Tag: Farm Life

Great Day in the Morning

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All this he saw,
for one moment breathless and intense,
vivid on the morning sky;
and still, as he looked, he lived;
and still, as he lived, he wondered.
~Kenneth Grahame, The Wind in the Willows

Beyond Mágdalen and by the Bridge,
on a place called there the Plain,
In Summer, in a burst of summertime
Following falls and falls of rain,
When the air was sweet-and-sour of the flown fineflower of
Those goldnails and their gaylinks that hang along a lime;
. . . . . . . .
The motion of that man’s heart is fine
Whom want could not make píne, píne
That struggling should not sear him, a gift should cheer him
Like that poor pocket of pence, poor pence of mine.
. . . . . . . .
~Gerard Manley Hopkins “Cheery Beggar”

Busy old fool, unruly sun,
Why dost thou thus,
Through windows, and through curtains call on us?

Thy beams, so reverend and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long;
If her eyes have not blinded thine,
Look, and tomorrow late…

Thou, sun, art half as happy as we,
In that the world’s contracted thus.
Thine age asks ease, and since thy duties be
To warm the world, that’s done in warming us.
Shine here to us, and thou art everywhere;
This bed thy center is, these walls, thy sphere.
~John Donne from “The Sun Rising”

My father, when he was surprised
or suddenly impressed, would blurt
“Great day in the morning,” as though
a revelation had struck him.
The figure of his speech would seem
to claim some large event appeared
at hand, if not already here;
a mighty day or luminous age
was flinging wide its doors as world
on world revealed their wonders in
the rapturous morning, always new,
beginning as the now took hold.
~Robert Morgan “Great Day in the Morning” from Terroir

Every time I open my eyes
as dawn streams through the window,
as I listen for the voice of yet another morning
while the sun rises to warm the world –

I am reminded how precious is this moment
~this “great day in the morning” ~
how intensely grateful I am
for each breath and each heartbeat
gifted to me, a cheery beggar

We are created to experience this realization:
we are, everyone of us, beloved.

We are meant to wonder breathless at this burst of summer,
to keep watch for each new dawn,
waiting to see what will happen next.

Balancing Between Earth and Sky

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Every child should know a hill,
And the clean joy of running down its long slope
With the wind in his hair.
He should know a tree—
The comfort of its cool lap of shade,
And the supple strength of its arms
Balancing him between earth and sky
So he is a creature of both.
He should know bits of singing water—
The strange mysteries of its depths,
And the long sweet grasses that border it.
Every child should know some scrap
Of uninterrupted sky, to shout against;
And have one star, dependable and bright,
For wishing on.
~Edna Casler Joll “Every Child Should Know a Hill”

photo of a windy day at Manna Farm by Danyale Tamminga

When I was younger
the world was full of wonder.
Forests were kingdoms.
Following the wind was freedom.
Children wielded branches
like sharpened swords

There was no separation
between dream and reality
no border to defend,
Blanket forts were impenetrable.
The monsters in the closets
could not reach us there.

We ruled from treetop towers.
We danced in the rain.
We needed no permission
to believe in the sacred.
It was simply everywhere.
It was simply
everything.

In those days
we were of the living.
~Logan Holder “Of the Living”

How brief are our childhood days,
when we can touch both earth and sky
without knowing any limits,
how we can fly downhill
and climb impossible obstacles,
how the ocean stretches to infinity
as our imagination sails away.

I now watch these treasured young friends I’ve watched grow,
held as babies, taught new songs and games,
helped their faith grow,
now getting married,
ready to grow up children of their own.

This, the unending turn of the years,
a stretching tether connecting
one generation to another.

Everything sacred, held so close
until one day it is time to let go –
and once again run, climb, fly,
touching the earth and sky at once.

Lyrics by Keane:
I walked across an empty land
I knew the pathway like the back of my hand
I felt the earth beneath my feet
Sat by the river and it made me complete

Chorus: Oh, simple thing, where have you gone?
I’m getting old, and I need something to rely on
So, tell me when you’re gonna let me in
I’m getting tired, and I need somewhere to begin

I came across a fallen tree
I felt the branches of it looking at me
Is this the place we used to love?
Is this the place that I’ve been dreaming of?

And if you have a minute, why don’t we go
Talk about it somewhere only we know?
This could be the end of everything
So, why don’t we go somewhere only we know?
Somewhere only we know

And if you have a minute, why don’t we go
Talk about it somewhere only we know?
This could be the end of everything
So, why don’t we go?
So, why don’t we go?

