Category: Light

The Sweet Ache of Memories

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All day the stars watch from long ago
my mother said I am going now
when you are alone you will be all right
whether or not you know you will know
look at the old house in the dawn rain
all the flowers are forms of water
the sun reminds them through a white cloud
touches the patchwork spread on the hill
the washed colors of the afterlife
that lived there long before you were born
see how they wake without a question
even though the whole world is burning
~W.S. Merwin “Rain Light”

Well-away and be it so,
To the stranger let them go.
Even cheerfully I yield
Pasture, orchard, mowing-field,
Yea and wish him all the gain
I required of them in vain.
Yea and I can yield him house,
Barn, and shed, with rat and mouse
To dispute possession of.
These I can unlearn to love.
Since I cannot help it? Good!
Only be it understood,
It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.
~Robert Frost from “On the Sale of My Farm”

the farm where I grew up in east Stanwood
the Stanwood farm from the road

From the road, each of the two small farms where I grew up in western Washington state (Stanwood and Olympia) look nothing like they did in my childhood.  When I drive past now, whether on Google Earth virtually or for real, the outbuildings have changed and are unfamiliar, fences pulled down, the trees exponentially taller or gone altogether, the fields no longer well-tended. Instead the familiarity is in the road to get there, the lean into the curves, the acceleration in and out of dips, the landscape which triggers a simultaneous comfort and disquiet deep in my DNA.

Though my brother once stopped and got permission to look around our long-ago childhood home, and sent me pictures that looked barely recognizable, I myself have never stopped to knock; instead I have driven slowly past to sense if I feel what I used to feel in these places.  My memories are indeed triggered but feel a bit as if they must have happened to someone else.

I have the same feeling when driving past my parents’ childhood farms on Similk Bay on Fidalgo Island and in the Palouse wheat fields. Part of me belongs to these places even though they have never been truly “mine” – only part of sweet memories from my own childhood.

barn on Olympia farm
Olympia house
the driveway to my mother’s Palouse farm where she grew up
my mother’s childhood home in Spring Valley, the Palouse

One clinic day years ago, I glanced at the home address of a young man I was about to see for a medical issue and I realized he now lived in my childhood home located over 100 miles away.  When I greeted him I told him we had something in common: we had grown up under the same roof, inside the same walls, though children of two different generations. 

He was curious but seemed skeptical — how could this gray-haired middle aged woman know anything about his home?  He told me a bit about the house, the barn, the fields, the garden and how he experienced it felt altogether strange to me.  He and I had shared nothing but a patch of real estate — our recollections were so completely disparate.

The two daughters of the family who sold our current farm to us over thirty years ago have been back to visit a time or two, and have driven by whenever they are in the area. Many things remain familiar to them but also too much has changed – it is not quite the same farm they remember from their childhood. I know it aches to visit here but they do let me know when a photo I post has a particular sweet memory for them.

I worry for the fearsome ache if someday, due to age or finances, we must sell this farm we cherish ~ this beloved place our children were raised, animals bred and cared for, fruit picked from an ancient orchard, plants tended and soil turned over. It will remain on the map surely as the other two farms of my past, visible as we pass by slowly on the road, but primarily preserved in the words and photos I harvest here.

Only be it understood,
It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.

There will always be hoping something will still remain familiar on the map of my memory. After all, there is no such beauty as the place where I belonged – now and forever ago.

eveningporch51218

Tell me, where is the road
I can call my own
That I left, that I lost
So long ago?
All these years I have wandered
Oh, when will I know
There’s a way, there’s a road
That will lead me home

After wind, after rain
When the dark is done
As I wake from a dream
In the gold of day
Through the air there’s a calling
From far away
There’s a voice I can hear
That will lead me home

Rise up, follow me
Come away, is the call
With the love in your heart
As the only song
There is no such beauty
As where you belong
Rise up, follow me
I will lead you home
~Michael Dennis Browne

Something Aimed At You

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And I was alive in the blizzard of the blossoming pear,
Myself I stood in the storm of the bird–cherry tree.
It was all leaflife and starshower, unerring, self–shattering
power,
And it was all aimed at me.

What is this dire delight flowering fleeing always earth?
What is being? What is truth?

