A Finisterre Prayer

What words or harder gift
does the light require of me
carving from the dark
this difficult tree?


What place or farther peace
do I almost see
emerging from the night
and heart of me?


The sky whitens, goes on and on.
Fields wrinkle into rows
of cotton, go on and on.
Night like a fling of crows
disperses and is gone.


What song, what home,
what calm or one clarity
can I not quite come to,
never quite see:
this field, this sky, this tree.

~Christian Wiman, “Hard Night”

Some days, although we cannot pray, a prayer
utters itself. So, a woman will lift
her head from the sieve of her hands and stare
at the minims sung by a tree, a sudden gift.

Some nights, although we are faithless, the truth
enters our hearts, that small familiar pain;
then a man will stand stock-still, hearing his youth
in the distant Latin chanting of a train.

Pray for us now. Grade 1 piano scales
console the lodger looking out across
a Midlands town. Then dusk, and someone calls
a child’s name as though they named their loss.

Darkness outside. Inside, the radio’s prayer —
Rockall. Malin. Dogger. Finisterre.

~Carol Ann Duffy “Prayer”

photo by Bob Tjoelker

As a child falling asleep, I prayed to God with moans and groans echoing in my ears.

Growing up on a small farm located about two miles from a bay in Puget Sound, I found myself praying for safety on foggy nights as fog horns moaned in the distance. Scattered throughout the inlet, the horns called out mournful groans of warning to passing freighter ships. The resonant lowing of the horns carried miles over the surrounding landscape due to countless water particles in the fog transmitting sound waves so effectively. The louder the foghorn moan heard on our farm, the thicker and more hazardous the mist in the air. Those horns would make me unspeakably sad for reasons I could only articulate to God. Thus I prayed for the ships, and I prayed for my own shaky navigation through life.

Navigating blind in a fog necessitates taking unpredictable risks. The future can seem a murky mess. I cannot see what lies ahead: I navigate by my wits, by my best guess, but particularly by listening for the low-throated warnings coming from the rocky shores and shallows of those who have gone ahead of me.

I am easily lost in the fog of my fears – disconnected, afloat and circling aimlessly, searching for a touch point of purpose and direction. The isolation I sometimes feel may simply be my own self-absorbed state of mind, sucking me in deep until I’m soaked, dripping and shivering from the smothering gray. If only I trust the fog horn warnings and reassurances from the Word of God, I could charge into the future undaunted.

He is in the pea soup alongside me, awaiting the Sun’s dissipation of the fog. Now I know, nearly seventy years into this voyage, the fog eventually clears. The journey continues on beyond these shores.

Even so, I will keep praying with the resonant voices of wisdom and caution from shore, like the nightly tradition of the BBC radio shipping forecasts that calm so many to sleep to this day. Even a Finisterre (the end of the land) prayer holds us in safety as we find our way home.

Instead of echoing the anxious moans and groans of my childhood prayers, may my voice be heard singing an anthem of hope and promise.

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I Now Walk Wary

Someone spoke to me last night,
told me the truth. Just a few words,
but I recognized it.
I knew I should make myself get up,
write it down, but it was late,
and I was exhausted from working
all day in the garden, moving rocks.
Now, I remember only the flavor—
not like food, sweet or sharp.
More like a fine powder, like dust.
And I wasn’t elated or frightened,
but simply rapt, aware.
That’s how it is sometimes—
God comes to your window,
all bright light and black wings,
and you’re just too tired to open it.

~Dorianne Laux “Dust” from What We Carry

On the stiff twig up there
Hunches a wet black rook
Arranging and rearranging its feathers in the rain-
I do not expect a miracle
Or an accident

To set the sight on fire
In my eye, nor seek
Any more in the desultory weather some design,
But let spotted leaves fall as they fall
Without ceremony, or portent.

Although, I admit, I desire,
Occasionally, some backtalk
From the mute sky, I can’t honestly complain:
A certain minor light may still
Lean incandescent

Out of kitchen table or chair
As if a celestial burning took
Possession of the most obtuse objects now and then —
Thus hallowing an interval
Otherwise inconsequent

By bestowing largesse, honor
One might say love. At any rate, I now walk
Wary (for it could happen
Even in this dull, ruinous landscape); sceptical
Yet politic, ignorant

Of whatever angel any choose to flare
Suddenly at my elbow. 