This could be the end of everything
So, why don’t we go somewhere only we know?
Somewhere only we know
Somewhere only we know

Tabby Cat Group Therapy

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A happy arrangement:
many people prefer cats to other people,
and many cats prefer people to other cats.
~Mason Cooley

The real objection to the great majority of cats is their insufferable air of superiority. Cats, as a class, have never completely got over the snootiness caused by the fact that in Ancient Egypt they were worshipped as gods. This makes them too prone to set themselves up as critics and censors of the frail and erring human beings whose lot they share. They stare rebukingly. They view with concern. And on a sensitive man this often has the worst effects, inducing an inferiority complex of the gravest kind.
~P.G.Wodehouse from The Story of Webster

Cat! who hast pass’d thy grand climacteric,
  How many mice and rats hast in thy days
  Destroy’d? How many tit bits stolen? Gaze
With those bright languid segments green, and prick
Those velvet ears — but pr’ythee do not stick
  Thy latent talons in me — and upraise
  Thy gentle mew — and tell me all thy frays,
Of fish and mice, and rats and tender chick.
Nay, look not down, nor lick thy dainty wrists–
  For all thy wheezy asthma — and for all
Thy tail’s tip is nick’d off — and though the fists
  Of many a maid have given thee many a maul,
Still is that fur as soft, as when the lists
  In youth thou enter’dest on glass bottled wall.
~John Keats “Sonnet to Mrs. Reynold’s Cat”

Our farm cats tolerate one another. Barely.

Yet they agree on one thing: no additional cats are welcome here.
They are inhospitable to any wandering feral kitty who happens to pussy-foot through to check out the food dishes by the front porch and the back porch.

Those are run off with hisses and spits.

The cats have their own agreed-upon hierarchy about who approaches the food dish first and it is not negotiable.

And when it is time for an occasional necessary group therapy session to work out their differences, they practice social distancing with extreme care, so as not to offend one another.

These cats prefer a solitary life, unless forced into couples counseling by the farm owner because of a spat over shared territory. They are determined not to be dependent on anyone or anything and prefer to blend camouflaged into the background, ready to capture any rodent or bird who happens by.

Clearly, they know they are the superior species.
We exist to serve them.
And they tolerate us living here with them. Barely.

All the Pretty Little Horses

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The mare roamed soft about the slope,
Her rump was like a dancing girl’s.
Gentle beneath the apple trees
She pulled the grass and shook the flies,
Her forelocks hung in tawny curls,
She had a woman’s limpid eyes,
A woman’s patient stare that grieves.
And when she moved among the trees,
The dappled trees, her look was shy,
She hid her nakedness in leaves.
A delicate though weighted dance
She stepped while flocks of finches flew
From tree to tree and shot the leaves
With songs of golden twittering;
How admirable her tender stance.
And then the apple trees were new,
And she was new, and we were new,
And in the barns the stallions stamped
And shook the hills with trumpeting.
~Ruth Stone, “The Orchard” from What Love Comes To

Only one retired Haflinger mare remains on our farm now, her small herd diminishing one at a time as they passed from old age. She now is thirty herself, living her remaining days with two geldings in their twenties.

Over four decades, we have kept over a dozen mares born on this land, where they served us well, birthing us their foals and working when asked. In their retirement, they deserved this easy life on pasture for as long as their legs and feet could carry them up and down the slopes of our hilly farm – they more and more resembled our ancient crooked crippled orchard trees, some of which have toppled in the winter winds..

We are close to the end of our horse-keeping days; hard decisions must be made at some point and I don’t feel quite prepared to determine when they are no longer enjoying their time under the sun and I am too frail to care for them as they deserve.

I don’t want them or me to topple over like an old hollow tree in the wind.

I listen for their nickers as I come into the barn each morning and gauge their eagerness to be set free to the fields. The other day, as the sky was gray with a passing rain shower, the geldings went outside happily. As I let our mare out to pasture, she stopped on her way through the gate and turned around, poised to head back to the barn rather than get wet.

I looked her in the eyes and understood exactly how she was feeling.

Perhaps I have identified a bit too much with the stiffness as my aging mares move, their need for frequent napping times in the field, swishing at flies while they dream of younger days of flirting with stallions, nursing babies, having suppler joints and the occasional wild gallop at twilight.