Blossoms rupture and rapture the air,
All hover and hammer,
Time intensified and time intolerable, sweetness raveling rot.
It is now. It is not.
~Osip Mandelstam “And I Was Alive” (translated by Christian Wiman) from Stolen Air 

Ordinary things have always seemed numinous to me. 
One Calvinist notion deeply implanted in me is that
there are two sides to your encounter with the world.
You don’t simply perceive something that is statically present,
but in fact there is a visionary quality to all experience.
It means something because it is addressed to YOU. 
~Marilynne Robinson from The Paris Review 2008

We mostly live through routine and ordinary days, unconscious of many treasures and abundance laid before us.

In fact, these are addressed to us as pure gift –
postmarked to our address, fully paid, no postage due.

Daily I search the soil of my life, this farm, this faith
to find what in me still yearns to grow, to blossom, to fruit,
in order to be harvested to share with others.

Such sweetness undoes our inevitable decay.

I am so grateful for the tie that binds me to those who visit this page, hoping what I share makes a difference in your ordinary,
but still so precious, day. 

The gift of ordinary time is now.
Its numinosity is aimed at each one of us.

Poem by Dana Gioia

Echo of the clocktower, footstep
in the alleyway, sweep
of the wind sifting the leaves.
Jeweller of the spiderweb, connoisseur
of autumn’s opulence, blade of lightning
harvesting the sky.

Keeper of the small gate, choreographer
of entrances and exits, midnight
whisper traveling the wires.
Seducer, healer, deity or thief,
I will see you soon enough—
in the shadow of the rainfall,
in the brief violet darkening a sunset—

but until then I pray watch over him
as a mountain guards its covert ore
and the harsh falcon its flightless young.

Come and See: Who Would Be First to Throw Stones?

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They went each to their own house but Jesus went to the Mount of Olives. Early in the morning he came again to the temple. All the people came to him, and he sat down and taught them.  

The scribes and the Pharisees brought a woman who had been caught in adultery, and placing her in the midst they said to him, “Teacher, this woman has been caught in the act of adultery. Now in the Law, Moses commanded us to stone such women. So what do you say?”  This they said to test him, that they might have some charge to bring against him.

Jesus bent down and wrote with his finger on the ground. And as they continued to ask him, he stood up and said to them, “Let him who is without sin among you be the first to throw a stone at her.” And once more he bent down and wrote on the ground.  

But when they heard it, they went away one by one, beginning with the older ones, and Jesus was left alone with the woman standing before him. Jesus stood up and said to her, “Woman, where are they? Has no one condemned you?”  She said, “No one, Lord.”

And Jesus said, “Neither do I condemn you; go, and from now on sin no more.”
John 7:53 – John 8:11

[The earliest manuscripts and many other ancient witnesses do not have John 7:53—8:11. A few manuscripts include these verses, wholly or in part, after John 7:36, John 21:25, Luke 21:38 or Luke 24:53.]

The adulterous woman is brought alone by the Jewish authorities for judgement, to be humiliated by serving as a test case for Jesus. This incident was not so much about justice as it was about seeing how Jesus would react to her situation.

His response is not what they expected.

He stoops to the ground, taking his time, avoiding their gaze, writing something (inscrutable to the reader) in the dirt. He then stands to look them in the eye to state what is necessary before acting out the law’s justice: only those who have not sinned will be first to cast the stone at a sinner.

Then he kneels again to trace His finger through the dirt —
outlining each person’s sin? naming names?
buying time for things to calm down?
keeping them guessing? just doodling?

The authorities, knowing their own burden of sin,
the oldest of them initially,
turn to leave one by one.
Soon only the accused woman and Jesus remain.

As St. Augustine writes about this powerful gospel story:
“relicti sunt duo, misera et misericordia” which translates to
“two were left: misery and mercy.”
She, standing in the misery of her sin;
He, standing in the glory of His mercy.

No longer condemned while He takes it all on Himself.
No stones to throw; free to go; sin no more.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

Light Becomes What It Touches

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…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller from “Monet Refuses the Operation” from Second Language

Monet’s corner of a lily pond (1918-1919)

“Heaven pulls earth into its arms…”

We all see things differently, don’t we?
What seems ordinary to one is extraordinarily memorable to another.

How might I help others to see the world as I do?
How might I learn to adjust my focus to see things as you do?

The world is in flux;
my delight and dismay flows
from moment to moment,
from object to absence,
from light to darkness,
from color to muted.

