“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –
And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –
I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.
Our local fair feels much like I remember when I was a child in the 60’s, accompanying my father to the Lynden fairgrounds during those summers of political and social turmoil. His job was to supervise the teachers of FFA kids (Future Farmers of America) so he did the rounds of the regional and county fairs and my brother and I tagged along to explore the exhibits and go on rides.
The heart beat of a country fair pulses deep for me: I fell in love with my future husband at a fair, and we spent twenty years from 1992-2012 at the local Lynden fair exhibiting our Haflinger horses together as family and friends. Once our children grew and flew away four years ago, my husband and I were relegated to mere fair-goers, exploring exhibits without the need to show up to muck out stalls at 6 AM.
The chicken exhibit building is one of the same buildings I wandered through as a child over fifty years ago. As we entered, it struck me I was admiring designs and color schemes, layered with nuance and texture, much like the nearby quilt exhibit — these feathers are God’s threads put to exquisite use to blanket a mere chicken.
So much design, so much detail, so much hope covers something as mere as a chicken … and me.
I had been told how the old-time weavers, all the while they were making their beautiful and intricate patterns, saw no more than the backs of their shawls. Nothing was visible to them but a tangle of colored threads. They never saw the design they were creating until they took the finished fabric from their looms.
The parallel to the mortal lot is plain. Human experience appears to us – as the shawls did to the weavers – to be no more than incomprehensible tangles of colored threads, whereas in fact life represents the ordered threads in a great design – the design being woven daily on the loom of eternity.
~Ernest Gordon from Miracle on the River Kwai
“Although the threads of my life have often seemed knotted,
I know, by faith, that on the other side of the embroidery there is a crown.”
~Corrie Ten Boom in My Heart Sings
What does it say about me that I’ve covered the back of countless embroidery projects so the tangles are no longer visible? There is a sense of shame in that hiddenness of the messy side of existence, the not wanting to admit how really chaotic life is at times.
Yet out of the incomprehensible comes beauty. Out of the mess comes order and harmony. What appears knotted and tangled and makes no sense becomes grace on our heads, like a crown.
Slowly the west reaches for clothes of new colors
which it passes to a row of ancient trees.
You look, and soon these two worlds both leave you
one part climbs toward heaven, one sinks to earth.
leaving you, not really belonging to either,
not so hopelessly dark as that house that is silent,
not so unswervingly given to the eternal as that thing
that turns to a star each night and climbs–
leaving you (it is impossible to untangle the threads)
your own life, timid and standing high and growing,
so that, sometimes blocked in, sometimes reaching out,
one moment your life is a stone in you, and the next, a star.
~Rainer Maria Rilke “Sunset”