Category: Living simply

Revealing the Inner Tree

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If we could,
like the trees,
practice dying,
do it every year
just as something we do—
like going on vacation
or celebrating birthdays—
it would become
as easy a part of us
as our hair or clothing.

Someone would show us how
to lie down and fade away
as if in deepest meditation,
and we would learn
about the fine dark emptiness,
both knowing it and not knowing it,
and coming back would be irrelevant.

Whatever it is the trees know
when they stand undone,
surprisingly intricate,
we need to know also
so we can allow
that last thing
to happen to us
as if it were only
any ordinary thing,

leaves and lives
falling away, the spirit, complex,
waiting in the fine darkness
to learn which way
it will go.
~Grace Butcher, “Learning from Trees” from Poetry of Presence

And is it not enough that every year
A richly laden autumn should unfold
And shimmer into being leaf by leaf,
It’s scattered ochres mirrored everywhere
In hints and glints of hidden red and gold
Threaded like memory through loss and grief,
When dusk descends,when branches are unveiled,
When roots reach deeper than our minds can feel
And ready us for winter with strange calm,
That I should see the inner tree revealed
And know its beauty as the bright leaves fall
And feel its truth within me as I am?

It is not yet enough. So I must try,
In my poor turn, to help you see it too,
As though these leaves could be as rich as those,
That red and gold might glimmer in your eye,
That autumn might unfold again in you,
Feeling with me what falling leaves disclose.
~Malcolm Guite from “And is it Not Enough?”

If I were to die as a leaf does,
I would want to change my clothes just bit by bit,
overnight oozing gradually to scarlet,
bleeding into the green a little bit more,
until I’m so unrecognizable,
I’ll seem brand new.

That would be ideal.

The reality is a fading to grey and brown,
my edges withered and torn,
bug-bitten with holes and weather-beaten bruised,
dangling and fearful of letting go
and so forgotten.

So I remember:
no one, not one, falls
without its Maker knowing.
No one, not one, dies
without being made brand new.

A Mosaic of Four Seasons

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Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting
and autumn a mosaic of them all.
~Stanley Horowitz, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.
~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.
~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn
Autumn
Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.
~Vivaldi (Autumn poem)

I walk this farm lane to stand at the same spot
countless times through the year,
as witness to the changing palette around me.

The Artist lovingly chooses His color and technique
with a gentle touch for each season.

So too, He paints my life with richness and variety:
from the austere lines in winter,
to a green emergence in spring,
a summer of sweet fruitfulness
and a mosaic crescendo in autumn.

The Artist’s signature can be spotted on each masterpiece,
gracing the transforming canvas of each of our lives.

When Old and Lame

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All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;

and after noon’s heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun’s muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground – old toilers, soil makers:
O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
~Donald Hall “Name of Horses”

Today, we said goodbye to our last Haflinger mare after four decades of being a breeding farm. We have two geldings left on the farm, in their early 20’s.

I was dreading this day but knew it would eventually come.

Belinda, who I have written about here, flew from the Netherlands as a baby with her mother in 1998, bringing new bloodlines to North America from an East German Haflinger breeding program, at the time only recently accessible to breeders with the opening of the Berlin Wall.

She proved to be a great broodmare here on our farm and her foals all sold quickly to other breeders. However, her last twelve years of retirement were complicated by metabolic imbalance and a tendency toward laminitis. We finally had to make the hard choice to bring out the vet to gently help her pass with intravenous medication into eternal lush pastures she could tolerate. Then the local hauler picked her up for cremation. No bullets to the brain, no hole to be dug.

We have done our final parting with our horses in this way over our forty years of Haflinger ownership. It is certainly different from how it was done when I was a kid on a small cow and horse farm. Our family mare, Dolly, in 1965, was put down by a vet’s bullet to the head after an agonizing bout with colic. My dad sent me back to the house beforehand, not wanting me to watch. Still, I could not help but hear the gunshot as if it had gone right through me as well. It took Dad the rest of the day to dig a hole deep enough so she could be buried on our farm.