Perhaps the blur from Monet’s cataracts
also impedes my vision, creating a deeper understanding,
as I use my imagination to fill in what I can’t quite discern.

My heart and mind expands exponentially
to claim this world and all that beauty has to offer,
while heaven – all this while – pulls me into its arms.

In heaven, my focus will be clear.
All will be extraordinarily ordinary.

Gift of a Day

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A hundred thousand birds salute the day:–
        One solitary bird salutes the night:
Its mellow grieving wiles our grief away,
        And tunes our weary watches to delight;
It seems to sing the thoughts we cannot say,
        To know and sing them, and to set them right;
Until we feel once more that May is May,
        And hope some buds may bloom without a blight.
This solitary bird outweighs, outvies,
        The hundred thousand merry-making birds
Whose innocent warblings yet might make us wise
Would we but follow when they bid us rise,
        Would we but set their notes of praise to words
And launch our hearts up with them to the skies.
~Christina Rossetti “A Hundred Thousand Birds”

Every day is perfect, if
when you wake, you hear birds
in the garden, in the yard. Birds

up and down, ushering in one more day
in all the houses on Shaker Way. Birds
on telephone lines, light posts. Birds

twit, twittering on trees
hailing fellow birds
with a nod of  beak—gray kingbird;

top-hatted, streamertail
tuxedoed, doctor bird—
busy-bodied hummingbird

tucking in, out, of pink, red ixoras
punch-drunk in love. Birds
preening for, chatting up other birds—

the oriole, the grass quit, in mid-song
on the lawn, in a dance of  birds
an all-day-long conference of bird;

red-headed woodpecker
—drummer boy, or girl bird
in this daily symphony of  birds

—an orchestra on Shaker Way
in serenade of each perfect day with birds—
from the very first mockingbird

heralding, in solo warble
one more day, filled with birds—
brightened, lightened, trilled by birds:

precious, diamond-throated
sweet song, miracle-toting birds
the-gift-of-day-is-here birds.

Bird, bird, bird. Hello bird.
You lift me up bird.
You sing the day beautiful, bird.
~Ann-Margaret Lim “Birdsong of Shaker Way”

Birds afloat in air’s current,
sacred breath? No, not breath of God,
it seems, but God
the air enveloping the whole
globe of being.
It’s we who breathe, in, out, in, the sacred,
leaves astir, our wings
rising, ruffled—but only saints
take flight…
But storm or still,
numb or poised in attention,
we inhale, exhale, inhale,
encompassed, encompassed.
~Denise Levertov from “In Whom We Live and Move and Have Our Being” from The Stream and the Sapphire

As if reluctant to let go the setting sun last night,
one lone bird still sang a twilight song,
long after the others fell asleep,
their heads tucked neatly under their wings.

This lone bird had not yet finished the day,
breathing in and out its plaintive melody,
articulating what my own thoughts could not say.

And before a hint of light this June morning,
I am swept from my dreams at 4:30 AM
by a full chorus singing from the same tree,
no longer a lone voice, but hundreds.

Although my day is launched early by warbling songs,
I cannot forget twilight’s one reluctant bird
who fought back the impending darkness using only its voice.

I too resist the darkness with what I write here,
if only I can keep it at bay:
inhaling, exhaling, encompassed in holy Breath.

I want to sing out light and love to Light:
encompassed by no darkness here.

I hear a bird chirping, up in the sky
I’d like to be free like that spread my wings so high I
see the river flowing water running by
I’d like to be that river, see what I might find

I feel the wind a blowin’, slowly changing time
I’d like to be that wind, I’d swirl and the shape sky
I smell the flowers blooming, opening for spring
I’d like to be those flowers, open to everything

I feel the seasons change, the leaves, the snow and sun
I’d like to be those seasons, made up and undone
I taste the living earth, the seeds that grow within
I’d like to be that earth, a home where life begins

I see the moon a risin’, reaching into night
I’d like to be that moon, a knowing glowing light
I know the silence as the world begins to wake
I’d like to be that silence as the morning breaks

He doesn’t know the world at all
Who stays in his nest and doesn’t go out.
He doesn’t know what birds know best
Nor what I sing about, Nor what I sing about, Nor what sing about:
That the world is full of loveliness.

When dew-drops sparkle in the grass
And earth is aflood with morning light. light
A blackbird sings upon a bush
To greet the dawning after night,
the dawning after night,
the dawning after night.
Then I know how fine it is to live.