I sing a sad lullaby to myself as I work about the barn with slow deliberation, knowing there is a somber sorrow to life change.
The years pass, never to return, leaving those limpid eyes, flowing manes and tails in their wake.

Ah, yes,
I have had
all the pretty little horses…

The Fade to Twilight

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some words need to be

repeated
the way a sunset plays
every night
in the fade to twilight
the same scene
over and over
but never once
lost in its sameness
~Juniper Klatt “some words need to be” from I was raised in a house of water

Out of the deep and the dark,
A sparkling mystery, a shape,
Something perfect,
Comes like the stir of day:
One whose breath is a fragrance,
One whose eyes reveal the road to stars,
The wind in his countenance,
The glory of heaven upon his back.
He steps like a vision hung in air,
Diffusing the passion of eternity;
His abode is the sunlight of morn,
The music of eve his speech:
In his sight,
One shall turn from the dust of the grave,
And move upward to the woodland.
~Yone Noguchi “The Poet”

Once in your life you pass
Through a place so pure
It becomes tainted even
By your regard, a space
Of trees and air where
Dusk comes as perfect ripeness.
Here the only sounds are
Sighs of rain and snow,
Small rustlings of plants
As they unwrap in twilight.
This is where you will go
At last when coldness comes.
It is something you realize
When you first see it,
But instantly forget.
At the end of your life
You remember and dwell in
Its faultless light forever.
~Paul Zimmer “The Place” from Crossing to Sunlight Revisited.

I like the slants of light; I’m a collector.
That’s a good one, I say…
~Annie Dillard from Pilgrim at Tinker Creek

I won’t forget the glow on the hill as the sun drops,
centering behind our sentinel tree.
I won’t forget the rays coming through the branches,
glistening on a tattered web
and an evening primrose unwrapping.
I won’t forget the way the air itself changes as the color spreads,
like a fragrant scent carried on the wind.

The light is faultless but I am not.
My collection of slants of light
and words to describe them
may fade with time.

Even so, it was – maybe just once –
so perfect, so pure, so ripe.
And I’ll remember I was there to witness it.

The Sweet Ache of Memories

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All day the stars watch from long ago
my mother said I am going now
when you are alone you will be all right
whether or not you know you will know
look at the old house in the dawn rain
all the flowers are forms of water
the sun reminds them through a white cloud
touches the patchwork spread on the hill
the washed colors of the afterlife
that lived there long before you were born
see how they wake without a question
even though the whole world is burning
~W.S. Merwin “Rain Light”

Well-away and be it so,
To the stranger let them go.
Even cheerfully I yield
Pasture, orchard, mowing-field,
Yea and wish him all the gain
I required of them in vain.
Yea and I can yield him house,
Barn, and shed, with rat and mouse
To dispute possession of.
These I can unlearn to love.
Since I cannot help it? Good!
Only be it understood,
It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.
~Robert Frost from “On the Sale of My Farm”

the farm where I grew up in east Stanwood
the Stanwood farm from the road

From the road, each of the two small farms where I grew up in western Washington state (Stanwood and Olympia) look nothing like they did in my childhood.  When I drive past now, whether on Google Earth virtually or for real, the outbuildings have changed and are unfamiliar, fences pulled down, the trees exponentially taller or gone altogether, the fields no longer well-tended. Instead the familiarity is in the road to get there, the lean into the curves, the acceleration in and out of dips, the landscape which triggers a simultaneous comfort and disquiet deep in my DNA.

Though my brother once stopped and got permission to look around our long-ago childhood home, and sent me pictures that looked barely recognizable, I myself have never stopped to knock; instead I have driven slowly past to sense if I feel what I used to feel in these places.  My memories are indeed triggered but feel a bit as if they must have happened to someone else.

I have the same feeling when driving past my parents’ childhood farms on Similk Bay on Fidalgo Island and in the Palouse wheat fields. Part of me belongs to these places even though they have never been truly “mine” – only part of sweet memories from my own childhood.

barn on Olympia farm
Olympia house
the driveway to my mother’s Palouse farm where she grew up
my mother’s childhood home in Spring Valley, the Palouse

One clinic day years ago, I glanced at the home address of a young man I was about to see for a medical issue and I realized he now lived in my childhood home located over 100 miles away.  When I greeted him I told him we had something in common: we had grown up under the same roof, inside the same walls, though children of two different generations. 

