Anything Rather Than Void

Days pass when I forget the mystery.
Problems insoluble and problems offering
their own ignored solutions
jostle for my attention…
            And then
once more the quiet mystery
is present to me, the throng’s clamor
recedes: the mystery
that there is anything, anything at all,
let alone cosmos, joy, memory, everything,
rather than void: and that, O Lord,
Creator, Hallowed one, You still,
hour by hour sustain it.
~Denise Levertov from “Primary Wonder” from Sands of the Well

Here is the mystery, the secret,
one might almost say the cunning,
of the deep love of God:
that it is bound to draw upon itself
the hatred and pain and shame
and anger and bitterness and rejection of the world,
but to draw all those things on to itself
is precisely the means chosen from all eternity
by the generous, loving God,
by which to rid his world of the evils
which have resulted from
human abuse of God-given freedom.
~N.T. Wright from The Crown and The Fire

Inundated by the constantly bad news of the world, I must cling to the mystery of His magnetism for my own weaknesses and flaws, my bitterness. He willingly pulls evil onto Himself, out of us. Hatred and pain and shame and anger disappear into the vortex of His love and beauty, the mucky corners of my heart vacuumed spotless.

We are let in on a secret: He is not sullied by absorbing the dirty messes of our lives. He is sustaining us; we are anything rather than void.

Created in His image, sustained and loved, thus reflecting Him,
we are washed forever clean.

Like Current Through a Wire

What courage we had,
our infantry stretched across the yard,
no shields, no swords,
no cavalry assembled behind us
calming their nervous mounts.
We had the strength of our arms,
the speed of our legs.
We had our friends and our convictions.
Opposite us, the undulating line
of children drew suddenly straight.
It was early on a summer day
but the larks fell silent.
A high voice
invoked the name Red Rover;
we could not say who said it first.
But righteousness passed through us
like current through a wire.
Or like an inaugural sip of wine
burning in our chests,
something father gave us
over our mother’s earnest
protestations.
~Connie Wanek, “Red Rover” from Rival Gardens

… if you ran, time ran. You yelled and screamed and raced and rolled and tumbled and all of a sudden the sun was gone and the whistle was blowing and you were on your long way home to supper. When you weren’t looking, the sun got around behind you! The only way to keep things slow was to watch everything and do nothing! You could stretch a day to three days, sure, just by watching!
~Ray Bradbury from Dandelion Wine

I was a kid born without the necessary courage to enjoy playground games and sports – I was always chosen last as I didn’t have good coordination, I wasn’t fast or strong and I wasn’t physically aggressive. Games like dodge ball and Red Rover were too intimidating as I inevitably got battered and bruised by the other kids.

In Red Rover, that impenetrable line-up of kids found a weak link in me. I could feel the electricity like a current through the linked arms in the line, until it came to me. I became the off switch. Kids knew to choose my arm to break through because I tended to let go rather than have my arm bashed and bruised by some big kid running straight into it.

How have my years of work felt similar? Now well into my seventh decade, I can recall a few times when I’ve chosen to “let go” rather than get bruised. I’ve tried to be strong enough to stand up to the battering that comes with leadership positions and taking unpopular stands. It takes its toll and I regret I’m not strong enough at times. However, there is relief in no longer being connected to the electric current of these times.

What I always liked best about the playground was to simply run and jump and holler and hoot from the joy of being alive, or to just stand and watch what was going on around me without having to be in the center of things. Now decades later, I find myself again standing apart, just watching, grateful I’m no longer part of the line up about to get bashed.

Hold Fast

The art of living lies in a fine mingling of letting go and holding on.
~Henry Havelock Ellis

…God’s not nonexistent;
He’s just been waylaid
by a host of what no one could’ve foreseen.   

He’s got plans for you

 …it’s true that my Virginia creeper praises Him,   
its palms and fingers crimson with applause,   
that the local breeze is weaving Him a diadem…
~Jacqueline Osherow from “Autumn Psalm”

With what stoic delicacy does
Virginia creeper let go:
the feeblest tug brings down
a sheaf of leaves kite-high,
as if to say, 
To live is good
but not to live—to be pulled down
with scarce a ripping sound,
still flourishing, still
stretching toward the sun—
is good also, all photosynthesis
abandoned, quite quits. Next spring
the hairy rootlets left unpulled
snake out a leafy afterlife
up that same smooth-barked oak.
~John Updike “Creeper”

The Virginia Creeper vine, its crimson leaves
crawl over the brow of our ancient shed
like a lock of unruly hair or a flowing stream.
This humble building was a small chapel a century ago,
moved from the intersection of two country roads to this raised knoll
for forever sanctuary.

