Seize Each Day Gently

Certain I can’t carry
another sadness,
I step outside
and let the shine
of the mid-morning sun
stroke my cheek
like a lover.
And the air has a strange
bright citrus tang.
I inhale it
again and again.
Whatever it means
to be alive,
it has something
to do with this—
scent of leaf
and spruce and shadow.
The astonishing warmth
of a late October day.
The weight
of loving another,
that weight
without which
I would be nothing.

~Rosemerry Wahtola Trommer “Whatever It Means” from The Wonderment: Poems

Night and day
seize the day, also the night —
a handful of water to grasp.
The moon shines off the mountain
snow where grizzlies look for a place
for the winter’s sleep and birth.
I just ate the year’s last tomato
in the year’s fatal whirl.
This is mid-October, apple time.
I picked them for years.
One Mcintosh yielded sixty bushels.


Fifty years later we hold each other looking
out the windows at birds, making dinner,
a life to live day after day, a life of
dogs and children and the far wide country
out by rivers, rumpled by mountains.
So far the days keep coming.
Seize the day gently as if you loved her.

~Jim Harrison, from “Carpe Diem” from Dead Man’s Float

What prayer or magic spell or luck
leaves us breathless, thunder struck
just from looking in each other’s eyes
across the breakfast table? Surprise
of love comes as a kind of Divine Grace,
as if I’d never seen your face
before and now am stunned that you adore
the likes of me; whatever for
I do not know but now you’re stuck
and seem enamored of my face, its every ruck
and deep crevasse your sheer delight; it defies
all reason. Yet this spell causes us to rise
and with no word we tenderly embrace.
The sweetest feelings rush to fill the space
as if God came in through an open door
and we are nothing like we were before.
~Red Hawk “The Transformation” from #45 – Fall 2014

Tribute to Poets of Faith

Over forty-five years later,
the days keep coming,
a life lived together
day after day after day.

I try not to take a single one for granted,
each morning
a gift to be seized gently,
embraced with reverent gratitude.

There is so much to cling to,
as if this were the only day,
the only night,
knowing it can never come again.

There is so much that has passed,
like a blink –
we wonder where time disappears to,
where it hides after it disappears over the horizon.

There is so much to remember
and never forget.
There is so much yet to come
that is unknowable.

So I seize each day,
oh so gently,
like a lover.

Sometimes God Only Knows…

Sometimes when day after day we have cloudless blue skies,
warm temperatures, colorful trees and brilliant sun, when
it seems like all this will go on forever,

when I harvest vegetables from the garden all day,
then drink tea and doze in the late afternoon sun,
and in the evening one night make pickled beets
and green tomato chutney, the next red tomato chutney,
and the day after that pick the fruits of my arbor
and make grape jam,

when we walk in the woods every evening over fallen leaves,
through yellow light, when nights are cool, and days warm,

when I am so happy I am afraid I might explode or disappear
or somehow be taken away from all this,

at those times when I feel so happy, so good, so alive, so in love
with the world, with my own sensuous, beautiful life, suddenly

I think about all the suffering and pain in the world, the agony
and dying. I think about all those people being tortured, right now,
in my name. But I still feel happy and good, alive and in love with
the world and with my lucky, guilty, sensuous, beautiful life because,

I know in the next minute or tomorrow all this may be
taken from me, and therefore I’ve got to say, right now,
what I feel and know and see, I’ve got to say, right now,
how beautiful and sweet this world can be.

~David Budbill “Sometimes”

This is a beautiful, wonderful, terrific day to vote.

Normally election days are filled with stressful anticipation about what storms and floods will arrive next due to the ever-changing political climate.

Yet today, as I fill out my ballot, along with millions of others in my country, no matter how erratic our leadership, how corrupt its political machinations, we together have the ability to change course through the sacred privilege and responsibility of voting.

Over two centuries of great sacrifice has bought us this right and freedom. I am proud to exercise it, no matter the result. Too many people in the world do not know this privilege, so I do not take it lightly.

Sometime, and God only knows when, we’ll find ourselves united more than divided, working together to harvest the best we can grow.

Then what a wonderful world this will be…

Peeling Back the Veil

In the season leaves should love,
since it gives them leave to move
through the wind, towards the ground
they were watching while they hung,
legend says there is a seam
stitching darkness like a name.

Now when dying grasses veil
earth from the sky in one last pale
wave, as autumn dies to bring
winter back, and then the spring,
we who die ourselves can peel
back another kind of veil

that hangs among us like thick smoke.
Tonight at last I feel it shake.
I feel the nights stretching away
thousands long behind the days
till they reach the darkness where
all of me is ancestor.

