Sweating Under the High Arc of Midsummer

What is the hayfield in late afternoon
that it can fly in the face of time,

and light can be centuries old, and even
the rusted black truck I am driving

can seem to be an implement born
of some ancient harvest,

and the rhythmic baler, which spits out
massive bricks tied up in twine,

can seem part of a time before now
because light glitters on the hay dust,

because the sun is sinking and we sweat
under the high arc of mid-summer,

because our bodies cast such long shadows–
Rebecca, with the baby strapped to her back,

the men who throw impossible weight
to the top of the truck, the black and white

dog that races after mice or moles
whose lives have been suddenly exposed.

How does the taste of my sweat take me
down through the gate of childhood,

spinning backwards to land in a field
painted by Bruigel, where the taste of salt

is the same, and the same heat
rises in waves off a newly flattened field.

In the duskiness of slanted light, we laugh
just as we laughed then, because there is

joy in what the earth gives, allowing
our bodies to mingle with it, our voices

small on the field, our work assuring the goats
can give milk, the sheep can grow wool,

and we will have in our bones the taste
of something so old it travels in light.
~Susie Patlove “First Cutting” from Quickening

photo by Nate Gibson
photo by Nate Gibson
1994
2005
2011

There is a timelessness to mid-summer hay harvest that goes back generations on both sides of our family. The cutting, raking and gathering of hay has evolved from horse-drawn implements and gathering loose shocks of hay to 100+ horse power air-conditioned tractors and huge round bales wrapped and stored in plastic sheathing rather than in barns.

Our farm is happily stuck somewhere in-between: we still prefer filling the haybarn with bales that I can still lift and move myself to feed our animals. True hay harvest involves sweat and dust and a neighborhood coming together to preserve summer in tangible form.

I grew up on a farm with a hayfield – I still have the scar over my eyebrow where I collided with the handle of my father’s scythe when, as a toddler, I came too close behind him as he was taking a swing at cutting a field of grass one swath at a time. I remember the huge claws of the hay hook reaching down onto loose hay piled up on our wagon. The hook would gather up a huge load, lift it high in the air to be moved by pulley on a track into our spacious hay loft. It was the perfect place to play and jump freely into the fragrant memories of a summer day, even in the dark of winter.

But these days it is the slanted light of summer I remember most:
-the weightlessness of dust motes swirling down sun rays coming through the slats of the barn walls as the hay bales are stacked
-the long shadows and distant alpenglow in the mountains
-the dusk that goes on and on as owls and bats come out to hunt above us

Most of all, I will remember the sweaty days of mid-summer as I open the bales of hay in mid-winter – the light and fragrance of those grassy fields spilling forth into the chill and darkness, in communion of blessing for our animals.

photo by Tayler Rae
Pieter Bruegel “Hay Harvest”
My grandparents Leslie Polis and Kittie Lovelace standing in a hayfield with loose hay shocks — 1915

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A Deep Fear of Emptiness

dawn7251

 

marshmallowglow2

 

Wheels of baled hay bask in October sun:
Gold circles strewn across the sloping field,
They seem arranged as if each one
Has found its place; together they appeal
To some glimpsed order in my mind
Preceding my chance pausing here —
A randomness that also seems designed.
Gold circles strewn across the sloping field
Evoke a silence deep as my deep fear
Of emptiness; I feel the scene requires
A listener who can respond with words, yet who
Prolongs the silence that I still desire,
Relieved as clacking crows come flashing through,
Whose blackness shows chance radiance of fire.
Yet stillness in the field remains for everyone:
Wheels of baled hay bask in October sun.
~Robert Pack “Baled Hay” from Rounding it Out: A Cycle of Sonnetelles (1999).

 

mayfieldbales

 

marshmallows51116

 

Each day I am called to see and listen,
to open fully to all that is around me.
From the simple stillness of the fields
surrounding our farm,
to the weeping of those who sit with me
day after day
in their deep fear of emptiness,
their struggle with whether to try to live
or give up and die.

Their deep fear of emptiness renders me silent;
I struggle to respond with words
that might offer up a healing balm
assuring them even in the darkest time
hope lies waiting, wrapped and baled,
radiant as fire,
ready to spill out fragrant,
to bear us silently to a new morning,
to a stillness borne of grace.

