Please Don’t Take My Sunshine Away

My father climbs into the silo.
He has come, rung by rung,
up the wooden trail that scales
that tall belly of cement.

It’s winter, twenty below zero,
He can hear the wind overhead.
The silage beneath his boots
is so frozen it has no smell.

My father takes up a pick-ax
and chops away a layer of silage.
He works neatly, counter-clockwise
under a yellow light,

then lifts the chunks with a pitchfork
and throws them down the chute.
They break as they fall
and rattle far below.

His breath comes out in clouds,
his fingers begin to ache, but
he skims off another layer
where the frost is forming

and begins to sing, “You are my
sunshine, my only sunshine.”
~Joyce Sutphen, “Silo Solo” from First Words

Farmers gotta be tough. There is no taking a day off from chores. The critters need to eat and their beds cleaned even during the coldest and hottest days. Farmers rise before the sun and return to the house long after the sun sets. They need a positive outlook to keep going – knowing there is sunshine somewhere even when the skies are gray, their fingers are aching from the cold, and their back hurts.

I come from a long line of farmers on both sides – my mother was the daughter of wheat farmers and my father was the son of subsistence stump farmers who had to supplement their income with outside jobs as a cook and in lumber mills. Both my parents went to college; their parents wanted something better for them than they had. Both my parents had professions but still chose to live on a farm – daily milkings, crops in the garden and fields, raising animals for meat.

My husband’s story is similar, with both parents working on and off the farm. Dan milked cows with his dad and as a before-school job in the mornings.

We still chose to live on a farm to raise our children and commit to the daily work, no matter the weather, on sunlit days and blowing snow days and gray muddy days. And now, when our grandchildren visit, we introduce them to the routine and rhythms of farm life, the good and the bad, the joys and the sorrows, and through it all, we are grateful for the values that follow through the generations of farming people.

And one of our favorite songs to sing to our grandchildren is “You are my sunshine, my only sunshine,” a song originally written about a horse named “Sunshine.

For the farmer and the rest of us, it is the Sun that sustains our days and its promise of return that sustains our nights.

You’ll never know, dears, how much we love you.
Please don’t take our sunshine away.

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Facing a Rainbow

Harry in his backyard, admiring a rainbow he never forgot
Rainbow at 3R Farms
Harry (L) giving my husband Dan a driving lesson with stallion Midnight van de Edelweiss
photo by Harry Rodenberger
photo by Harry Rodenberger

Harry was at home in the house he and his wife Terry had built for his final retirement years, a house that had been encircled by a remarkable rainbow soon after they moved in. They both knew he lived on borrowed time thanks to a defibrillator in his chest that brought him back from the brink of death more times than his doctors could count. The rainbow brought a promise that Harry had not yet finished with his work here.

He was in that house last night when the Lord called him home, after so many near misses. Harry liked to say, “The Lord keeps taking the hook out and throwing me back in.”

This time the Lord kept hold and cradled him.

There is so much to say about a man who was a retired firefighter, a horse and beef farmer, a brother, a friend to scores of people, a father, grandfather and great-grandfather, and a husband to a loving and determined RN wife who single-handedly helped him reach nearly 82 years old.

Harry was always looking for the beautiful and the unusual in his field and garden and would send me photos to use on my blog – I gratefully have used his contributions many times and share them here with my deep appreciation for his eye for wonder in the ordinary. He also took great joy in being someone who would find faces in every-day objects – a skill called “facial pareidolia.”

I always wondered whose face he was seeking.

Now I know. Today he sees the face of God in all His glory, no longer hidden in common objects and no longer mysterious.

You no longer have to keep looking, dear friend. Fulfilling His rainbow promise of a few more years of life and love for you, God has brought you back home.

photo by Harry Rodenberger
photo by Harry Rodenberger
photo by Harry Rodenberger
photo of supermoon by Harry Rodenberger
photo by Harry Rodenberger
photo by Harry Rodenberger
photo by Harry Rodenberger
photo by Harry Rodenberger
photo by Harry Rodenberger
photo by Harry Rodenberger
video by Harry Rodenberger
“To love another person is to see the face of God…”

Standing Together in One Body

Because I know tomorrow
his faithful gelding heart will be broken
when the spotted mare is trailered and driven away,
I come today to take him for a gallop on Diaz Ridge.

