The Need to Praise

A blue horse turns into
a streak of lightning,
then the sun —
relating the difference between sadness
and the need to praise
that which makes us joyful,
I can’t calculate
how the earth tips hungrily
toward the sun – then soaks up rain —
or the density
of this unbearable need
to be next to you. It’s a palpable thing —
this earth philosophy
and familiar in the dark
like your skin under my hand.
We are a small earth. It’s no
simple thing. Eventually
we will be dust together;
can be used to make a house,
to stop a flood or grow food
for those who will never remember
who we were, or know
that we loved fiercely.
Laughter and sadness eventually become
the same song turning us
toward the nearest star —
a star constructed of eternity
and elements of dust barely visible
in the twilight as you travel
east. I run with the blue horses
of electricity who surround
the heart
and imagine a promise made
when no promise was possible.

~Joy Harjo “Promise of Blue Horses” from How We Became Human

Birds embody the shapes of my heart
these days


holding the warmth of a hug
in their feathers


the gleam of a kiss in
their eyes


building a home for my love
in their beaks


and spreading, with their song,
the promise of blue horses.

 

“A blue horse turns into a streak of lightning,
then the sun—
relating the difference between sadness
and the need to praise
that which makes us joyful.”
~Marjorie Moorhead, “That Which Makes Us Joyful” from Literary North

Even when my heart isn’t feeling it, especially when I’m blue (along with much of the rest of the world on this September 11 anniversary), I need to remember to whisper hymns of praise to the Creator of all that is blue as well as every other color.

I’m reminded of the goodness of a God who provides me with the words to sing and a voice to sing them out loud.

That reality alone makes me joyful. That alone is reason to worship Him. That alone is enough to turn blue days, blue horses and blue hearts gold again.

One-Time
Monthly
Yearly

Make a one-time or recurring donation to support daily Barnstorming posts

Make a monthly donation

Make a yearly donation

Choose an amount

$5.00
$10.00
$20.00
$5.00
$15.00
$100.00
$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is deeply appreciated.

Your contribution is appreciated.

Your contribution is appreciated.

DonateDonate monthlyDonate yearly

The Fog is Rising

I must go in; the fog is rising…
~Emily Dickinson, her last words

I have watched the dying
in their last hours:
often through the fog of waning breaths,
they see what I cannot,
they listen to what I do not hear,
stretching their arms overhead
as their fingers extend and grasp
to touch what is, as yet,
far beyond my reach.

I watch and wonder how it is
to reverse the journey that brought me here
from the fog of my amnion.

The mist of living lifts.

I will enter a place
unsurpassed in brilliance and clarity;
the mystery of what lies beyond solved
only by going in to it,
welcomed back to where I started.

One-Time
Monthly
Yearly

Make a one-time or recurring donation to support daily Barnstorming posts

Make a monthly donation

Make a yearly donation

Choose an amount

$5.00
$10.00
$20.00
$5.00
$15.00
$100.00
$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is deeply appreciated.

Your contribution is appreciated.

Your contribution is appreciated.

DonateDonate monthlyDonate yearly

Roaming Soft About the Slope

The mare roamed soft about the slope,
Her rump was like a dancing girl’s.
Gentle beneath the apple trees
She pulled the grass and shook the flies,
Her forelocks hung in tawny curls,
She had a woman’s limpid eyes,
A woman’s patient stare that grieves.
And when she moved among the trees,
The dappled trees, her look was shy,
She hid her nakedness in leaves.
A delicate though weighted dance
She stepped while flocks of finches flew
From tree to tree and shot the leaves
With songs of golden twittering;
How admirable her tender stance.
And then the apple trees were new,
And she was new, and we were new,
And in the barns the stallions stamped
And shook the hills with trumpeting.
~Ruth Stone, “The Orchard” from What Love Comes To

Our retired mares are aging, the oldest now thirty and the others only a few years younger. Born on this land, they have served us well over the decades, birthing us their foals and working when asked. They deserve this easy life on pasture for as long as their legs and feet will carry them up and down the slopes of our hilly farm – they are more and more resembling our ancient crooked crippled orchard trees, some of which have already toppled in the winter winds..

I’m thinking we are close to the end of these loyal mares’ long lives; hard decisions must be made at some point and I don’t feel quite prepared to determine when they are no longer enjoying their time under the sun but I don’t want them to topple over like an old hollow tree in the wind. I listen for their nickers as I come into the barn each morning and still see their eagerness to be set free to the fields. I look in their eyes when they come in at night to discern what they have to say about how their day went out on the grass.

