The Fade to Twilight

some words need to be

repeated
the way a sunset plays
every night
in the fade to twilight
the same scene
over and over
but never once
lost in its sameness
~Juniper Klatt “some words need to be” from I was raised in a house of water

Out of the deep and the dark,
A sparkling mystery, a shape,
Something perfect,
Comes like the stir of day:
One whose breath is a fragrance,
One whose eyes reveal the road to stars,
The wind in his countenance,
The glory of heaven upon his back.
He steps like a vision hung in air,
Diffusing the passion of eternity;
His abode is the sunlight of morn,
The music of eve his speech:
In his sight,
One shall turn from the dust of the grave,
And move upward to the woodland.

~Yone Noguchi The Poet”

Once in your life you pass
Through a place so pure
It becomes tainted even
By your regard, a space
Of trees and air where
Dusk comes as perfect ripeness.
Here the only sounds are
Sighs of rain and snow,
Small rustlings of plants
As they unwrap in twilight.
This is where you will go
At last when coldness comes.
It is something you realize
When you first see it,
But instantly forget.
At the end of your life
You remember and dwell in
Its faultless light forever.

~Paul Zimmer “The Place” from Crossing to Sunlight Revisited.

I like the slants of light; I’m a collector.
That’s a good one, I say…
~Annie Dillard from Pilgrim at Tinker Creek

I won’t forget the glow on the hill as the sun drops,
centering behind our sentinel tree.
I won’t forget the rays coming through the branches,
glistening on a tattered web
and an evening primrose unwrapping.
I won’t forget the way the air itself changes as the color spreads,
like a fragrant scent carried on the wind.

The light is faultless but I am not.
My collection of slants of light
and words to describe them
may fade with time.

Even so, it was – maybe just once –
so perfect, so pure, so ripe.
And I’ll remember I was there to witness it.

What I’ll Remember

old milk barn

The partly open hay barn door, white frame around the darkness,
the broken board, small enough for a child
to slip through.


Walking in the cornfields in late July, green tassels overhead,
the slap of flat leaves as we pass, silent
and invisible from any road.


Hollyhocks leaning against the stucco house, peonies heavy
as fruit, drooping their deep heads
on the dog house roof.


Lilac bushes between the lawn and the woods,
a tractor shifting from one gear into
the next, the throttle opened,


the smell of cut hay, rain coming across the river,
the drone of the hammer mill,
milk machines at dawn.

~Joyce Sutphen “The Last Things I’ll Remember” from First Words

I turn this seasonal corner, facing deep into autumn,
summer fading in the rear view mirror.

Even as the air bares chill, and the clouds sopping soak,
the riches of summer remain vivid.

Let me remember:
even if I too fade away, readying for the next turn.

End of Summer’s Waiting Room

twinlayers
fallyard1

For today, I will memorize
the two trees now in end-of-summer light

and the drifts of wood asters as the yard slopes away toward
the black pond, blue

dragonflies
in the clouds that shine and float there, as if risen

from the bottom, unbidden. Now, just over the fern—
quick—a glimpse of it,

the plume, a fox-tail’s copper, as the dog runs in ovals and eights,
chasing scent.

The yard is a waiting room. I have my chair. You, yours.

The hawk has its branch in the pine.

White petals ripple in the quiet light. 
~Margaret Gibson from “Solitudes”

photo by Josh Scholten
ferndaisies
emptychairs
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I want to memorize it all before it changes:
the shift of sun from north to south barely
balances on our east- west road at equinox.

The flow of geese overhead, honking while waving farewell,
the hawks’ screams in the firs,
dragonflies trapped in the barn light fixtures
several generations of coyotes hollering at dusk.

The pond quiets with cooler nights,
hair thickens on horses, cats and dogs,
dying back of the garden vines reveals
what lies unharvested beneath.

And so we part again, Summer –
your gifts were endless
until you now have parted ways.

I sit silenced, brooding, waiting for what comes next.

