My mother, who hates thunder storms, Holds up each summer day and shakes It out suspiciously, lest swarms Of grape-dark clouds are lurking there; But when the August weather breaks And rains begin, and brittle frost Sharpens the bird-abandoned air, Her worried summer look is lost,
And I her son, though summer-born And summer-loving, none the less Am easier when the leaves are gone Too often summer days appear Emblems of perfect happiness I can’t confront: I must await A time less bold, less rich, less clear: An autumn more appropriate. ~Philip Larkin “Mother, Summer, I”
Summer grass aches and whispers.
It wants something; it calls and sings; it pours out wishes to the overhead stars.
The rain hears; the rain answers; the rain is slow coming; the rain wets the face of the grass. ~Carl Sandberg “Summer Grass”
August rushes by like desert rainfall, A flood of frenzied upheaval, Expected, But still catching me unprepared. Like a match flame Bursting on the scene, Heat and haze of crimson sunsets. Like a dream Of moon and dark barely recalled, A moment, Shadows caught in a blink. Like a quick kiss; One wishes for more But it suddenly turns to leave, Dragging summer away. – Elizabeth Maua Taylor“August”
The endless clear skies of August now broken with exuberant clouds, rain falling in warm gusts, leaves landing on browned ground.
This summer ended up being simply too much – an excess of everything bright and beautiful, meant to make us joyful, yet bold and exhausting in its riches.
From endless hours of daylight, to high rising temperatures and wildfires, to palettes of smoke-filled landscapes to fruitfulness and abundant blooms.
While summer always fills a void after enduring cold spare dark days the rest of the year, I still depend on autumn returning.
I welcome darkening times back, knowing how much I miss those drear twilight months of longing for the overwhelming fullness of summer.
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Further in Summer than the Birds Pathetic from the Grass A minor Nation celebrates Its unobtrusive Mass.
No Ordinance be seen So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
Antiquest felt at Noon When August burning low Arise this spectral Canticle Repose to typify
Remit as yet no Grace No Furrow on the Glow Yet a Druidic Difference Enhances Nature now ~Emily Dickinson
“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:
So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.” ~N. Scott Momaday from The Man Made of Words
On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard. He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition. In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.
But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem. What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.
As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending, particularly when the skies are filled with smoke from uncontrolled wildfires in the north, the east and the south. There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.
Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone. The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.
There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.
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The Northwest Washington Fair in Lynden is underway this week and for the fourteenth year in a row, our Haflinger horses aren’t there on display, but who is counting?
I guess I am.
I feel wistful as I wake up too early on a foggy summer morning, remembering the twenty years when I would gather up our sleepy children and their friends and head into the fairgrounds to clean stalls, walk the horses to exercise them and prepare for the day.
As we are no long “doing” the fair as a farm, I indulge in a little sadness each August as I walk past the stalls we used at the fair.
Our farm, BriarCroft, had been a consistent presence for two decades, promoting the Haflinger breed in a well-decorated outdoor display, providing 24 hours-a-day coverage for the horses for the 6 days of the fair. We petitioned the Fair Board for 5 years in the late 1980s to allow us to display at the fair, and they finally said “okay, here’s the space, build it yourself,” so we did. We were not there for classes, competition, or ribbons. We were there because people enjoyed our Haflingers and we enjoyed the people.
But, as eventually happens in real life, our children grew up and moved away, so we no longer had help to “man” the horse stalls. Over two decades, several dozen “kids” were recruited to help beyond just our family: their cousins, school friends, church kids, neighbors. Now many of them have children of their own.
Between 1992 and 2012, we were there, sometimes sharing space and duties with other Haflinger farms (Rodenbergers and McKees), along with several brave young women (Kelsy Smith, Chesna Klimek and Emily Vander Haak) who did Haflinger “trick riding” as part of the fair’s daily Grandstand show. The older kids watched the younger kids, the in-between kids did most of the horse stall cleaning duty, and we adults sat and shot the breeze.
Our display created good will for the fair visitors who depended on us every year to be there with horses that they and their children could actually pet (and sit on), who enjoyed our braiding demonstrations, and our various Haflinger trivia contests with prizes.
