A World of Crowded Cups to Fill

sphere of pillowed sky
one faceless gathering of blue.
..

… I’m tethered, and devoted
to your raw and lonely bloom

my lavish need to drink
your world of crowded cups to fill.
~Tara Bray “hydrangea” from Image Journal

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

Dwelling within a mosaic of dying colors,
these petals fold and collapse
under the weight of the sky’s tears.

This hydrangea bears a rainbow of hues,
once-vibrant promises of blue
now fading to rusts and grays.

I know what this is like:
the running out of the clock,
feeling the limits of vitality.

Withering and drying,
I’m drawn, thirsty for the beauty,
to this waning artist’s palette.

To quench my thirst:
from an open cup, an invitation,
an everlasting visual sacrament.

I Lean Toward Darkness

The moon drops one or two feathers into the field.   
The dark wheat listens.
Be still.
Now.
There they are, the moon’s young, trying
Their wings.

I stand alone by an elder tree, I do not dare breathe
Or move.
I listen.
The wheat leans back toward its own darkness,
And I lean toward mine.
~James Wright from “Beginning”

Wherever it was
I was supposed to be
this morning—
whatever it was I said
I would be doing—
I was standing
at the edge of the field—
I was hurrying
through my own soul,
opening its dark doors—
I was leaning out;
I was listening.
— Mary Oliver from New and Selected Poems, Volume 2

I am leaning back further into darkness.

Sun rays through the window blinds no longer rouse me awake. The farm animals are eager for their evening tucking in rather than lingering long in the fields. The leaves blink away their green.

I ready myself for bed early, glad for respite and stillness.

Summer isn’t over yet but its fatigue is evident.
We’re leaning back, eyes closed, ready for rest.

Something Finished

Gold of a ripe oat straw, gold of a southwest moon,
What is there for you in the birds, the birds, the birds, crying
down on the north wind in September, acres of birds spotting
the air going south?

Is there something finished? And some new beginning on the
way?

I cried over beautiful things knowing no beautiful thing lasts.
~Carl Sandburg from “Fall Time” and “Autumn Movement”

My summer of “no doctoring” finishes today. I return to part-time clinical work tomorrow; a new beginning is on the way.

I am readying myself.

I consider how it will feel to put the stethoscope back on and return to spending most of my daylight hours in window-less rooms. Several months of freedom to wander and wonder will be tough to give up.

However, when I meet my first patient of the day, I’m “all in.” Someone is needing my help more than I need time off. The wind has shifted, it is time to migrate back to the work I was called to do over forty years ago.

Still I will look for beautiful things where I can find them, knowing that even though they don’t last, they will always be well worth the weeping.

The Ebb and Flow of Sound

What I remember is the ebb and flow of sound
That summer morning as the mower came and went
And came again, crescendo and diminuendo,
And always when the sound was loudest how it ceased
A moment while he backed the horses for the turn,
The rapid clatter giving place to the slow click
And the mower’s voice. That was the sound I listened for,
The voice did what the horses did. It shared the action
As sympathetic magic does or incantation.
The voice hauled and the horses hauled. The strength of one
Was in the other and in the strength was impatience.
Over and over as the mower made his rounds
I heard his voice and only once or twice he backed
And turned and went ahead and spoke no word at all.
~Robert Francis “The Sound I Listened For” from Collected Poems

In the rural countryside where we live, we’ve been fortunate enough to know people who still dabble in horse farming, whose draft teams are hitched to plows and mowers and manure spreaders as they head out to the fields to recapture the past and experience working the land in a way that honors the traditions of our forebears.

A good teamster primarily works with his horses using his voice. No diesel engine means hearing bird calls from the surrounding fields and woods, along with the steady footfall of the horses, the harness chains jingling, the leather straps creaking, the machinery shushing quietly as gears turn and grass lays over in submission. No ear protection is needed. There is no clock needed to pace the day.

There is a rhythm of nurture when animals instead of motors are part of the work day. The gauge for taking a break is the amount of foamy sweat on the horses and how fast they are breathing — time to stop and take a breather, time to start back up and do a few more rows, time to water, time for a meal, time for a nap, time for a rest in a shady spot.

This is gentle use of the land with four footed stewards who deposit right back to the soil the digested forage they have eaten only hours before. This is gentle to our ears and our souls, measuring the ebb and flow of sound and silence.

