professionals…

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Antidote to Bitterness

Keep a green tree in your heart and perhaps a singing bird will come–
~Chinese Proverb

photo by Harry Rodenberger

I heard a wood thrush in the dusk
Twirl three notes and make a star—
My heart that walked with bitterness
Came back from very far.


Three shining notes were all he had,
And yet they made a starry call—
I caught life back against my breast
And kissed it, scars and all.
~Sara Teasdale, featured in “The Wood” in Earth Song

…then came a sound even more delicious than the sound of water. Close beside the path they were following, a bird suddenly chirped from the branch of a tree. It was answered by the chuckle of another bird a little further off. And then, as if that had been a signal, there was chattering and chirruping in every direction, and then a moment of full song, and within five minutes the whole wood was ringing with birds’ music, and wherever Edmund’s eyes turned he saw birds alighting on branches, or sailing overhead or chasing one another or having their little quarrels or tidying up their feathers with their beaks.
~C.S. Lewis from The Lion, The Witch and the Wardrobe

Their song reminds me of a child’s neighborhood rallying cry—ee-ock-ee—with a heartfelt warble at the end. But it is their call that is especially endearing. The towhee has the brass and grace to call, simply and clearly, “tweet”. I know of no other bird that stoops to literal tweeting. 
~Annie Dillard, Pilgrim at Tinker Creek

I hope you love birds too. It is economical. It saves going to heaven.
~Emily Dickinson in an 1885 letter to Miss Eugenia Hall

I need reminding that what I offer up from my heart predicts what I will receive there.

If I’m grumbling and falling apart like a dying vine
instead of a vibrant green tree~~~
coming up empty and hollow with discouragement,
entangled in the cobwebs and mildew of worry,
only grumbling and grousing~~~
then no singing bird will come.

It is so much better to nurture the singers of joy and gladness with a heart budding green with grace and gratitude, anticipatory and expectant.

My welcome mat is out and waiting.

The symphony can begin any time now…

Original Barnstorming artwork note cards available as a gift to you with a $50 donation to support Barnstorming – information here

The One Who Sees and Knows

Yesterday,
running slowly
in the gravel
I saw
a tiny bird
feathered pulsating globe
of white and gray
on its back
black pinprick eyes
pointing up to the sky.
I stooped down
closely
to peer.
We stared at one another—
creature to creature—
for a small eternity.
I scooped him
into my hands
and placed him gently
an offering
upright
onto the grass
whispering
a prayer to the One
who sees
and knows
each one
every sparrow
and every sorrow.
~Karen Swallow Prior “Creature to Creature”

photo by Harry Rodenberger

Are not five sparrows sold for two pennies? And not one of them is forgotten before God.  Why, even the hairs of your head are all numbered. Fear not; you are of more value than many sparrows.
Luke 12: 6-7

Typically, I hear sparrows more than see them most of the year. They are shy little birds and fly away any time I approach them. But during the winter months when the northeast arctic winds are blowing, they cling to the rose bushes beneath my bird feeders, fluffed up to try to stay warm, buffeted about by the breeze, just trying to stay alive. Singing is the last thing on their little minds.

This is when we need each other the most; the sparrow is hanging on the best it can to make it to spring and so am I, seeking to nurture some small part of Creation in order to keep simmering my hope for the future. Although there is no sparrows’ song lilting in the air during the coldest months, I know it will return.

So I sing for them.

I sing because I’m happy.
I sing because I’m free.
His eye is on the sparrow and I know He watches me.

Why should I feel discouraged,
Why should the shadows come,
Why should my heart be lonely,
And long for Heav’n and home,
When Jesus is my portion?
My constant friend is He:
His eye is on the sparrow,
And I know He watches me;
His eye is on the sparrow,
And I know He watches me.

Refrain

I sing because I’m happy,
I sing because I’m free,
For His eye is on the sparrow,
And I know He watches me.

Let not your heart be troubled,
His tender word I hear,
And resting on His goodness,
I lose my doubts and fears;
Though by the path He leadeth,
But one step I may see;
His eye is on the sparrow,
And I know He watches me;
His eye is on the sparrow,
And I know He watches me.