At first her grave was my place to cry where no one but the trees and wild flowers could see.

When my tears finally dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.

And before I left for college, it became the sanctuary where I retreated to talk to God when my church no longer was.

I suspect her bones lie there still, with tall trees now growing through her ribs. That dent in the ground will always betray the spot.

We’ll remember you fondly, Belinda. You traveled far to come here and gave us your best. We promised you would live here on this farm, in peace, until your last breath.

Belinda’s last evening out on pasture

What Else is There?

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The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—

this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.

And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?
~Carolyn Locke “What Else?” from The Place We Become

So this is how life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away
to be carried off beyond this air and water and soil.

We thrive where we are planted,
do what we could with a little nurture,
then transcend the here and now.

So shall we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never seek to overshadow the sun
but step aside so its light fully shines on whoever comes next.

A Strange Blurring of Seasons

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Van Gogh – “Avenue of Plane Trees near Arles Station”

After Van Gogh
Things are growing strange these days,
like Van Gogh’s yellow trees. Oh, do not
be surprised by these yellow immensities,
how out of proportion things in the picture seem.
What you see in a way makes sense:
the enormous, barren trees eclipsing
the unimportant buildings at Arles station,
the people all small, shadow-like, cast
to the side. Perhaps Van Gogh should have
left us out entirely, but then who would
be left to blame for the strange blurring
of the seasons in the forefront, the way
summer bleeds into autumn, the forests
burning deep into the winter, those winters
where the snow piled so high, we were all
nearly buried alive. Soon we’ll vanish,
and no picture will even exist—unless,
unless someone will answer (who will dare
to answer), where in the world is spring?
~Jodi Hollander “Avenue of Plane Trees”

Who might dare to answer:
where in the world is spring?

Who can know with any certainty?
Sometimes it feels like time skips forward
and a whole season is left behind.

The signs of the seasons might blur so there is no telling
whether it is fall or spring without a calendar.

Are those trees just leafing out or simply trying to shed?
Is the sunset’s golden glow from an early October light or April?

I can’t feel the movement of the earth under my feet.
It needs to slow its spin on its axis
and lengthen its orbital oval trip around the sun
so I have more minutes in the day and more weeks in a year.

But, of course, that would make a huge mess of things.
It is a good thing I’m not the design engineer.

It is as it is,
and meant to be this way.

Though it may be blurry to me,
it is clear and good and intentional to God.
So He dares to answer where in the world is spring?
Only He knows precisely where we are in the heavens…

The Lingering Sky

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At times these days I think of the way the sun would set on the farmland around our small house in the autumn.

A view of the horizon,
the entire circle of it, if you turned,
the sun setting behind you,
the sky in front becoming pink and soft,
then slightly blue again,
as though it could not stop going on in its beauty,
then the land closest to the setting sun would get dark,
almost black against the orange line of the horizon,
but if you turn around,
the land is still available to the eye with such softness,
the few trees, the quiet fields of cover crops already turned,
and the sky lingering, lingering, then finally dark.

As though the soul can be quiet for those moments.
All life amazes me.
~Elizabeth Strout, from My Name is Lucy Barton

I have learned,
from those much wiser than I am,
to recognize moments meant for quieting.

The news of the world constantly rushes past;
there is suffering beyond imagining
in the lives of a few I know well
and for millions I don’t know at all.

What little can I do to make a difference?
So much need lies beyond my short reach.

Instead of feeling abandoned on the shores of overwhelm,
I seek out the familiar, the routine, and the ordinary,
lingering immersed in the recurring patterns of the day and night
as the world keeps on spinning on its axis.

I too turn around to witness that which surrounds me,
and in so doing, my soul is quieted.
And amazed.

