Not just the first crocus bulb poking from the ground, but its pollen shining saffronly on the legs of a bee.
The reverberations of a hammered dulcimer or the puff of sweetness escaping between peel and pith of a ripe tangelo.
It’s riding the elevator after the doctor tells you, we can’t say why the scans are suddenly clear, or, if you’re exhausted from trying, time to surround yourself with people you love. It’s waking
in the middle of the night, looking out at the silhouettes of trees and realizing there is nothing lonely about silence. It’s cruising a wide-open Montana highway
or swinging your hips to the rhythm of a street-corner bucket drummer and daring the stares. It’s not the cicada blooming from its shell as much
as the shell itself, balanced on the finger of a little girl, then tumbling along the grass tips among the unkillable dandelions. ~Tania Runyan from “What It’s Like to Rise Again”
We’re each given a fresh start each day; even when it was a fitful sleep, and we’re fearful about what comes next, or if there will even be a “next”…
Jesus explains what it is like to rise above the darkness; bold, unafraid, leaving behind, neatly folded, the vestiges of death.
He gives us each reason to get up every morning, surrounded by those who love us.
Even when crushed and broken, He rose up so we can follow.
Everything’s going to be all right…
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Further in Summer than the Birds Pathetic from the Grass A minor Nation celebrates Its unobtrusive Mass.
No Ordinance be seen So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
Antiquest felt at Noon When August burning low Arise this spectral Canticle Repose to typify
Remit as yet no Grace No Furrow on the Glow Yet a Druidic Difference Enhances Nature now ~Emily Dickinson
“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:
So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.” ~N. Scott Momaday from The Man Made of Words
On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard. He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition. In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.
But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem. What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.
As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending, particularly when the skies are filled with smoke from uncontrolled wildfires in the north, the east and the south. There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.
Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone. The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.
There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.
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Light wakes us – there’s the sun climbing the mountains’ rim, spilling across the valley, finding our faces. It is July, between the hay and harvest, a time at arm’s length from all other time, the roads ragged with meadowsweet and mallow, with splays of seedheads, slubbed and coarse, rough linen. The fields above the house, clotted with sheep all spring, are empty now and froth with flowering grasses, still in the morning light. Birds move around the leafy fields, the leafy garden.
It is the time to set aside all vigil, good or ill, to loosen the fixed gaze of our attention as dandelions let seedlings to the wind. Wake with the light. Get up and go about the day and watch its surfaces that brighten with the sun.
And later, when the light is drowsed and heavy go find the burdened fruit trees where the shade lies splashed and opened-out across the ground. Spread over it a quilt worn soft by other bodies, then curl and fall down into sleep at light.
Awaken to a world of long, loose grass-stems, and leaves above, and birds, breaking out of the leaves. ~Kerry Hardie from “Sleep in Summer”
Saying good-bye to July last week meant admitting summer is already half-baked and so are we–
we who are still doughy, not nearly done enough.
The rush to autumn is breathless. We want to hold on tight to our longish days, fall asleep in the grasses, endure sweaty nights for just a little while longer…
Please, oh please grant us unending light and steady us for the task of getting ready for letting go.
A new series of summer photo notecards from our farm is now available as a thank you gift to you for your financial support of Barnstorming — details here
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At dusk, everything blurs and softens. From here out over the long valley, the fields and hills pull up the first slight sheets of evening, as, over the next hour, heavier, darker ones will follow.
Quieted roads, predictable deer browsing in a neighbor’s field, another’s herd of heifers, the kitchen lights starting in many windows. On horseback I take it in, neither visitor nor intruder, but kin passing, closer and closer to night, its cold streams rising in the sugarbush and hollow.
Half-aloud, I say to the horse, or myself, or whoever: let fire not come to this house, nor that barn, nor lightning strike the cattle. Let dogs not gain the gravid doe, let the lights of the rooms convey what they seem to.
And who is to say it is useless or foolish to ride out in the falling light alone, wishing, or praying, for particular good to particular beings, on one small road in a huge world?
The horse bears me along, like grace, making me better than what I am, and what I think or say or see is whole in these moments, is neither small nor broken. For up, out of the inscrutable earth, have come my body and the separate body of the mare: flawed and aching and wronged. Who then is better made to say be well, be glad,
or who to long that we, as one, might course over the entire valley, over all valleys, as a bird in a great embrace of flight, who presses against her breast, in grief and tenderness, the whole weeping body of the world? ~ Linda McCarriston, “Riding Out at Evening” fromTalking Soft Dutch
photo by Emily Vander Haak
On this, my 72nd birthday, I pray for this troubled world, reminding myself: be well, be glad…
I’m still here by the grace of God who carries not just me on His back through each day, but all earthly burdens.
