Tenderness for Ordinary Things

Last evening,
As I drove into this small valley,
I saw a low-hanging cloud
Wandering through the trees.
It circled like a school of fish
Around the dun-colored hay bales.
Reaching out its foggy hands
To stroke the legs of a perfect doe
Quietly grazing in a neighbor’s mule pasture
I stopped the car
And stepping out into the blue twilight,
A wet mist brushed my face,
And then it was gone.
It was not unfriendly,
But it was not inclined to tell its secrets.
I am in love with the untamed things,
The cloud, the doe,
Water, air and light.
I am filled with such tenderness
For ordinary things:
The practical mule, the pasture,
A perfect spiral of gathered hay.
And although I should not be,
Consistent as it is,
I am always surprised
By the way my heart will open
So completely and unexpectedly,
With a rush and an ache,
Like a sip of cold water
On a tender tooth.
~Carrie Newcomer “In the Hayfield”

I realize that nothing in this life is actually ordinary – at times I could weep over the unordinariness that is around me.

The light falls a certain way, the colors astound, the animals grace the fields with their contentment, the birds become overture, the air is perfumed with rain or blossom.

How can I not ache with this knowledge? How can I not feel the tenderness of my heart feeling so full, it could burst at any moment?

Truly extraordinary to be able to give myself over to this.

Light pools like spilled water on the floor
Cold air slips like silk beneath the door
The sky feels like a grey wool cap
Pulled down round my ears that near

All the ridge is lined with stands of beech
At the tops they’re swaying quietly
So elegant and raw without their leaves
All of these I see

I catch a memory a scent another short glimpse
Like someone leaned over and gave my forehead a kiss
I give myself to this

There’s a hidden spring back where it’s hard to find
Someone used it years ago to make moonshine
This forest has a different sense of time
Than yours or mine

I catch a memory a scent another short glimpse
Like someone leaned over and gave my forehead a kiss
I give myself to this

There’s a soil horizon
Layers beneath the trees
A sign of outward grace
Unraveling

One bird sits and sings an aching song
One turning leaf, ten circles on the pond
Two careful does wait silently beyond
Then they’re gone they’re gone

I catch a memory a scent another short glimpse
Like someone leaned over and gave my forehead a kiss
I give myself to this
~Carrie Newcomer

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A Morning Luminous with Mystery and Pain

Heart,
I implore you,
it’s time to come back
from the dark,
it’s morning,
the hills are pink
and the roses
whatever they felt

in the valley of night
are opening now
their soft dresses,
their leaves

are shining.
Why are you laggard?
Sure you have seen this
a thousand times,

which isn’t half enough.
Let the world
have its way with you,
luminous as it is

with mystery
and pain–
graced as it is
with the ordinary.

~Mary Oliver “Summer Morning”

I love to stay in bed
All morning,
Covers thrown off, naked,
Eyes closed, listening.

There’s a smell of damp hay,
Of horses, laziness,
Summer sky and eternal life.

I know all the dark places
Where the sun hasn’t reached yet,
Where the last cricket
Has just hushed; anthills

Where it sounds like it’s raining,
Slumbering spiders spinning wedding dresses.

The good tree with its voice
Of a mountain stream
Knows my steps.
It, too, hushes.

I stop and listen:
Somewhere close by
A stone cracks a knuckle,
Another turns over in its sleep.

I hear a butterfly stirring
Inside a caterpillar.
I hear the dust talking
Of last night’s storm.

Farther ahead, someone
Even more silent
Passes over the grass
Without bending it.

And all of a sudden
In the midst of that quiet,
It seems possible
To live simply on this earth.

~Charles Simic from “Summer Morning”

Reading headlines about yet more unimaginable losses and grieving people is extraordinarily painful on a summer morning when all should be luminous and lighthearted. My heart isn’t feeling the light at all; I struggle to leave behind those dark places where the sun hasn’t reached yet.

Yet if I’m still and quiet, I can hear life going on all around me. My sadness doesn’t change the mystery of a world God created in beauty and peace, now overshadowed by our fall into darkness, yet redeemed by a sacrificial Love we cannot possibly comprehend.

What a summer morning revelation. It’s as extraordinarily ordinary and simple as that.

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Sweating Under the High Arc of Midsummer

What is the hayfield in late afternoon
that it can fly in the face of time,

and light can be centuries old, and even
the rusted black truck I am driving

can seem to be an implement born
of some ancient harvest,

and the rhythmic baler, which spits out
massive bricks tied up in twine,

can seem part of a time before now
because light glitters on the hay dust,

because the sun is sinking and we sweat
under the high arc of mid-summer,

because our bodies cast such long shadows–
Rebecca, with the baby strapped to her back,

the men who throw impossible weight
to the top of the truck, the black and white

dog that races after mice or moles
whose lives have been suddenly exposed.