Our golden horses came to represent what dreams are made of.
Countless times a day there would be a bright eyed child who approached our stalls, climbed up on the step stools and reached up to pet a Haflinger nose or neck and looked deep into those big brown Haflinger eyes, losing their heart forever to the breed. They will not forget that moment when a horse they had never met before loved them back. Haflingers are magic with children and we saw that over and over again.
So on this misty late summer morning, instead of heading to the fairgrounds to clean stalls, I’m going down to the barn to turn three aged dusty, unbathed Haflingers out in the field as usual. They don’t know all the excitement they are missing.
I do hope the fair-goers still remember the friendly golden horses with the big brown eyes, who helped make dreams come true.
Each passing year is a reminder – we all fared well at the fair.
1993 front page Bellingham Herald article featuring my braid job at the fair on our gelding, Milky Way
Trillium as a yearling with me at the fair 1993 – she passed away on our farm at age 30
Thank you to Lea Gibson Lozano, Emily Vander Haak, Kelsy Smith, and Chesna Klimek for their photos in this collection.
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Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue.
Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything.
Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.
Be patient and without bitterness, and realize that the least we can do is to make coming into existence no more difficult for Him than the earth does for spring when it wants to come. ~Rainier Marie Rilkefrom Letters to a Young Poet
We feel the twinges of struggling to live broken in difficult times; indeed, all our days are difficult times.
We won’t get out of this predicament alive, yet we are loved.
Whether we care or not about what happens after our last breath does not alter the fact Christ dwells alongside us; our heavy heads bow as we turn to face the compelling Light.
Like Mary, we must say: “Let it be,” – not “no, not me, not now.”
We are transformed by accepting He has come on our behalf: an oh-so-difficult faith connecting us like a slender filament to heaven: like the bird greeting the morning with songs that weep, like the butterfly emerging from its cracked chrysalis to try its wings, like the cracked snail shell abandoned because we no longer fit inside its broken confinement.
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It’s ripe, the melon by our sink. Yellow, bee-bitten, soft, it perfumes the house too sweetly. At five I wake, the air mournful in its quiet. My wife’s eyes swim calmly under their lids, her mouth and jaw relaxed, different. What is happening in the silence of this house? Curtains hang heavily from their rods. Ficus leaves tremble at my footsteps. Yet the colors outside are perfect– orange geranium, blue lobelia. I wander from room to room like a man in a museum: wife, children, books, flowers, melon. Such still air. Soon the mid-morning breeze will float in like tepid water, then hot. How do I start this day, I who am unsure of how my life has happened or how to proceed amid this warm and steady sweetness? ~Albert Garcia “August Morning” from Skunk Talk
I know I am getting old and I say so, but I don’t think of myself as an old man. I think of myself as a young man with unforeseen debilities. Time is neither young nor old, but simply new, always counting, the only apocalypse. And the clouds —no mere measure or geometry, no cubism, can account for clouds or, satisfactorily, for bodies. There is no science for this, or art either. Even the old body is new—who has known it before?—and no sooner new than gone, to be replaced by a body yet older and again new. The clouds are rarely absent from our sky over this humid valley, and there is a sycamore that I watch as, growing on the riverbank, it forecloses the horizon, like the years of an old man. And you, who are as old almost as I am, I love as I loved you young, except that, old, I am astonished at such a possibility, and am duly grateful. ~ Wendell Berry “VII.” from Leavings.
…today, the unseen was everything. The unknown, the only real fact of life. All this he saw, for one moment breathless and intense, vivid on the morning sky; and still, as he looked, he lived; and still, as he lived, he wondered. ~Kenneth Grahame, The Wind in the Willows
How do I start this day when I am unsure of the immense unknown?
I begin by looking. I live with wonder and astonishment; yet another morning has been gifted to me.
Even if sleep proved elusive, the air through the windows still warm at midnight. When even a melon-colored sky looks dry along with everything beneath it.
When wildfire smoke still drifts in on waves from the north and east, both obscuring and rounding the sharp edges of mountain peaks.
I wonder, grateful, for the sweetness on this tepid summer morning offering itself to me.
I’m here. I look, I live, I wonder. Let the day begin, opening up into the immense unknown.