He was curious but seemed skeptical — how could this gray-haired middle aged woman know anything about his home?  He told me a bit about the house, the barn, the fields, the garden and how he experienced it felt altogether strange to me.  He and I had shared nothing but a patch of real estate — our recollections were so completely disparate.

The two daughters of the family who sold our current farm to us over thirty years ago have been back to visit a time or two, and have driven by whenever they are in the area. Many things remain familiar to them but also too much has changed – it is not quite the same farm they remember from their childhood. I know it aches to visit here but they do let me know when a photo I post has a particular sweet memory for them.

I worry for the fearsome ache if someday, due to age or finances, we must sell this farm we cherish ~ this beloved place our children were raised, animals bred and cared for, fruit picked from an ancient orchard, plants tended and soil turned over. It will remain on the map surely as the other two farms of my past, visible as we pass by slowly on the road, but primarily preserved in the words and photos I harvest here.

Only be it understood,
It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.

There will always be hoping something will still remain familiar on the map of my memory. After all, there is no such beauty as the place where I belonged – now and forever ago.

eveningporch51218

Tell me, where is the road
I can call my own
That I left, that I lost
So long ago?
All these years I have wandered
Oh, when will I know
There’s a way, there’s a road
That will lead me home

After wind, after rain
When the dark is done
As I wake from a dream
In the gold of day
Through the air there’s a calling
From far away
There’s a voice I can hear
That will lead me home

Rise up, follow me
Come away, is the call
With the love in your heart
As the only song
There is no such beauty
As where you belong
Rise up, follow me
I will lead you home
~Michael Dennis Browne

Gift of a Day

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A hundred thousand birds salute the day:–
        One solitary bird salutes the night:
Its mellow grieving wiles our grief away,
        And tunes our weary watches to delight;
It seems to sing the thoughts we cannot say,
        To know and sing them, and to set them right;
Until we feel once more that May is May,
        And hope some buds may bloom without a blight.
This solitary bird outweighs, outvies,
        The hundred thousand merry-making birds
Whose innocent warblings yet might make us wise
Would we but follow when they bid us rise,
        Would we but set their notes of praise to words
And launch our hearts up with them to the skies.
~Christina Rossetti “A Hundred Thousand Birds”

Every day is perfect, if
when you wake, you hear birds
in the garden, in the yard. Birds

up and down, ushering in one more day
in all the houses on Shaker Way. Birds
on telephone lines, light posts. Birds

twit, twittering on trees
hailing fellow birds
with a nod of  beak—gray kingbird;

top-hatted, streamertail
tuxedoed, doctor bird—
busy-bodied hummingbird

tucking in, out, of pink, red ixoras
punch-drunk in love. Birds
preening for, chatting up other birds—

the oriole, the grass quit, in mid-song
on the lawn, in a dance of  birds
an all-day-long conference of bird;

red-headed woodpecker
—drummer boy, or girl bird
in this daily symphony of  birds

—an orchestra on Shaker Way
in serenade of each perfect day with birds—
from the very first mockingbird

heralding, in solo warble
one more day, filled with birds—
brightened, lightened, trilled by birds:

precious, diamond-throated
sweet song, miracle-toting birds
the-gift-of-day-is-here birds.

Bird, bird, bird. Hello bird.
You lift me up bird.
You sing the day beautiful, bird.
~Ann-Margaret Lim “Birdsong of Shaker Way”

Birds afloat in air’s current,
sacred breath? No, not breath of God,
it seems, but God
the air enveloping the whole
globe of being.
It’s we who breathe, in, out, in, the sacred,
leaves astir, our wings
rising, ruffled—but only saints
take flight…
But storm or still,
numb or poised in attention,
we inhale, exhale, inhale,
encompassed, encompassed.
~Denise Levertov from “In Whom We Live and Move and Have Our Being” from The Stream and the Sapphire

As if reluctant to let go the setting sun last night,
one lone bird still sang a twilight song,
long after the others fell asleep,
their heads tucked neatly under their wings.

This lone bird had not yet finished the day,
breathing in and out its plaintive melody,
articulating what my own thoughts could not say.

And before a hint of light this June morning,
I am swept from my dreams at 4:30 AM
by a full chorus singing from the same tree,
no longer a lone voice, but hundreds.

Although my day is launched early by warbling songs,
I cannot forget twilight’s one reluctant bird
who fought back the impending darkness using only its voice.