One year ago, my teacher and mentor Jane Goodall passed into eternity, leaving behind this message for us all…

They Don’t Amount to a Hill of Beans

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Fifteen years ago today, family and friends lost Jenny Rausch to eternity. She is someone we will never forget and I want to share a bit about what she taught me, but also direct you to a page of her wit and wisdom — some wonderful horse stories she had written over the years.

I spent this morning adjusting to this change in season by occupying myself with the familiar task of moving manure. Cleaning barn is a comforting chore, allowing me to transform tangible benefit from something objectionable and just plain stinky to the nurturing fertilizer of the future. It feels like I’ve actually accomplished something.

As I scooped and pushed the wheelbarrow, I remembered another barn cleaning over two decades ago, when I was one of three or four friends left cleaning over ninety stalls after a Haflinger horse event that I had organized at our local fairgrounds. Some people had brought their horses from over 1000 miles away to participate for several days. Whenever horse people gather, there were inevitable personality clashes and harsh words among some participants along with criticism directed at me that I had taken very personally.

As I struggled with the umpteenth wheelbarrow load of manure, tears stung my eyes and my heart. I was miserable with regrets over people not getting along. My work did not feel worth the pain I was feeling.

My friend Jenny Rausch had stayed behind with her family to help clean up the large facility and she could see I was struggling to keep my composure. Jenny put herself right in front of my wheelbarrow and looked me in the eye, insisting I stop for a moment and listen.

“You know, none of these troubles and conflicts will amount to a hill of beans years from now. People will remember a fun event in a beautiful part of the country, a wonderful time with their horses, their friends and family, and they’ll be all nostalgic about it, not giving a thought to the infighting or the sour attitudes or who said what to whom.

So don’t make this about you and whether you did or didn’t make everyone happy. You loved us all enough to make it possible to meet here and the rest was up to us. So quit being upset about what you can’t change. There’s too much you can still do for us.”

And then she gave me a hug that I will always cherish.

During tough times which have come often in my professional life, including the difficult and controversial decisions I had to make during the COVID pandemic, Jenny’s advice replays in my mind, reminding me to stop seeking appreciation from others, or feeling hurt when harsh words come my way.

None of these things amount to a hill of beans now…

She was right about the balm found in the tincture of time. She was right about giving up being upset in order to die to myself and my self-absorption, to keep focusing outward rather than inward.

Jenny, I have remembered what you said even though at times I relapse and forget.

A few years after that day in the barn, Jenny herself spent six years vigorously living her life every day while treating a relentless cancer. The tumor spread was initially slowed in the face of her faith and intense drive to live. Over time though, she became a rusting leaf, fading imperceptibly, crumbling at the edges until she finally let go.

Her dying on this day twelve years ago did not flash brilliance, nor draw attention at the end. Her intense focus during the years of her illness had always been outward to others, to her family and friends, to the numerous healers she spent so much time with in medical offices, to her belief in the plan God had written for her and others.

Despite her intense love for her husband and young children, she let go her hold on life here. And we all had to let her go.  

Brilliance cloaks you as your focus is now on things eternal.

You were so right, Jenny. Conflicts from twenty-five years ago surely haven’t amounted to a hill of beans; all is remembered fondly by those who were part of the gathering. I especially treasure the words you wisely spoke to me as they have helped me through other tough times when I tend to focus on nurturing my own hurt feelings.

Bathing in the hurt never helps…

And I’m no longer upset that I can’t change the fact that you have left us. There is still so much you continue to do for us by staying alive in our memories. We won’t forget what you have said and written.

And so it goes…
I know we’ll catch up later.

