If this comes creased and creased again and soiled as if I’d opened it a thousand times to see if what I’d written here was right, it’s all because I looked too long for you to put in your pocket. Midnight says the little gifts of loneliness come wrapped by nervous fingers. What I wanted this to say was that I want to be so close that when you find it, it is warm from me. ~Ted Kooser “Pocket Poem”
One who has loved is never quite alone, though all the hills declare our solitude. Having known you, I am no more afraid, the essential singleness of blood and bone when dispossessed, comes never in return; one who has loved is never quite alone. ~Jane Tyson Clement “One Who Has Loved” from The Heart’s Necessities
I never have left a poem in your pocket, hoping it would stay warm from me.
Instead, to stave off loneliness every morning I match poems and pictures together here on this page, knowing you’ll see it later. It’s not much but it’s the best I can do.
Hoping they stay warm to the touch, these daily stories about how wonderful life is spill from my fingertips as dawn pours over the eastern hills
Here’s to another good morning with you, my love ~ I tuck this poem into your empty pocket, to keep it close and forever warm today, tomorrow and always.
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In the ordinary weather of summer with storms rumbling from west to east like so many freight trains hauling their cargo of heat and rain, the dogs sprawl on the back steps, panting, insects assemble at every window, and we quarrel again, bombarding each other with small grievances, our tempers flashing on and off in bursts of heat lightning. In the cooler air of morning, we drink our coffee amicably enough and walk down to the sea which seems to tremble with meaning and into which we plunge again and again. The days continue hot. At dusk the shadows are as blue as the lips of the children stained with berries or with the chill of too much swimming. So we move another summer closer to our last summer together— a time as real and implacable as the sea out of which we come walking on wobbly legs as if for the first time, drying ourselves with rough towels, shaking the water out of our blinded eyes. ~Linda Pastan, “The Ordinary Weather of Summer” from Carnival Evening: New and Select Poems 1968-1998
I grew up near Puget Sound and only a couple hours from the Washington Pacific Ocean coastline. Our annual trips to the ocean were early morning clamming harvests, usually returning home by noon to process the bounty we had dug up at the shore. Vacations at the beach were a few days spent in a rented cabin at Birch Bay on Puget Sound (now Salish Sea) or on Camano Island. These were short stays, usually no more than two or three nights but it gave our family a chance to live together in a different way.
It wasn’t easy for a family of five to sleep in a tiny two bedroom cabin with very little privacy – we siblings easily got on each other’s nerves as we teased each other or played hyper-competitive card or board games or futilely tried to distance ourselves from one another. We didn’t understand that these few summers in the 60’s were the last opportunities we would spend time together simply to “play”. Storms were on the horizon, our tempers flared when the weather was hot and humid. We had no awareness time was slipping through our fingers.
How this family time at the beach affected my parents is something I can only guess. Their marriage was on shaky ground ten years prior to their separation and divorce, even though we children were oblivious to it at the time. Whether being forced out of their routine was helpful or made their tensions worse, I don’t know. I do know quarreling children, small living quarters and sweaty temperatures can be a challenging combination.
Something about our current heat wave this week places me back to those hot nights in the beach cabins, unable to fall asleep due to a combination of itchy sweat and the world pressing down on me. The crankiness of those family vacations tends to infect my words and attitudes all these decades later.
Although the literal and figurative storms of those years have long since blown over, I still remember the musty smell of those beach cabins that had seen so many different families come and go over the decades, some thriving while others were wobbly and struggling to stay glued together. To the cabins that housed them, they looked all alike. But they weren’t. Only time would tell how well they weathered the storm.
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Sometimes hidden from me in daily custom and in trust, so that I live by you unaware as by the beating of my heart,
suddenly you flare in my sight, a wild rose looming at the edge of thicket, grace and light where yesterday was only shade,
and once again I am blessed, choosing again what I chose before. ~Wendell Berry “The Wild Rose”
Due to past harsh winter weather, we have lost a couple of our hybrid rose bushes which were grafted to rootstock when we purchased them. The durable rootstock survives when the bush does not, sending up shoots and branches to thrive and bloom, opening a wild rose blossom with a fresh loveliness all its own, even if it is not the exact color, fragrance or type rose we intended originally. It is still a blessing.
Although Wendell Berry wrote “A Wild Rose” about his wife – about a moment of illumination within a long covenantal marriage – I have experienced “choosing” again “what I chose before” in a renewal of relationship and commitment with God.
I too often settle so thoroughly into routine, oblivious to the privilege of another day of living this life. I am unaware of the miracle of my own beating heart. When the scales do lift from my eyes, I see beauty emerge from the shadows, and I am renewed.
In my own marriage, our relationship has survived over four decades through good and difficult times. Yet we are grafted to a rootstock God who never gives up.
And so we bloom from and for Him – a wild and unforgettable blessing.
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Buttercup’s heart was a secret garden and the walls were very high…
Buttercup: “Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do.” And with that, she dared the bravest thing she’d ever done; she looked right into his eyes…
Buttercup: We’ll never survive. Westley: Nonsense. You’re only saying that because no one ever has.