~Annie Finch, from “Samhain” in Eve

Let’s go our old way
by the stream, and kick the leaves
as we always did, to make
the rhythm of breaking waves.

This day draws no breath –
shows no colour anywhere
except for the leaves – in their death
brilliant as never before.

Ah, but you were always leaf-light.
And you so seldom talk
as we go. But there at my side
through the bright leaves you walk.

And yet – touch my hand
that I may be quite without fear,
for it seems as if a mist descends,
and the leaves where you walk do not stir.

~Francis Bellerby from “All Souls’ Day”

And blessèd are the ones we overlook;
The faithful servers on the coffee rota,
The ones who hold no candle, bell or book
But keep the books and tally up the quota,

The gentle souls who come to ‘do the flowers’,
The quiet ones who organise the fete,
Church sitters who give up their weekday hours,
Doorkeepers who may open heaven’s gate.

God knows the depths that often go unspoken
Amongst the shy, the quiet, and the kind,
Or the slow healing of a heart long broken
Placing each flower so for a year’s mind.

Invisible on earth, without a voice,
In heaven their angels glory and rejoice.

~Malcolm Guite “The Last Beattitude”

There is no denying I am composed of all of the thousands of my ancestors, carrying their DNA in every cell of my body. Their traits and characteristics pulse continuously in my blood even when at times I wish they didn’t.

On All Souls’ Day, we remember those from whom we come — all those spirited ghosts within our cells who shake and rattle a bit louder this time of year in the foggy darkness.

I wave at them warily from my perch in the 21st century.

I come from somber folk. That explains a lot.

I feel great kinship to the peasant farmers I descend from though I wish I could turn off the genes that lead me to eat too much, and worry too much and my tendency toward the melancholy rather than the jocular. Somehow I have suppressed the tendency to drink too much and curse too much. I do come from a long line of believers in ghosts, so these days of Samhain and All Hallows’ tend to open those creaky doors of shivers and chills, so I avoid anything even remotely scary. It only encourages those more tenuous strands of my DNA.

I am indeed made up of all-ancestor bits and pieces, and can’t deny it.

There is some comfort in realizing there is nothing really brand new about me, so I try not to make a fool of myself on behalf of the hosts of others sitting tidily wrapped up in my nuclei. There is additional comfort knowing a small part of me will continue in my descendants, who will ponder their family tree wondering which great-great-great-great grandparent passed down which annoying characteristic.

I wave hopefully from the 21st century to those generations to come, to remind them not to forget those of us who came before. If there are spirits that come to visit on Samhain, I promise to be a friendly ghost.

The World Persists in its Beauty

Though he was ill and in pain,
in disobedience to the instruction he
would have received if he had asked,
the old man got up from his bed,
dressed, and went to the barn.
The bare branches of winter had emerged
through the last leaf-colors of fall,
the loveliest of all, browns and yellows
delicate and nameless in the gray light
and the sifting rain. He put feed
in the troughs for eighteen ewe lambs,
sent the dog for them, and she
brought them. They came eager
to their feed, and he who felt
their hunger was by their feeding
eased. From no place in the time
of present places, within no boundary
nameable in human thought,
they had gathered once again,
the shepherd, his sheep, and his dog
with all the known and the unknown
round about to the heavens’ limit.
Was this his stubbornness or bravado?
No. Only an ordinary act
of profoundest intimacy in a day
that might have been better. Still
the world persisted in its beauty,
he in his gratitude, and for this
he had most earnestly prayed.

~Wendell Berry “XI”

He (the professor) asked what I made
of the other students (at Oxford) so I told him.
They were okay, but they were all very similar…
they’d never failed at anything or been nobodies,
and they thought they would always win.
But this isn’t most people’s experience of life.

He asked me what could be done about it.
I told him the answer was to send them all out for a year
to do some dead-end job
like working in a chicken processing plant
or spreading muck with a tractor.
It would do more good than a gap year in Peru. 

He laughed and thought this was tremendously witty.
It wasn’t meant to be funny.
~James Rebanks from The Shepherd’s Life:Modern Dispatches from an Ancient Landscape
(or how a sheep farmer succeeds at Oxford and then goes back to the farm)

For over forty years, I have spent about an hour a day shoveling manure out of our horse stalls and I’m a better person for it.

Wheeled to a mountainous pile in our barnyard, this daily collection of manure happily composts year round, becoming rich fertilizer in a matter of months through a crucible-like heating process of organic chemistry, bacteria and earthworms. Nothing mankind has achieved quite matches the drama of useless and basically disgusting stuff transforming into the essential elements needed for productive growth and survival.