Perhaps I too identify a bit much with the stiffness as they move and their need for frequent napping times in the field, swishing at flies while they dream of younger days of flirting with stallions, nursing babies, having suppler joints and a wild gallop at twilight.

I’ve been singing a sad lullaby to myself and them as I work about the barn with slow deliberation, knowing there is somber sorrow when life eventually must come to its inevitable end.

Ah, all the pretty little horses…

One-Time
Monthly
Yearly

Make a one-time or recurring donation to support daily Barnstorming posts

Make a monthly donation

Make a yearly donation

Choose an amount

$5.00
$10.00
$20.00
$5.00
$15.00
$100.00
$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is deeply appreciated.

Your contribution is appreciated.

Your contribution is appreciated.

DonateDonate monthlyDonate yearly

A Day for Grumbling

I like these cold, gray winter days.
Days like these let you savor a bad mood. 
~Bill Watterson (Creator of Calvin and Hobbes)

Sometimes the mist overhangs my path,
And blackening clouds about me cling;
But, oh, I have a magic way
To turn the gloom to cheerful day—
      I softly sing.

And if the way grows darker still,
Shadowed by Sorrow’s somber wing,
With glad defiance in my throat,
I pierce the darkness with a note,
       And sing, and sing.

I brood not over the broken past,
Nor dread whatever time may bring;
No nights are dark, no days are long,
While in my heart there swells a song,
       And I can sing.

~James Weldon Johnson “The Gift to Sing”

I can grumble and complain with the best of them. There is camaraderie in shared grumbling, as well as an exponential increase in dissatisfaction as everyone around me shares their own particular misery. Some relationships are based on just such collaborative complaining.

But I know better. I’ve seen where grousing leads and I feel the ache in my bones when I’m steeped in it. The sky gets grayer, the clouds become thicker, the night is darker–on and on to its overwhelming suffocating conclusion.

I have the privilege to turn away from being bleak and gloomy and choose joy. I can find the single ray of sun and stand steadfastly within it, to sing out that first note and pierce the darkness.

This is not me putting on a “happy face” — instead joy adopts and inhabits me, holds me close in the tough times and won’t abandon me. Though at times it may hide temporarily behind a cloud, I know it is there even when I can’t see it.

So I gently sing my way out of the gloom and clouds, for when I choose joy over grumbling, I find joy has chosen me.

So breaks the sun earth’s rugged chains,
      Wherein rude winter bound her veins;
So grows both stream and source of price,
      That lately fettered were with ice.
So naked trees get crisped heads,
      And colored coats the roughest meads,
And all get vigor, youth, and spright,
      That are but looked on by his light.
~Ben Jonson “So Breaks the Sun”

May we sing together, always.
May our voice be soft.
May our singing be music for others
and may it keep others aloft.
Sing gently, always.
Sing gently as one.
May we stand together, always.
May our voice be strong.
May we hear the singing and
May we always sing along.
Sing gently, always.
Sing gently as one.
~Eric Whitacre

One-Time
Monthly
Yearly

Make a one-time or recurring donation to support daily Barnstorming posts

Make a monthly donation

Make a yearly donation

Choose an amount

$5.00
$10.00
$20.00
$5.00
$15.00
$100.00
$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is deeply appreciated.

Your contribution is appreciated.

Your contribution is appreciated.

DonateDonate monthlyDonate yearly

A Still Room to Remember

Here, the bells are silent, blown glass hung from
branches of pine whose fragrance fills the room.
It’s December, and the world’s run out of color.
Darkness at five seems absolute outside
the nine square panes of glass. But inside
hundreds of small white lights reflect off
fragile ornaments handed down from before
the war. They’re all Shiny-Brite, some solid balls—
hot pink, lime green, turquoise, gold—some striped
and flocked. This night is hard obsidian, but these glints
pierce the gloom, along with their glittery echoes, the stars.
We inhale spruce, its resinous breath: the hope of spring,
the memory of summer. Every day, another peal
on the carillon of light.

~Barbara Crooker, “Bells” from Some Glad Morning

The time is ripe for looking back over the day, the week, the year,
and trying to figure out where we have come from
and where we are going to,
for sifting through the things we have done
and the things we have left undone

for a clue to who we are and who,
for better or worse, we are becoming.

