I wonder what it would be like to live in a world where it was always June. ~L. M. Montgomery from Anne of the Island
Each month is special in its own way: I tend to favor April and October for how the light plays on the landscape during transitional times — a residual of what has been, with a hint of what lies ahead.
Then there is June. Dear, gentle, abundant and overwhelming June. Nothing is dried up, there is such a rich feeling of ascension into lushness of summer with an “out of school” attitude, even if one has graduated long ago.
And the light, and the birdsong and the dew and the greens — such vivid verdant greens.
As lovely as June is, 30 days is more than plenty or I would become completely saturated. Then I can be released from my sated stupor to wistfully hunger for June for 335 more.
This is the grip, like this: both hands. You can close your eyes if you like. When I say, “Now,” it’s time. Don’t wait or it’s all over. But not too soon, either—just right. Don’t worry. Let’s go. Both hands. ~William Stafford, “Survival Course” from Even in Quiet Places.
I know well the feeling of pulling against a momentum determined to break free of the strength I can muster to keep it under control. This is how my life, personally and professionally has often felt over the decades. It seems I am barely hanging on, at times losing my grip, my feet braced but slipping beneath me.
The full-uddered cow in the painting is compelled to join her herd in a pastoral scene just across the creek, but the milk maid must resist the cow’s escape. For the cow’s benefit and comfort, she must be milked. The cow has another agenda. She has snapped her rope tie, almost pulled up the stake, and in a show of strength and determination, the maid braces to pull a much larger animal around to retie her and restore things to how they were.
The action suggests the maid may succeed, but the cow’s attention is directed far afield. She doesn’t even feel the tug on her halter. We’re not fully convinced the cow won’t suddenly pull loose and break away from the maid’s grip, leaping the stream, tail raised straight in the air like a flag of freedom.
Right now, as spring advances rapidly with grass growing thick in the pastures, our horses smell that richness in the air. Sometimes this tug of war takes place when my plan is different than the horse’s. The fields are too wet for them to be out full time yet, so they must wait for the appropriate time to be released to freedom. The grass calls to them like a siren song as I feed them their portion of last summer’s uninviting hay. They can pull my shoulders almost out of joint when they are determined enough, they break through fences in their pursuit of green, they push through stall doors and lift gates off hinges. Right now I’m barely an adequate counterbalance to the pursuit of their desires and I struggle to remind them I’m on the other end of their lead rope.
Each day I find I try too hard to restore order in my life, on the farm, in the house, in my work, with my family. I want to pull that cow back around, get her tied up and relieved of her burden of milk so that it can nurture and replenish others. Sometimes I hang on, only to be pulled roughly along on the ground, scraped and yelling in the process.
Sometimes I just let go and have to try to catch that cow all over again.
Once in awhile I successfully get the cow turned around and actually milked without a spill.
I’ve held on with both hands. I’m clasping them together in prayer and petition that I won’t get pulled into the mud. I’ve got a grip. And maybe, just maybe, I will make cheese….
He calls the honeybees his girls although he tells me they’re ungendered workers who never produce offspring. Some hour drops, the bees shut off. In the long, cool slant of sun, spent flowers fold into cups. He asks me if I’ve ever seen a Solitary Bee where it sleeps. I say I’ve not. The nearest bud’s a long-throated peach hollyhock. He cradles it in his palm, holds it up so I spy the intimacy of the sleeping bee. Little life safe in a petal, little girl, your few furious buzzings as you stir stay with me all winter, remind me of my work undone. ~Heid E. Erdrich, from “Intimate Detail” from The Mother’s Tongue
The barn’s brown gable, the vine by the door,— Nothing changed but the hives of bees. Before them, under the garden wall, Forward and back, Went drearily singing the chore-girl small, Draping each hive with a shred of black. Trembling, I listened: the summer sun Had the chill of snow; For I knew she was telling the bees of one Gone on the journey we all must go! ~John Greenleaf Whittier from “Telling the Bees”
An old Celtic tradition necessitates sharing any news from the household with the farm’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death. This ensures the hives’ well-being and continued connection to home and community – the bees are kept in the loop, so to speak, so they stay at home, not swarm and move on to a more hospitable place.
