Two days of an icy prairie fog and every blade of grass, and twig, and branch, and every stretch of wire, barb, post and staple, is a knot or a threat in a lace of the purest white. To walk is like finding your way through a wedding dress, the sky inside it cold and satiny; no past, no future, just the now all breathless. Then a red bird, like a pinprick, changes everything. ~ Ted Kooser, “Hoarfrost” in Kindest Regards: New and Selected Poems
When the landscape emerges in the morning light frost-bitten, all iced up and white-crisp, I yearn for color, any color, to reappear with the day’s thawing out. My breath hangs like a cloud in the dry air as I crunch my way to the barn, living proof that I breathe for another day even though too many others right now can not.
We are a breathless people, wondering what comes next, feeling frozen and suspended in a pandemic and smoke-filled burning world.
We are a breathless people, wondering who or what will choke our life from us.
We are a breathless people, dressed as a bride in frosted satin, waiting at the altar for the Groom who bleeds red to save us from our fate.
It is the story of the falling rain to turn into a leaf and fall again
it is the secret of a summer shower to steal the light and hide it in a flower
and every flower a tiny tributary that from the ground flows green and momentary
is one of water’s wishes and this tale hangs in a seed-head smaller than my thumbnail
if only I a passerby could pass as clear as water through a plume of grass
to find the sunlight hidden at the tip turning to seed a kind of lifting rain drip
then I might know like water how to balance the weight of hope against the light of patience
water which is so raw so earthy-strong and lurks in cast-iron tanks and leaks along
drawn under gravity towards my tongue to cool and fill the pipe-work of this song
which is the story of the falling rain that rises to the light and falls again ~Alice Oswald,”A Short Story of Falling” from Falling Awake
We are back to rainy season – a relief in so many ways – no dust, no fire threat, the perking up of all that appeared dead and dying — yet it means being covered by a gray blanket through most days and nights.
When sunlight sneaks through the clouds, even briefly, the world is transformed with its jewelry. Raindrops, having fallen from where light dwells, are suspended illumination, bringing the sun closer to us a million times over.
I welcome the light to keep its constant drip into my life, drop by drop by glorious drop.
I know where this road ends to the east: at the very edge of the Cascade foothills, right in the middle of a small tribal nation trying to survive challenging economic times on their reservation land.
Heading west from here, there is another tribal nation trying to survive. In between are farmers who are having to sell their dairy herds because milk prices aren’t keeping up with the cost of maintaining their business. There are families now without sustainable wage employment because large industries have pulled up stakes and closed their doors. There is land that is overpriced as people flee the cities to come to rural surroundings because of ongoing pandemic shutdowns and worries.
There is much sadness all along this country road during times like these, but that’s not new. In another 100 years it will still not be new. There will always be foggy and stormy days interspersed among times of hope and light.
We remain a diverse people of tears and struggle, but we take turns carrying one another when one has what another does not. We still have the sun and the rain and the soil, the turning of the seasons and the rhythm of sun up and sun down.
We walked at the edge of the sea, the dog, still young then, running ahead of us.
Few people. Gulls. A flock of pelicans circled beyond the swells, then closed their wings and dropped head-long into the dazzle of light and sea. You clapped your hands; the day grew brilliant.
Later we sat at a small table with wine and food that tasted of the sea.
A perfect day, we said to one another, so that even when the day ended and the lights of houses among the hills came on like a scattering of embers, we watched it leave without regret.
That night, easing myself toward sleep, I thought how blindly we stumble ahead with such hope, a light flares briefly—Ah, Happiness! then we turn and go on our way again.
But happiness, too, goes on its way, and years from where we were, I lie awake in the dark and suddenly it returns— that day by the sea, that happiness,
though it is not the same happiness, not the same darkness. ~Peter Everwine, “The Day,” from New Letters
The traumas of the past may revisit me in the night as they linger in the fringes of my mind, ready to creep back into my consciousness in times of stress. When I feel vulnerable and weak, I remind myself that past darkness must not overpower my nights. I try to call up different memories to push the sadness or fear back to the periphery.
So I return to my visits to the sea.
During those halcyon days, I was surrounded by beauty, of peacefulness, of family come together in warmth and closeness. Those times we’ve spent on the coast are treasures to open when I need them — breathing deeply of the sea, hearing the rhythm of the waves and feeling the cool breezes once again on my skin.
The memories themselves become precious reservoirs of happiness – readily renewed and refreshed. The darkness is overwhelmed, no longer overwhelming. Instead, it retreats from the shore of my mind like a wave pulls back into the depths of an endless sea.
At almost four in the afternoon, the wind picks up and sifts through the golden woods.
The tree trunks bronze and redden, branches on fire in the heavy sky that flickers
with the disappearing sun. I wonder what I owe the fading day, why I keep
my place at this dark desk by the window measuring the force of the wind, gauging
how long a certain cloud will hold that pink edge that even now has slipped into gray?