Hey, try to open your heart to beauty;
Go to the woods someday
And weave a wreath of memory there.
Then if tears obscure your way
You’ll know how wonderful it is
To be alive.
~Paul Read

Cut and Tumble, Sickness and Weeping

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God keep my jewel this day from danger;
From tinker and pooka and bad-hearted stranger.
From harm of the water, from hurt of the fire.
From the horns of the cows going home to the byre.
From the sight of the fairies that maybe might change her.
From teasing the ass when he’s tied to the manger.
From stones that would bruise her, from thorns of the briar.
From evil red berries that wake her desire.
From hunting the gander and vexing the goat.
From the depths o’ sea water by Danny’s old boat.
From cut and from tumble, from sickness and weeping;
May God have my jewel this day in his keeping.
~Winifred Lett (1882-1973) “Prayer for a Child“

photo by Nate Gibson

I pray because I can’t help myself. I pray because I’m helpless. I pray because the need flows out of me all the time, waking and sleeping. It doesn’t change God. It changes me.
~C.S. Lewis

I want to make a case for the Lighthouse Parent, a term that the pediatrician Kenneth Ginsburg and others have used. A Lighthouse Parent stands as a steady, reliable guide, providing safety and clarity without controlling every aspect of their child’s journey. 

Like a lighthouse that helps sailors avoid crashing into rocks, Lighthouse Parents provide firm boundaries and emotional support while allowing their children the freedom to navigate their own challenges. They demonstrate that they trust their kids to handle difficult situations independently. The key is learning when to step back and let them find their own way.
~Russell Shaw from “Lighthouse Parents Have More Confident Kids”

celebrating a long-awaited pregnancy – 1985

This “prayer for a child” has hung on the wall in our home for four decades, purchased when I was pregnant with our first of three children.

The drawing of the praying mother watching her toddler leave the safety of the home to explore the wide world addressed my worries as a new mama. I would glance at it daily, knowing the world is full of peril; it would remind me of God’s care for our family through every scary thing, real or imagined.

It helped me smile at a few of my irrational fears. Tinkers and pookas and fairies were unlikely to find our children in our rural landscape but at times the world seems full of “black-hearted strangers” and other threats, known and unknown.

Decades later, I continue to pray for our grown children and their God-given spouses, and for six adventuresome grandchildren.

I pray because I can’t not pray, and because I’m helpless without the care and compassion of our sovereign God for each of us, especially when we are brand new, completely dependent and helpless. He is a true “lighthouse” in our lives,

May I be changed by my prayers, molded into a “grand” mother and a light for our half dozen cherished grandchildren, each a jewel in His keeping.

Blossoms Pure and White…

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O! my heart now feels so cheerful as I go with footsteps light
      In the daily toil of my dear home; 
And I’ll tell to you the secret that now makes my life so bright—
      There’s a flower at my window in full bloom. 

It is radiant in the sunshine, and so cheerful after rain; 
        And it wafts upon the air its sweet perfume. 
It is very, very lovely! May its beauties never wane—
        This dear flower at my window in full bloom. 

Nature has so clothed it in such glorious array, 
      And it does so cheer our home, and hearts illume; 
Its dear mem’ry I will cherish though the flower fade away—
      This dear flower at my window in full bloom. 

Oft I gaze upon this flower with its blossoms pure and white. 
        And I think as I behold its gay costume, 
While through life we all are passing may our lives be always bright 
        Like this flower at my window in full bloom.
~Lucian Watkins “The Flower at My Window” from Voices of Solitude

Details of the life of poet Lucian Watkins are few: a black man born in 1879 in Virginia, educated as a teacher, a writer and poet, then served as a U.S. Army Sergeant during WWI in the Philippines and France, dying of an unknown illness in Fort McHenry hospital in 1921.

He leaves behind only a handful of poems, including the one above.

Among the sparse information available about Lucian are three letters written by him. This was a young man who earnestly wanted to have both a writing career and a “bread-winning vocation.” He describes feeling compelled to compose poetry, no matter what else he accomplishes.

The obvious challenges he faced –
–as a black man looking for a suitable place to live in Illinois so he can attend a college where there are no other people of color nearby,
–as a veteran of a most horrific war,
–as a creative mind trying to find a way to make a living.