We cling to the present out of wariness of the past.
But there is a deeper need yet, I think, and that is the need
—not all the time, surely, but from time to time—
to enter that still room within us all
where the past lives on as a part of the present,
where the dead are alive again,
where we are most alive ourselves to turnings
and to where our journeys have brought us.

The name of the room is Remember—
the room where with patience, with charity, with quietness of heart,
we remember consciously to remember the lives we have lived.
~Frederick Buechner
“A Room Called Remember”

In 1959, when I was five years old, my father left his high school agriculture teaching position for a new supervisor position with the state. Our family moved from a large 3 story farm house in a rural community to a 1950’s newer rambler style home just outside the city limits of the state capitol.  It was a big adjustment to move to a much smaller house without a basement or upper story, no garage, and no large haybarn nor chicken coop.  It meant most things we owned didn’t make the move with us.

The rambler had two side by side mirror image rooms as the primary central living space between the kitchen on one side and the hallway to the bedrooms on the other.  The living room could only be entered through the front door and the family room was accessed through the back door with a shared sandstone hearth in the center, containing a fireplace in each room.  The only opening between the rooms had a folding door shut most of the year.  In December, the door was opened to accommodate a Christmas tree, so it sat partially in the living room and depending on its generous width, spilled over into the family room.  That way it was visible from both rooms, and didn’t take up too much floor space.

The living room, because it contained the only carpeting in the house, and our “best” furniture,  was strictly off-limits for us kids. In order to keep our two matching sectional knobby gray fabric sofas,  a green upholstered chair and gold crushed velvet covered love seat in pristine condition, the room was to be avoided unless we had company. The carpet was never to develop a traffic pattern, there would be no food, beverage, or pet ever allowed in that room, and the front door was not to be used unless a visitor arrived.  The hearth never saw a fire lit on that side because of the potential of messy ashes or smoke smell. This was not a room for laughter, arguments or games and certainly not for toys. The chiming clock next to the hearth, wound with weighted pine cones on the end of chains, called out the hours without an audience.

One week before Christmas, a tree was cut down to fit in the space where it could overflow into the family room.  I particularly enjoyed decorating the “family room” side of the tree, using all my favorite ornaments that were less likely to break if they fell on the linoleum floor on that side of the door.

It was as if the Christmas tree became divided, with a “formal” side in the living room and a “real life” face on the other side where the living (and all that goes along with that) was actually taking place.

The tree straddled more than just two rooms.  Each year that tree’s branches reached out to shelter a family that was slowly, almost imperceptibly, falling apart like fir needles dropping to the floor, soon to be swept away.

Each year since, our Christmas tree, bearing those old ornaments from my childhood, reminds me of that still room of memories.  No longer am I wary of the past, and as I sweep up the fir needles that inevitably drop, I no longer weep.

One-Time
Monthly
Yearly

Make a one-time or recurring donation to support Barnstorming

Make a monthly donation

Make a yearly donation

Choose an amount

$5.00
$10.00
$20.00
$5.00
$15.00
$100.00
$5.00
$15.00
$100.00

Or enter a custom amount

$

Your contribution is deeply appreciated.

Your contribution is appreciated.

Your contribution is appreciated.

DonateDonate monthlyDonate yearly

Bagging Gold

All afternoon his tractor pulls a flat wagon
with bales to the barn, then back to the waiting
chopped field. It trails a feather of smoke.
Down the block we bend with the season:
shoes to polish for a big game,
storm windows to batten or patch.
And how like a field is the whole sky now
that the maples have shed their leaves, too.
It makes us believers—stationed in groups,
leaning on rakes, looking into space. We rub blisters
over billows of leaf smoke. Or stand alone,
bagging gold for the cold days to come.

~David Baker “Neighbors in October”

There is a desperation to these October days:
the leaves torn from branches by unrelenting gusts
with no thought to where they may land~
upon which patch of grass or gravel will be their final resting place
to wilt and wither in the rain,
under frost,
buried by eventual peaceful snowbanks
until they return to dust.

Or in my need to hold on to what I can
of what was,
I preserve a few like precious treasure,
tucked between book pages
to remain forever neighbors
with the words they embrace.

A book with beautiful words and photography (but no leaves tucked inside) is available to order here:

A Benediction of Mourning

The waning October moon reluctantly rose,
pulling back from the full globe of a few nights before.

