Glory be to God for dappled things – For skies of couple-colour as a brinded cow; For rose-moles all in stipple upon trout that swim; Fresh-firecoal chestnut-falls; finches’ wings; Landscape plotted and pieced – fold, fallow, and plough; And áll trádes, their gear and tackle and trim.
All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him. ~Gerard Manley Hopkins “Pied Beauty”
The unconventional and unnoticed beauty, freckled, spare and strange– helps me feel beautiful too. The interplay of light and shadow within every moment of our existence, some moments darker than others, some brilliant and dazzling.
I try to find the sweet and sour, knowing I’m capturing my own dappled essence – a reflection of the Fathering that loves us even in our fickleness, who possibly could know how?
There is no perfection outside of Him; His reflected beauty has no uniformity. We give Him glory in our imperfection, the defects and blemishes which only He can make whole. Who knows why He does this? Yet He does.
There seemed a smell of autumn in the air At the bleak end of night; he shivered there In a dank, musty dug-out where he lay, Legs wrapped in sand-bags,—lumps of chalk and clay Spattering his face. Dry-mouthed, he thought, “To-day We start the damned attack; and, Lord knows why, Zero’s at nine; how bloody if I’m done in Under the freedom of that morning sky!” And then he coughed and dozed, cursing the din.
Was it the ghost of autumn in that smell Of underground, or God’s blank heart grown kind, That sent a happy dream to him in hell?— Where men are crushed like clods, and crawl to find Some crater for their wretchedness; who lie In outcast immolation, doomed to die Far from clean things or any hope of cheer, Cowed anger in their eyes, till darkness brims And roars into their heads, and they can hear Old childish talk, and tags of foolish hymns.
He sniffs the chilly air; (his dreaming starts). He’s riding in a dusty Sussex lane In quiet September; slowly night departs; And he’s a living soul, absolved from pain. Beyond the brambled fences where he goes Are glimmering fields with harvest piled in sheaves, And tree-tops dark against the stars grown pale; Then, clear and shrill, a distant farm-cock crows; And there’s a wall of mist along the vale Where willows shake their watery-sounding leaves. He gazes on it all, and scarce believes That earth is telling its old peaceful tale; He thanks the blessed world that he was born…. Then, far away, a lonely note of the horn.
They’re drawing the Big Wood! Unlatch the gate, And set Golumpus going on the grass: He knows the corner where it’s best to wait And hear the crashing woodland chorus pass; The corner where old foxes make their track To the Long Spinney; that’s the place to be. The bracken shakes below an ivied tree, And then a cub looks out; and “Tally-o-back!” He bawls, and swings his thong with volleying crack,— All the clean thrill of autumn in his blood, And hunting surging through him like a flood In joyous welcome from the untroubled past; While the war drifts away, forgotten at last.
Now a red, sleepy sun above the rim Of twilight stares along the quiet weald, And the kind, simple country shines revealed In solitudes of peace, no longer dim. The old horse lifts his face and thanks the light, Then stretches down his head to crop the green. All things that he has loved are in his sight; The places where his happiness has been Are in his eyes, his heart, and they are good. * * * * Hark! there’s the horn: they’re drawing the Big Wood. ~Siegfried Sassoon “Break of Day” (written about his memories as a WWI soldier)
When we are at war, whether deep in the foxhole hiding from the enemy, or deeper yet in a hole of our own making, trying to conceal our sins.
Amidst that mire and mud, we dream of better days and an untroubled past, when the hunter and hunted was merely a game, not life and death.
May we know the means of peace was brought to earth.
May we surface in mutual surrender, begging for reprieve, longing for redemption. May the solitudes of peace overwhelm those who are angry and conflicted. May we lift our faces up and thank the Light.
Go north a dozen years on a road overgrown with vines to find the days after you were born. Flowers remembered their colors and trees were frothy and the hospital was
behind us now, its brick indifference forgotten by our car mirrors. You were revealed to me: tiny, delicate, your head smelling of some other world. Turn right after the circular room
where I kept my books and right again past the crib where you did not sleep and you will find the window where I held you that June morning when you opened your eyes. They were
blue, tentative, not the deep chocolate they would later become. You were gazing into the world: at our walls, my red cup, my sleepless hair and though I’m told you could not focus, and you
no longer remember, we were seeing one another after seasons of darkness. ~Faith Shearin “Sight”
The helpless state of a newborn adjusting to an unfamiliar world – when all depends on deep murmurs, shadowy faces and comforting arms, full nipples and cleansing rags. When all that can be said are mewing cries and satisfied grunts.