I pray like a bird embracing the air which lifts its wings, tenderly holding to its breast a soaring freedom to transcend the weeping world.
I have seen so much goodness over 72 years, sometimes through tears of sorrow. I know there will be more joy and sadness before I’m done.
I am grateful, so very grateful to have lived all these years seeing tears shed, then dried, learning how love heals, knowing the only thing to last forever is God’s covenant promise to always carry us home.
photo by Brandon Dielemanphoto by Brandon Dieleman
video by Peter Tamminga
Whilst the world is weeping, let us do our bit. We have the time to sympathise, to listen and to sit. No needless thoughts, of the things we cannot do. But appreciate all the good bits and look at them anew.
The warmth and comfort of our homes, the food we have to eat. The family and friends we have, although we cannot meet. The village that we live in, and the community we share. So precious to us right now, so sit and think and care.
Whilst the world is full of sadness, anxiety and pain, It’s hard to imagine our lives ever carefree again. But nothing lasts forever, the clouds will always clear. Let’s heal the world with love, so the sunshine can appear. ~Sandra Rickman
Lyrics: Drop, drop, slow tears, and bathe those beauteous feet, which brought from heaven the news and Prince of Peace. Cease not, wet eyes, his mercies to entreat; to cry for vengeance sin doth never cease. In your deep floods drown all my faults and fears; nor let his eye see sin, but through my tears.
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In truth I am puzzled most in life by nine horses.
Two are on one side of the fence and seven on the other side.
They stare at one another from the same places hours and hours each day.
This is another unanswerable question to haunt us with the ordinary.
We live far out in the country where I hear creature voices night and day.
Like us they are talking about their lives on this brief visit to earth.
In truth each day is a universe in which we are tangled in the light of stars.
Stop a moment. Think about these horses in their sweet-smelling silence. ~Jim Harrison from “Horses”
What is this life is, full of care We have no time to stand and stare. No time to stand beneath the boughs And stare as long as sheep or cows. No time to see, when woods we pass, Where squirrels hide their nuts in grass. No time to see, in broad daylight, Streams full of stars, like skies at night. No time to turn at Beauty’s glance, And watch her feet, how they can dance. No time to wait till her mouth can Enrich that smile her eyes began. A poor life this if, full of care, We have no time to stand and stare. ~William Henry Davies “Leisure”
Fingers of twilight shadow begin to reach over the hill crawling down through the field up unto the bank of blackberries covering fences along the alder grove.
Our horses chew their last clover leafs before coming to the barn for night, eyelids heavy, relaxed and full, drowsy with summer evening peace at hand and hoof.
A sudden change in the air forces their heads up and ears forward; they form a line, standing and staring at the hilltop above them, riveted to the spot, alert to an incoming intruder, unfamiliar and foreign.
The roar is intermittent, like a warm wind rattling a barn roof, but inconstant; then peaking over the crest of the hill a rounded top of technicolor glory:
The hot air balloon rises.
The horses riveted, baffled, fascinated; no wild instinct prepares their response to this wizard’s act from Oz in their own backyard.
The basket riders wave and laugh at the equine audience below standing in formation with golden noses in the air and white manes blowing in the breeze.
The balloon summits the hill, dipping low, almost touchable before moving back up to race the sunset, and search out other pastures, other valleys and hills.
The horses released from the spell of “stand and stare” leap in response, snowy tails high, noses flared-
To race up the hill to capture impending darkness, our night-mares cavort, float suspended until their air is let out, gently, in softening snorts, to settle down in a straw bed in the barn where night, becomes blissfully ordinary again.
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Master, how serene Are all the hours We waste If, as we waste them, We place them in a vase Like flowers.
There are no sorrows In our lives Nor joys either. Let us learn then, Innocent sages, Not to live life,
But to pass through it, Tranquil, serene, Taking children As our teachers, Eyes full Of Nature . . .
Beside a river, Beside a road, Wherever we are, Living life With the same Light ease.
Let us gather flowers. Let us bathe our hands In the calm rivers, And from them Learn their calm.
[12 June, 1914] ~Fernando Pessoa from “Ode 1” translated from Portuguese by Margaret Jull Costa & Patricio Ferrari
How fresh, oh Lord, how sweet and clean Are thy returns! even as the flowers in spring; To which, besides their own demean, The late-past frosts tributes of pleasure bring. Grief melts away Like snow in May, As if there were no such cold thing.