I drive a night darkened country road, white lines sweeping past,
aware of advancing frost in the evening haze,
anxious to return home to fireplace light.

Nearing a familiar corner, a stop sign loomed,
to the right, a rural cemetery sits silently expectant.

Open iron gates and tenebrous headstones,
in the middle path, incongruous, a car’s headlights beam bright.
I slowed, thinking: lovers or vandals would seek inky cover of night.

Instead, these lights illuminate a lone figure, kneeling graveside,
one hand resting heavily on a stone, head bowed in prayer.

A stark moment of solitary sorrow,
invisible grieving of the heart
focused by twin beams.

A benediction of mourning; light piercing their blackness,
as gentle fingertips trace the engraved letters of a beloved name.

An uneasy witness, I withdraw as if touched myself
and drive on into the night, struggling to see
through the thickening mist of my eyes and the road.

Angel of Grief–Stanford University

A book of beauty in words and photography, available for order here:

The Fallen Works of Light

The summer ends, and it is time
To face another way. Our theme
Reversed, we harvest the last row
To store against the cold, undo
The garden that will be undone.
We grieve under the weakened sun
To see all earth’s green fountains dried,
And fallen all the works of light.
You do not speak, and I regret
This downfall of the good we sought
As though the fault were mine. I bring
The plow to turn the shattering
Leaves and bent stems into the dark,
From which they may return. At work,
I see you leaving our bright land,
The last cut flowers in your hand.
~Wendell Berry “The Summer Ends” from A Timbered Choir.

I want to memorize it all before it changes
as the light weakens from
the sun shifting from north to south,
balancing on the fulcrum of our country road at equinox.

The dying back of the garden leaves and vines reveals
what lies unharvested beneath,
so I gather in urgency, not wanting it to go to waste.

We part again from you, Summer –
your gifts seemed endless
until you ended –
a reminder that someday, so must I.

I sit silenced and brooding, waiting for what comes next.

A book of beautiful words and photography, available to order here:

The Delicate Sadness of Dusk

The talkative guest has gone,
and we sit in the yard
saying nothing. The slender moon
comes over the peak of the barn.

The air is damp, and dense
with the scent of honeysuckle. . . .
The last clever story has been told
and answered with laughter.

With my sleeping self I met
my obligations, but now I am aware
of the silence, and your affection,
and the delicate sadness of dusk.
~Jane Kenyon, “The Visit” from Collected Poems

As we slowly adapt to evenings spent with family and friends again, taking off our masks to actually witness the emotion on a familiar, now unveiled, face:

There are smiles and laughter again. We are trying to remember how to be ourselves outside the fearfulness that contagion wrought. More important: there are tears again. And wistfulness. And regret. And longing.

This delicate sadness happened – even to those of us who were never directly touched by sickness. We will never be the same, never so light of heart again, remembering what this past year has cost.

It is a slow transition to dusk. We sit together now and watch it come.

Feeling Blue

The world is blue at its edges and in its depths.

This blue is the light that got lost. Light at the blue end of the spectrum does not travel the whole distance from the sun to us. It disperses among the molecules of the air, it scatters in water. Water is colorless, shallow water appears to be the color of whatever lies underneath it, but deep water is full of this scattered light, the purer the water the deeper the blue.

The sky is blue for the same reason, but the blue at the horizon, the blue of land that seems to be dissolving into the sky, is a deeper, dreamier, melancholy blue, the blue at the farthest reaches of the places where you see for miles, the blue of distance. This light that does not touch us, does not travel the whole distance, the light that gets lost, gives us the beauty of the world, so much of which is in the color blue.

For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go. For the blue is not in the place those miles away at the horizon, but in the atmospheric distance between you and the mountains.

“Longing,” says the poet Robert Hass, “because desire is full of endless distances.”

Blue is the color of longing for the distances you never arrive in…
~Rebecca Solnit from A Field Guide for Getting Lost

photo by Philip Gibson

I become easily lost in a horizon of blue mountains
or a vivid sky with clouds
or by merely peering into the innards of a blue iris.

I realize I can never actually be there, but only here,
longing for what I see but cannot touch.

These are landscapes in my mind
forever beyond my reach,
where I can never actually go,
but dwell nevertheless
simply by opening my eyes to see.

My heart forgets me not.
My soul, though lost,
will be found.