I too resist the darkness with what I write here,
if only I can keep it at bay:
inhaling, exhaling, encompassed in holy Breath.

I want to sing out light and love to Light:
encompassed by no darkness here.

I hear a bird chirping, up in the sky
I’d like to be free like that spread my wings so high I
see the river flowing water running by
I’d like to be that river, see what I might find

I feel the wind a blowin’, slowly changing time
I’d like to be that wind, I’d swirl and the shape sky
I smell the flowers blooming, opening for spring
I’d like to be those flowers, open to everything

I feel the seasons change, the leaves, the snow and sun
I’d like to be those seasons, made up and undone
I taste the living earth, the seeds that grow within
I’d like to be that earth, a home where life begins

I see the moon a risin’, reaching into night
I’d like to be that moon, a knowing glowing light
I know the silence as the world begins to wake
I’d like to be that silence as the morning breaks

He doesn’t know the world at all
Who stays in his nest and doesn’t go out.
He doesn’t know what birds know best
Nor what I sing about, Nor what I sing about, Nor what sing about:
That the world is full of loveliness.

When dew-drops sparkle in the grass
And earth is aflood with morning light. light
A blackbird sings upon a bush
To greet the dawning after night,
the dawning after night,
the dawning after night.
Then I know how fine it is to live.

Hey, try to open your heart to beauty;
Go to the woods someday
And weave a wreath of memory there.
Then if tears obscure your way
You’ll know how wonderful it is
To be alive.
~Paul Read

Time Travel for No Good Reason

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As if you needed one,
as if you could help it,
for no good reason
a tune out of nowhere
pops into your head
when you least expect,
riffs effortlessly in the
folds of your cerebrum—

your own private jukebox,
your personal music device
on random minus the earbuds—
drumming itself up to keep
you company: here, a little
Janis Joplin while you vacuum
cat hair; there, a John Denver line
as you peel potatoes at the sink.

How can others not hear it,
this frequent odd gift?
Sometimes you forget
and blurt the words to the chorus,
which, after all, is all you can remember,
those take me home, country roads,
that feelin’ good was good enough
for me, even conjuring

the gas station in Colorado
back where you, wearing
those bell bottoms and that
paisley, were about to fill a tank
of freedom into the blue VW Bug
when Carole King belted out
and it’s too late baby, now it’s too late
though we really did try to make it

and you couldn’t move, couldn’t
quit sobbing to the steering wheel
that would not console those blues
or say what you had left to lose,
wouldn’t question why in hell
you were going down that road
where for no good reason
you seemed to be heading.
~Twyla M. Hansen “For No Good Reason” from Rock. Tree. Bird.

He (the professor) asked what I made of the other students (at Oxford) so I told him.
They were okay, but they were all very similar…
they’d never failed at anything or been nobodies,
and they thought they would always win.
But this isn’t most people’s experience of life.

He asked me what could be done about it.
I told him the answer was to send them all out for a year
to do some dead-end job
like working in a chicken processing plant
or spreading muck with a tractor.
It would do more good than a gap year in Peru. 

He laughed and thought this was tremendously witty.
It wasn’t meant to be funny.
~James Rebanks from The Shepherd’s Life
(how a sheep farmer succeeds at Oxford and then goes back to the farm)

In our barn we have a very beat up old AM/FM radio that sits on a shelf next to the horse stalls and serves as company to the horses during the rainy stormy days they stay inside, and serves as distraction to me as I clean stalls of manure and wet spots morning and evening. 

We live about 10 miles south of the Canadian border, so most stations that come in well on this radio’s broken antenna are from the lower mainland of British Columbia. This includes a panoply of stations spoken in every imaginable language– a Babel of sorts that I can tune into: Spanish, Japanese, Chinese, Hindi, Russian, French and of course, proper British accent English. 

But standard issue American melting-pot genetic mix that I am, I prefer to tune into the “Oldies” Station and reminisce.

There is a strange comfort in listening to songs that I enjoyed 50+ years ago, and I’m somewhat miffed and perplexed that they should be called “oldies”.  Oldies used to refer to music from the 20’s, 30’s and 40’s, not the 50’s, 60’s, and 70’s and (heavens to Betsy) the 80’s and 90’s!  

I listen and sing along with a mixture of feeling ancient and yet transported back to my teens. I can remember faces and names I haven’t thought of in decades, recall special summer days picking berries and hear the long lost voices from school days. I can smell and taste and feel things all because of the trigger of a familiar song. 