It is befitting that every fall this former church,
now empty of sermons and hymns,
weeps red.

Each winter the stripped bare vine
clings tightly through thousands of “holdfast” suckers.
The glue keeps the vine attached
where no vine has gone before.
Once there, it stays until pulled away;
it becomes an invincible foundation
to build upon in the spring.

Do not despair in this austere winter.
The Lord has plans and will not be moved
or ripped away,
even when His name is removed
from schools or public squares,
He’s holding on, waiting on us,
waiting for the spring
and won’t ever, no never, let go.


There Are No Gradations

The whole concept of the Imago Dei (or)…the ‘Image of God’ is the idea that all men have something within them that God injected…

This gives him a uniqueness, it gives him worth, it gives him dignity.
And we must never forget this…there are no gradations in the Image of God.

Every man from a treble white to a bass black
is significant on God’s keyboard,
precisely because every man is made in the Image of God.

One day we will learn that.

We will know one day that God made us to live together as brothers
and to respect the dignity and worth of every man.
– Martin Luther King, Jr. from his “The American Dream” sermon, July 4, 1965

photo by Lea Gibson

Next to the Blessed Sacrament itself, your neighbor is the holiest object presented to your senses.
~C. S. Lewis from The Weight of Glory

photo of San Juan Islands by Joel DeWaard

We are united by our joint creation as the Image of God.  Not one of us reflects God more than another but together form His body and His kingdom on earth.

Dr. King’s words and wisdom continue to inform us of our shortcomings more than 50 years later as we flounder in our flaws and brokenness;  so many question not only the validity of equality of all people of all shades, but even doubt the existence of a God who would create a world that includes the crippled body, the troubled mind, the questioned gender, the genetically challenged, the human beings never allowed to draw a breath.

Yet we are all one, a composition made up of white and black keys too often discordant, sometimes dancing to different tempos, on rare occasions a symphony.  The potential is there for harmony, and Dr. King would see and hear that in his time on earth.

Perhaps today we unite only in our shared tears, shed for the continued strife and disagreements, shed for the injustice that results in senseless killings, shed for our inability to hold up one another as holy in God’s eyes as His intended creation, no matter our color, our origin, our defects, our differences and similarities.

We can weep together on this day, knowing, as Dr. King knew, a day will come when the Lord God will wipe tears away from all faces — all colors just as they are. 

There are no longer gradations in who God is nor who He made us to be.

Embraced By God's Restless Love

The old church leans awry and looks quite odd,
But it is beautiful to us, and God.

~Stephen Paulus “The Old Church”

The church knelt heavy
above us as we attended Sunday School,
circled by age group and hunkered
on little wood folding chairs
where we gave our nickels, said
our verses, heard the stories, sang
the solid, swinging songs.

It could have been God above
in the pews, His restless love sifting
with dust from the joists. We little
seeds swelled in the stone cellar, bursting
to grow toward the light
.

Maybe it was that I liked how, upstairs, outside,
an avid sun stormed down, burning the sharp-
edged shadows back to their buildings, or
how the winter air knifed
after the dreamy basement.

Maybe the day we learned whatever
would have kept me believing
I was just watching light
poke from the high, small window
and tilt to the floor where I could make it
a gold strap on my shoe, wrap
my ankle, embrace
any part of me.
~Maureen Ash “Church Basement”

There could be so much wrong with the church overall,
comprised as it is
with fallen people
with broken wings,
looking odd and leaning awry,
determined to find flaws in each other’s
doctrine, rituals, tradition, beliefs.

What is right with the church:
who we pray to, why we sing,
whose body we comprise
so bloodied, fractured, yet healed
despite our thoroughly motley messiness~
Our Lord of Heaven and Earth
rains down His restless love upon our heads.

Little Life Safe

He calls the honeybees his girls although
he tells me they’re ungendered workers
who never produce offspring. Some hour drops,
the bees shut off. In the long, cool slant of sun,
spent flowers fold into cups. He asks me if I’ve ever
seen a Solitary Bee where it sleeps. I say I’ve not.
The nearest bud’s a long-throated peach hollyhock.
He cradles it in his palm, holds it up so I spy
the intimacy of the sleeping bee. Little life safe in a petal,
little girl, your few furious buzzings as you stir
stay with me all winter, remind me of my work undone.
~Heid E. Erdrich, from “Intimate Detail” from The Mother’s Tongue

The barn’s brown gable, the vine by the door,—    
Nothing changed but the hives of bees. 
Before them, under the garden wall,    
Forward and back, 
Went drearily singing the chore-girl small,    
Draping each hive with a shred of black. 
Trembling, I listened: the summer sun    
Had the chill of snow; 
For I knew she was telling the bees of one    
Gone on the journey we all must go! 
~John Greenleaf Whittier from “Telling the Bees”

An old Celtic tradition necessitates sharing any news from the household with the farm’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death.  This ensures the hives’ well-being and continued connection to home and community – the bees are kept in the loop, so to speak, so they stay at home, not swarm and move on to a more hospitable place.

