Wired With Alertness

Edmund Darch Lewis – Susquehanna
Agnes Wallace by Robert Sivell

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.


Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.


I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,


a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.


There is little doubt
that others have been fishing
on the Susquehanna,


rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.


But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,


when I balanced a little egg of time
in front of a painting
in which that river curled around a bend


under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana


sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.


That is something I am unlikely

ever to do, I remember
saying to myself and the person next to me.


Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,


even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

A Hare in the Forest by Hans Hoffman (Getty Museum)
Susquehanna by Jasper Francis Cropsey
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m content to simply imagine.

I’m not a rock climber or a zip liner or willing to jump out of an airplane. I won’t ride a horse over a four foot jump or race one around a track. Not for me waterskis or unicycles or motorcycles.

I’m grateful there are those who are eagerly wired with alertness for the next experience: adventurers who seek out the extremes of life so the rest of us can sit back and admire their courage and applaud their explorations and achievement.

My mind’s eye and imagination is powerful enough, thanks to the words and pictures of others. I find I’m content to explore the corners of my quiet places, both inside and outside, to see what I can build from what I find right here under my nose.

When the light is right, and I’m open enough to it, what I see is ready to spring right out of the frame.

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

….and August the most peaceful month.

To be, in the grass, in the peacefullest time,
And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

You become a self that fills the four corners of
night.
~Wallace Stevens, from “A Rabbit As King of the Ghosts”

More of my images along with Lois Edstrom’s ekphrastic poetry can be found in this book, available for order here:

Much Too Beautiful to Stay

I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.

~Elinor Wylie from “Wild Peaches”

An amber light stretches from sky to ground
this beautiful morning, another mid-summer dawning-
today a clone of yesterday’s and the day before.

A stretch of forty identical days cannot last and will not stay.
I long again for rain and chill nights.

Drying up and pock-marked with holes,
I feel punched and withering in this browning landscape,
wondering on this Sabbath day of communing together
where holiness is to be found.

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Dwelling On What Has Been

The house had gone to bring again
To the midnight sky a sunset glow.
Now the chimney was all of the house that stood,
Like a pistil after the petals go.

The barn opposed across the way,
That would have joined the house in flame
Had it been the will of the wind, was left
To bear forsaken the place’s name.

No more it opened with all one end
For teams that came by the stony road
To drum on the floor with scurrying hoofs
And brush the mow with the summer load.

The birds that came to it through the air
At broken windows flew out and in,
Their murmur more like the sigh we sigh
From too much dwelling on what has been.

Yet for them the lilac renewed its leaf,
And the aged elm, though touched with fire;
And the dry pump flung up an awkward arm:
And the fence post carried a strand of wire.

For them there was really nothing sad.
But though they rejoiced in the nest they kept,
One had to be versed in country things
Not to believe the phoebes wept.
 ~Robert Frost “The Need of Being Versed in Country Things”

The field of my childhood farm (1954-59) with the red barn visible on the right. The house was destroyed by fire in the mid-60s but the barn was spared

photo by Harry Rodenberger

My family sold our first farm in East Stanwood when my father took a job working for the state in Olympia, moving to supervising high school agriculture teachers rather than being a teacher himself. It was a difficult transition for us all: we moved to a smaller home and a few acres, leaving behind a large two story house, a huge hay barn and chicken coop as well as large fields and a woods where our dairy cows had grazed.

Only a few years later, the old farmhouse burned down but the rest of the buildings were spared. It passed through a few hands and when we had occasion to drive by, we were dismayed to see how nature was taking over the place. The barn still stood but unused it was weathering and withering. The windows were broken, birds flew in and out, the former flower garden had grown wild and unruly.

This was the place I was conceived and learned to walk and talk, where I developed my love for wandering in the fields and respecting the farm animals we depended upon. I remember as a child of four sitting at the kitchen table looking out the window at the sunrise coming rising over the woods and making the misty fields turn golden.

Yet now this land has returned to its essence before the ground was ever plowed or buildings were constructed. It no longer belongs to our family (as if it ever did) but it forever belongs to our memories.

I am overly prone to nostalgia, dwelling more on what has been than what is now or what I hope is to come. It is easy to weep over the losses when time and circumstances reap circumstances that become unrecognizable.

I may weep, but nature does not. The sun continues to rise over the fields, the birds continue to build nests, the lilacs grow taller with outrageous blooms, and each day ends with a promise of another to come.

So I must dwell on what lies ahead, not what perished in the ashes.

photo by Harry Rodenberger

A book available from Barnstorming — information about how to order here

For a Bee’s Experience

Like trains of cars on tracks of plush
I hear the level bee:
A jar across the flowers goes,
Their velvet masonry

Withstands until the sweet assault
Their chivalry consumes,
While he, victorious, tilts away
To vanquish other blooms.

His feet are shod with gauze,
His helmet is of gold;
His breast, a single onyx
With chrysoprase, inlaid.

His labor is a chant,
His idleness a tune;
Oh, for a bee’s experience
Of clovers and of noon!

~Emily Dickinson “The Bee”

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.