 

lookingnortheastoct

 

centralroadoct

Dancing in Dust Motes

barnboys

farmkids3

ready
emptied and ready

They put up hay loose there, the old way,
forking it into the loft from the wagon rack
while the sweaty horses snorted and switched off flies
and the littlest kids were commanded to trample it flat
in between loads until the entire bay
was alight with its radiant sun-dried manna….
It was paradise up there with dusty sun motes
you could write your name in as they skirled and drifted down.
There were ropes we swung on and dropped from and shinnied up
and the smell of the place was heaven, hurling me back
to some unknown plateau, tears standing up in my eyes
and an ancient hunger in my throat, a hunger….
~Maxine Kumin from “Hay”

filling
filling up

haybarnfull

My parents knew that ancient hunger, both born on farms with teams of horses that brought in hay the old way while the children tramped and stamped the loose piles firm.

I’ve known that ancient hunger, having grown up on a farm that brought in to the barn loose hay the old way by tractor and wagon, having danced in the dusty sun motes on the top of the hay on a bright afternoon, the light cut in stripes over the sweet smelling grass.

We’ve made sure our three children knew that ancient hunger, born to a farm that brought in hay bales stacked to the rafters through community effort, those same dusty sun motes swirling about their heads as they learned their jobs, from bale rolling to lifting to tossing and stacking.

And now the next generation of neighborhood children arrive with shouts on haying days to clamor up and down the bale mountains, answering to the same hunger, blowing the same dusty snot and thrilling to the adventure of tractors, wagons and trucks, celebrating the gathering in of sun-dried manna together.

Surely this is what heaven will be like: we are all together, dancing in the light of the sun motes, our hunger filled to the brim by manna provided from above.

farmertheo1

farmgirls

farmcrew

 

‘Tis Hay Time

haybarnfull

haywagon

Tis haytime & the red complexioned sun
Was scarcely up ere blackbirds had begun
Along the meadow hedges here & there
To sing loud songs to the sweet smelling air
Where breath of flowers & grass & happy cow
Fling oer ones senses streams of fragrance now
While in some pleasant nook the swain & maid
Lean oer their rakes & loiter in the shade
Or bend a minute oer the bridge & throw
Crumbs in their leisure to the fish below
—Hark at that happy shout—& song between
Tis pleasures birthday in her meadow scene
What joy seems half so rich from pleasure won
As the loud laugh of maidens in the sun.
~John Clare “Hay Making”

farmcrew3

haymaking5

haying2012

Every hay crew is the same
Though the names change;
Young men flexing their muscles,
A seasoned farmer defying his age
Tossing four bales high,
Determined girls bucking up on the wagon,
Young children rolling bales closer,
Add a school teacher, pastor,
Professor, lawyer and doctor
Getting sweaty and dusty
United in being farmers
If only for an evening.

Stacking
Basket weave
Interlocking
Cut side up
Steadying the load
Riding over hills
Through valleys
In slow motion
Eagles over head
Searching the bare fields
Evening alpen glow
Of snowbound
Eastern peaks

Friends and neighbors
Walking the dotted pastures,
Piling on the wagons,
Driving the truck,
Riding the top of hay stack
In the evening breeze,
Filling empty barn space to the rafters,
Making gallons of lemonade in the kitchen.
A hearty meal consumed
In celebration
Of summer baled, stored, preserved
For another year.

Hay crew
Remembered on
Frosty autumn mornings before dawn
When bales are broken for feed
And fragrant summer spills forth.
In the dead of winter

sunset81115

sunset811153

puffsunset2

Stillness in the Field

dawn7251

marshmallowglow2

marshmallowfields

 

Wheels of baled hay bask in October sun:
Gold circles strewn across the sloping field,
They seem arranged as if each one
Has found its place; together they appeal
To some glimpsed order in my mind
Preceding my chance pausing here —
A randomness that also seems designed.
Gold circles strewn across the sloping field
Evoke a silence deep as my deep fear
Of emptiness; I feel the scene requires
A listener who can respond with words, yet who
Prolongs the silence that I still desire,
Relieved as clacking crows come flashing through,
Whose blackness shows chance radiance of fire.
Yet stillness in the field remains for everyone:
Wheels of baled hay bask in October sun.
~Robert Pack “Baled Hay”

 

Each day I am called to see and listen,
to open fully to all that is around me.
From the simple stillness of the fields
surrounding our farm,
to the weeping of those who sit with me
day after day
in their deep fear of emptiness,
their struggle with whether to try to live
or give up and die.