Quickly the lights are appearing, a lamp in every window and nests of stars
on the rooftops. Ladders lean against the hills and people climb, rung by rung, into the night. ~Joyce Sutphen “On the Shortest Days” from Modern Love & Other Myths.
While spending my day at my desk talking to faces on a screen, as I will today and every day, the names and stories and symptoms change every half hour. I sometimes glance up and out my window to the world beyond, concerned not to break eye contact.
I want to say: don’t you know this darkness surrounding you won’t last, while this day is fading you can turn on the light that you were given to find your way out of this.
I wonder if I owe it to you to tell you when I was young and afraid and away from home I didn’t believe the light was there either, or it wouldn’t turn on, or it burned out so I I felt swallowed by the darkness.
Then someone gave me a ladder to climb out and lit my light so I could see where I was going.
Here I am now, handing you a working light and a sturdy ladder and telling you how to use them.
What words or harder gift does the light require of me carving from the dark this difficult tree?
What place or farther peace do I almost see emerging from the night and heart of me?
The sky whitens, goes on and on. Fields wrinkle into rows of cotton, go on and on. Night like a fling of crows disperses and is gone.
What song, what home, what calm or one clarity can I not quite come to, never quite see: this field, this sky, this tree. ~Christian Wiman, “Hard Night”
Even the darkest night has a sliver of light left, if only in our memories. We remember how it was and how it can be — the promise of better to come.
While the ever-changing sky swirls as a backdrop, a tree on a hill became the focal point, as it must, like a black hole swallowing up all pain, all suffering, all evil threatening to consume our world.
What clarity, what calm, what peace can be found at the foot of that tree, where our hearts can rest in this knowledge: our sin died there, once and for all and our names are carved into its roots for all time.
The crow’s voice filtered through the walls of the farmhouse makes sounds of a rusty car engine turning over. Clouds on a north wind that whistles softly and cold. Spruce trees planted in a line on the south side of the house weave and scrape at the air. I’ve walked to a far field to a fence line of rocks where I am surprised to see soft mud this raw day. No new tracks in the mud, only desiccated grass among the rocks, a bare grove of trees in the distance, a blue sky thin as an eggshell with a crack of dark geese running through it, their voices faint and almost troubled as they disappear in a wedge that has opened at last the cold heart of winter. ~Tom Hennen, “Early Spring in the Field” from Darkness Sticks to Everything: Collected and New Poems.
I shouldn’t be turning on the heat in the house on a late May morning but there is still an undeniable chill, even at this point in spring. The flowers outside are lush, but we’re still two or three weeks behind our usual bloom schedule.
We’re all impatient to be done with the coldness of a winter that has driven a wedge between people and politics, families and friends, well and ill.
We seek warmth and renewal and hugs and handshakes.
Instead we are asked for patience, to continue to practice the art of waiting for a safe reentry to spring and summer. No one wants to be tossed brutally back to the winter we just crawled away from.
May we emerge together, muddied but whole, ready to face whatever comes next.
We do not want merely to see beauty… we want something else which can hardly be put into words- to be united with the beauty we see, to pass into it, to receive it into ourselves, to bathe in it, to become part of it.
We discern the freshness and purity of morning, but they do not make us fresh and pure. We cannot mingle with the splendours we see. But all the leaves of the New Testament are rustling with the rumour that it will not always be so. Someday, God willing, we shall get in. ~C.S. Lewis from The Weight of Glory
We are wounded by the grime of this world, no question about it. Just one look at the headlines shows how tainted and sullied we’ve become, so long separated from the beauty and perfection for which we were created.
The wounds we bear are from beauty banished when we desperately wish to bathe in it. We’re offered just such a cleansing when we offer up our soiled selves.
Autumn in my part of the world is a season of bounty and beauty. It’s also a season of steady decline—and, for some of us, a slow slide into melancholy. The days become shorter and colder, the trees shed their glory, and summer’s abundance starts to decay toward winter’s death.
I’m a professional melancholic, and for years my delight in the autumn color show quickly morphed into sadness as I watched the beauty die. Focused on the browning of summer’s green growth, I allowed the prospect of death to eclipse all that’s life-giving about fall and its sensuous delights.
Then I began to understand a simple fact: All the “falling” that’s going on out there is full of promise. Seeds are being planted and leaves are being composted as Earth prepares for yet another uprising of green. ~ Parker J. Palmer from On the Brink of Everything: Grace, Gravity, and Getting Old
A fine rain was falling, and the landscape was that of autumn. The sky was hung with various shades of gray, and mists hovered about the distant mountains – a melancholy nature. Every landscape is, as it were, a state of the soul, and whoever penetrates into both is astonished to find how much likeness there is in each detail. ~Henri Frederic Amiel
A melancholic first glance~ rain droplets glisten bejeweled when studied up close.
It isn’t all sadness~ there is solace in knowing the landscape and I share an inner world of change: both promises and tears.