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maplecorgi

Extravagant Sky

You were the one for skylights. I opposed
Cutting into the seasoned tongue-and-groove
Of pitch pine. I liked it low and closed,
Its claustrophobic, nest-up-in-the-roof
Effect. I liked the snuff-dry feeling,
The perfect, trunk-lid fit of the old ceiling.
Under there, it was all hutch and hatch.
The blue slates kept the heat like midnight thatch.

But when the slates came off, extravagant
Sky entered and held surprise wide open.
For days I felt like an inhabitant
Of that house where the man sick of the palsy
Was lowered through the roof, had his sins forgiven,
Was healed, took up his bed and walked away.
~Seamus Heaney
“The Skylight” from Opened Ground.

The last moments of summer are revealed
as if the roof has been ripped open
to let the sky be lowered in ~
the veil torn down,
the dark corners lit in extravagant morning glow~

suddenly sky enters into unexpected spaces
we preferred to keep hidden.
The miraculous happens
when we are bold enough to
accept the invitation
and take a chance on the Light.

Each Petal a Hymn

Something about the relentless beauty
of the dahlias this year makes me forget
lists and calls and news and aches as
I stand beside them in a splendor stupor,
watching them bloom in real time, not
wanting to miss a moment of the long stems
rising, the red color deepening then fading
from the petals as they age. I imagine a time lapse
begins, and the world’s winter white, then greening
again, and now a hundred years pass,
now five hundred, a thousand, and the garden
bed is gone and the fence is gone and
the trees and the ditch and the home
are gone, and there’s no way to know
this was once a place where dahlias grew.
Is it any wonder, then, I call to you, ask you
to come stand here with me to watch
the dahlias open themselves to the sun,
each petal a hymn to the present,
a history soon to be forgotten, a shimmer in time
we might put in a vase and marvel as
all around it the whole world spins.

 ~Rosemerry Wahtola TrommerA Scrap in Time”

In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon…


The dahlias sleep in the empty silence.
Wait for the early owl.

Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.

Home is where one starts from.

Love is most nearly itself
When here and now cease to matter.

~T. S. Eliot, verses from “East Coker” in Four Quartets

What a pity flowers can utter no sound!
—A singing rose, a whispering violet, a murmuring honeysuckle…
oh, what a rare and exquisite miracle would these be!
~Henry Ward Beecher

A flower garden is a place for prayer and hymns of praise.

When I meet a truly great gardener, like my friend Jean who has grown and hybridized dahlias, what I see growing in the soil is a choral composition of petals, leaves and roots.

Jean has passionately cared for these plants for many of her nine decades of life. They reflect that love in every spiral and swirl, hue and gradient of color, showing stark symmetry and delightful variegation.

Arising from the plainest of homely and knobby look-alike tubers grow these luxurious beauties of infinite variety. I am stunned by each one, captivated, realizing that same Creator ensures we too bloom from mere dust, becoming a hymn of praise arising from every fiber of our being.

A Faded Sort of Cow

Summer is over, the old cow said,
And they’ll shut me up in a draughty shed
To milk me by lamplight in the cold,
But I won’t give much for I am old.
It’s long ago that I came here
Gay and slim as a woodland deer;
It’s long ago that I heard the roar
Of Smith’s white bull by the sycamore.
And now there are bones where my flesh should be;
My backbone sags like an old roof tree,
And an apple snatched in a moment’s frolic
Is just so many days of colic.

I’m neither a Jersey nor Holstein now
But only a faded sort of cow.
My calves are veal and I had as lief
That I could lay me down as beef;
Somehow, they always kill by halves, —
Why not take me when they take my calves?
Birch turns yellow and sumac red,
I’ve seen this all before, she said,
I’m tired of the field and tired of the shed.
There’s no more grass, there’s no more clover;
Summer is over, summer is over.