Jenny R –photo by Ginger Kathleen Coombs

…to love life, to love it even
when you have no stomach for it
and everything you’ve held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
— Ellen Bass “The Thing Is…” from Mules of Love

Balancing on a Broken World

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Summer ends now; now, barbarous in beauty, the stooks rise
Around; up above, what wind-walks! what lovely behaviour
Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,
Down all that glory in the heavens to glean our Saviour;
And eyes, heart, what looks, what lips yet give you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
Majestic – as a stallion stalwart, very-violet-sweet! –
These things, these things were here and but the beholder
Wanting; which two when they once meet,
The heart rears wings bold and bolder
And hurls for him, O half hurls earth for him off under his feet.
~Gerard Manley Hopkins “Hurrahing in Harvest”

This poem is (in Hopkin’s own words) “the outcome of half an hour of extreme enthusiasm as I walked home alone one day from fishing in the [River] Elwy.”

This afternoon was the colour of water falling through sunlight;
The trees glittered with the tumbling of leaves;
The sidewalks shone like alleys of dropped maple leaves,
And the houses ran along them laughing out of square, open windows.
Under a tree in the park,
Two little boys, lying flat on their faces,
Were carefully gathering red berries
To put in a pasteboard box.

Some day there will be no war,
Then I shall take out this afternoon
And turn it in my fingers,
And remark the sweet taste of it upon my palate,
And note the crisp variety of its flights of leaves.
To-day I can only gather it
And put it into my lunch-box,
For I have time for nothing
But the endeavour to balance myself
Upon a broken world.
~Amy Lowell from “September 1918”

There is no point in seeing without responding; there is no way to respond without seeing.

Christian life and practice require both faith (the sight of the heart) and works (the lurch of the heart toward him in obedience).
~Kathleen Mulhern from “A Christ Sighting” from Dry Bones

Am I the only one who awoke this morning praying
today might be a day of healing between peoples,
when the barbarous becomes beautiful
and we seek to become balanced rather than broken?

A day of
no drone missiles being launched,
no threats of annihilation and winner takes all,
no one gunned down in the street,
no vehicles used as weapons,
no harsh and angry words spoken,
no child misused,
no one sold into slavery,
no one overdosing, abandoned,
homeless and starving.

Am I the only one who awakes and only seeks
to watch the clouds
to praise the heavens
to see the leaves turn color
to take out this one day and taste it
and find that it is good,
then put it away for self-keeping
to share when and if I find someone else
as hungry for grace and mercy as I am,

so as to balance myself somehow
in the beauty of this world while
teetering on its brokenness?

I am not the only one.
I know I am not…

Man Scything Hay by Todd Reifers
Sheaves of Wheat in a Field –Vincent Van Gogh
Wheat Field with Sheaves -Vincent Van Gogh

If Only I Would Keep Aware…

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The songs of small birds fade away
into the bushes after sundown,
the air dry, sweet with goldenrod.
Beside the path, suddenly, bright asters
flare in the dusk. The aged voices
of a few crickets thread the silence.
It is a quiet I love, though my life
too often drives me through it deaf.
Busy with costs and losses, I waste
the time I have to be here—a time
blessed beyond my deserts, as I know,
if only I would keep aware. The leaves
rest in the air, perfectly still.
I would like them to rest in my mind
as still, as simply spaced. As I approach,
the sorrel filly looks up from her grazing,
poised there, light on the slope
as a young apple tree. A week ago
I took her away to sell, and failed
to get my price, and brought her home
again. Now in the quiet I stand
and look at her a long time, glad
to have recovered what is lost
in the exchange of something for money.
~Wendell Berry “The Sorrel Filly”

I am reminded at summer’s end —
when it is already dark and chores not done yet,
and horses waiting to be fed —
of the value of decades of moments spent
with long-lashed eyes, wind-swept manes, and velvet muzzles.

True, it appears to others to be time and money wasted.
But for a farmer like me, sometimes deaf and blind
to what is in front of me every day,
not all valuables are preserved
in a lock box or a bank account.

Golden treasure can have
four hooves, a tail, a rumbling greeting
asking if I’d somehow gotten lost
since I’m a little later than usual
and they were a bit concerned I’d forgotten them.

If only I would keep aware,
remember where my home is,
how easy it is to wander from the path
that somehow always leads me back here.