Our government certainly hasn’t discovered the secret. This is a metaphor I can <ahem> happily muck about in.

I’m in awe, every day, at being part of this process — in many ways a far more tangible improvement to the world than anything else I manage to accomplish every day. The horses, major contributors that they are, act underwhelmed by my enthusiasm. I guess some miracles are relative, depending on one’s perspective, but if the horses understood that the grass they contentedly eat in the pasture, or the hay they munch on during the winter months, was grown thanks to their carefully recycled waste products, they might be more impressed.

Their nonchalance about the daily mucking routine is understandable. If they are outside, they probably don’t notice their beds are clean when they return to the stalls at night. If they are inside during the heavy rain days, they feel duty-bound to be in my face as I move about their stall, toting my pitchfork and pushing a wheelbarrow. I’m a source of constant amusement as they nose my jacket pockets for treats that I never carry, as they beg for scratches on their unreachable itchy spots, and as they attempt to overturn an almost full load, just to see balls of manure roll to all corners of the stall like breaking a rack of billiard balls in a game of pool.

Good thing I’m a patient person always seeking an object lesson in whatever I see or do ~ mucking out stalls every day helps me tolerate the proverbial muck I encounter in the news. And spending an hour a day getting dirty in the real stuff somehow makes the virtual manure less noxious.

Indeed, everyone should be mucking out, especially during election season, as I think the world would generally be a better place.

Swift Elation with a Sense of Sadness

Then summer fades and passes and October comes.
We’ll smell smoke then,
and feel an unexpected sharpness,
a thrill of nervousness,
swift elation,
a sense of sadness and departure.
~ Thomas Wolfe

Such days of autumnal decline hold a strange mystery which adds to the gravity of all our moods.
~Charles Nodier

I was drinking in the surroundings:
air so crisp you could snap it with your fingers
and greens in every lush shade imaginable
offset by autumnal flashes of red and yellow.
~Wendy Delsol

October feels bittersweet, heralding the inevitable slow down to winter stillness.

The garden is put to bed, lawnmowers stored away, horses fluffy with winter fur coats, pruning shears not yet sharpened for the winter work of refinement and shaping.

Yet the air sparkles, sharp-edged in the lungs.

I am never ready for this crush of dark hours descending so quickly. Yet it comes with the promise of light and growth to come.

And so we feast on October while pondering what comes next.

A Radical Amazement

I shall open my eyes and ears.
Once every day I shall simply stare

at a tree, a flower, a cloud, or a person.
I shall not then be concerned at all to ask what they are but simply be glad that they are.
I shall joyfully allow them the mystery of what C.S. Lewis calls their “divine, magical, terrifying and ecstatic” existence.
~Clyde Kilby in “Amazed in the Ordinary”

Our goal should be to live life in radical amazement. ….get up in the morning and look at the world in a way that takes nothing for granted. Everything is phenomenal; everything is incredible; never treat life casually. To be spiritual is to be amazed.

~Abraham Joshua Heschel

An open heart is alive to wonder, to the sheer marvel of “isness.”
It is remarkable that the world is,
that we are here,
that we can experience it.
This world is not ordinary.
Indeed, what is remarkable is that
it could ever look ordinary to us.


An open heart knows “radical amazement.”
An open heart and gratitude go together.
We can feel this in our bodies.
In the moments in my life
when I have been most grateful,
I have felt a swelling,
almost a bursting in my chest.
~Marcus Borg from The Heart of Christianity

photo by Nicole Moore
photo by Nicole Moore
photo by Nicole Moore
photo by Nicole Moore

Much of the time I sleep-walk through each day, oblivious, as if in dense fog with unseeing wide-open eyes.

Especially if I’m rushing from here to there, I sense time slowing: I stumble through the days, the path appears indiscernible, my future uncertain, my purpose elusive.

How to stay awake and aware of the radical amazement of each moment given to me?

When I’m simply glad, everything becomes more vivid — the sounds of geese flying overhead, the smell of the farm, the layers of a foggy landscape, the taste of an autumn apple right from the tree, the string of fog-drop pearls on a spider web, the necessity and intensity of every breath, my purpose to be witness.

So wake me to be amazed anew -please- to see all that is around me. I want to chew on it again and again, simply savoring and simply glad.

Revealing the Inner Tree

If we could,
like the trees,
practice dying,
do it every year
just as something we do—
like going on vacation
or celebrating birthdays—
it would become
as easy a part of us
as our hair or clothing.