He writes passionately about the aspirational purity of a white flower outside his window. Its bright radiance represents what he longs for in his own life.

From his letter to President Bissell of Bissell Colleges in Effingham, Illinois in 1919 after President Bissell is unable to assist in finding him a place to live, having suggested that the war veteran might consider “doing light housekeeping” – essentially live as a servant in a white household:

“About this matter of a boarding place. While I had hoped to obtain board with a member of my own race in Effingham, I had not thought it imperative that I should do so. I feel sure that there is enough Christianity in Effingham to provide that a brother-stranger in their midst shall not die of hunger.

What would Jesus do?

It seems that some places in the south they rise more readily to our American ideal of democracy than in the North and Middle-West. ‘The Richmond Planet’ of Richmond, Va., states that ‘right here in Richmond, the capital of the late Confederacy, colored soldiers are welcomed to aristocratic Westhampton, and with no sigh of racial discrimination or antipathy to their being there.’

What is the matter with Illinois?

I am not sure as to what your question involves. We shall talk it over when I arrive. There must be a way that is just and that will be good for all concerned. Very respectfully, signed Lucian B. Watkins“

**This man was not only a poet. He was a statesman.**

And a few months later, to the Editor of Crisis Magazine, the publication for the NAACP:

I have tried my best to forget poetry since being here – this with the hope I could the better prepare for a sure-enough bread-winning vocation. But the spell is on me again.

With me, this thing is a madness. I hope you understand me, as it is really a painful matter that I have never expressed to anyone before. I have always felt that people can never know as to what this fever means.

Had I the world to give, I would give it freely for my ability to concentrate my mental and physical forces on real money-earning work as I seem compelled to do in the making of a quatrain. Now unless I can get away from this verse-making obsession, I must fail in everything, because success as a poet means very little, in a material way, even for those who are called masters in the art.

I hope you will pardon me for this much of your time I have taken.

Though Lucian Watkins’ life was cut short by an unknown illness, and his portfolio of poetry is small, he is nonetheless a gift to generations of future poets and readers.

This black artist did not let the inevitable rainfall in his life discourage his world view; he himself is radiant with illumination, showing a budding cheerfulness. His work reminds us:

Something as simple as observing a resilient flower outside our window can help heal painful hurts and fulfill our deepest longing.

Something as basic as seeing life through different perspectives or lenses can make all the difference in how we feel about our existence.

In his writing, Lucian Watkins draws a thin line between joy and sorrow, embracing joy in a simple white flower in full bloom —
before it, as will we all, fades away.

From this low-lying valley; Oh, how sweet 
And cool and calm and great is life, I ween, 
There on yon mountain-throne—that sun-gold crest! 

From this uplifted, mighty mountain-seat: 
How bright and still and warm and soft and green
Seems yon low lily-vale of peace and rest! 
~Lucian Watkins “Two Points of View”

from Artist Point
photo by Josh Scholten — view of Mt Shuksan from the top of Mt. Baker
photo by Josh Scholten – dawn from the top of Mt. Baker, seeing its shadow to the west

Flower gleam and glow
let your power shine
make the Clock reverse
bring back what once was mine
What once was mine
Heal what has been hurt
change the fate’s design
Save what has been lost
bring back what once was mine
what once was mine
~Healing Song from Tangled

https://www.youtube.com/embed/gYyasBjwoCc?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparentNo matter if you’re bornTo play the king or pawnFor the line is thinly drawn ‘tween joy and sorrowSo my fantasy becomes realityAnd I must be what I must be and face tomorrowSo I’ll continue to continue to pretendMy life will never endAnd flowers never bend with the rainfall~Paul Simon

Always Enough

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There is always enough.
       My old cat of long years, who
              stayed all the months of his dying,

though, made sick by food,
       he refused to eat, till, long-stroked,
              he turned again to accept

another piece of dry catfood
       or spoonful of meat, a little water,
              another day through which

he purred, small engine
       losing heat—I made him nests
              of pillow and blanket, a curve of body

where he curled against my legs,
       and when the time came, he slipped out
              a loose door into the cold world

whose abundance included
              the death of his choosing.
~Robin Chapman “Enough” from Abundance

\

I remember the long orange carp you once scooped
from the neighbor’s pond, bounding beyond
her swung broom, across summer lawns

to lay the fish on my stoop. Thanks
for that. I’m not one to whom offerings
often get made. You let me feel

how Christ might when I kneel,
weeping in the dark
over the usual maladies: love and its lack.