Whenever I am tempted,
Whenever clouds arise,
When songs give place to sighing,
When hope within me dies,
I draw the closer to Him,
From care He sets me free;
His eye is on the sparrow,
And I know He watches me;
His eye is on the sparrow,
And I know He watches me.

Lyrics by Civilla Martin

ot one sparrow is forgotten,
E’en the raven God will feed;
And the lily of the valley
From His bounty hath its need.
Then shall I not trust Thee, Father,
In Thy mercy have a share?
And through faith and prayer, my Mother,
Merit Thy protecting care?

                Shaker Hymn (Canterbury Shakers Hymnal, 1908)
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The Stones Themselves Will Start to Sing: All the Tumult and the Strife

My life flows on in endless song
Above earth’s lamentation
I hear the sweet, though far-off hymn
That hails a new creation
Through all the tumult and the strife
I hear that music ringing
It finds an echo in my soul
How can I keep from singing?
~Robert Lowry

We recently returned from an out of state visit with two grandsons, ages two and six months. They love being sung to – they rock and bop to melodies and rhythms and then relax to sleep listening to us sing the quiet evening hymns we sang to his father at night.

They will see so much in their lifetimes that we can’t even imagine. Already in their short time on earth there have been plenty of cataclysmic events, and without a doubt, more are in store.

No matter what comes, we pray they will always hear their parents’ and four grandparents’ voices resounding inside their heads when things get rough. The hymns and the prayers said over them will give them calm and confidence in the face of troubles, tumult and strife.

God’s reality and truth are shared with them in songs and words every day, and as they someday raise children of their own, how can they keep from singing that out whenever it is most needed?

This year’s Lenten theme for Barnstorming is a daily selection from songs and hymns about Christ’s profound sacrifice on our behalf.

If we remain silent about Him, the stones themselves will shout out and start to sing (Luke 19:40).

In His name, may we sing…

My life flows on in endless song,
above earth’s lamentation.
I catch the sweet, though far-off hymn
that hails a new creation.

Refrain:
No storm can shake my inmost calm
while to that Rock I’m clinging.
Since Love is lord of heav’n and earth,
how can I keep from singing?

Through all the tumult and the strife,
I hear that music ringing.
It finds an echo in my soul.
How can I keep from singing?

What though my joys and comforts die,
I know my Savior liveth.
What though the darkness gather round?
Songs in the night he giveth.

I lift mine eyes the cloud grows thin
I see the blue above it
And day by day this pathway smooths
Since first I learned to love it

The peace of Christ makes fresh my heart,
a fountain ever springing!
All things are mine since I am his!
How can I keep from singing?

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The Stones Themselves Will Start to Sing: Turn Sighs Into Songs

Sing to the God who turns our sighs into a song.
Sing to the One who mends our broken hearts with music.
Sing to the One who fills our empty hearts with love.
Sing to the One who gives us light to step into the darkest night.
Sing to the God who turns our sighs into a song.

~Susan Boersma

Sixty-seven years, oh Lord, to look at the clouds,
the trees in deep, moist summer,

daisies and morning glories
opening every morning

their small, ecstatic faces—
Or maybe I should just say

how I wish I had a voice
like the meadowlark’s,

sweet, clear, and reliably
slurring all day long

from the fencepost, or the long grass
where it lives

in a tiny but adequate grass hut
beside the mullein and the everlasting,

the faint-pink roses
that have never been improved, but come to bud

then open like little soft sighs
under the meadowlark’s whistle, its breath-praise,

its thrill-song, its anthem, its thanks, its
alleluia. Alleluia, oh Lord.

~Mary Oliver “While I Am Writing A Poem to Celebrate Summer, the Meadowlark Begins to Sing”

Each day opens to new possibility
with a sigh, a breath and thankfulness-

once in awhile tears, sometimes heartbreak,
and flat out fear of what comes next.

Even so,
through it all
I sing a song of praise, an alleluia
that reminds me why I am
and who I live for.

All is well,
it is well with my soul.

This year’s Lenten theme for Barnstorming is a daily selection from songs and hymns about Christ’s profound sacrifice on our behalf.