Returning, he will whinny for his love.
Ancient, spavined,
her white parts red with hill-dust,
her red parts whitened with the same, she never answers.

But today, when I turn him loose at the hill-gate
with the taste of chewed oat on his tongue
and the saddle-sweat rinsed off with water,
I know he will canter, however tired,
whinnying wildly up the ridge’s near side,
and I know he will find her.

He will be filled with the sureness of horses
whose bellies are grain-filled,
whose long-ribbed loneliness
can be scratched into no-longer-lonely.

His long teeth on her withers,
her rough-coated spots will grow damp and wild.
Her long teeth on his withers,
his oiled-teakwood smoothness will grow damp and wild.
Their shadows’ chiasmus will fleck and fill with flies,
the eight marks of their fortune stamp and then cancel the earth.
From ear-flick to tail-switch, they stand in one body.
No luck is as boundless as theirs.

~Jane Hirshfield “The Love of Aged Horses”

Is there anything as wonderful as a good friend?

Someone who doesn’t mind if you are getting long in the tooth and fluffy around the waist and getting white around the whiskers?

Someone who will listen to your most trivial troubles and nod and understand even if they really don’t?

Someone who will fix you up when you are hurt and celebrate when you are happy?

Someone who knows exactly where your itches are that need scratching, even if it means a mouthful of hair?

We all need at least one. We all need to be one for at least one other.

Isn’t it good to know? You’ve got a friend in me…

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All Here is Well…

Let the light of late afternoon
shine through chinks in the barn, moving   
up the bales as the sun moves down.

Let it come, as it will, and don’t   
be afraid. God does not leave us 
comfortless, so let evening come.

~Jane Kenyon “Let Evening Come”

And into nights when bats were on the wing
Over the rafters of sleep, where bright eyes stared
From piles of grain in corners, fierce, unblinking.
The dark gulfed like a roof-space. 

~Seamus Heaney from “The Barn”

The barn is awake,
There is no mistake,
Something wonderful is happening here.
Yellow panes glowing, it begins snowing.
Over rafters a hoot owl takes flight.
A safe place to dwell—all here is well— when we’re in the barn at night.
~Michelle Houts from “Barn at Night”

Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….

I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses.
~Verlyn Klinkenborg from A Light in the Barn

Above us, stars. Beneath us, constellations.
Five billion miles away, a galaxy dies
like a snowflake falling on water. Below us,
some farmer, feeling the chill of that distant death,
snaps on his yard light, drawing his sheds and barn
back into the little system of his care.
All night, the cities, like shimmering novas,
tug with bright streets at lonely lights like his.

~Ted Kooser “Flying at Night”

The night barn is a type of beacon as darkness falls.
Light falls through the cracks to guide our footsteps.
It becomes protection from wind and rain and snow.
It provides creatures comfort so their keepers can sleep soundly.
It is safe and warm – full of steaming breath and overall contentment.
It is a kind of sanctuary: a cathedral sans stained glass grandeur or organ hymns.

Yet the only true sanctuary isn’t found in a weather-beaten barn of rough-hewn old growth timbers vulnerable to the winds of life.

An illuminated night barn happens within me, in the depths of my soul, comforted by the encompassing and salvaging arms of God. There I am held, transformed and restored, grateful beyond measure: all is well here.

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Watching the Birds Watching Me

I have been trying to think of the word to say to you that would never fail to lift you up when you are too tired or too sad not [to] be downcast. When you are so sad that you ‘cannot work’ there is always a danger fear will enter in and begin withering around.

A good way to remain on guard is to go to the window and watch the birds for an hour or two or three. It is very comforting to see their beaks opening and shutting.
~Maeve Brennan in a letter to writer Tillie Olsen

My window is a book of birds.
I draw back the curtains
and there they all are,
scribbling their lives in the trees.

Bird in the holly tree,
invisible mentor,
your cheerful philosophy
is a glittering chain of light
slung between us,
drawing me ever closer
to the source of your joy.

The silver thread of your song
guides me through the dark
as surely as the night
I first heard you,
improvising on a theme
of beauty and truth
in the holly tree out there.

~Hugo Williams from “Birdwatching”

I hope you love birds too. It is economical. It saves going to heaven.
~Emily Dickinson in an 1885 letter to Miss Eugenia Hall

The windows are dressed in feathers where the birds have flown against them,
then fallen below into the flowers where their bodies lie grounded, still,
slowly disappearing each day until all that is left are their narrow, prehensile bones.