Only in tears do I speak
directly to him and with such
conviction. And only once you grew frail

did you finally slacken into me,
dozing against my ribs like a child.
You gave up the predatory flinch

that snapped the necks of so many
birds and slow-moving rodents.
Now your once powerful jaw

is malformed by black malignancies.
It hurts to eat. So you surrender in the way
I pray for: Lord, before my own death,

let me learn from this animal’s deep release
into my arms. Let me cease to fear
the embrace that seeks to still me.
~Mary Karr “For a Dying Tomcat Who’s Relinquished His Former Hissing and Predatory Nature”

I have reposted these memories of José after learning of my farmer friend Zach’s recent loss of his 16 year old black farm cat friend Toby, after years of love, companionship, shenanigans and persistent doctoring…

When you look back, Zach, you’ll know Toby’s secret power was to always be enough to get you through the day…

José had been our front porch cat for years.

Not our garage cat, our upper barn cat, our lower barn cat or those that come and go on the farm because we’re a hospitable place where food is always on the table.

He was the king of the farm cats.  No one questioned him (usually) and no one occupied his front porch bench/throne without his express permission. His Majesty showed mercy to any who showed proper submission, and every once in awhile, that included the dogs.

He trained every pup here over the years.

He was the official front porch farm greeter, rising from his throne cushion to investigate any newcomer walking up the sidewalk, mewing a cheerful little “chirp” of a meow in welcome. Then he turned around and returned to his perch.

José was a performance cat, having been trained in his younger years to ride on a bareback pad on our Haflingers, at walk, trot and over jumps (sorry, no pictures). This once again proved his ability to get any creature, large or small, to submit to his will.

The only love of his life was our daughter, Lea. As José arrived to our farm at an indeterminate age, we didn’t really know how many years he would be with us. Before Lea headed off to college, and when home on breaks, they had many happy snuggles together for nearly 15 years.

During our harsh winter storms, José would move to a warm farm building with all the necessary provisions until the storm was done, then reclaim his favorite spot on the front porch when he deemed it cozy enough to be worthy of him.

After one particularly nasty storm, when the cold northeast wind went away, José didn’t return from his hiding place.

I looked, I called, I left goodies out. But no José. No chirpy meow, no yellow-eyed gaze, no black velvet fur to stroke, no rumbly purr to vibrate in my lap. I think this tough cat chose a bad winter to leave for warmer quarters far far away.

I suspect – as I still keep an eye out for it — there must be a velvety black coat he abandoned somewhere here on the farm.

He simply didn’t need it any more and unafraid, he left it behind.

photo by Lea

Come and See: Rivers of Living Water

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On the last day of the feast, the great day, Jesus stood up and cried out, “If anyone thirsts, let him come to me and drink.  Whoever believes in me, as the Scripture has said, ‘Out of his heart will flow rivers of living water.’” 

Now this he said about the Spirit, whom those who believed in him were to receive, for as yet the Spirit had not been given, because Jesus was not yet glorified.

When they heard these words, some of the people said, “This really is the Prophet.” Others said, “This is the Christ.” But some said, “Is the Christ to come from Galilee? Has not the Scripture said that the Christ comes from the offspring of David, and comes from Bethlehem, the village where David was?” 

So there was a division among the people over him. Some of them wanted to arrest him, but no one laid hands on him.

The officers then came to the chief priests and Pharisees, who said to them, “Why did you not bring him?” The officers answered, “No one ever spoke like this man!”  The Pharisees answered them, “Have you also been deceived?  Have any of the authorities or the Pharisees believed in him? But this crowd that does not know the law is accursed.” 

Nicodemus, who had gone to him before, and who was one of them, said to them,  “Does our law judge a man without first giving him a hearing and learning what he does?”  They replied, “Are you from Galilee too? Search and see that no prophet arises from Galilee.”
John 7: 37-52

This darksome burn, horseback brown,
His rollrock highroad roaring down,
In coop and in comb the fleece of his foam
Flutes and low to the lake falls home.

A windpuff-bonnet of fawn-froth
Turns and twindles over the broth
Of a pool so pitchblack, fell-frowning,
It rounds and rounds Despair to drowning.