Each little life safe at home, each little life with work undone.
Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all.
These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.
I hope the Beekeeper, our Creator, comes personally to each of us to say: “Here is what has happened. All will be well, dear one. We will navigate your little life together.”
I wonder if, in the dark night of the sea, the octopus dreams of me. ~N. Scott Momaday
If I am brutally honest with myself, one of my worst fears is to have lived on this earth for a few decades and then pass away forgotten, inconsequential, having left behind no legacy of significance whatsoever. I know it is self-absorbed to feel the need to leave a mark, but my search for purpose and meaning lasting beyond my time here provides new momentum for each day.
The forgetting can happen so fast. Most people know little about their great great grandparents, if they even know their names. A mere four generations, a century, renders us dust, not just in flesh, but in memory as well. There may be a yellowed photograph in a box somewhere, perhaps a tattered postcard or letter written in elegant script, but the essence of who this person was is long lost and forgotten. We owe it to our descendants to write down the stories about who we were while we lived on this earth. We need to share why we lived, for whom we lived, for what we lived.
I suspect however, unless I try every day to record some part of who I am, it will be no different with me and those who come after me. Whether or not we are remembered by great great grandchildren or become part of the dreams of creatures in the depths of the seas:
we are just dust here and there is no changing that.
Good thing this is not our only home. Good thing we are more than mere memory and dreams. Good thing there is eternity that transcends good works or long memories or legacies left behind. Good thing we are loved that much and always will be, Forever and ever, Amen.
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…the golden hour of the clock of the year. Everything that can run to fruit has already done so: round apples, oval plums, bottom-heavy pears, black walnuts and hickory nuts annealed in their shells, the woodchuck with his overcoat of fat. Flowers that were once bright as a box of crayons are now seed heads and thistle down. All the feathery grasses shine in the slanted light. It’s time to bring in the lawn chairs and wind chimes, time to draw the drapes against the wind, time to hunker down. Summer’s fruits are preserved in syrup, but nothing can stopper time. No way to seal it in wax or amber; it slides though our hands like a rope of silk. At night, the moon’s restless searchlight sweeps across the sky. ~Barbara Crooker “And Now it’s October” from Small Rain.
…but I do try to stopper time. I try every day not to suspend it or render it frozen, but like summer flower and fruit that withers, to preserve any sweet moment for sampling through stored words or pictures in the midst of my days of winter. I roll it around on my tongue, its heady fragrance becoming today’s lyrical shared moment, unstoppered, perpetual and always intoxicating.
What I remember is the ebb and flow of sound That summer morning as the mower came and went And came again, crescendo and diminuendo, And always when the sound was loudest how it ceased A moment while he backed the horses for the turn, The rapid clatter giving place to the slow click And the mower’s voice. That was the sound I listened for, The voice did what the horses did. It shared the action As sympathetic magic does or incantation. The voice hauled and the horses hauled. The strength of one Was in the other and in the strength was impatience. Over and over as the mower made his rounds I heard his voice and only once or twice he backed And turned and went ahead and spoke no word at all. ~Robert Francis “The Sound I Listened For” from Collected Poems
In the rural countryside where we live, we’ve been fortunate enough to know people who still dabble in horse farming, whose draft teams are hitched to plows and mowers and manure spreaders as they head out to the fields to recapture the past and experience working the land in a way that honors the traditions of our forebears.
A good teamster primarily works with his horses using his voice. No diesel engine means hearing bird calls from the surrounding fields and woods, along with the steady footfall of the horses, the harness chains jingling, the leather straps creaking, the machinery shushing quietly as gears turn and grass lays over in submission. No ear protection is needed. There is no clock needed to pace the day.
There is a rhythm of nurture when animals instead of motors are part of the work day. The gauge for taking a break is the amount of foamy sweat on the horses and how fast they are breathing — time to stop and take a breather, time to start back up and do a few more rows, time to water, time for a meal, time for a nap, time for a rest in a shady spot.
This is gentle use of the land with four footed stewards who deposit right back to the soil the digested forage they have eaten only hours before. This is gentle to our ears and our souls, measuring the ebb and flow of sound and silence.
The horse-drawn field mower is a sound I listen for, if not next door then in my dreams.