How does the taste of my sweat take me
down through the gate of childhood,

spinning backwards to land in a field
painted by Bruigel, where the taste of salt

is the same, and the same heat
rises in waves off a newly flattened field.

In the duskiness of slanted light, we laugh
just as we laughed then, because there is

joy in what the earth gives, allowing
our bodies to mingle with it, our voices

small on the field, our work assuring the goats
can give milk, the sheep can grow wool,

and we will have in our bones the taste
of something so old it travels in light.
~Susie Patlove “First Cutting” from Quickening

photo by Nate Gibson
photo by Nate Gibson
1994
2005
2011

There is a timelessness to mid-summer hay harvest that goes back generations on both sides of our family. The cutting, raking and gathering of hay has evolved from horse-drawn implements and gathering loose shocks of hay to 100+ horse power air-conditioned tractors and huge round bales wrapped and stored in plastic sheathing rather than in barns.

Our farm is happily stuck somewhere in-between: we still prefer filling the haybarn with bales that I can still lift and move myself to feed our animals. True hay harvest involves sweat and dust and a neighborhood coming together to preserve summer in tangible form.

I grew up on a farm with a hayfield – I still have the scar over my eyebrow where I collided with the handle of my father’s scythe when, as a toddler, I came too close behind him as he was taking a swing at cutting a field of grass one swath at a time. I remember the huge claws of the hay hook reaching down onto loose hay piled up on our wagon. The hook would gather up a huge load, lift it high in the air to be moved by pulley on a track into our spacious hay loft. It was the perfect place to play and jump freely into the fragrant memories of a summer day, even in the dark of winter.

But these days it is the slanted light of summer I remember most:
-the weightlessness of dust motes swirling down sun rays coming through the slats of the barn walls as the hay bales are stacked
-the long shadows and distant alpenglow in the mountains
-the dusk that goes on and on as owls and bats come out to hunt above us

Most of all, I will remember the sweaty days of mid-summer as I open the bales of hay in mid-winter – the light and fragrance of those grassy fields spilling forth into the chill and darkness, in communion of blessing for our animals.

photo by Tayler Rae
Pieter Bruegel “Hay Harvest”
My grandparents Leslie Polis and Kittie Lovelace standing in a hayfield with loose hay shocks — 1915

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Through Grass and Grain

Mown meadows skirt the standing wheat;
I linger, for the hay is sweet,
New-cut and curing in the sun.
Like furrows, straight, the windrows run,
Fallen, gallant ranks that tossed and bent
When, yesterday, the west wind went
A-rioting through grass and grain.
To-day no least breath stirs the plain;
Only the hot air, quivering, yields
Illusive motion to the fields
Where not the slenderest tassel swings.
Across the wheat flash sky-blue wings;
A goldfinch dangles from a tall,
Full-flowered yellow mullein; all
The world seems turning blue and gold.
Unstartled, since, even from of old,
Beauty has brought keen sense of her,
I feel the withering grasses stir;
Along the edges of the wheat,
I hear the rustle of her feet:
And yet I know the whole sea lies,
And half the earth, between our eyes.
~Sophie Jewett “In Harvest”

Autumn harvest happens outside of me
despite sudden coolness of the air,
thanks to showers that green the fields
for one more month of grazing,
midst the smell of the dying of vines and roots.

Autumn harvest is happening inside of me
as I slow down my walk,
curl up within the lengthening nights,
the color of my thoughts
turning to bronze and gold and red

before I let go
before I let go

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You Are My Sunshine

My father climbs into the silo.
He has come, rung by rung,
up the wooden trail that scales
that tall belly of cement.

It’s winter, twenty below zero,
He can hear the wind overhead.
The silage beneath his boots
is so frozen it has no smell.

My father takes up a pick-ax
and chops away a layer of silage.
He works neatly, counter-clockwise
under a yellow light,

then lifts the chunks with a pitchfork
and throws them down the chute.
They break as they fall
and rattle far below.

His breath comes out in clouds,
his fingers begin to ache, but
he skims off another layer
where the frost is forming

and begins to sing, “You are my
sunshine, my only sunshine.”
~Joyce Sutphen, “Silo Solo” from First Words

Farmers gotta be tough. There is no taking a day off from chores. The critters need to eat and their beds cleaned even during the coldest and hottest days. Farmers rise before the sun and go to bed long after the sun sets.

I come from a long line of farmers on both sides – my mother was the daughter of wheat farmers and my father was the son of subsistence stump farmers who had to supplement their income with outside jobs as a cook and in lumber mills. Both my parents went to college; their parents wanted something better for them than they had. Both my parents had professions but still chose to live on a farm – daily milkings, crops in the garden and fields, raising animals for meat.