~Li-Young Lee, last stanza of “From Blossoms” from Rose.

I try, as best I can, to see the world from a perspective other than my own:

Spending this week with our toddler grandson has helped me to look at things at the three foot rather than six foot level and suddenly I’m overwhelmed with how large everything appears.

I read opinions that differ considerably from my own so I can gain understanding and hopefully compassion for how others perceive the events of the world, even when I don’t and won’t agree.

And I’ve always wondered what it would be like to be a bee – to leave my warm and cozy community to find the best sources of pollen, diving bum-deep into a plethora of colors and fragrances, from ‘blossom to blossom to impossible blossom.’

Bees have a life-preserving mission in the world – not only to sustain themselves and their hive, but pollinating millions of blooms, an essential task for the fruiting of the land. Now that is a purpose-driven life.

We are no different. Our reason to exist goes far beyond our self-preservation, or the preservation of everyone who looks like or thinks like we do, i.e. “hive-mind.” We were created to care for the rest of the world, by dipping into each beautiful and sacred thing that thrives here because of us, not despite us.

And that includes each other, as different as we look and think and act. Each of us a sweet impossible blossom.

New book available from Barnstorming — information on how to order it here

The World is Flux

…The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weighted shapes, these verticals,
burn to mix with air
and change our bones, skin, clothes
to gases.  Doctor,
if only you could see
how heaven pulls earth into its arms
and how infinitely the heart expands
to claim this world, blue vapor without end.
~Lisel Mueller, “Monet Refuses the Operation” from Second Language

“Heaven pulls earth into its arms…”

We all see things differently, don’t we? What seems ordinary to one person is extraordinarily memorable to another. How might I help others to see the world as I do? How might I learn to adjust my focus to see things as you do?

The world is flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to gray. Perhaps the blur from the figurative (or real) cataract that impedes my vision creates a deeper understanding, as I use my imagination to fill in what I can’t discern.

My heart and mind expands exponentially to claim this world and all the beauty has to offer, while heaven – all this while – is pulling me into its arms.

In heaven, my focus will be clear. It will all be extraordinarily ordinary.

Appareled in Celestial Light

There was a time when meadow, grove, and stream,
The earth, and every common sight,
To me did seem
Apparell’d in celestial light,
The glory of a dream.

The rainbow comes and goes,
And lovely is the rose;
The moon doth with delight
Look round her when the heavens are bare;
Waters on a starry night
Are beautiful and fair;
The sunshine is a glorious birth;
But yet I know, where’er I go,
That there hath pass’d away a glory from the earth.

Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind.
~William Wordsworth from Intimations of Immortality

I woke immersed in sadness;
it doesn’t happen often.
Whether a dream surrounded me in sorrow,
or perhaps the weight of grayness of the morning,
I couldn’t tell.

I felt burdened and weepy,
wondering where hope had fled just overnight.

Even though I know true glory lies beyond this soil,
I still look for it here,
seeking encouragement in midst of trouble.
I set out to find light which clothes the ordinary,
becoming resplendent and shimmering
from celestial illumination.

Though I may sometimes grieve for what is lost,
there is enough,
there is always enough each morning
to remind me God’s gift of grace and strength
transforms this day and every day.

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Heart of the World

The mares go down for their evening feed
                                                                            into the meadow grass.
Two pine trees sway the invisible wind 
                                                                       some sway, some don’t sway.
The heart of the world lies open, leached and ticking with sunlight
For just a minute or so.
The mares have their heads on the ground,
                                           the trees have their heads on the blue sky.
Two ravens circle and twist.
                On the borders of heaven, the river flows clear a bit longer.
~Charles Wright “Miles Away”

It isn’t yet time to turn the Haflingers out on pasture.  The fields still squish from our heavy winter rains when I check the grass growth and test how firm the ground feels.

But spring is in the air, with pollens flying from the trees and the faint scent of plum and cherry blossoms wafting across the barn yard.  The Haflingers know there are green blades rising out there.

There is a waning pile of hay bales in the barn being carefully measured against the calendar.  We need to make it last until the fields are sufficiently recovered, dried out and growing well before the horses can be set free from their confinement back on the green.

Haflingers don’t care much about the calendar.  They know what they smell and they know what they see and they know what they want.

One early spring some years ago,  as I opened the gate to a paddock of Haflinger mares to take them one by one back to the barn, their usual good manners abandoned them.  Two escaped before I could shut the gate, the siren call of the green carrying them away like the wind, their tails high and their manes flying.  There is nothing quite as helpless as watching escaped horses running away as fast as their legs can carry them.

They found the nearest patch of green and stopped abruptly, trying to eat whatever the meager ground would offer up.    I approached,  quietly talking to them, trying to reassure them that, indeed,  spring is at hand and soon they will be able to eat their fill of grass.   Understandably suspicious of my motives, they leaped back into escape mode, running this time for the pasture across the road.

We live on a road that is traveled by too many fast moving cars and trucks and our farm on a hill is hampered by visibility issues –my greatest fear is one of our horses on the road would cause an accident simply because there would be no time for a driver to react after cresting a hill at 50 mph and finding a horse a mere twenty yards away.