I only know that a rook
Ordering its black feathers can so shine
As to seize my senses, haul
My eyelids up, and grant

A brief respite from fear
Of total neutrality. With luck,
Trekking stubborn through this season
Of fatigue, I shall
Patch together a content

Of sorts. Miracles occur,
If you care to call those spasmodic
Tricks of radiance miracles. The wait’s begun again,
The long wait for the angel.
For that rare, random descent.
~Sylvia Plath “Black Rook in Rainy Weather”

…it is no trick of light
nor is it random
when He comes to our window,
wanting us to let Him in.

This descent to us
is planned and very real:
He seizes us and does not let go
even when we are too tired
to open to Him.

We wait,
this long wait while moving rocks;
tired of waiting,
seeking contentment while waiting
rapt,
aware,
weary,
but awake and ready for His grace.

photo by Nate Gibson

I wait for the Lord, my whole being waits,
    and in his word I put my hope.
Psalm 130:5

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Born Broken

Man is born broken.
He lives by mending.
The grace of God is glue.
~Eugene O’Neill

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice – – –
though the whole house
began to tremble
and you felt the old tug
at your ankles.
‘Mend my life!’
each voice cried.
But you didn’t stop.

You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations – – –
though their melancholy
was terrible. It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.

But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice,
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do – – – determined to save
the only life you could save.
~Mary Oliver “The Journey”

When I first read <Mary’s poem> years ago, I had trouble with it. It seemed to advocate the kind of self-centered life that’s one of the core pathologies of modern culture.

But life experience—hard experience—has led me to see the wisdom here. None of us can “mend” another person’s life, no matter how much the other may need it, no matter how much we may want to do it.

Mending is inner work that everyone must do for him or herself. When we fail to embrace that truth the result is heartbreak for all concerned.

What we can do is walk alongside the people we care about, offering simple companionship and compassion. And if we want to do that, we must save the only life we can save, our own.

Only when I’m in possession of my own heart can I be present for another in a healing, encouraging, empowering way. Then I have a gift to offer, the best gift I possess—the gift of a self that is whole, that stands in the world on its own two feet.

…anything one can do on behalf of true self is done ultimately in the service of others.
~Parker Palmer writing about Mary Oliver’s poem “The Journey”

We are born hollering,
so abruptly separated
from warmth and comfort.
Broken in emptiness
from the first breath,
every alveoli fills up
with the air of a fallen world.

Yet air is never enough for us.

The rest of our days are spent
filling up our empty spaces
whether lungs
or stomach
or starving synapses,
still hollering in our loneliness
and heart-
broken.

I spent over forty years
devoted to the mending business,
patching up the breaking and broken.

Yet I know I was never enough.

We heal best
through our walk with others
who are also broken.
We bridge the gaps
by knitting together scraggly fragments
of each other’s shattered lives.

The crucial glue is
boiled from gifted Grace –
our filled holes miraculously made holy.

So it is – Immanuel, God with us, is always enough.

The Mending Song – lyrics from Arnold Lobel’s poem below

There was an old woman of long ago who went about her mending;
She sewed the wind against the clouds to stop the trees from bending;
She stitched the sun to the highest hill, to hold the day from ending.


Her thimbles and threads were close at hand for needlework and quilting,
For sewing gardens to the sky to keep the blooms from wilting,
For lacing the land to the crescent moon, to save the world from tilting.

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Blossoming with Loss

I let her garden go.
let it go, let it go
How can I watch the hummingbird
Hover to sip
With its beak’s tip
The purple bee balm—whirring as we heard

It years ago?
The weeds rise rank and thick
let it go, let it go

Where annuals grew and burdock grows,
Where standing she
At once could see

The peony, the lily, and the rose
Rise over brick

She’d laid in patterns. Moss
    let it go, let it go
Turns the bricks green, softening them
By the gray rocks
Where hollyhocks
That lofted while she lived, stem by tall stem,
Blossom with loss.

~Donald Hall, “Her Garden” from White Apples and the Taste of Stone

photo by Josh Scholten

As fall now brings gray mornings
heavy with clouds
and tear-streaked windows,
I pause, melancholy
at the passage of time.

Whether to grieve over
another hour passed
another breath exhaled
another broken heart beat

Or to climb my way
out of deepless dolor
by starting the work of
planting next spring’s garden

It takes sweat
and dirty hands
and yes,
tears from heaven
to make it flourish,
but even so
– just maybe –
my memories
so carefully planted like seeds
might blossom fully
from the soil of loss.