~Robert Hillyer “Moo!”

photo by Kate Steensma of Steensma Creamery

Something inspires the only cow of late
To make no more of a wall than an open gate,
And think no more of wall-builders than fools.
Her face is flecked with pomace and she drools
A cider syrup. Having tasted fruit,
She scorns a pasture withering to the root.
She runs from tree to tree where lie and sweeten
The windfalls spiked with stubble and worm-eaten.
She leaves them bitten when she has to fly.
She bellows on a knoll against the sky.
Her udder shrivels and the milk goes dry.

~Robert Frost “The Cow in Apple Time”

I have lived among cows, our own and our neighbors’, dairy and beef, most of my life. Given their status as a food source, cows aren’t always granted a long life, but I do envy those who spend much of the year chewing cud outside in pastoral settings.

We’ve owned some aged cows. They can be set in their ways and don’t particularly like a change in routine. They prefer a communal life, bearing calves, surrendering their milk, and ensuring the herd hierarchy is maintained with a minimum of fuss.

I remember my dad curing a cow’s habit of eating apples directly from a tree branch. She had the apple lodged in her esophagus as it had slipped down her throat unchewed, but too large to pass through to her rumen. She was foaming at the mouth, breathing fine, but the apple was a visible lump palpable mid-way down her neck. My dad grabbed a short two by four board and a hammer, placed the board on one side of her neck lump, and with the hammer, hit her neck precisely over the apple, crushing it. She was immediately cured and sauntered over to grab more apples, off the ground rather than the branch.

Cows can experience various health issues, sometimes relating to infections in their udders, but not infrequently, trouble with their hooves. They can get abscesses which are quite painful until emptied, as well as sharp rocks or gravel wedged into their foot. This sometimes necessitates hoof work done by a specialist who visits dairy farms on a regular basis.

I confess I (along with a million or so other folks) spend an inordinate amount of time watching YouTube channels of cow hoof trimming. I have no desire to do the job myself, but restoring a limping cow to a comfortably walking cow is a skill that must be very gratifying.

As an aging female myself, I know all about aches and pains. I too feel the sadness of summer coming to an end, when the grass and clover grows sparse in the field, and when chilly nights are best spent in the shelter of the barn.

But I’m not yet ready to give up on this sweet pastoral life. There are still some days left, and apples to pick up off the ground, for this fading old cow…

A Light of Beginnings

For seasons the walled meadow
south of the house built of its stone
grows up in shepherd’s purse and thistles
the weeds share April as a secret
finches disguised as summer earth
click the drying seeds
mice run over rags of parchment in August
the hare keeps looking up remembering 
a hidden joy fills the songs of the cicadas

two days’ rain wakes the green in the pastures
crows agree and hawks shriek with naked voices
on all sides the dark oak woods leap up and shine
the long stony meadow is plowed at last and lies
all day bare
I consider life after life as treasures
oh it is the autumn light

that brings everything back in one hand
the light again of beginnings
the amber appearing as amber
~ W. S. Merwin, “September Plowing” from Flower & Hand

photo by Joel De Waard

When you are already here
you appear to be only
a name that tells of you
whether you are present or not


and for now it seems as though
you are still summer
still the high familiar
endless summer
yet with a glint
of bronze in the chill mornings
and the late yellow petals
of the mullein fluttering
on the stalks that lean
over their broken
shadows across the cracked ground

but they all know
that you have come
the seed heads of the sage
the whispering birds
with nowhere to hide you
to keep you for later

you
who fly with them

you who are neither
before nor after
you who arrive
with blue plums
that have fallen through the night

perfect in the dew
~W.S. Merwin “To the Light of September”

Now that it has rained a bit, the light of September is a filtered, more gentle illumination than we have experienced for the past several months of dry summer glare.

It is more lambent: a soft radiance that simply glows at certain times of the day when the angle of the sun is just right, and the clouds are in position to soften and cushion the luminence.

It is also liminal: it is neither before or after, on the threshold between seasons when there is both promise and caution in the air.

Sometimes I think I can breathe in light like this, if not through my lungs, then through my eyes.

It is a temptation to bottle it up with a stopper somehow, stow it away hidden in a back cupboard. Then I can bring it out on the darkest days, pour a bit into a glass, and imbibe.