Their profound emptiness renders me silent;
I struggle to respond with words
that offer up healing,
assuring them even in the darkest time
hope lies waiting, radiant as fire,
to bear us silently to a new morning,
to a stillness borne of grace.

crow

octpasture

mayfieldbales

Every Cubic Inch of Space

eveningbarnsept1

Why, who makes much of miracles?
As to me, I know nothing else but miracles…
To me every hour of the light and dark is a miracle
Every cubic inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every foot of the interior swarms with the same.

To me [all] is a continual miracle…
~Walt Whitman

When I go to our 100+ year old hay barn to fetch a couple of bales for the horses, I stop to marvel at the continual miracle of this barn.  It is breaking down along its roof crest, yes.  It is sorely in need of another coat of paint, yes.  It has leaks where the winter winds have blown shingles off so the rain and snow come straight indoors, yes.

Yet these old growth beams and rafters, recycled from a nearby dismantled saw mill over a century ago, continue to do their job of holding up the world encased within.  This home of pigeons, swallows, bats, barn owls, mice, rats, raccoons, skunks and possum remains a steadfast sanctuary for the harvest of our hill.  For decades it has remained steep and silent, serene and solace-filled.

Every cubic inch, the streams of light and the shadowy dark, inside and out, is wonder-full, even when it is empty in the late spring and especially when packed to the rafters, as it is now, with this summer’s hay crop.  The miraculous is grown, cut, dried, raked, baled, hauled, stacked and piece by piece, stem by stem, as it sustains living creatures through three seasons of the year.

I have the privilege of entering here every day and witnessing the miracle year after year.
I know nothing else but miracles, despite my own sagging, my weakening foundation and some *occasional* inopportune leaking of my own.

I know where and to whom I belong.

There is not a square inch in the whole domain of our human existence over which Jesus, sovereign over all,  does not cry “Mine!”
~Abraham Kuyper

haybarnsept

outsidethebarn

sliding door

Melt and Flow

meltingfieldlodge1

Light and wind are running
over the headed grass
as though the hill had
melted and now flowed.
~Wendell Berry “June Wind”

It will soon be haying time, as soon as a stretch of clear days appear on the horizon.  Today was to be cloudless but ended up drizzly and windy, not good hay cutting weather.

The headed grass is growing heavier, falling over, lodged before it can be cut, with the undulations of moist breezes flowing over the hill.   It has matured too fast, rising up too lush, too overcome with itself so that it can no longer stand.  It is melting, pulled back to the soil.  We must work fast to save it.

The light and wind works its magic on our hill.  The blades of the mower will come soon to lay it to the ground in green streams that flow up and down the slopes.  It will lie comfortless in its stoneless cemetery rows, until tossed about by the tedder into random piles to dry, then raked back into a semblance of order in mounded lines flowing over the landscape.

It will be crushed and bound together for transport to the barn, no longer bending but bent, no longer flowing but flown, no longer growing but grown and salvaged.

It becomes fodder for the beasts of the farm during the cold nights when the wind beats at the doors.   It melts in their mouths, as it was meant to.

Truly.

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Hay Making

Hayfield at BriarCroft –photo by Nate Gibson

our hay field near the farm –photo by Nate Gibson

unloading bales into the hay barn– photo by Nate Gibson

stacking the wagon –photo by Nate Gibson


“Haymaking” [sonnet]
John Clare
(1793-1864).

Tis haytime & the red complexioned sun
Was scarcely up ere blackbirds had begun
Along the meadow hedges here & there
To sing loud songs to the sweet smelling air
Where breath of flowers & grass & happy cow
Fling oer ones senses streams of fragrance now
While in some pleasant nook the swain & maid
Lean oer their rakes & loiter in the shade
Or bend a minute oer the bridge & throw
Crumbs in their leisure to the fish below
—Hark at that happy shout—& song between
Tis pleasures birthday in her meadow scene
What joy seems half so rich from pleasure won
As the loud laugh of maidens in the sun.

photo by Nate Gibson