If we remain silent about Him, the stones themselves will shout out and start to sing (Luke 19:40).

In His name, may we sing…

When time sweeps yesterday away,
It leaves behind an empty heart,
Weeping through the night so dark and long.
When words are lost among the tears,
When sadness steals another day,
God hears our cries and turns our sighs into a song.

Sing to the One who mends our broken hearts with music.
Sing to the One who fills our empty hearts with love.
Sing to the One who gives us light to step into the darkest night.
Sing to the God who turns our sighs into a song.

From heaven falls a mercy sweet,
The time for weeping now is gone;
God hears our sighs and gives us His eternal song.
Sing to the One who mends our broken hearts with music.
Sing to the One who fills our empty hearts with love.

Translation:
Lord, protect Ukraine. Give us strength, faith, and hope, our Father. Amen

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How Else Can We Live?

“Not again,” echoes forth 
as she wails silently 
searching, eyes wide 
in disbelief.

How does a heart 
withstand such pain?
“It cannot,” she sings out
from the deepest place.  

He cries from the corners 
of his eyes, a river of loss 
falling into the cavern of his mouth, 
a brook run backwards 
toward its beginning.

“Where do I put it?” she demands, 
“Where can I put the ache?
I need a shelf where
no one can touch it,”
hitting the highest note.

“I put it in a box covered over 
by life’s wanderings,” he recalls, 
in a remorseful way
in between breaths.

To put it out in the open, 
“audacious at best,”

in unison.

And yet – how else can we live?  

She reaches up to the shelf, 
taking it down, hope and doubt, 
unlocking the door 
to the abandoned house, 

bellowing out, bellowing out.

If Christ is not risen, count 
us the greatest of fools.
~Katie Setterberg “Choir Practice”

There are times when lifting our voices in song is the only way to express what our hearts are feeling, especially now as we witness the distress of the Ukrainian people who are relying on their cultural bonds, their spiritual faith and their trust that good people of the world will support their defense of their culture and their government.

May our voices be raised along with them, today and whenever freedom is threatened in the future. How else can we live?

photo by Jim Randall

One small town
Containing more churches than banks,

A one hundred year old choral society
With a Christmas tradition of singing Handel’s Messiah,

Sixty-some enthusiastic singers recruited without auditions
Through church bulletin announcements

Farmers, store clerks, machinists, students
Middle schoolers to senior citizens

Gather in an unheated church for six weeks of rehearsal
To perform one man’s great gift to sacred music.

Handel, given a libretto, commissioned to compose,
Isolated himself for 24 days, barely ate or slept

Believed himself confronted by all heaven itself
To see the face of God,

And so created overture, symphony, arias, oratorios
Soaring, interwoven themes repeating, resounding

With despair, mourning, anticipation
Renewal, redemption, restoration, triumph.

Delicate appoggiaturas and melismata
Of astounding complexity and intricacy.

A tapestry of sound and sensation unparalleled
To be shouted from the soul, wrung from the heart.

This group of rural people gathers to join voices
Honoring faith foretold, realized, proclaimed.

Ably led by a forgiving director with a sense of humor
And a nimble organist with flying feet and fingers.

The lilting sopranos with angel song,
The altos provide steadfast support,

The tenors echo plaintive prophecy
The base voices full and resonant.

A violinist paints heaven-sent refrain
In parallel duet of counterpoint melody.

The audience sits, eyes closed
As if in oft repeated familiar prayer.

The sanctuary overflows
With thankfulness:

Glory to God! For unto us a Child is born
And all the people, whether singers or listeners, are comforted.

One way to support the people of Ukraine in this crisis is through the
International Red Cross

Too Many Dwindled Dawns

Morning without you is a dwindled dawn.
~Emily Dickinson in a letter to a friend April 1885

Over the years, the most common search term bringing new readers to my Barnstorming blog is “dwindled dawn.”

I have written about Emily Dickinson’s “dwindles” on a number of occasions before when I miss having a house full of our three children, now spread far with families of their own. Even so, I had not really been diagnosed with a serious case myself until the last two years of COVID-time.

I am clearly not the only one. “Dwindles” have spread across the globe during the COVID pandemic more quickly than the virus.