I yelled and magically the mares turned, veering back from the road.  As I marveled at my ability to verbally redirect them from dashing into potential disaster,  they were heading back to the barn on their own, where their next most attractive feature on the farm dwelled:  our stallion.  He was calling them, knowing things were amiss, and they responded, turning away from the green to respond to the call of the heart.

So that was where I was able to nab them in their distracted posing for the guy in their lives.  Guys can do that to a gal.  You can end up completely abandoning thoughts of running away with the wind when the right guy calls your name.

Lured from the green grassy borders of heaven, we respond to the call of the heart from the world.

The Power of Fluff

As the days warm and lengthen, the grass
is getting happy almost overnight.
Under my window the first star of spring
opens its eye on the front lawn. Yellow
as butter, it is only one. But it is one,
and in the nature of things, and like
the multiple asterisks seeding the night sky,
it will flourish and take over every
grassy bank in town. I long to be prolific
as the dandelion, spinning pale parachutes
of words, claiming new territory by
the power of fluff. The stars in their courses
have bloomed an unending glory
across the heavens, but here in my yard
a local constellation prepares to launch
multiple, short-lived, radiant coronas
to proclaim the new-sprung season.
~Luci Shaw “Dandelion”

How I loved those spiky suns,   
rooted stubborn as childhood   
in the grass, tough as the farmer’s   
big-headed children—the mats   
of yellow hair, the bowl-cut fringe.   
How sturdy they were and how   
slowly they turned themselves   
into galaxies, domes of ghost stars   
barely visible by day, pale   
cerebrums clinging to life   
on tough green stems.   
Like you.   
Like you, in the end.   
If you were here,   
I’d pluck this trembling globe to show   
how beautiful a thing can be   
a breath will tear away.  
~Jean Nordhaus “A Dandelion for My Mother”

We harbor a dandelion sanctuary,
a safe haven from herbicides and trowels.

The lawn is filled with them now
yellow spots in carpeted green
which close tight at night,
then open each morning
as miniature reflections
of the real dawn.

As a kid, I was paid a nickel
to dig up each long dandelion root,
restoring the blemished green yard
to pristine perfection;
no more yellow splotches,
unruly stems,
trembling transparent globes
releasing scores of
seedy offspring.

But it didn’t last.

The perfect lawn,
like the perfect life
~unbesmirched~
is a myth.

A host of opportunistic seeds
float innocently on the breeze
or lie hidden deep in our soil
ready to spring up again overnight.

Those spunky spiky suns
and ghostly stars of fluff
overwhelm my heart with joy:
they take my breath away
as my breath, in turn,
blows them away.


Everything Dies Too Soon

Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?

I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?

~Mary Oliver from “A Summer Day”

It doesn’t take much to remind me
what a mayfly I am,
what a soap bubble floating over the children’s party.

Standing under the bones of a dinosaur
in a museum does the trick every time
or confronting in a vitrine a rock from the moon…

And the realization that no one
who ever breasted the waters of time
has figured out a way to avoid dying

always pulls me up by the reins and settles me down
by a roadside, grateful for the sweet weeds
and the mouthfuls of colorful wild flowers.

~Billy Collins from “Memento Mori“

I’m reminded daily of how short our time on earth is – the evidence is everywhere. Yesterday it was the stark finality of discovering a beetle-cleaned bighorn sheep skull in the woods, in addition to the bold reality of a black bear paw print on the car sitting next to our cabin.

Each day I receive an email from the local hospital where I’ve had clinical privileges for 35 years – it innumerates the number of admitted COVID-19 cases and deaths, the number of ICU beds filled and the number of ventilators in use. Reading those numbers is like scanning the obituaries for names and ages and causes of death in the newspaper, the only consistent thing I read in the paper anymore. The deaths are reported dispassionately, as if they are inevitable, which they are, yet each happens too soon.

Much too soon.

So the admonition is to pay attention to each living thing and witness each moment, falling onto the grass in worship of this “wild and precious life” I’ve been given rather than dwell on the future when I’ll be buried under the grass.

I shall celebrate being a consumer of this precious life, overjoyed by these sweet weeds and colorful wildflowers. There is still much that awaits me on this earth before, inevitably, I too become the consumed.

Get Up and Go About the Day

Light wakes us – there’s the sun
climbing the mountains’ rim, spilling across the valley,
finding our faces.
It is July,

between the hay and harvest,
a time at arm’s length from all other time…

It is the time
to set aside all vigil, good or ill,
to loosen the fixed gaze of our attention
as dandelions let seedlings to the wind.
Wake with the light.
Get up and go about the day and watch
its surfaces that brighten with the sun.
~Kerry Hardie from “Sleep in Summer”

Saying good-bye to July
is admitting summer is already half-baked
and so are we–
we are still doughy
and not nearly done enough.

The rush to autumn is breathless.
We want to hold on tight
to our longish days
and our sweaty nights
for just a little while longer…

Please, oh please
grant us light
and steady us for the task
of getting ready and letting go.