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The Dark Blooms and Sings

Isn’t the moon dark too,
most of the time?

And doesn’t the white page
seem unfinished

without the dark stain
of alphabets?

When God demanded light,
he didn’t banish darkness.

Instead he invented
ebony and crows

and that small mole
on your left cheekbone.

Or did you mean to ask
“Why are you sad so often?”

Ask the moon.
Ask what it has witnessed.

~Linda Pastan “Why Are Your Poems So Dark?”

photo by Harry Rodenberger

To go in the dark with a light is to know the light.
To know the dark, go dark. Go without sight,
and find that the dark, too, blooms and sings,
and is traveled by dark feet and dark wings.

~Wendell Berry “To Know the Dark” from Soul Food – Nourishing Poems for Starved Minds

photo by Bob Tjoelker

(In my sleep I dreamed this poem)

Someone I loved once gave me
a box full of darkness.

It took me years to understand
that this, too, was a gift.

~Mary Oliver “The Uses of Sorrow”

When the canvas frays
In the currach of thought
And a stain of ocean
Blackens beneath you,
May there come across the waters
A path of yellow moonlight
To bring you safely home.
~John O’Donohue from “Beannacht”

photo by Josh Scholten

Ask what the moon has witnessed.
Ask what we, as fallen creatures, have witnessed.
Darkness was not banished by God in the beginning,
so we might search, blinded, for Him.

We are promised this in the Word: “and night will be no more. They will need no light of lamp or sun, for the Lord God will be their light… Revelation 22:5.

The Word in the beginning set a dark universe in motion.
The Word is both flesh and Savior to a world dwelling in darkness.
The Word as Spirit thrives eternally to enlighten our hearts, our minds and hands.

Darkness is not banished. But it is overcome.
And so, we shall have a lit pathway leading us home.

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Fixing Eyes on the Unseen – A Glut of Melancholy

But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
~John Keats from “Ode on Melancholy”

I eat oatmeal for breakfast.
I make it on the hot plate and put skimmed milk on it.
I eat it alone.
I am aware it is not good to eat oatmeal alone.
Its consistency is such that is better for your mental health
if somebody eats it with you.
That is why I often think up an imaginary companion to have
breakfast with.
Possibly it is even worse to eat oatmeal with an imaginary
companion.
Nevertheless, yesterday morning, I ate my oatmeal porridge,
as he called it, with John Keats.
Keats said I was absolutely right to invite him:
due to its glutinous texture, gluey lumpishness, hint of slime,
and unusual willingness to disintegrate, oatmeal should
not be eaten alone…
~Galway Kinnell from “Oatmeal”

Oatmeal porridge eaten in melancholy,
among poets and emerging peonies,
hail-crushed blooms and storm-crossed hills,
while nations and individuals remain at war:

this is the week of walking through the suffering
of our Redeemer.

Glutted with sadness among companions:
I am not alone in feeling the sorrow is
already too much to be borne on
a holy Tuesday morning
with more yet to come~~
nothing more need be said.

I do what I can
to open my eyes and my heart
to understand how and why
Christ has done what He must
to save us from ourselves.

This year’s Lenten theme:
So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
2 Corinthians 4: 18

Ragged Hopes

How granular they feel—grief and regret, arriving, as they do,
in the sharp particularities of distress. Inserting themselves—
cunning, intricate, subversive—into our discourse.

In the long night, grievances seem to multiply. Old dreams
mingling with new. Disappointment and regret bludgeon
the soul, your best imaginings bruised, your hopes ragged.

Yet wait, watch. From the skylight the room is filling with
soft early sun, slowly sifting its light on the bed, on your head,
a shower of fine particles. How welcome. And how reliable.

~Luci Shaw “Sorrow”

(In my sleep I dreamed this poem)

Someone I loved once gave me
a box full of darkness.

It took me years to understand
that this, too, was a gift.

~ Mary Oliver “The Uses of Sorrow” from Thirst

We are given a box full of darkness
by someone who loves us,
and we can’t help but open it
and weep.

It takes a lifetime to understand,
if we ever do,
we will inevitably hand off
this gift to others whom we love.

Opening the box
allows the Light in
where none existed before.
Light pours into our brokenness.