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This world, after all our science and sciences, is still a miracle; wonderful, inscrutable, magical, and more, to whosoever will think of it.
To awaken each morning with a smile brightening my face; to greet the day with reverence for the opportunities it contains; to approach my work with a clean mind; to hold ever before me, even in the doing of little things, the ultimate purpose toward which I am working; to meet men and women with laughter on my lips and love in my heart; to be gentle, kind, and courteous through all the hours; to approach the night with weariness that ever woos sleep and the joy that comes from work well done – this is how I desire to waste wisely my days. ~Thomas Dekker, 16th century British playwright
I work hard at wasting my days wisely.
Summers are a classic opportunity to waste time and I do – happily – yet there is always a hint of regret: I could have made more of a dewy bright morning, an afternoon of cooling shadows, or a full-moon twilight.
Or perhaps I could have made this day better for someone else to waste.
How better to waste my days: to find ways for my interactions to be more joyous, if only through a smile, a shared chuckle, a kind word, a generous gesture.
Waste away, dear days. What a wonderful world this could be.
The world, after all, is a miracle and needs us to notice.
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Still, what I want in my life Is to be willing To be dazzled- To cast aside the weight of facts
And maybe even To float a little Above this difficult world. I want to believe I am looking
Into the white fire of a great mystery. I want to believe that the imperfectionsare nothing — that the light is everything — that it is more than the sum of each flawed blossom rising and fading. And I do. ~Mary Oliver from “The Ponds”from House of Light
Tell all the truth but tell it slant — Success in Circuit lies Too bright for our infirm Delight The Truth’s superb surprise As Lightning to the Children eased With explanation kind The Truth must dazzle gradually Or every man be blind — ~Emily Dickinson 1263
Who would have thought it possible that a tiny little flower could preoccupy a person so completely that there simply wasn’t room for any other thought? ~ Sophie Scholl from At the Heart of the White Rose
There are days we live as if death were nowhere in the background; from joy to joy to joy, from wing to wing, from blossom to blossom to impossible blossom, to sweet impossible blossom. ~Li-Young Lee from “From Blossoms”
I can’t always handle all the truth all at once, especially when it hurts.
It is best if truth coaxes me slowly out of the shadows where I like to hunker down, preoccupied, like a tight little bud refusing to open.
Truth told slant is an illuminating back drop, encouraging me to peek out from the darkness, open up, dazzled by the light.
And then, perhaps, ~just maybe~ I too may become almost dazzling to behold.
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How did I come to be this particular version of me, and not some other, this morning of purple delphiniums blooming like royalty, destined to meet these three dogs asleep at my feet, and not others— this soft summer morning, sitting on her screened porch become ours, our wind chime singing of wind and time, yellow-white digitalis feeding bees and filling me— and more abundance to come: basil, tomatoes, zucchini. What luck or fate, instinct, or grace brought me here— in shade, beneath hidden stars, a soft, summer morning, seeing with my whole being, love made visible. ~Laura Foley “The Once Invisible Garden” from Sledding in the Valley of the Shadow
Suddenly it is August again, so hot, breathless heat. I sit on the ground in the garden of Carmel, picking ripe cherry tomatoes and eating them. They are so ripe that the skin is split, so warm and sweet from the attentions of the sun, the juice bursts in my mouth, an ecstatic taste, and I feel that I am in the mouth of summer, sloshing in the saliva of August. Hummingbirds halo me there, in the great green silence, and my own bursting heart splits me with life. ~Anne Higgins “Cherry Tomatoes” from At the Year’s Elbow
Such still air. Soon the mid-morning breeze will float in like tepid water, then hot.
How do I start this day, I who am unsure of how my life has happened or how to proceed amid this warm and steady sweetness? ~Albert Garcia from “August Morning” from Skunk Talk
Write it in your heart that every day is the best day of the year. Live in the sunshine, swim in the sea, breathe the wild air. Finish each day and be done with it. You have done what you could. Some blunders and absurdities no doubt crept in; forget them as soon as you can. Tomorrow is a new day. You shall begin it serenely and with too high a spirit to be encumbered with your old nonsense. ~Ralph Waldo Emerson from Collected Poems and Translations
She has done what she could… ~Mark 14:8
How do I start this gift of a new August summer day?