Once in your life you pass Through a place so pure It becomes tainted even By your regard, a space Of trees and air where Dusk comes as perfect ripeness. Here the only sounds are Sighs of rain and snow, Small rustlings of plants As they unwrap in twilight. This is where you will go At last when coldness comes. It is something you realize When you first see it, But instantly forget. At the end of your life You remember and dwell in Its faultless light forever. ~Paul Zimmer “The Place” from Crossing to Sunlight Revisited
I am astonished by an ever-changing faultless light and don’t want to ever forget my thirst for its illumination: slaked by such simple glories as transcendent orange pink a shift of shadows the ripeness of fluff about to let go, all giving me a glimpse of tomorrow over the horizon of today.
Families will be singing in the fields. In their voices they will hear a music risen out of the ground. They will take nothing from the ground they will not return, whatever the grief at parting. Memory, native to this valley, will spread over it like a grove, and memory will grow into legend, legend into song, song into sacrament. The abundance of this place, the songs of its people and its birds, will be health and wisdom and indwelling light. ~Wendell Berry from “A Vision”
Into the rooms flow meadow airs, The warm farm baking smell’s blown round. Inside and out, and sky and ground Are much the same;
Now straightening from the flowery hay, Down the still light the mowers look, Or turn, because their dreaming shook, And they waked half to other days, When left alone in the yellow stubble The rusty-coated mare would graze. ~Léonie Adams from “Country Summer”
Most of the work on our farm involves the ground – whether plowing, seeding, fertilizing, mowing, harvesting – this soil lives and breathes as much as we creatures who walk over it and the plants which arise rooted to it.
Yes, there must be light. Yes, there must be moisture. Yes, there must be teeming worms and microbes deep within the dirt, digesting and aerating and thriving, leaving behind needed nutrients as they live and die.
And yes, we all become dust again, hopefully returning to the ground more than we have taken.
As I watch our rusty-coated horses graze on the stubble of these slopes and valleys, I’m reminded it is a sacrament to live in such abundance. We all started in a Garden until we desired something more, and knowing our mistake, we keep striving to return.
So this land teems with memories: of the rhythms and cycles of the seasons, of the songs and stories of peoples who have lived here for generation after generation.
Eventually we will find our way back to the abundant soil.
Here is the place; right over the hill Runs the path I took; You can see the gap in the old wall still, And the stepping-stones in the shallow brook.
There is the house, with the gate red-barred, And the poplars tall; And the barn’s brown length, and the cattle-yard, And the white horns tossing above the wall.
There are the beehives ranged in the sun; And down by the brink Of the brook are her poor flowers, weed-o’errun, Pansy and daffodil, rose and pink.
A year has gone, as the tortoise goes, Heavy and slow; And the same rose blows, and the same sun glows, And the same brook sings of a year ago.
I can see it all now,—the slantwise rain Of light through the leaves, The sundown’s blaze on her window-pane, The bloom of her roses under the eaves.
Just the same as a month before,— The house and the trees, The barn’s brown gable, the vine by the door,— Nothing changed but the hives of bees.
Before them, under the garden wall, Forward and back, Went drearily singing the chore-girl small, Draping each hive with a shred of black.
Trembling, I listened: the summer sun Had the chill of snow; For I knew she was telling the bees of one Gone on the journey we all must go! ~John Greenleaf Whittier from “Telling the Bees”
An old Celtic tradition necessitates sharing any news from the rural household with the farmer’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death. This ensures the hives’ well-being and continued connection to home and farm – the bees are kept in the loop, so to speak, so they stay at home, not swarming to move on to a more hospitable and presumably communicative place.
Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all. These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.
I do hope the Beekeeper comes and personally reassures us: “Here is what has happened. All will be okay. We will navigate this life together. Please stay with me.”
O gentle bees, I have come to say That grandfather fell to sleep to-day. And we know by the smile on grandfather’s face. He has found his dear one’s biding place. So, bees, sing soft, and, bees, sing low. As over the honey-fields you sweep,— To the trees a-bloom and the flowers a-blow Sing of grandfather fast asleep; And ever beneath these orchard trees Find cheer and shelter, gentle bees. ~Eugene Field from “Telling the Bees”