Someone would show us how
to lie down and fade away
as if in deepest meditation,
and we would learn
about the fine dark emptiness,
both knowing it and not knowing it,
and coming back would be irrelevant.

Whatever it is the trees know
when they stand undone,
surprisingly intricate,
we need to know also
so we can allow
that last thing
to happen to us
as if it were only
any ordinary thing,

leaves and lives
falling away, the spirit, complex,
waiting in the fine darkness
to learn which way
it will go.
~Grace Butcher, “Learning from Trees” from Poetry of Presence

And is it not enough that every year
A richly laden autumn should unfold
And shimmer into being leaf by leaf,
It’s scattered ochres mirrored everywhere
In hints and glints of hidden red and gold
Threaded like memory through loss and grief,
When dusk descends,when branches are unveiled,
When roots reach deeper than our minds can feel
And ready us for winter with strange calm,
That I should see the inner tree revealed
And know its beauty as the bright leaves fall
And feel its truth within me as I am?

It is not yet enough. So I must try,
In my poor turn, to help you see it too,
As though these leaves could be as rich as those,
That red and gold might glimmer in your eye,
That autumn might unfold again in you,
Feeling with me what falling leaves disclose.

~Malcolm Guite from “And is it Not Enough?”

If I were to die as a leaf does,
I would want to change my clothes just bit by bit,
overnight oozing gradually to scarlet,
bleeding into the green a little bit more,
until I’m so unrecognizable,
I’ll seem brand new.

That would be ideal.

The reality is a fading to grey and brown,
my edges withered and torn,
bug-bitten with holes and weather-beaten bruised,
dangling and fearful of letting go
and so forgotten.

So I remember:
no one, not one, falls
without its Maker knowing.
No one, not one, dies
without being made brand new.

A Mosaic of Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn
Autumn
Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this farm lane to stand at the same spot
countless times through the year,
as witness to the changing palette around me.

The Artist lovingly chooses His color and technique
with a gentle touch for each season.

So too, He paints my life with richness and variety:
from the austere lines in winter,
to a green emergence in spring,
a summer of sweet fruitfulness
and a mosaic crescendo in autumn.

The Artist’s signature can be spotted on each masterpiece,
gracing the transforming canvas of each of our lives.

When Old and Lame

All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine
clacketing beside you, while the sun walked high in the morning;

and after noon’s heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning,
led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun’s muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground – old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
~Donald Hall “Name of Horses”

Today, we said goodbye to our last Haflinger mare after four decades of being a breeding farm. We have two geldings left on the farm, in their early 20’s.

I was dreading this day but knew it would eventually come.

Belinda, who I have written about here, flew from the Netherlands as a baby with her mother in 1998, bringing new bloodlines to North America from an East German Haflinger breeding program, at the time only recently accessible to breeders with the opening of the Berlin Wall.

She proved to be a great broodmare here on our farm and her foals all sold quickly to other breeders. However, her last twelve years of retirement were complicated by metabolic imbalance and a tendency toward laminitis. We finally had to make the hard choice to bring out the vet to gently help her pass with intravenous medication into eternal lush pastures she could tolerate. Then the local hauler picked her up for cremation. No bullets to the brain, no hole to be dug.

We have done our final parting with our horses in this way over our forty years of Haflinger ownership. It is certainly different from how it was done when I was a kid on a small cow and horse farm. Our family mare, Dolly, in 1965, was put down by a vet’s bullet to the head after an agonizing bout with colic. My dad sent me back to the house beforehand, not wanting me to watch. Still, I could not help but hear the gunshot as if it had gone right through me as well. It took Dad the rest of the day to dig a hole deep enough so she could be buried on our farm.

At first her grave was my place to cry where no one but the trees and wild flowers could see.

When my tears finally dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.

And before I left for college, it became the sanctuary where I retreated to talk to God when my church no longer was.

I suspect her bones lie there still, with tall trees now growing through her ribs. That dent in the ground will always betray the spot.

We’ll remember you fondly, Belinda. You traveled far to come here and gave us your best. We promised you would live here on this farm, in peace, until your last breath.

Belinda’s last evening out on pasture

What Else is There?

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—


this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.


And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

~Carolyn Locke “What Else?” from The Place We Become

So this is how life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away
to be carried off beyond this air and water and soil.

We thrive where we are planted,
do what we could with a little nurture,
then transcend the here and now.

So shall we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never seek to overshadow the sun
but step aside so its light fully shines on whoever comes next.