There really isn’t a pill or other therapy that works well for dwindling. One of the most effective treatments is breaking bread with friends and family all in the same room, at the same table, lingering over conversation or singing together in harmony, because there really is nothing more vital for us to do.

Just being together is the ultimate cure.

Maybe experiencing friend and family deficiency will help us understand how crucial we are to one another. Sadly, due to the pandemic, too many are now gone forever, lost to further gatherings together. It is high time to replenish the reservoir before we all dwindle away to nothing.

So if you are visiting these words for the first time because you too searched for “dwindled dawn” — welcome to Barnstorming. We can stave off the dwindles by joining together in our shared isolation.

Because mornings without you all diminishes me.
I just want you to know.

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Singing Between Two Great Rests

When I lay my head in my mother’s lap
I think how day hides the stars,
the way I lay hidden once, waiting
inside my mother’s singing to herself. And I remember
how she carried me on her back
between home and the kindergarten,
once each morning and once each afternoon.

I don’t know what my mother’s thinking.

When my son lays his head in my lap, I wonder:
Do his father’s kisses keep his father’s worries
from becoming his? I think Dear God, and remember
there are stars we haven’t heard from yet:
They have so far to arrive. Amen,
I think, and I feel almost comforted.


I’ve no idea what my child is thinking.

Between two unknowns, I live my life.
Between my mother’s hopes, older than I am
by coming before me. And my child’s wishes,

older than I am by outliving me. And what’s it like?
Is it a door, and a good-bye on either side?
A window, and eternity on either side?
Yes, and a little singing between two great rests.
~Li-Young Lee The Hammock

I’ve become the window bridging four generations, waiting for the door to reopen:


I remember my grandmother’s soft hands smoothing my hair when I was upset.
I still see her tears when she said goodbye.

I remember my father carrying me on his shoulders when my legs grew weary and my patience short.
I still feel his final breath as he finally gave up his struggle.

I remember my children needing me for nearly everything.
Now, living so far away, I give so little as they soothe and comfort my grandchildren when I cannot.

I wonder what my grandmother, my father, my children, my grandchildren were thinking. I can only imagine, stuck as I am between the closed pandemic door and the someday-open window.

Once again I am the one in need: praying life and hugs might happen again.

Soon. Soon and very soon. I can almost hear the singing between us.

Waiting in Wilderness: The Light Unseen

Six days of work are spent
To make a Sunday quiet
That Sabbath may return.
It comes in unconcern;
We cannot earn or buy it.
Suppose rest is not sent
Or comes and goes unknown,
The light, unseen, unshown.
Suppose the day begins
In wrath at circumstance,
Or anger at one’s friends
In vain self-innocence
False to the very light,
Breaking the sun in half,
Or anger at oneself
Whose controverting will
Would have the sun stand still.
The world is lost in loss
Of patience; the old curse
Returns, and is made worse
As newly justified.
In hopeless fret and fuss,
In rage at worldly plight
Creation is defied,
All order is unpropped,
All light and singing stopped
~Wendell Berry “Sabbath Poem V”

On the calendar, this past pandemic year contained just as many Sabbath days as any other year. Even so, we Christians allowed these fifty-plus precious days of rest to be broken by our own impatience and anger.

As a result of pandemic concerns and government regulations, many churches stopped meeting and even now continue to only worship virtually. Others blithely ignored the risks and continued to meet as they always had. Some tried to find an uneasy middle ground, meeting with restrictions on seating and indoor singing.

It felt like the Son Himself and His Light had been broken in half — the body of Christ divided.

The pandemic may be in its waning months but how will the church recover? Will friends find unity again after months of separation, disagreement and antipathy? Can healing reach into our pews and bond our prayers back together?

I have struggled to find rest on these Sabbath days, to look forward to meeting together with my brothers and sisters in the body. I am challenged by my tendency to fret and fuss. I need forgiveness for my attitude and I need to show forgiveness for those who see things differently.

The Lord knows what He is doing with His people, illuminating our divided hearts. Even in the darkest hour, He took on all our imperfections and failings and made them right.

May His broken Light be healed, our corrupted hearts be made whole and may our singing begin once again.