Westley: Hear this now. I will always come for you. Buttercup: But how can you be sure? Westley: This is true love. You think this happens every day?
That day, she was amazed to discover that when he was saying “As you wish”, what he meant was, “I love you.” And even more amazing was the day she realized she truly loved him back. ~William Golding, all above quotes from The Princess Bride
However did I find a farm boy who decades later still makes me smile and laugh and builds me up?
This farm boy of mine says “I love you” in so many ways every day; the walls of my secret garden heart come tumbling down…
Like butter, I am melted by his willingness to love someone like me.
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I loved you before I was born. It doesn’t make sense, I know.
I saw your eyes before I had eyes to see. And I’ve lived longing for your ever look ever since. That longing entered time as this body. And the longing grew as this body waxed. And the longing grows as the body wanes. The longing will outlive this body.
I loved you before I was born. It doesn’t make sense, I know.
Long before eternity, I caught a glimpse of your neck and shoulders, your ankles and toes. And I’ve been lonely for you from that instant. That loneliness appeared on earth as this body. And my share of time has been nothing but your name outrunning my ever saying it clearly. Your face fleeing my ever kissing it firmly once on the mouth.
In longing, I am most myself, rapt, my lamp mortal, my light hidden and singing.
I should have recognized you at first, but didn’t.
Once I looked you in the eyes, I knew that I had loved you from before I was born. It didn’t make sense to me but nevertheless I knew. Our longing in loneliness finally brought us face to face.
I handed you my heart and you handed me yours, to keep forever. And there they remain with utmost tenderness, our longings still being written.
Though I know well enough To hunt the Lady’s Slipper now Is playing blindman’s-buff, For it was June She put it on And grey with mist the spider’s lace Swings in the autumn wind, Yet through this hill-wood, high and low, I peer in every place; Seeking for what I cannot find I do as I have often done And shall do while I stay beneath the sun. ~Andrew Young “Lady’s Slipper Orchid”
My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals. After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed. Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.
My father realized what her selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes. He was on a mission.
As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil. There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers from the woods.
These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day. They are not easy to find unless you know where to look.
My father remembered exactly where to look.
We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean. Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover. He would stop occasionally to get his bearings as things were overgrown. We reached a small clearing and he knew we were near. He went straight to a copse of fir trees standing guard over a garden of lady slippers.
There were almost thirty of them blooming, scattered about in an area the size of my small bedroom. Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence. To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot. To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers. We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch. Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.
When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods. He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch. We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them. Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.
The next spring only six lady slippers bloomed from the original thirty. Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home. The following year there were only three. A decade later, my father himself had left farm and family, not looking back.
Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer. The split rail fence still stood, guarding nothing but old memories. No lady slippers bloomed. There was not a trace they had ever been there. They had simply given up and disappeared.
The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods. They probably thought it surrounded a graveyard of some sort.
And they would be right – it did.
An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”
Once more, once more into the sunny fields Oh, let me stray! And drink the joy that young existence yields On a bright, cloudless day. Once more let me behold the summer sky, With its blue eyes, And join the wild wind’s voice of melody, As far and free it flies. Once more, once more, oh let me stand and hear The gushing spring, As its bright drops fall starlike, fast and clear, And in the sunshine sing. ~Frances Kemble“A Farewell”
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Awake the mind’s hopeless so At a quarter to six I rise And run 2 or 3 miles in The pristine air of a dark And windy winter morning With a light rain falling And no sound but the pad Of my sneakers on the asphalt And the calls of the owls in The cypress trees on Mesa Road
And when I get back you’re Still asleep under the warm covers Because love is here to stay It’s another day and we’re both still alive ~Tom Clark – “Every Day” from Light & Shade: New and Selected Poems.
How joyful to be together, alone as when we first were joined in our little house by the river long ago, except that now we know
each other, as we did not then; and now instead of two stories fumbling to meet, we belong to one story that the two, joining, made. And now
we touch each other with the tenderness of mortals, who know themselves: how joyful to feel the heart quake
at the sight of a grandmother, old friend in the morning light, beautiful in her blue robe! ~Wendell Berry “The Blue Robe” from New Collected Poem
These winter mornings – waking early to part from your warm side, leaving behind my soft imprint, I wrap up in my robe to walk the gravel drive to deliver a letter to our mailbox.
Our hilltop farm lies silent amid fallow fields, moon shadows broad across my path star sparks overhead with orange paint beginning to lick awake the eastern mountain peaks.
I walk noiselessly; step out on the road then turn ~ startled as a flashlight approaches.
A walker and her dog illuminate me in my dawn disarray like a deer in headlights: my ruffled hair, my sleep-lined face. It is a grandma-caught-in-her-bathrobe surprise at sunrise and I’m simply glad to be alive.
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That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin’d choirs, where late the sweet birds sang.
In me thou see’st the twilight of such day As after sunset fadeth in the west, Which by and by black night doth take away, Death’s second self, that seals up all in rest.