Those long exhausting sleepless nights finally transition to heart-warming smiles at dawn, when we lock onto each other for survival, peering into the mutual light and love in our eyes, needing each other like no other; it is always, and will be always, about those eyes.
The moon drops one or two feathers into the field. The dark wheat listens. Be still. Now. There they are, the moon’s young, trying Their wings.
I stand alone by an elder tree, I do not dare breathe Or move. I listen. The wheat leans back toward its own darkness, And I lean toward mine. ~James Wright from “Beginning”
Wherever it was I was supposed to be this morning— whatever it was I said I would be doing— I was standing at the edge of the field— I was hurrying through my own soul, opening its dark doors— I was leaning out; I was listening. — Mary Oliver from New and Selected Poems, Volume 2
I am leaning back further into darkness.
Sun rays through the window blinds no longer rouse me awake. The farm animals are eager for their evening tucking in rather than lingering long in the fields. The leaves blink away their green.
I ready myself for bed early, glad for respite and stillness.
Summer isn’t over yet but its fatigue is evident. We’re leaning back, eyes closed, ready for rest.
There is a gold light in certain old paintings That represents a diffusion of sunlight. It is like happiness, when we are happy. It comes from everywhere and from nowhere at once, this light… ~Donald Justice from Collected Poems
Living in a place where golden light is scarce amidst the universal gray, I find myself watching out for it to capture it. Like happiness, I am grateful for its unexpected appearance, no matter how brief.
Having witnessed gilded light and known happiness, I know they will come again. It takes getting up early and being opened to joy coming from everywhere and nowhere at once.
Once in your life you pass Through a place so pure It becomes tainted even By your regard, a space Of trees and air where Dusk comes as perfect ripeness. Here the only sounds are Sighs of rain and snow, Small rustlings of plants As they unwrap in twilight. This is where you will go At last when coldness comes. It is something you realize When you first see it, But instantly forget. At the end of your life You remember and dwell in Its faultless light forever. ~Paul Zimmer “The Place” from Crossing to Sunlight Revisited
I am astonished by an ever-changing faultless light and don’t want to ever forget my thirst for its illumination: slaked by such simple glories as transcendent orange pink a shift of shadows the ripeness of fluff about to let go, all giving me a glimpse of tomorrow over the horizon of today.
He sometimes felt that he had missed his life By being far too busy looking for it. Searching the distance, he often turned to find That he had passed some milestone unaware…
The path grew easier with each passing day, Since it was worn and mostly sloped downhill. The road ahead seemed hazy in the gloom. Where was it he had meant to go, and with whom? ~Dana Gioia from “The Road” from 99 Poems: New and Selected
The Road goes ever on and on Out from the door where it began. Now far ahead the Road has gone. Let others follow, if they can! Let them a journey new begin. But I at last with weary feet Will turn towards the lighted inn, My evening-rest and sleep to meet.
Still ’round the corner there may wait A new road or secret gate; And though I oft have passed them by, A day will come at last when I Shall take the hidden paths that run West of the Moon, East of the Sun. ~J.R.R Tolkien from “Roads Go Ever On”
Like many others, I have experienced the disconcerting feeling of traveling a familiar route with my mind completely disengaged. Suddenly I find myself at my destination without a conscious realization of how I even got there or what I saw along the way. Or maybe I was doing a routine daily task and later couldn’t remember having done it (did I shut off the barn faucet or are the water barrels flooding over all day?) because my head was somewhere else.
We describe this as “auto-pilot” or “body memory” or more distressingly “dissociation” — most therapists prescribe “mindfulness” to reengage us in our daily lives and thoughts. I’m not sure it is mindfulness that I practice, but I do force regular “brain check-ins” to anchor me to a time and place and task. (“yes, I have just passed that intersection where that truck and trailer almost hit me years ago and I am grateful to still be alive” or “I am now shutting off the barn faucet and won’t have to think about it again until tomorrow, thank you very much!”)
I regret “missing out” on experiencing my journey because I was so busy scanning the horizon for what is to come or looking back at where I’ve been, or watching where my feet will land or thinking about anywhere but where I was in the moment.
I need to acknowledge the milestones and not pass them by unawares — stopping at the view points, reading the historical markers, taking a breather at the rest stops. I seek to find the hidden paths and explore them rather than be solely destination-driven.
I must pay attention to who is alongside me and be ready to steady them if they trip or stumble, and pray they’ll catch me if I start to fall.
And most importantly, may I stay pointed toward the lighted inn that is awaiting all of us.