Who would have thought my shriveled heart Could have recovered greenness? It was gone Quite underground; as flowers depart To see their mother-root, when they have blown, Where they together All the hard weather Dead to the world, keep house unknown.
These are thy wonders, Lord of power, Killing and quickening, bringing down to hell And up to heaven in an hour; Making a chiming of a passing-bell. We say amiss This or that is: Thy word is all, if we could spell.
Oh that I once past changing were, Fast in thy Paradise, where no flower can wither! Many a spring I shoot up fair, Offering at heaven, growing and groaning thither; Nor doth my flower Want a spring shower, My sins and I joining together.
But while I grow in a straight line, Still upwards bent, as if heaven were mine own, Thy anger comes, and I decline: What frost to that? what pole is not the zone Where all things burn, When thou dost turn, And the least frown of thine is shown?
And now in age I bud again, After so many deaths I live and write; I once more smell the dew and rain, And relish versing. Oh, my only light, It cannot be That I am he On whom thy tempests fell all night.
These are thy wonders, Lord of love, To make us see we are but flowers that glide; Which when we once can find and prove, Thou hast a garden for us where to bide; Who would be more, Swelling through store, Forfeit their Paradise by their pride. ~George Herbert “The Flower”
There are days we live as if death were nowhere in the background; from joy to joy to joy, from wing to wing, from blossom to blossom to impossible blossom, to sweet impossible blossom. ~Li-Young Lee from “From Blossoms”
Our small church has a couple of gracious and kind gardeners who share the produce from their yards and fields each week to provide a fresh bouquet to sit on the table in front of our humble wooden pulpit.
It is a special treat to walk into church and see what they brought to the altar to share with us all on Sunday morning. I keep a photo album of these very unique Sunday “pulpit posies” our keepers of gardens share.
Why are these arrangements special? After all, almost every church displays a floral arrangement every Sunday.
These are special as many of these flowers are seeded, watered, fertilized and nurtured by one of our own, grown with love and caring, just as God cares for each of His children.
These are special as some are considered simple weeds, and are gleaned from ditches and hedges. They are part of God’s creation and have a wild beauty that can be as breathtaking as a hothouse orchid.
These are special because they often go home with a congregant or visitor who will enjoy their loveliness for many more days, as if they represent the manifestation of God’s Word itself.
Some of us are dahlias, zinnias and roses. Some of us are rare gardenias and orchids. Most of us are dandelions, sagebrush, Queen Anne’s lace, fireweed, burdock, and daisies thriving in the crevasses, ditches and hedgerows of life.
No matter which roots we sprout from, or where, we are the wonders of our loving gardening God. He created us to take care of His creation.
Each week, we bud afresh for Him.
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Light and wind are running over the headed grass as though the hill had melted and now flowed. ~Wendell Berry “June Wind” from New Collected Poems
Cut grass lies frail: Brief is the breath Mown stalks exhale. Long, long the death
It dies in the white hours Of young-leafed June With chestnut flowers, With hedges snowlike strewn,
White lilac bowed, Lost lanes of Queen Anne’s lace, And that high-builded cloud Moving at summer’s pace. ~Philip Larkin “Cut Grass” from The Complete Poems
June is the month when grass grows exponentially, taking over all open spaces and every nook and cranny
Light and wind work magic on a field of flowing tall grass. The blades of the mower lay it to the ground in green streams that course up and down the slopes. It lies orderly in stoneless cemetery rows.
Farmer’s fields are lined with rows of mown grass, a precious commodity to be harvested for the livestock to eat the rest of the year. Some of the green is bagged up like big marshmallows for easy storage and some put in silos for later in the winter.
The shorn grass is critical to the life of the animals we raise.
What was once waving and bowing to the wind is cut and crushed: no longer bending but bent, no longer flowing but flown, no longer growing but mown.
At summer’s pace, while the clouds saunter overhead, grasses are stored as fodder for the beasts of the farm on those cold nights when the wind beats at the doors.
It will melt in their mouths. As we watch them chew, we’ll remember overflowing abundance of those summer days in June.
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The mare roamed soft about the slope, Her rump was like a dancing girl’s. Gentle beneath the apple trees She pulled the grass and shook the flies, Her forelocks hung in tawny curls, She had a woman’s limpid eyes, A woman’s patient stare that grieves. And when she moved among the trees, The dappled trees, her look was shy, She hid her nakedness in leaves. A delicate though weighted dance She stepped while flocks of finches flew From tree to tree and shot the leaves With songs of golden twittering; How admirable her tender stance. And then the apple trees were new, And she was new, and we were new, And in the barns the stallions stamped And shook the hills with trumpeting. ~Ruth Stone, “The Orchard” from What Love Comes To
Only one retired Haflinger mare remains on our farm now, her small herd diminishing one at a time as they passed from old age. She now is thirty herself, living her remaining days with two geldings in their twenties.