Degged with dew, dappled with dew,
Are the groins of the braes that the brook treads through,
Wiry heathpacks, flitches of fern,
And the beadbonny ash that sits over the burn.

What would the world be, once bereft
Of wet and wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.
~Gerard Manley Hopkins “Inversnaid”

The One who gives the calm of lakes and pools, the freshness of brooks and streams, the majestic depths of seas and oceans, the glory of pounding surf, the might of Niagara and the tinkle of the garden fountain, the One from whose being flows the gift of the water of eternal life — this is the One who is dying of a terrible thirst on the Cross for the love of his lost sheep…
~Fleming Rutledge from “The Seven Last Words of the Cross”

…see the intricate connection between actual water—pure mountain streams, great lakes and seas, vast oceans, all of it created by God, all of it endangered by the carelessness and greed of humankind—and the living water of eternal life in Jesus Christ.

The water from <the crucified> Jesus’ side, together with the life-giving blood of the Lamb, is the metaphor for the eternal life that God gives to our human race, our race that seems more than ever to be bent on destroying itself and its beautiful planet. The interplay here between symbolism and factual reality is endlessly rich.

Human beings cannot live without water. In the age to come, in the city of God that will come down from heaven, there is a river of unquenchable love, bought for us by the agony and thirst of the only begotten Son of God.

Come to his water. Come to his cross. Come to his blood, shed for you . . . and find for yourselves the gift of the love that will never fail.
~Fleming Rutledge from The Christian Century

God has not abandoned us as we deserve due to sin and lack of belief.

He gifts Himself to His Created yet again, coming as Spirit to wash us clean in a river of living light and water. He invites us again to walk beside Him, die with Him, live with Him.

What we are asked for in return is simple faith – by acknowledging a God who is greater than anything or anyone, admitting we are thirsty and filthy, in dire need of cleansing.

He is our river of Light and Life, glorious and ever-flowing.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

Lyrics:
Are you thirsty
Are you empty
Come and drink these Living Waters
Time unbroken
Peace unspoken
Rest beside these Living Waters
Christ is calling
Find refreshing
At the cross of Living Waters
Lay your life down
On Thee, all come
Rise up in these Living Waters

There’s a river that flows
With mercy and love
Bringing joy to the city of our God
There our hope is secure
Do not fear anymore
Praise the Lord of Living Waters

Spirit moving
Mercy washing
Healing in these living waters
Lead your children to the shore line
Life is in these Living Waters

There’s a river that flows
With mercy and love
Bringing joy to the city of our God
There our hope is secure
Do not fear anymore
Praise the Lord of Living Waters

A Magnificent Geography

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The great affair, the love affair with life,
is to live as variously as possible,
to groom one’s curiosity
like a high-spirited thoroughbred,
climb aboard, and gallop over
the thick, sun-struck hills every day.

Where there is no risk,
the emotional terrain is flat and unyielding,
and, despite all its dimensions,
valleys, pinnacles, and detours,
life will seem to have none of its
magnificent geography, only a length.
It began in mystery,
and it will end in mystery,
but what a savage and beautiful country lies in between.
~Diane Ackerman from A Natural History of the Senses

…once more the quiet mystery
is present to me, the throng’s clamor
recedes: the mystery
that there is anything, anything at all,
let alone cosmos, joy, memory, everything,
rather than void: and that, O Lord,
Creator, Hallowed One, You still,
hour by hour sustain it.
~Denise Levertov  “Primary Wonder” from Selected Poems

It’s strange to be here. The mystery never leaves you. 
~John O’Donohue from Anam Cara

We must learn to acknowledge
that the creation is full of mystery;
we will never entirely understand it.
We must abandon arrogance
and stand in awe.
We must recover the sense
of the majesty of creation,
and the ability to be worshipful in its presence.
~Wendell Berry from  The Art of the Commonplace: The Agrarian Essays

 …being a living mystery:
means to live in such a way
that one’s life would not make sense
if God did not exist.
~ Emmanuel Cardinal Suhard of Paris quoted in Walking on Water

It is our love affair with each day:
even when the going is rough
and the way is unknown territory.

The road I walk makes no sense
without the knowledge
God’s Hand created me,
His breath becoming mine.

He forms the bridge over the chasm,
so I may safely cross.

It’s astonishing, to be truthful.
I want to point out the mystery
to anyone who will listen
so we can bow down together,
amazed and awed.