When sleep is elusive, the air too still and warm at midnight When even a cloud-strewn sky looks dry When wildfire smoke drifts in on waves from north and east, obscuring, rounding out the sharp edges
Yet I taste the sweetness offered this tepid summer morning, unencumbered by my old over-thinking nonsense.
I’m here, present and accounted for, blessed by all I see. I am doing what I can. Let the day begin.
Even After All this time The sun never says to the earth,
“You owe Me.”
Look What happens With a love like that, It lights the Whole Sky. ~Daniel Ladinsky, from “The Gift”
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How easily happiness begins by dicing onions. A lump of sweet butter slithers and swirls across the floor of the sauté pan, especially if its errant path crosses a tiny slick of olive oil. Then a tumble of onions.
This could mean soup or risotto or chutney (from the Sanskrit chatni, to lick). Slowly the onions go limp and then nacreous and then what cookbooks call clear, though if they were eyes you could see
clearly the cataracts in them. It’s true it can make you weep to peel them, to unfurl and to tease from the taut ball first the brittle, caramel-colored and decrepit papery outside layer, the least
recent the reticent onion wrapped around its growing body, for there’s nothing to an onion but skin, and it’s true you can go on weeping as you go on in, through the moist middle skins, the sweetest
and thickest, and you can go on in to the core, to the bud-like, acrid, fibrous skins densely clustered there, stalky and in- complete, and these are the most pungent, like the nuggets of nightmare
and rage and murmury animal comfort that infant humans secrete. This is the best domestic perfume. You sit down to eat with a rumor of onions still on your twice-washed hands and lift to your mouth a hint
of a story about loam and usual endurance. It’s there when you clean up and rinse the wine glasses and make a joke, and you leave the minutest whiff of it on the light switch, later, when you climb the stairs. ~William Matthews “Onions”
I don’t mean to make you cry. I mean nothing, but this has not kept you From peeling away my body, layer by layer,
The tears clouding your eyes as the table fills With husks, cut flesh, all the debris of pursuit. Poor deluded human: you seek my heart.
Hunt all you want. Beneath each skin of mine Lies another skin: I am pure onion–pure union Of outside and in, surface and secret core.
…It’s true it can make you weep to peel them, to unfurl and to tease from the taut ball first the brittle, caramel-colored and decrepit papery outside layer, the least
recent the reticent onion wrapped around its growing body, for there’s nothing to an onion but skin, and it’s true you can go on weeping as you go on in, through the moist middle skins, the sweetest
and thickest, and you can go on in to the core, to the bud-like, acrid, fibrous skins densely clustered there, stalky and in- complete, and these are the most pungent… ~William Matthews from “Onions”
…I would never scold the onion for causing tears. It is right that tears fall for something small and forgotten. How at meal, we sit to eat, commenting on texture of meat or herbal aroma but never on the translucence of onion, now limp, now divided, or its traditionally honorable career: For the sake of others, disappear. ~Naomi Shihab Nye from “The Traveling Onion” from Words Under the Words: Selected Poems.
Onion, luminous flask, your beauty formed petal by petal, crystal scales expanded you and in the secrecy of the dark earth your belly grew round with dew. Under the earth the miracle happened and when your clumsy green stem appeared, and your leaves were born like swords in the garden, the earth heaped up her power showing your naked transparency…
…You make us cry without hurting us. I have praised everything that exists, but to me, onion, you are more beautiful than a bird of dazzling feathers, heavenly globe, platinum goblet, unmoving dance of the snowy anemone
and the fragrance of the earth lives in your crystalline nature. ~Pablo Neruda from “Ode to the Onion”
Everything smells of “eau de onion” here in the kitchen when the onions are brought in from our garden to be stored or dehydrated and frozen for winter soups and stews.
This is weepy business, but these are good tears like I spill over the whistled Greensleeves theme from the old “Lassie” TV show, or during any childrens’ choir song, or by simply watching videos of our grandchildren who live too far away to visit every day.