In me thou see’st the glowing of such fire That on the ashes of his youth doth lie, As the death-bed whereon it must expire, Consum’d with that which it was nourish’d by.
This thou perceiv’st, which makes thy love more strong, To love that well which thou must leave ere long. ~William Shakespeare Sonnet 73
I may think youth has it all – strength, beauty, energy- but now I know better.
There is treasure in slowing down, this leisurely leave-taking; the finite becoming infinite and a limitlessness loving.
Without our aging we’d never change up who we are to become so much more:
enriched, vibrant, shining passionately until the very last moment.
To love well To love strong To love as if nothing else matters.
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And Is it not enough that every year A richly laden autumn should unfold And shimmer into being leaf by leaf, It’s scattered ochres mirrored everywhere In hints and glints of hidden red and gold Threaded like memory through loss and grief, When dusk descends, when branches are unveiled, When roots reach deeper than our minds can feel And ready us for winter with strange calm, That I should see the inner tree revealed And know its beauty as the bright leaves fall And feel its truth within me as I am?
It is not yet enough. So I must try, In my poor turn, to help you see it too, As though these leaves could be as rich as those, That red and gold might glimmer in your eye, That autumn might unfold again in you, Feeling with me what falling leaves disclose. ~Malcolm Guite from “And is it Not Enough?”
As the rains return, and the leaves turn and fall, we shelter together, blessed by years and miles, our unknown becoming known, our understanding of nakedness breathed in silence.
Though we be gray as the clouds above, our hearts beat in synchrony each pulsing moment more sacred than our last.
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The meaning of marriage begins in the giving of words. We cannot join ourselves to one another without giving our word. And this must be an unconditional giving, for in joining ourselves to one another we join ourselves to the unknown. ~Wendell Berry from “Poetry and Marriage” in Standing By Words
Our vows to one another forty years ago today:
Before God and this gathering, I vow from my heart and spirit that I will be your wife/husband for as long as we both shall live.
I will love you with faithfulness, knowing its importance in sustaining us through good times and bad.
I will love you with respect, serving your greatest good and supporting your continued growth.
I will love you with compassion, knowing the strength and power of forgiveness.
I will love you with hope, remembering our shared belief in the grace of God and His guidance of our marriage.
“And at home, by the fire, whenever you look up, there I shall be–and whenever I look up, there will be you.”
(our wedding vows for our September 19, 1981 wedding at First Seattle Christian Reformed Church — the last line adapted from Thomas Hardy’s “Far From the Madding Crowd”)
Sometimes our life reminds me of a forest in which there is a graceful clearing and in that opening a house, an orchard and garden, comfortable shades, and flowers red and yellow in the sun, a pattern made in the light for the light to return to. The forest is mostly dark, its ways to be made anew day after day, the dark richer than the light and more blessed, provided we stay brave enough to keep on going in.
We enter, willing to die, into the commonwealth of its joy. ~Wendell Berry from “A Country of Marriage”
…Marriage… joins two living souls as closely as, in this world, they can be joined. This joining of two who know, love, and trust one another brings them in the same breath into the freedom of sexual consent and into the fullest earthly realization of the image of God. From their joining, other living souls come into being, and with them great responsibilities that are unending, fearful, and joyful. The marriage of two lovers joins them to one another, to forebears, to descendants, to the community, to heaven and earth. It is the fundamental connection without which nothing holds, and trust is its necessity. ~Wendell Berry from Sex, Economy, Freedom and Community
We married in our Seattle church with our pastor officiating, with a small group of family and friends as witnesses.
It was a wedding created by two frugal people with little to spend – I sewed my dress and Dan’s shirt from muslin, we grew our own flowers, our families helped potluck the lunch afterward and our tiered carrot cake was made by a friend.
Yet our vows to one another were not frugal and held nothing back. They were extravagant and comprehensive, coming from our hearts and spirits. The music we asked our amazing organist to play (versions below) inspired us by its simplicity and complexity – very much like the families that raised us and the God we worship.
Our vows have taken us from the city to the countryside, to the raising and rejoicing in three amazing children (each of whom wrote movingly to us today) and now four grandchildren. We served more than forty years as a public-employed attorney and physician, have laid down those responsibilities, and picked up the tools of farm and garden along with church and community service for as long as we are able.
We treasure each day of living together in faithfulness, respect, compassion and hope – knowing that how we love and find joy in one another mirrors how God loves and revels in His people.
We are praying for many more days to fill us with what endures.
A pot of red lentils simmers on the kitchen stove. All afternoon dense kernels surrender to the fertile juices, their tender bellies swelling with delight.
In the yard we plant rhubarb, cauliflower, and artichokes, cupping wet earth over tubers, our labor the germ of later sustenance and renewal.
Across the field the sound of a baby crying as we carry in the last carrots, whorls of butter lettuce, a basket of red potatoes.
I want to remember us this way— late September sun streaming through the window, bread loaves and golden bunches of grapes on the table, spoonfuls of hot soup rising to our lips, filling us with what endures. ~Peter Pereira from “A Pot of Red Lentils”
Here are versions of the organ music we selected for prelude, processional, recessional and postlude
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