My husband’s story is similar, though his parents didn’t graduate from college. Dan milked cows with his dad and as a before-school job in the mornings.

We still chose to live on a farm to raise our children and commit to the daily work, no matter the weather, on sunlit days and blowing snow days and gray muddy days. And now, when our grandchildren visit, we introduce them to the routine and rhythms of farm life, the good and the bad, the joys and the sorrows, and through it all, we are grateful for the values that follow through the generations of farming people.

And our favorite song to sing to our grandchildren is “You are my sunshine, my only sunshine” as it is the sun that sustains our days and its promise of return that sustains our nights.

You’ll never know, dears, how much we love you.
Please don’t take our sunshine away.

Get Up and Go About the Day

Light wakes us – there’s the sun
climbing the mountains’ rim, spilling across the valley,
finding our faces.
It is July,

between the hay and harvest,
a time at arm’s length from all other time…

It is the time
to set aside all vigil, good or ill,
to loosen the fixed gaze of our attention
as dandelions let seedlings to the wind.
Wake with the light.
Get up and go about the day and watch
its surfaces that brighten with the sun.
~Kerry Hardie from “Sleep in Summer”

Saying good-bye to July
is admitting summer is already half-baked
and so are we–
we are still doughy
and not nearly done enough.

The rush to autumn is breathless.
We want to hold on tight
to our longish days
and our sweaty nights
for just a little while longer…

Please, oh please
grant us light
and steady us for the task
of getting ready and letting go.

The Farm Goes On

A hill, a farm,
A forest, and a valley.
Half a hill plowed, half woods.
A forest valley and a valley field.

Sun passes over;
Two solstices a year
Cow in the pasture
Sometimes deer

A farmhouse built of wood.
A forest built on bones.
The high field, hawks
The low field, crows

Wren in the brambles
Frogs in the creek
Hot in summer
Cold in snow

The woods fade and pass.
The farm goes on.
The farm quits and fails
The woods creep down

Stocks fall you can’t sell corn
Big frost and tree-mice starve
Who wins who cares?
The woods have time.
The farmer has heirs.

~“Map” by Gary Snyder from Left Out in the Rain.

We have now passed from the season when our farm is brilliant, verdant and delicious to behold.  In June, the cherry orchard blossoms yield to fruit and the pastures are knee high with grass.  During the summer months, the daylight starts creeping over the eastern foothills at 4 AM and the last glimpse of sun disappears at nearly 10 PM.   So many hours of light to work with! 

I yearn for the coming dark rainy days to hide inside with a book. 

Instead the lawnmower and weed whacker call our names, and the fish pond needs cleaning and the garden must be prepared for winter.  It’s not that things don’t happen on the farm during months like this.  It’s just that nothing we do is enough.  Blackberry brambles have taken over everything, grass grows faster than we can keep it mowed down, the manure piles grow exponentially.  The fences always need fixing. 

Suddenly our farm dream seems not nearly so compelling.

We spent many years dreaming about the farm as we hoped it would be.  We imagined the pastures managed perfectly with fencing that was both functional and beautiful.  Our barns and buildings would be tidy and leak-proof, and the stalls secure and safe.  We’d have a really nice pick up truck with low miles on it, not a 35 year old hand me down truck with almost 200,000 miles. We would have trees pruned expertly and we’d have flower beds blooming as well as a vegetable garden yielding 9 months of the year.  Our hay would never be rained on. We would have dogs that wouldn’t run off and cats that would take care of all the rodents.  We wouldn’t have any moles, thistles, dandelions or buttercup.  The pheasant, deer, coyotes, raccoons, and wild rabbits would only stroll through the yard for our amusement and not disturb anything.  We’d have livestock with the best bloodlines we could afford and a steady demand from customers to purchase their offspring at reasonable prices so that not a dime of our off-farm income would be necessary to pay farm expenses.   Our animals (and we) would never get sick or injured.

And our house would always stay clean.

Dream on.  Farms are often back-breaking, morale-eroding, expensive sinkholes.   I know ours is.  Yet here we be and here we stay.

It’s home.  We’ve raised three wonderful children here.  We’ve bred and grown good horses and great garden and orchard crops and tons of hay from our own fields.  We breathe clean air and hear dozens of different bird songs and look out at some of the best scenery this side of heaven.  Eagles land in the trees in our front yard. It’s all enough for us even if we are not enough for the farm.  I know there will come a time when the farm will need to be a fond memory and not a daily reality.  Until then we will keep pursuing our dream as we and the farm grow older.   Dreams age and mature and I know now what I dreamed of when I was younger was not the important stuff.

We have been blessed with one another, with the sunrises and the sunsets and everything in between.  This is the stuff of which the best dreams are made.