It takes almost nothing these days to make me weep, so onions are a handy excuse, allowing my tears to flow without explanation:
I weep over the headlines.
I weep over how messy things can get between people who don’t listen to one another or who misinterpret what they think they hear.
I weep knowing we all have layers and layers of skin that appear tough on the outside, but as you peel gently or even ruthlessly cut them away, the layers get more and more tender until you reach the throbbing heart of us.
We tend to hide our hearts out of fear of being hurt, crying out in pain.
Like an onion, each one of us exists to make the day a bit better, the meal more savory, to enhance the flavors of all who are mixed into this melting pot together, trying to make sad things new.
We aren’t meant to stand alone, but to disappear into the stew, and be sorely missed if we are absent.
So very dish needs an onion, and for the sake of the dish, every onion vanishes in the process.
No, I don’t mean to make you cry as you peel my layers away, gently, one by one, each more tender until you reach my heart. Chop away at me if you must but weep the good tears, the ones that mean we weep for the sake of our meal together: you eating and drinking, and me – consumed.
Lyrics: When the dark wood fell before me And all the paths were overgrown When the priests of pride say there is no other way I tilled the sorrows of stone
I did not believe because I could not see Though you came to me in the night When the dawn seemed forever lost You showed me your love in the light of the stars
Chorus: Cast your eyes on the ocean Cast your soul to the sea When the dark night seems endless Please remember me
Then the mountain rose before me By the deep well of desire From the fountain of forgiveness Beyond the ice and fire
Though we share this humble path, alone How fragile is the heart Oh, give these clay feet wings to fly To touch the face of the stars
Breathe life into this feeble heart Lift this mortal veil of fear Take these crumbled hopes, etched with tears We’ll rise above these earthly cares
Lyrics: Light after darkness, gain after loss Strength after weakness, crown after cross; Sweet after bitter, hope after fears Home after wandering, praise after tears
Alpha and Omega Beginning and the end He is making all things new Springs of living water Shall wash away each tear He is making all things new Sight after mystery, sun after rain Joy after sorrow, peace after pain; Near after distant, gleam after gloom Love aftеr wandering, life after tomb
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The first week of August hangs at the very top of summer, the top of the live-long year, like the highest seat of a Ferris wheel when it pauses in its turning.
The weeks that come before are only a climb from balmy spring, and those that follow a drop to the chill of autumn, but the first week of August is motionless, and hot.
It is curiously silent, too, with blank white dawns and glaring noons, and sunsets smeared with too much color. ~Natalie Babbitt from Tuck Everlasting
After an early summer of moderate temperatures and occasional rains, we’re adjusting to temperatures in the nineties. No one asked me if enduring heat, humidity, and smoky skies was a reasonable way to conclude the first week of August.
So I sit silently rocking and sweating in the highest vantage point of this summer’s ferris wheel ride so far, hanging breathlessly mid-air, a brief pause in the endless cycle of sunny days.
Having just arrived at the top, I venture to look down, knowing I am simply along for the ride, and Someone else is at the controls. I might as well enjoy the view of all that is behind, alongside and in front of me, but especially what is below, holding me up in thin air.
All too quickly will come the rapid descent into autumn, my stomach leaping into my chest with the lurch forward into the unknown. As the climb to get here took so long, I am not quite ready for this inevitable drop back into the chill.
Hot or not, it’s best to celebrate August for all it’s splashiness and shining illumination necessitating sunglasses. At least I’m swinging in what little breeze there is, endeavoring to capture this moment, and every moment, forever.
Lyrics from poem by James Agee: Sure on this shining night Of starmade shadows round Kindness must watch for me This side the ground On this shining night This shining night
Sure on this shining night Of starmade shadows round Kindness must watch for me This side the ground On this shining night This shining night
The late year lies down the north All is healed, all is health High summer holds the earth Hearts all whole
The late year lies down the north All is healed, all is health High summer holds the earth Hearts all whole
Sure on this shining night Sure on this shining night
Sure on this shining night I weep for wonder Wandering far alone Of shadows on the stars
Sure on this shining night Of starmade shadows round Kindness must watch for me This side the ground
Oh, this shining night This shining night The shining night Sure on this shining night
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