I have sat at my window now for years and watched a hundred birds
mistake the glass for air and break their necks, wondering what to do,
how else to live among them and keep my view.
Not to mention the sight of them at the feeder in the morning,
especially the cardinal in snow.

What sign to post on the sill that says, “Warning, large glass window.
Fatal if struck. Fly around or above but not away.
There are seeds in the feeder and water in the bath.
I need you, which is to say, I’m sorry for my genius as the creature inside
who attracts you with seeds and watches you die against the window
I’ve built with the knowledge of its danger to you. 
With a heart that rejects its reasons in favor of keeping what it wants:
the sight of you, the sight of you.”

~Chard deNiord, “Confession of a Bird Watcher” from Interstate

I made the terrible faux pas of running out of suet and bird seed this week. My little feathered buddies fly up to the feeders by our kitchen window and poke around the empty trays, glance disparagingly in my direction, then fly away disheartened. There is no free lunch today.

I am no birder; I don’t go out looking for birds like the serious people of the birding community who keep a careful list of all they seen or hear. I don’t even track every species that comes to visit my humble offerings here on the farm nor do I recognize the frequent visitors as individuals. I just enjoy watching so many diverse sizes, colors and types coming together in one place to feast in relative peace and cooperation and I’m the hostess.

Birds are my visual and tangible reminder that the good Lord provides, buoyed by the help of hospitable humans who set out irresistible treats next to big windows. These delightful creatures have such autonomy and genuine glee in their daily existence until they forget their boundaries and slam headlong into invisible glass, too often falling to the ground for good. Then the farm cats are gleeful.

I know all about the warnings to stop doing communal bird feeding: spreading bird diseases too easily among multiple species who come together to feast, attracting vermin and assisting their burgeoning population growth, assisting predators like my aforementioned farm cats in their decimation of the wild bird population, encouraging wild birds to ignore their usual migration urge to seek better feeding/breeding climates so they often die prematurely.

As a trained scientist in animal behavior, I understand it all. As a human observer seeking to enjoy feathered friends during long gray winter days, I ignore it all.

Pardon me now, as I better head to the farm store to replenish my bird feasting stash. See you all later.

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Collecting Slants of Light

I like the slants of light; I’m a collector.
That’s a good one, I say…
~Annie Dillard from Pilgrim at Tinker Creek

How valuable it is in these short days,
threading through empty maple branches,
the lacy-needled sugar pines.

 
Its glint off sheets of ice tells the story
of Death’s brightness, her bitter cold.

 
We can make do with so little, just the hint
of warmth, the slanted light.
..
~Molly Fisk, “Winter Sun” from 
The More Difficult Beauty

There’s a certain Slant of light
On winter afternoons —
That oppresses, like the Heft
of cathedral tunes.
When it comes, the Landscape listens —
Shadows hold their breath —
When it goes, ’tis like the Distance
On the look of Death.
~Emily Dickinson

During our northwest winters, there is usually so little sunlight on gray cloudy days that I routinely turn on the two light bulbs in the big hay barn any time I need to fetch hay bales for the horses. This is so I avoid falling into the holes that inevitably develop in the hay stack between bales. Winter murky lighting tends to hide the dark shadows of the leg-swallowing pits among the bales, something that is particularly hazardous when attempting to move a 60 pound hay bale.

Yesterday when I went to grab hay bales for the horses at sunset, before I flipped the light switch, I could see light already blazing in the big barn. The last of the day’s sun rays were at a precise winter slant, streaming through the barn slat openings, ricocheting off the roof timbers onto the bales, casting an almost fiery glow onto the hay. The barn was ignited and ablaze without fire and smoke — the last things one would ever want in a hay barn.

Thanks to late afternoon winter light, I could scramble among the bales without worry.

It seems as I age I have been running into more dark holes. Even when I know where they lie and how deep they are, some days I will manage to step right in anyway. Each time it knocks the breath out of me, makes me cry out, makes me want to quit trying to lift the loads which need carrying. It leaves me fearful to venture where the footing is uncertain.

Then, on the darkest of days, light comes from the most unexpected of places, blazing a trail to help me see where to step, what to avoid, how to navigate the hazards to avoid collapsing on my face. I’m redirected, inspired anew, granted grace, gratefully calmed and comforted amid my fears. Even though the light fades, and the darkness descends again, it is only until tomorrow. Then it reignites again.