Each little life safe at home, each little life with work undone.

Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all.

These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.

I hope the Beekeeper, our Creator, comes personally to each of us to say:
“Here is what has happened. All will be well, dear one. We will navigate your little life together.”

Something Went Wrong

age nine

The time is ripe for looking back over the day, the week, the year, and trying to figure out where we have come from and where we are going to, for sifting through the things we have done and the things we have left undone for a clue to who we are and who, for better or worse, we are becoming. We cling to the present out of wariness of the past. But there is a deeper need yet, I think, and that is the need—not all the time, surely, but from time to time—to enter that still room within us all where the past lives on as a part of the present, where the dead are alive again, where we are most alive ourselves to turnings and to where our journeys have brought us. The name of the room is Remember—the room where with patience, with charity, with quietness of heart, we remember consciously to remember the lives we have lived.” 
~Frederick Buechner from A Room Called Remember

He was a big man, says the size of his shoes
on a pile of broken dishes by the house;
a tall man too, says the length of the bed
in an upstairs room; and a good, God-fearing man,
says the Bible with a broken back
on the floor below the window, dusty with sun;
but not a man for farming, say the fields
cluttered with boulders and the leaky barn.

A woman lived with him, says the bedroom wall
papered with lilacs and the kitchen shelves
covered with oilcloth, and they had a child,
says the sandbox made from a tractor tire.
Money was scarce, say the jars of plum preserves
and canned tomatoes sealed in the cellar hole.
And the winters cold, say the rags in the window frames.
It was lonely here, says the narrow country road.

Something went wrong, says the empty house
in the weed-choked yard. Stones in the fields
say he was not a farmer; the still-sealed jars
in the cellar say she left in a nervous haste.
And the child? Its toys are strewn in the yard
like branches after a storm—a rubber cow,
a rusty tractor with a broken plow,
a doll in overalls. Something went wrong, they say.

~Ted Kooser, “Abandoned Farmhouse” from Sure Signs: New and Selected Poems. 

In 1959, when I was five years old, my father left his high school agriculture teaching position for a new supervisor position with the state.
I didn’t understand at the time the reasons for his leaving his job after 13 years.

Our family moved from a large 3 story farm house in a rural community to a 1950’s newer rambler style home just outside the city limits of the state capitol.  It was a big adjustment to move to a much smaller house without a basement or upper story, no garage, and no large haybarn nor chicken coop.  It meant most things we owned didn’t make the move with us.

The rambler had two side by side mirror image rooms as the primary central living space between the kitchen on one side and the hallway to the bedrooms on the other.  The living room could only be entered through the front door and the family room was accessed through the back door with a shared sandstone hearth in the center, containing a fireplace in each room.  The only opening between the rooms had a folding door shut most of the year.  In December, the door was opened to accommodate a Christmas tree, so it sat partially in the living room and depending on its generous width, spilled over into the family room.  That way it was visible from both rooms, and didn’t take up too much floor space.

The living room, because it contained the only carpeting in the house, and our “best” furniture,  was strictly off-limits. In order to keep our two matching sectional knobby gray fabric sofas,  a green upholstered chair and gold crushed velvet covered love seat in pristine condition, the room was to be avoided unless we had company. The carpet was never to develop a traffic pattern, there would be no food, beverage, or pet ever allowed in that room, and the front door was not to be used unless a visitor arrived.  The hearth never saw a fire lit on that side because of the potential of messy ashes or smoke smell. This was not a room for laughter, arguments or games and certainly not for toys. The chiming clock next to the hearth, wound with weighted cones on the end of chains, called out the hours without an audience.

One week before Christmas, a tree was chosen to fit in the space where it could overflow into the family room.  I particularly enjoyed decorating the “family room” side of the tree, using all my favorite ornaments that were less likely to break if they fell on the linoleum floor on that side of the door.

It was as if the Christmas tree became divided, with a “formal” side in the living room and a “real life” face on the other side where the living (and hurting) was actually taking place.

The tree straddled more than just two rooms.  Every year that tree’s branches reached out to shelter a family that was slowly, almost imperceptibly, falling apart, like the fir needles dropping to the floor to be swept away. Something was going wrong.

Each year since, the Christmas tree bearing those old ornaments from my childhood reminds me of a still room of mixed memories within me.  I am no longer wary of the past, and when I sweep up the fir needles that inevitably drop, I no longer weep.