There is something primordial –deep in my synapses– that is stirred by this music. It’s almost like instant time travel without magic needed. In fact, I shoveled manure to these same songs 65 years ago, and somehow, it seems not much as changed. 

Or has it? One  (very quick) glance in the mirror tells me it has, and I have.

Yesterday – I Got You, Babe and you were a Bridge Over Troubled Waters for this Natural Woman who just wants to be Close to You so You’ve Got a Friend.  There’s Something in the way I Cherish The Way We Were and of course Love Will Keep Us Together. If You Leave Me Now,  You’re So Vain. I’ve always wanted it My Way but How Sweet It Is when I Want To Hold Your Hand.  Come Saturday Morning, Here Comes the Sun as we’re Born to Be Wild

Help! Do You Know Where You’re Going To?  Me and You and A Dog Named Boo will travel Country Roads and Rock Around the Clock even though God Didn’t Make the Little Green Apples to grow in a Moonshadow.  Fire and Rain will make things All Right Now once Morning is Broken, I’ll Say a Little Prayer For You so just Let It Be.

I Can’t Get No Satisfaction from the Sounds of Silence — If— Those Raindrops Keep Fallin’ on My Head.  Stand By Me as It’s Just My Imagination that I am a Rock, when really I only want Time in a Bottle and to just Sing, Sing a Song.

They just don’t write songs like they used to. I seem to remember my parents saying that about the songs I loved so well in the 60’s and 70’s. Somehow in the midst of decades of change, there are some constants. Music still touches our souls, no matter how young or old we are.

And every day there will always be manure that needs shoveling.

Always Enough

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There is always enough.
       My old cat of long years, who
              stayed all the months of his dying,

though, made sick by food,
       he refused to eat, till, long-stroked,
              he turned again to accept

another piece of dry catfood
       or spoonful of meat, a little water,
              another day through which

he purred, small engine
       losing heat—I made him nests
              of pillow and blanket, a curve of body

where he curled against my legs,
       and when the time came, he slipped out
              a loose door into the cold world

whose abundance included
              the death of his choosing.
~Robin Chapman “Enough” from Abundance

\

I remember the long orange carp you once scooped
from the neighbor’s pond, bounding beyond
her swung broom, across summer lawns

to lay the fish on my stoop. Thanks
for that. I’m not one to whom offerings
often get made. You let me feel

how Christ might when I kneel,
weeping in the dark
over the usual maladies: love and its lack.

Only in tears do I speak
directly to him and with such
conviction. And only once you grew frail

did you finally slacken into me,
dozing against my ribs like a child.
You gave up the predatory flinch

that snapped the necks of so many
birds and slow-moving rodents.
Now your once powerful jaw

is malformed by black malignancies.
It hurts to eat. So you surrender in the way
I pray for: Lord, before my own death,

let me learn from this animal’s deep release
into my arms. Let me cease to fear
the embrace that seeks to still me.
~Mary Karr “For a Dying Tomcat Who’s Relinquished His Former Hissing and Predatory Nature”

I have reposted these memories of José after learning of my farmer friend Zach’s recent loss of his 16 year old black farm cat friend Toby, after years of love, companionship, shenanigans and persistent doctoring…

When you look back, Zach, you’ll know Toby’s secret power was to always be enough to get you through the day…

José had been our front porch cat for years.

Not our garage cat, our upper barn cat, our lower barn cat or those that come and go on the farm because we’re a hospitable place where food is always on the table.

He was the king of the farm cats.  No one questioned him (usually) and no one occupied his front porch bench/throne without his express permission. His Majesty showed mercy to any who showed proper submission, and every once in awhile, that included the dogs.

He trained every pup here over the years.

He was the official front porch farm greeter, rising from his throne cushion to investigate any newcomer walking up the sidewalk, mewing a cheerful little “chirp” of a meow in welcome. Then he turned around and returned to his perch.

José was a performance cat, having been trained in his younger years to ride on a bareback pad on our Haflingers, at walk, trot and over jumps (sorry, no pictures). This once again proved his ability to get any creature, large or small, to submit to his will.

The only love of his life was our daughter, Lea. As José arrived to our farm at an indeterminate age, we didn’t really know how many years he would be with us. Before Lea headed off to college, and when home on breaks, they had many happy snuggles together for nearly 15 years.