Sorrow ends up shining through our tears:
we reach out from a deep well of need.
Because we are loved so thoroughly,
we too love deeply beyond ourselves.

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The Need to Praise

A blue horse turns into
a streak of lightning,
then the sun —
relating the difference between sadness
and the need to praise
that which makes us joyful,
I can’t calculate
how the earth tips hungrily
toward the sun – then soaks up rain —
or the density
of this unbearable need
to be next to you. It’s a palpable thing —
this earth philosophy
and familiar in the dark
like your skin under my hand.
We are a small earth. It’s no
simple thing. Eventually
we will be dust together;
can be used to make a house,
to stop a flood or grow food
for those who will never remember
who we were, or know
that we loved fiercely.
Laughter and sadness eventually become
the same song turning us
toward the nearest star —
a star constructed of eternity
and elements of dust barely visible
in the twilight as you travel
east. I run with the blue horses
of electricity who surround
the heart
and imagine a promise made
when no promise was possible.

~Joy Harjo “Promise of Blue Horses” from How We Became Human

Birds embody the shapes of my heart
these days


holding the warmth of a hug
in their feathers


the gleam of a kiss in
their eyes


building a home for my love
in their beaks


and spreading, with their song,
the promise of blue horses.

 

“A blue horse turns into a streak of lightning,
then the sun—
relating the difference between sadness
and the need to praise
that which makes us joyful.”
~Marjorie Moorhead, “That Which Makes Us Joyful” from Literary North

Even when my heart isn’t feeling it, especially when I’m blue (along with much of the rest of the world on this September 11 anniversary), I need to remember to whisper hymns of praise to the Creator of all that is blue as well as every other color.

I’m reminded of the goodness of a God who provides me with the words to sing and a voice to sing them out loud.

That reality alone makes me joyful. That alone is reason to worship Him. That alone is enough to turn blue days, blue horses and blue hearts gold again.

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The Fog is Rising

I must go in; the fog is rising…
~Emily Dickinson, her last words

I have watched the dying
in their last hours:
often through the fog of waning breaths,
they see what I cannot,
they listen to what I do not hear,
stretching their arms overhead
as their fingers extend and grasp
to touch what is, as yet,
far beyond my reach.

I watch and wonder how it is
to reverse the journey that brought me here
from the fog of my amnion.

The mist of living lifts.

I will enter a place
unsurpassed in brilliance and clarity;
the mystery of what lies beyond solved
only by going in to it,
welcomed back to where I started.

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Roaming Soft About the Slope

The mare roamed soft about the slope,
Her rump was like a dancing girl’s.
Gentle beneath the apple trees
She pulled the grass and shook the flies,
Her forelocks hung in tawny curls,
She had a woman’s limpid eyes,
A woman’s patient stare that grieves.
And when she moved among the trees,
The dappled trees, her look was shy,
She hid her nakedness in leaves.
A delicate though weighted dance
She stepped while flocks of finches flew
From tree to tree and shot the leaves
With songs of golden twittering;
How admirable her tender stance.
And then the apple trees were new,
And she was new, and we were new,
And in the barns the stallions stamped
And shook the hills with trumpeting.
~Ruth Stone, “The Orchard” from What Love Comes To

Our retired mares are aging, the oldest now thirty and the others only a few years younger. Born on this land, they have served us well over the decades, birthing us their foals and working when asked. They deserve this easy life on pasture for as long as their legs and feet will carry them up and down the slopes of our hilly farm – they are more and more resembling our ancient crooked crippled orchard trees, some of which have already toppled in the winter winds..

I’m thinking we are close to the end of these loyal mares’ long lives; hard decisions must be made at some point and I don’t feel quite prepared to determine when they are no longer enjoying their time under the sun but I don’t want them to topple over like an old hollow tree in the wind. I listen for their nickers as I come into the barn each morning and still see their eagerness to be set free to the fields. I look in their eyes when they come in at night to discern what they have to say about how their day went out on the grass.

Perhaps I too identify a bit much with the stiffness as they move and their need for frequent napping times in the field, swishing at flies while they dream of younger days of flirting with stallions, nursing babies, having suppler joints and a wild gallop at twilight.

I’ve been singing a sad lullaby to myself and them as I work about the barn with slow deliberation, knowing there is somber sorrow when life eventually must come to its inevitable end.

Ah, all the pretty little horses…

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