But for now, I fill myself full to the brim. And my only means of preservation is with a camera and a few words.

So I share it now with all of you to tuck away for a future day.
Perhaps you too will be thirsty for a lambent light.

The Old Lost Road

They shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a road through the woods
Before they planted the trees.
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods,
And the badgers roll at ease,
There was once a road through the woods.

Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ringed pools
Where the otter whistles his mate,
(They fear not men in the woods,
Because they see so few.)
You will hear the beat of a horse’s feet,
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods.
But there is no road through the woods.

~Rudyard Kipling “The Way Through the Woods”

Nature has a way of covering our offending tracks,
given time and left alone.

We think we’ve built a lasting impression,
clearing the path for easy passage,
forging ahead into the future.

Yet no invitation is needed
for the overgrowth to reclaim
the road some folks traveled,
once upon a time.

Now the old lost road is overwhelmed
by the mists and mosses of time;
may it stay buried in the past
as we pass through,
unnoticed and oblivious.

photo by Emily VanderHaak

Lest I Forget…

Let me remember you, voices of little insects, 
Weeds in the moonlight, fields that are tangled with asters, 
Let me remember, soon will the winter be on us, 
Snow-hushed and heavy. 

Over my soul murmur your mute benediction, 
While I gaze, O fields that rest after harvest, 
As those who part look long in the eyes they lean to, 
Lest they forget them.
~Sara Teasdale from “September Midnight”

The tumult and the shouting dies;
The Captains and the Kings depart:
Still stands Thine ancient sacrifice,
An humble and a contrite heart.
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!
~Rudyard Kipling from “Recessional”

If I were called upon to identify briefly the principal trait of the entire twentieth century, here too, I would be unable to find anything more precise and pithy than to repeat once again:
Men have forgotten God.
~Aleksandr Solzhenitzyn from his 1983 acceptance speech for the Templeton Prize

Lest I forget…

I look long in the eyes I lean to

whether a loved one, or the mountains, or summer-weary fields,
or the face of God Himself.

I cannot risk forgetting Who must be remembered —
He is encased in my heart
like a treasured photograph,
like a precious gem,
like a benediction soothing me quiet when anxious.

It is His ultimate promise:
Neither will He forget me –
looking long in my eyes that lean in to Him.

[And the Lord answered] Can a woman forget her nursing child, that she should not have compassion on the son of her womb?
Yes, they may forget, yet I will not forget you.
Isaiah 49:15

Long for the Longing

The sweetest thing in all my life has been the longing —
to reach the Mountain,
to find the place where all the beauty came from —
my country,
the place where I ought to have been born.
Do you think it all meant nothing, all the longing?
The longing for home?
For indeed it now feels not like going, but like going back.
~ C. S. Lewis, Till We Have Faces

The soul must long for God
in order to be set aflame by God’s love.
But if the soul cannot yet feel this longing,
then it must long for the longing.
To long for the longing is also from God.
~Meister Eckhart from Freedom from Sinful Thoughts

I tend to get distracted,
losing my sense of purpose and the reason I’m here;
I become too absorbed by the troubles of the moment,
or dwelling on the troubles of the past,
or anticipating the troubles of tomorrow.

My feelings end up overwhelming all else –
am I uncomfortable? restless? discouraged? peevish? worried? empty?

When my spirit grows cold, I need igniting. I long for the spark of God to set me aflame again, even at the risk of getting singed.

We’re all His kindling ready to be lit.
I long for longing at the beginning and ending of every day.

Lyrics:
From the love of my own comfort
From the fear of having nothing
From a life of worldly passions
Deliver me O God

From the need to be understood
From the need to be accepted
From the fear of being lonely
Deliver me O God Deliver me O God

And I shall not want,
I shall not want when I taste Your goodness
I shall not want when I taste Your goodness
I shall not want

From the fear of serving others
From the fear of death or trial
From the fear of humility
Deliver me O God Deliver me O God