During our harsh winter storms, José would move to a warm farm building with all the necessary provisions until the storm was done, then reclaim his favorite spot on the front porch when he deemed it cozy enough to be worthy of him.

After one particularly nasty storm, when the cold northeast wind went away, José didn’t return from his hiding place.

I looked, I called, I left goodies out. But no José. No chirpy meow, no yellow-eyed gaze, no black velvet fur to stroke, no rumbly purr to vibrate in my lap. I think this tough cat chose a bad winter to leave for warmer quarters far far away.

I suspect – as I still keep an eye out for it — there must be a velvety black coat he abandoned somewhere here on the farm.

He simply didn’t need it any more and unafraid, he left it behind.

photo by Lea

A Farmgirl from the Palouse

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…I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.
~Ada Limón from “The Raincoat”

My mother, Elna Schmitz Polis, was born 106 years ago today in the lonely isolation of a Palouse wheat and lentil farm in eastern Washington. She drew her first breath in a two story white house located down a long poplar-lined lane and nestled in a draw between the undulating hills.

She attended a one room school house until 8th grade, located a mile away in the rural countryside, then moved in with her grandmother “in town” in Rosalia to attend high school, seeing her parents only a couple times a month.

It was a childhood which accustomed her to solitude and creative play inside her mind and heart – her only sibling, an older brother, was busy helping their father on the farm. All her life and especially in her later years, she would prefer the quiet of her own thoughts over the bustle of a room full of activities and conversation.

Her childhood was filled with exploration of the rolling hills, the barns and buildings where her father built and repaired farm equipment, and the chilly cellar where the fresh eggs were stored after she reached under cranky hens to gather them. She sat in the cool breeze of the picketed yard, watching the huge windmill turn and creak next to the house. She helped her weary mother feed farm crews who came for harvest time and then settled in the screened porch listening to the adults talk about lentil prices and bushel production. She woke to the mourning dove call in the mornings and heard the coyote yips and howls at night.

She nearly died at the age of 13 from a ruptured appendix, before antibiotics were an option. That near-miss haunted her life-long, filling her with worry that it was a mistake that she survived that episode at all. Yet she thrived despite the anxiety, and ended up, much to her surprise, living a long life full of family and faith, letting go at age 88 after fracturing a femur, which also broke her will to live.

As a young woman, she was ready to leave the wheat farm behind for college, devoting herself to the skills of speech, and the creativity of acting and directing in drama, later teaching rural high school students, including a future Pulitzer Prize winning poet, Carolyn Kizer. She loved words and the power and beauty they wielded.

Marrying my father was a brave and impulsive act, traveling by train to the east coast only a week before he shipped out for almost 3 years to the South Pacific to fight as a Marine in WWII. She must have wondered about the man who returned from war changed and undoubtedly scarred in ways she could not see or touch. They worked it out mostly in silence, as rocky as it must have been at times.

Her episode of Graves’ disease, before I was born, must have been agonizing for both of them and my older sister, as her storm of thyroid overactivity resulted in months of sleepless full time panic. Only thyroid removal saved her, but radical surgeries take their toll.
Their marriage never fully recovered.

In their reconciliation after a painful divorce decades later, I finally could see the devotion and mutual respect between life companions who had finally found shared purpose and love.

As a wife and mother, she rediscovered her calling as a steward of the land and a tireless steward of her family, gardening and harvesting fruits, vegetables and us children. When I think of my mother, I most often think of her tending us children in the middle of the night whenever we were ill; her over-vigilance was undoubtedly due to her worry we might die in childhood, as she almost did.

She never did stop worrying until the last few months. As she became more dependent on others in her physical decline, she gave up the control she thought she had to maintain through her “worry energy” and became much more accepting about the control the Lord maintains over all we are and will become.

I know from where my shyness comes, my preference for birdsongs rather than radio music, my love of naps, and my tendency to be serious and straight-laced with a twinkle in my eye. This is my German-Palouse side–immersing in the quietness of solitude, thrilling to the sight of the spring wheat flowing like a green ocean wave in the breeze and appreciating the warmth of rich soil held in my hands.

My mother came from that heritage and it is the legacy she left with me. I am forever grateful for her unconditional love to the end of her life; her willingness to share the sunshine and warmth of her nest whenever we felt the need to fly back home and shelter, overprotected but safe nonetheless, under her wings.