Yet another slant of light for my collection…

The Light always returns so I can climb out of any dark holes that want to swallow me whole.

Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
~Emily Dickinson

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Immortal Flowers

“Did you ever know that a flower, once withered and freshened again, becomes an immortal flower, – that is, that it rises again?”
~Emily Dickinson in a letter to a friend

Emily Dickinson Herbarium – preservation of trillium

Emily Dickinson herbarium- preservation of wild ginger (asarum)

While I was fearing it, it came—
But came with less of fear
Because that fearing it so long
Had almost made it fair—

There is a Fitting—a Dismay—
A Fitting—a Despair
’Tis harder knowing it is Due
Than knowing it is Here.

The Trying on the Utmost
The Morning it is new
Is Terribler than wearing it
A whole existence through.

~Emily Dickinson

Over a decade ago, as I was going through my mother’s boxed-up possessions after her death, I found the 1956 Webster’s New Dictionary of the Twentieth Century that I grew up with. This book was massive, easily weighing 10 pounds, and served as a booster seat for haircuts, a step stool for trying to reach the cookie jar on the kitchen cupboard, and of course, for looking up any obscure word that ever existed in all of history. Or so it seemed.

It was an amazing tome. And as I flipped through the pages, I found some old familiar friends that were neither black nor white nor read all over. They had survived over half a century.

Wildflowers had been carefully pressed between the pages–over two dozen specimens paper thin themselves, their existence squeezed into two dimensions–still showing faint pink or blue, or purple color, almost exuding a long ago fragrance from a summer over fifty years ago. As a child I regularly wandered out to our fields and woods to gather crimson clover blossoms, buttercup, dandelions, daisies, wild violets, wild ginger, calypso lady slippers for bouquets for my mother, and she would select the most perfect to slide between the pages of the dictionary. Occasionally she would pull one out to gently paste on a hand written card she sent to a friend.

Here were my perfect flowers, preserved and pressed for time, just waiting for the senior-citizen me to rediscover them lying between wonderful words that I love to roll in my mouth and type on a page. They are too fragile to paste to a greeting card, or even to handle due to their brittleness. They need to stay right where they are, for another generation or two or three to discover.

As a child, I was always very worried about losing my parents, fearing their death would be the end of me as well. But as Emily Dickinson writes “fearing it so long/Had almost made it fair” – as an adult, I was more prepared for the day each parted from this life. As the poet suggests, fearing it for years was much harder than the acceptance when that time had come.

Now I too am pressed for time, fading and more fragile, perhaps more brittle than I care to admit. My mother and father have blown away like the puff ball seeds of the dandelion, on to other horizons, but the sturdy old dictionary is going nowhere. It will be passed down, its delicate passengers preserved inside from a long-ago-far-away summer afternoon of flower gathering. They will be shared as a great grandchild opens the book to look up a favorite word sometime in the not-so-far-off future.

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Welcome Back, Trees

I go by a field where once
I cultivated a few poor crops.
It is now covered with young trees,
for the forest that belongs here
has come back and reclaimed its own.
And I think of all the effort
I have wasted and all the time,
and of how much joy I took
in that failed work and how much
it taught me. For in so failing
I learned something of my place,
something of myself, and now
I welcome back the trees.
~Wendell Berry, “IX” from Leavings.

As we both grow older, we watch our some of our farm’s fields slowly fill in with young trees, despite our efforts over the years to keep pulling out saplings to preserve pasture. Yet the trees are more determined to fill in the gaps than we are to remove them. The cottonwoods, alders and maples are returning to what once was their soil.

After all, this land was forested over a century ago and yielded to determined loggers and farmers as the old growth firs and cedars fell to the axe and the deciduous trees became firewood and furniture. We now find ourselves yielding back what we can, acknowledging what this land and these patient trees have to teach us about our transience. A few decades are a short stay to those who send roots and branches deep and wide in their effort to stay put.

Welcome back, trees. You have kindly waited for your turn to own the ground again.