The horse-drawn field mower is a sound I listen for, if not next door then in my dreams.

Photo courtesy of Aaron Janicki
Photo courtesy of Aaron Janicki

I Am Responsible

In your extended absence, you permit me
use of earth, anticipating
some return on investment. I must report
failure in my assignment, principally
regarding the tomato plants.
I think I should not be encouraged to grow
tomatoes. Or, if I am, you should withhold
the heavy rains, the cold nights that come
so often here, while other regions get
twelve weeks of summer. All this
belongs to you: on the other hand,
I planted the seeds, I watched the first shoots
like wings tearing the soil, and it was my heart
broken by the blight, the black spot so quickly
multiplying in the rows. I doubt
you have a heart, in our understanding of
that term. You who do not discriminate
between the dead and the living, who are, in consequence,
immune to foreshadowing, you may not know
how much terror we bear, the spotted leaf,
the red leaves of the maple falling
even in August, in early darkness: I am responsible for these vines.
~Louise Glück “Vespers”

As the calendar turns to September and August fades away, I know all too well what this means. I have spent a lifetime loving the season of autumn best of all, but that is because I wasn’t living it, and it seems now I am.

More and more the blight feels personal, the color change is in the mirror looking back at me, the leaves falling from my own scalp, the threat of rot setting in quite real. There is nothing “pumpkin spice” and “harvest gold” about growing older.

Even so, the fruit I try to bear is still edible even if not as presentable; the vine still bears useful life. A first frost forces ripening and prepares what remains because time is short and there is so much yet to get done.

I feel the responsibility of making all this effort count for something. I am here because I was intentionally planted, weeded, nurtured, watered and warmed. When it is my turn, the rot is cut away and thankfully forgotten.

I will still be sweet to the taste, just as I am meant to be.

Finding My Way Home

Bees do have a smell, you know,
and if they don’t they should,
for their feet are dusted with spices
from a million flowers.”
~Ray Bradbury, Dandelion Wine


I studied bees, who were able
to convey messages through dancing
and could find their ways
home to their hives
even if someone put up a blockade of sheets
and boards and wire.
Bees had radar in their wings and brains
that humans could barely understand.
I wrote a paper proclaiming
their brilliance and superiority
and revised it at a small café
featuring wooden hive-shaped honey-dippers
in silver honeypots
at every table.
~Naomi Shihab Nye from “Bees Were Better”

Suddenly a bee, big as a blackberry,
bumbles against my window, knocking
for attention. Rolling in azalea cups all morning,
she weaves in slow motion then hovers
like a helicopter, humming
to herself. The key, C major.
No black notes, no sharps, no flats.
Only naturals—the fan of her own wings,
the bliss of her own buzz.

She doesn’t practice.
She doesn’t have to. She knows.
To make honey, you follow the dance.
~Alice Friman  from “The Key”

I wish I had a homing device in my body that would bring me home no matter where I wander. I simply turn my face to the sun and my wings take me back there, even if I wasn’t paying attention to the dance of others and I’m off kilter or too stubborn to admit home is where I need to be.

After a summer of watching thousands of bees making a “bee-line” to home at night as if they are on a superhighway to their very own hive and honey cell, I need to be just as determined, just as committed, just as confident that I’m heading to where I belong.

The rest are waiting for me and have left the light on.


The Road From Here to There

A spoon in a cup of tea.
Letters in yellow envelopes,
the way a hand pushed lines
into the soft paper.
Morning laughter.
A white shirt draped
over her chair.
An open window. The air.
Call of one blackbird.
Silence of another.
November. Summer.
My love for you, I say.
My love for you infinity
times a million
, my son says.
Sounds of piano notes
as they rest in treetops.
The road from here to there.
Grief, that floating, lost swan.
~Paige Riehl “Things That Cannot Die” from Suspension

photo by Nate Gibson

Anticipation of an early morning call so not much sleep last night.
When the call came – a new grandson announced from miles away-

we laughed gleefully at this gift

our love expanded infinity times a million for these brand new parents, this new life joining the world,
this new road to travel together from here to there.
All that is ordinary is now new and extraordinary.

Love through the generations cannot die but thrives and pulses alive. We laugh and cry at once at the generous grace of our good God who turns all human grief to joy.

photo of Ben Gibson and baby Daniel by Kathy Mulhern (grandma!)
photo by Lea Gibson