Over four decades, we have kept over a dozen mares born on this land, where they served us well, birthing us their foals and working when asked. In their retirement, they deserved this easy life on pasture for as long as their legs and feet could carry them up and down the slopes of our hilly farm – they more and more resembled our ancient crooked crippled orchard trees, some of which have toppled in the winter winds..
We are close to the end of our horse-keeping days; hard decisions must be made at some point and I don’t feel quite prepared to determine when they are no longer enjoying their time under the sun and I am too frail to care for them as they deserve.
I don’t want them or me to topple over like an old hollow tree in the wind.
I listen for their nickers as I come into the barn each morning and gauge their eagerness to be set free to the fields. The other day, as the sky was gray with a passing rain shower, the geldings went outside happily. As I let our mare out to pasture, she stopped on her way through the gate and turned around, poised to head back to the barn rather than get wet.
I looked her in the eyes and understood exactly how she was feeling.
Perhaps I have identified a bit too much with the stiffness as my aging mares move, their need for frequent napping times in the field, swishing at flies while they dream of younger days of flirting with stallions, nursing babies, having suppler joints and the occasional wild gallop at twilight.
I sing a sad lullaby to myself as I work about the barn with slow deliberation, knowing there is a somber sorrow to life change. The years pass, never to return, leaving those limpid eyes, flowing manes and tails in their wake.
Ah, yes, I have had all the pretty little horses…
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…The world is flux, and light becomes what it touches, becomes water, lilies on water, above and below water, becomes lilac and mauve and yellow and white and cerulean lamps, small fists passing sunlight so quickly to one another that it would take long, streaming hair inside my brush to catch it. To paint the speed of light! Our weighted shapes, these verticals, burn to mix with air and change our bones, skin, clothes to gases. Doctor, if only you could see how heaven pulls earth into its arms and how infinitely the heart expands to claim this world, blue vapor without end. ~Lisel Mueller from “Monet Refuses the Operation” from Second Language
Monet’s corner of a lily pond (1918-1919)
“Heaven pulls earth into its arms…”
We all see things differently, don’t we? What seems ordinary to one is extraordinarily memorable to another.
How might I help others to see the world as I do? How might I learn to adjust my focus to see things as you do?
The world is in flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to muted.
Perhaps the blur from Monet’s cataracts also impedes my vision, creating a deeper understanding, as I use my imagination to fill in what I can’t quite discern.
My heart and mind expands exponentially to claim this world and all that beauty has to offer, while heaven – all this while – pulls me into its arms.
In heaven, my focus will be clear. All will be extraordinarily ordinary.
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The power of finding beauty in the humblest things makes home happy and life lovely. ~Louisa May Alcott
And as you sit on the hillside, or lie prone under the trees of the forest, or sprawl wet-legged on the shingly beach of a mountain stream, the great door, that does not look like a door, opens. ~Stephen Graham from The Gentle Art of Tramping
That great door opens on the present, illuminates it as with a multitude of flashing torches. ~Annie Dillard (in response to the above quote) from Pilgrim at Tinker Creek
About living in the country? …peace can deafen one, beauty surprise No longer. There is only the thud Of the slow foot up the long lane At morning and back at night. ~R.S. Thomas
Ever since I started noticing how beautiful are the most humble things and the most humble people, I realized a great door was opened to me: the door to my own soul and my own happiness. I need go no further than my own back yard.
I must not forget my astonishment at the beauty around me even on the grayest of days, trudging the barnyard path to exhausted chores.
If ever I fail to see what is right in front of me, this Lord’s grace-given gift to my eyes and ears and arms, I do not deserve to put on boots or hold a pitchfork.
Lyrics Praise to the Lord of the small broken things Who sees the poor sparrow that cannot take wing Who loves the lame child and the wretch in the street Who comforts their sorrows and washes their feet
Praise to the Lord of the faint and afraid Who girds them with courage and lends them His aid He pours out his spirit on vessels so weak That the timid can serve and the silent can speak
Praise to the Lord of the frail and the ill Who heals their afflictions or carries them till They leave this tired frame and to paradise fly To never be sick and never to die Never die
Praise him, O praise Him all ye who live Who’ve been given so much and can so little give Our frail lisping praise God will never despise He sees His dear children through mercy-filled eyes
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