Such a Glorious Infestation…

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She lingered in that charming little garden
to say hello to the gnomes,
such a glorious infestation!
How few wizards realize just how much we can learn
from the wise little gnomes-
or, to give them their correct names, the Gernumbli gardensi.
‘Ours do know a lot of excellent swear words,’ said Ron…
J.K. Rowling in Harry Potter and the Deathly Hallows

It is hard to say exactly when the first one moved in. This farm was distinctly gnome-less when we bought it nearly forty years ago, largely due to twenty-seven hungry barn cats residing here at the time in various stages of pregnancy, growth, development and aging. It took awhile for the feline numbers to whittle down to an equilibrium that matched the rodent population.

In the mean time, our horse numbers increased from three to seven to over fifteen with a resultant exponential increase in barn chores. One spring thirty years ago, I was surprised to walk in the barn one morning to find numerous complex knots tied in the Haflingers’ manes. Puzzling as I took precious time to undo them, literally adding hours to my chores, I knew I needed to find the cause or culprit.

It took some research to determine the probable origin of these tight tangles.  Based on everything I researched, they appeared to be the work of Gernumbli faenilesi, a usually transient species of gnome preferring to live in barns and haylofts in close proximity to heavy maned ponies. In this case, as the tangles persisted for months, they clearly had moved in, lock, stock and barrel. The complicated knots were their signature pride and joy, their artistic way of showing their devotion to a happy farm.

All well and good, but the extra work was killing my fingers and thinning my horses’ hair. I plotted ways to get them to cease and desist.

I set live traps of cheese and peanut butter cracker sandwiches, hoping to lure them into cages for a “catch and release”. Hoping to drive them away, I played polka music on the radio in the barn at night. Hoping to be preemptive, I braided the manes up to be less tempting but even those got twisted and jumbled. Just as I was becoming ever more desperate and about to round up more feral cats, the tangling stopped.

It appeared the gnomes had moved on to a more hospitable habitat. Apparently I had succeeded in my gnome eradication plan. 

Or so I thought.

Not long after, I had the distinct feeling of being watched as I walked past some rose bushes in the yard. I stopped to take a look, expecting to spy the shining eyes of one of the pesky raccoons that frequents our yard to steal from the cats’ food dish. Instead, beneath the thorny foliage, I saw two round blue eyes peering at me serenely. This little gal was not at all intimidated by me, and made no move to escape. She was an ideal example of Gernumbli gardensi, a garden gnome known for their ability to keep varmints and vermin away from plants and flowers. They also happen to actively feud with Gernumbli Faenilesi so that explained the sudden disappearance of my little knot-tying pests in the barn.

It wasn’t long before more Gardensi moved in, a gnomey infestation. They tend to arrive in pairs and bunches, bringing their turtles and dogs with them, like to play music, smoke pipes, play on a teeter totter, work with garden tools, take naps on sun-warmed rocks and one even prefers a swing, day and night through all four seasons. They are a bit of a rowdy bunch and always up for a party, but I enjoy their happy presence and jovial demeanor. I haven’t yet heard any bad language as we have a “keep it clean” policy about bad words around here. They seem quite hardy, stoically withstand extremes in weather, wear masks when asked and only seem fearful when hornets build a nest right in their lap.

As long as they continue to coexist peaceably with us and each other, keep the varmints and their knot-tying cousins away, and avoid bad habits and swear words, I’m quite happy they are here. Actually, I’ve given them the run of the place. I’ve been told to be cautious as there are now news reports of an even more invasive species of gnome, Gernumbli kitschsi, that could move in and take over if I’m not careful. In fact, several new little fellows moved into my hanging baskets and back into the barn this week – someone obviously had put the word out this is a great place to winter over. Now I need to watch for more mane tangles again.

A gnome explosion.

I shudder to think.  There goes the neighborhood.

photo by Tomomi Gibson