Something Finished

Gold of a ripe oat straw, gold of a southwest moon,
What is there for you in the birds, the birds, the birds, crying
down on the north wind in September, acres of birds spotting
the air going south?

Is there something finished? And some new beginning on the
way?

I cried over beautiful things knowing no beautiful thing lasts.
~Carl Sandburg from “Fall Time” and “Autumn Movement”

My summer of “no doctoring” finishes today. I return to part-time clinical work tomorrow; a new beginning is on the way.

I am readying myself.

I consider how it will feel to put the stethoscope back on and return to spending most of my daylight hours in window-less rooms. Several months of freedom to wander and wonder will be tough to give up.

However, when I meet my first patient of the day, I’m “all in.” Someone is needing my help more than I need time off. The wind has shifted, it is time to migrate back to the work I was called to do over forty years ago.

Still I will look for beautiful things where I can find them, knowing that even though they don’t last, they will always be well worth the weeping.

The Ebb and Flow of Sound

What I remember is the ebb and flow of sound
That summer morning as the mower came and went
And came again, crescendo and diminuendo,
And always when the sound was loudest how it ceased
A moment while he backed the horses for the turn,
The rapid clatter giving place to the slow click
And the mower’s voice. That was the sound I listened for,
The voice did what the horses did. It shared the action
As sympathetic magic does or incantation.
The voice hauled and the horses hauled. The strength of one
Was in the other and in the strength was impatience.
Over and over as the mower made his rounds
I heard his voice and only once or twice he backed
And turned and went ahead and spoke no word at all.
~Robert Francis “The Sound I Listened For” from Collected Poems

In the rural countryside where we live, we’ve been fortunate enough to know people who still dabble in horse farming, whose draft teams are hitched to plows and mowers and manure spreaders as they head out to the fields to recapture the past and experience working the land in a way that honors the traditions of our forebears.

A good teamster primarily works with his horses using his voice. No diesel engine means hearing bird calls from the surrounding fields and woods, along with the steady footfall of the horses, the harness chains jingling, the leather straps creaking, the machinery shushing quietly as gears turn and grass lays over in submission. No ear protection is needed. There is no clock needed to pace the day.

There is a rhythm of nurture when animals instead of motors are part of the work day. The gauge for taking a break is the amount of foamy sweat on the horses and how fast they are breathing — time to stop and take a breather, time to start back up and do a few more rows, time to water, time for a meal, time for a nap, time for a rest in a shady spot.

This is gentle use of the land with four footed stewards who deposit right back to the soil the digested forage they have eaten only hours before. This is gentle to our ears and our souls, measuring the ebb and flow of sound and silence.

The horse-drawn field mower is a sound I listen for, if not next door then in my dreams.

Photo courtesy of Aaron Janicki
Photo courtesy of Aaron Janicki

Where Have I Been?

And the seasons they go round and round
And the painted ponies go up and down
We’re captive on the carousel of time
We can’t return, we can only look behind
From where we came
And go round and round and round
In the circle game…
~Joni Mitchell “The Circle Game”

those lovely horses,
that galloped me,

moving the world,
piston push and pull,

into the past—dream to
where? there, when

the clouds swayed by
then trees, as a tire

swing swung
me under—rope groan.

now, the brass beam,
holds my bent face,

calliope cadence—O
where have I been?
~Richard Maxson “Carousel at Seventy”

photo by Tomomi
photo by Tomomi

Sixty years ago in July, I was a five year old having her first ride on the historic carousel at Woodland Park Zoo before we moved from Stanwood to Olympia.
Fifty years ago — a teenager watching the first men walk on the moon the summer I started work as an assistant to a local dentist.
Forty years ago — deep in the guts of a hospital working a forty hour shift thinking about the man who was to become my husband.
Thirty years ago — my husband and I picking up bales of hay with two young children in tow after I had just accepted a new position doctoring at the local university & we are offered an opportunity to buy a larger farm.
Twenty years ago — with three children and our farm house remodel complete, we have three local parents with health issues needing support, helping with church activities and worship, raising Haflinger foals and organizing a summer local Haflinger gathering of nearly 100 horses and owners, planning a new clinic building.
Ten years ago — two sons launched with one about to move to Japan, a daughter at home with a new driver’s license, my mother slowly bidding goodbye to life at a local care center, farming is less about horse raising and more about gardening, starting to record life on my blog.
Five years ago — two sons married, a daughter off in the midwest as a camp counselor so our first summer without children at home. Time for a new puppy!
Now
O where have I been?
We can only look behind from where we came.

The decades pass, round and round – there is comfort knowing that through the ups and downs of daily life, I am still hanging on and if I slip and fall, there is Someone ready to catch me.