The horse bears me along, like grace, making me better than what I am, and what I think or say or see is whole in these moments, is neither small nor broken. Who then is better made to say be well, be glad,
or who to long that we, as one, might course over the entire valley, over all valleys, as a bird in a great embrace of flight, who presses against her breast, in grief and tenderness, the whole weeping body of the world? ~Linda McCarriston from “Riding Out At Evening”
“Last Light” photo of Twin Sisters at dusk by Joel de Waard
We all need to remember transcendent moments in our lives, those brief times when all was well, our worries left behind in the dust.
Wounds healed, hearts full, senses filled with wonder, feeling whole rather than broken.
The summer evening rides of my younger years were just such a time: lifted by such powerful grace and transported to another time and place. It can feel like flying but mostly it feels like an embrace, one creature with another, exploring the world together.
All these years later, I am held fast by the memories and in remembering, I weep.
Surely, someday, heaven will be something like this.
Sure on this shining night Of star made shadows round, Kindness must watch for me This side the ground. The late year lies down the north. All is healed, all is health. High summer holds the earth. Hearts all whole. Sure on this shining night I weep for wonder wand’ring far alone Of shadows on the stars. ~James Agee
More photos like this in a new book from Barnstorming, available to order here:
I wanted a horse. This was long after we sold the work horses, and I was feeling
restless on the farm. I got up early to help my father milk the cows, talking
a blue streak about TV cowboys he never had time to see and trying to
convince him that a horse wouldn’t cost so much and that I’d do all the work.
He listened while he leaned his head against the flank of a Holstein, pulling
the last line of warm milk into the stainless bucket. He kept listening
while the milk-machine pumped like an engine, and the black and silver cups fell off and
dangled down, clanging like bells when he stepped away, balancing the heavy milker
against the vacuum hose and the leather belt. I knew he didn’t want the trouble
of a horse, but I also knew there was nothing else I wanted the way I wanted a horse—
another way of saying I wanted to ride into the sunset and (maybe)
never come back—I think he knew that too. We’ll see, he said, we’ll see what we can do. ~Joyce Sutphen “What Every Girl Wants”
I once was a skinny freckled eleven year old girl who wanted nothing more than to have her own horse. Every inch of my bedroom wall had posters of horses, all my shelves were filled with horse books and horse figurines and my bed was piled with stuffed horses. I suffered an extremely serious case of horse fever.
I had learned to ride my big sister’s horse while my sister was off to college, but the little mare had pushed down a hot wire to get into a field of spring oats which resulted in a terrible case of colic and had to be put down. I was inconsolable until I set my mind to buy another horse. We had only a small shed, not a real barn, and no actual fences other than the electric hot wire. Though I was earning money as best I could picking berries and babysitting, I was a long way away from the $150 it would take to buy a trained horse back in 1965. I pestered my father about my dreams of another horse, and since he was the one to dig the hole for my sister’s horse to be buried, he was not enthusiastic. “We’ll see,” he said. “We will see what we can do.”
So I dreamed my horsey dreams, mostly about golden horses with long white manes, hoping one day those dreams might come true.
In fall 1965, the local radio station KGY’s Saturday morning horse news program announced their “Win a Horse” contest. I knew I had to try. The prize was a weanling bay colt, part Appaloosa, part Thoroughbred, and the contest was only open to youth ages 9 to 16 years old. All I had to do was write a 250 word or less essay on “Why I Should Have a Horse”. I worked and worked on my essay, crafting the right words and putting all my heart into it, hoping the judges would see me as a worthy potential owner. My parents took me to visit the five month old colt named “Prankster”, a fuzzy engaging little fellow who was getting plenty of attention from all the children coming to visit him, and that visit made me even more determined.
When I read these words now, I realize there is nothing quite like the passion of an eleven year old girl:
“Why I Should Have a Horse”
When God created the horse, He made one of the best creatures in the world. Horses are a part of me. I love them and want to win Prankster for the reasons which follow:
To begin with, I’m young enough to have the time to spend with the colt. My older sister had a horse when she was in high school and her school activities kept her too busy to really enjoy the horse. I’ll have time to give Prankster the love and training needed.
Another reason is that I’m shy. When I was younger I found it hard to talk to anybody except my family. When my sister got the horse I soon became a more friendly person. When her horse recently died (about when Prankster was born), I became very sad. If I could win that colt, I couldn’t begin to describe my happiness.
Also I believe I should have a horse because it would be a good experience to learn how to be patient and responsible while teaching Prankster the same thing.
When we went to see Prankster, I was invited into the stall to brush him. I was never so thrilled in my life! The way he stood there so majestically, it told me he would be a wonderful horse.
If I should win him, I would be the happiest girl alive. I would work hard to train him with love and understanding. If I could only get the wonderful smell and joy of horses back in our barn!
I mailed in my essay and waited.
Fifty five years ago on this day, November 27, 1965, my mother and I listened to the local horse program that was always featured on the radio at 8 AM on Saturday mornings. They said they had over 300 essays to choose from, and it was very difficult for them to decide who the colt should go to. I knew then I didn’t have a chance. They had several consolation prizes for 2nd through 4th place, so they read several clever poems and heartfelt essays, all written by teenagers. My heart was sinking by the minute.
The winning essay was next. The first sentence sounded very familiar to me, but it wasn’t until several sentences later that we realized they were reading my essay, not someone else’s. My mom was speechless, trying to absorb the hazards of her little girl owning a young untrained horse. I woke up my dad, who was sick in bed with an early season flu. He opened one eye, looked at me, and said, “I guess I better get a fence up today, right?” Somehow, fueled by the excitement of a daughter whose one wish had just come true, he pulled himself together and put up a wood corral that afternoon, despite feeling so miserable.
That little bay colt came home to live with me the next day. Over the next few months he and I did learn together, as I checked out horse training books from the library, and joined a 4H group with helpful leaders to guide me. I made plenty of mistakes along the way, learning from each one, including those that left behind scars I still bear. Prankster was a typical adolescent gelding who lived up to his name — full of mischief with a sense of humor and a penchant for finding trouble, but he was mine and that was all that mattered.
That and a dad who saw what he needed to do for his passionate kid. I’ll never forget.
I want to make poems that say right out, plainly, what I mean, that don’t go looking for the laces of elaboration, puffed sleeves. I want to keep close and use often words like heavy, heart, joy, soon, and to cherish the question mark and her bold sister
the dash. I want to write with quiet hands. I want to write while crossing the fields that are fresh with daisies and everlasting and the ordinary grass. I want to make poems while thinking of the bread of heaven and the cup of astonishment; let them be
songs in which nothing is neglected, not a hope, not a promise. I want to make poems that look into the earth and the heavens and see the unseeable. I want them to honor both the heart of faith, and the light of the world; the gladness that says, without any words, everything. ~Mary Oliver “Everything”
Writing and riding with quiet hands –
a wonderful metaphor for moving forward
in gladness and astonishment
without trying to steer unnecessarily.
To feel connected without controlling,
to have faith in the unknowable
yet understand without a doubt, that it is good.
photo by Joel DeWaard
photo by Brandon Dieleman
photo by Emily Dieleman
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