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An Eternal Ultimate Eye

Silence and darkness grow apace, broken only by the crack of a hunter’s gun in the woods.  Songbirds abandon us so gradually that, until the day when we hear no birdsong at all but the scolding of the jay, we haven’t fully realized that we are bereft — as after a death.  Even the sun has gone off somewhere…

Now we all come in, having put the garden to bed, and we wait for winter to pull a chilly sheet over its head.  
~Jane Kenyon
from “Season of Change and Loss” in Winter: A Spiritual Biography

The tree, and its haunting bird,
Are the loves of my heart;
But where is the word, the word,
Oh where is the art,

To say, or even to see,
For a moment of time,
What the Tree and the Bird must be
In the true sublime?

They shine, listening to the soul,
And the soul replies;
But the inner love is not whole,
and the moment dies.

Oh give me before I die
The grace to see
With eternal, ultimate eye,
The Bird and the Tree.

The song in the living Green,
The Tree and the Bird –
Oh have they ever been seen,
Ever been heard?
~Ruth Pitter “The Bird in the Tree”

Every day now we hear hunters firing in the woods and the wetlands around our farm, most likely aiming for the few ducks that have stayed in the marshes through the winter, or possibly a Canadian goose or a deer to bring home for the freezer.   The usual day-long serenade of birdsong is replaced by shotguns popping, hawks and eagle screams and chittering from the treetops, the occasional dog barking, woodpeckers hammering at tree bark with the bluejays and squirrels arguing over the last of the filbert nuts.

In the clear cold evenings, when coyotes aren’t howling in the moonlight, the owls hoot to each other across the fields from one patch of woods to another, their gentle resonant conversation echoing back and forth. Our horses, confined to their stalls in the barns, snort and blow as they bury their noses in flakes of summer-bound hay.

But there are no longer birdsong arias; I’m left bereft of their blending musical tapestry that wakes me at 4 AM in the spring.

And no peeper orchestra tuning up in the swamps in the evenings, rising and falling on the breeze.

It is way too quiet – clearly a time of bereavement. The chilly silence of the darkened days, interrupted by gunshot percussion, is like a baton raised in anticipation after rapping the podium to bring us all to attention. I wait and listen for the downbeat of spring — the return of birds and frogs tuning their throats, preparing their symphony.

Oh, give me the grace to see and hear the Bird in the Tree with an eternal ultimate eye and ear.

Like a bird on a tree
I’m just sitting here
I get time
It’s clear to see
From up here
The world seems small
We can seat together
It’s so beautiful
You and me
We meant to be
In the great outdoors
Forever free
Sometimes you need to go
And take a step back
To see the truth around you
From a distance you can tell
You and me
We meant to be
In the great outdoors
Forever free
~Eldar Kedem

Between the March and April line—
That magical frontier
Beyond which summer hesitates,
Almost too heavenly near.
The saddest noise, the sweetest noise,
The maddest noise that grows and grows,—
The birds, they make it in the spring,
At night’s delicious close.
The saddest noise I know.
It makes us think of all the dead
That sauntered with us here,
By separation’s sorcery
Made cruelly more dear.
It makes us think of what we had,
And what we now deplore.
We almost wish those siren throats
Would go and sing no more.
An ear can break a human heart
As quickly as a spear,
We wish the ear had not a heart
So dangerously near.
~Lyrics adapted from an Emily Dickinson poem

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Good with Lambs

After the very bright light,
And the talking bird,
And the singing,
And the sky filled up wi’ wings,
And then the silence,


Our lads sez
We’d better go, then. Stay, Shep. Good dog, stay.

So I stayed wi’ t’ sheep.

After they’d cum back
It sounded grand, what they’d seen.
Camels and kings, and such,
Wi’ presents – human sort,
Not the kind you eat –
And a baby. Presents wes for him
Our lads took him a lamb.


I had to stay behind wi’ t’ sheep.
Pity they didn’t tek me along too.
I’m good wi’ lambs,
And the baby might have liked a dog
After all that myrrh and such.

~U.A. Fanthorpe “The Sheepdog”

Some of us feel left out of important happenings. Left at home because duty calls, or too old or ill to make the trip, or it’s just too much trouble and cost to go. We make the best of staying home with our responsibilities because that is what we are meant to do.

Yet even the most humble and lowly have something they can bring to celebrate this birth; our gift doesn’t have to be ornate and exotic or cost a fortune.

It can simply be our presence. Simply showing up. And in the case of a lowly hard-working sheepdog, it is a joyful and curious face, a tail wag, a desire to protect, and a capacity for unconditional love and care for all of God’s creation.

No doubt the baby would have liked such a dog, especially one that knows the value of this particular Lamb.

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