When we reach the field she is still eating the heads of yellow flowers and pollen has turned her whiskers gold. Lady, her stomach bulges out, the ribs have grown wide. We wait, our bare feet dangling in the horse trough, warm water where goldfish brush our smooth ankles. We wait while the liquid breaks down Lady’s dark legs and that slick wet colt like a black tadpole darts out beginning at once to sprout legs. She licks it to its feet, the membrane still there, red, transparent the sun coming up shines through, the sky turns bright with morning and the land with pollen blowing off the corn, land that will always own us, everywhere it is red. ~Linda Hogan, “Celebration: Birth of a Colt” from Red Clay.
First, her fluid flows in subtle stream then gushes in sudden drench. Soaking, saturating, precipitating inevitability. No longer cushioned slick sliding forward following the rich river downstream to freedom.
The smell of birth clings to shoes, clothes, hands as soaked in soupy brine I reach to embrace new life sliding toward me.
I too was caught once; three times emptied into other hands, my babies wet on my chest their slippery skin under my lips so salty sweet
In a moment’s scent the rush of life returns; now only barn or field birthings yet still as sweet and rich. I carry the smell of damp foal fur with me all day to recall from whence I came. I floated once and will float free someday again.
I like farming. I like the work. I like the livestock and the pastures and the woods. It’s not necessarily a good living, but it’s a good life. I now suspect that if we work with machines the world will seem to us to be a machine, but if we work with living creatures the world will appear to us as a living creature. That’s what I’ve spent my life doing, trying to create an authentic grounds for hope. ~Wendell Berry, horse farmer, essayist, poet, professor
When I pull open the barn doors, every morning and each evening, as my grandparents did one hundred years ago, six rumbling voices rise in greeting. We exchange scents, nuzzle each others’ ears.
I do my chores faithfully as my grandparents once did– draw fresh water into buckets, wheel away the pungent mess underfoot, release an armful of summer from the bale, reach under heavy manes to stroke silken necks.
I don’t depend on our horses’ strength and willingness to don harness to carry me to town or move the logs or till the soil as my grandparents did.
Instead, these soft eyed souls, born on this farm two or three long decades ago, are simply grateful for my constancy morning and night to serve their needs until the day comes they need no more.
I depend on them to depend on me to be there to open the doors; their low whispering welcome gives voice to the blessings of living on a farm ripe with rhythms and seasons, as if today and tomorrow are just like one hundred years ago.
Just down the road… around the bend, Stands an old empty barn; nearing the end. It has sheltered no animals for many years; No dairy cows, no horses, no sheep, no steers. The neigh of a horse; the low of a cow; Those sounds have been absent for some time now. There was a time when the loft was full of hay, And the resounding echoes of children at play. At one time the paint was a bold shade of red; Gradually faded by weather and the sun overhead. The doors swing in the wind… the hinges are loose, Windows and siding have taken a lot of abuse. The fork, rope and pulleys lifted hay to the mow, A task that always brought sweat to the brow. But those good days are gone; forever it seems, And that old barn now stands with sagging beams. It is now home to pigeons, rats and mice; The interior is tattered and doesn’t look very nice. Old, abandoned barns have become a trend, Just down the road… around the bend. ~Vance Oliphant “Old Barn”
There is something very lonely about a barn completely empty of its hay stores. Our old barn has stood empty for several years; we and our neighbors who have used it for years to house a winter hay supply have found other more convenient places to put our hay. The winter winds have worn away its majesty: missing shingles have torn away holes in the roof, the mighty beams providing foundational support were sinking and rotting in the ground, a gap opened in the sagging roof crest, and most devastating of all, two walls collapsed in a particularly harsh blow.
The old barn was in death throes after over one hundred years of history. Its hollow interior echoes with a century of farmers’ voices: soothing an upset cow during a difficult milking, uncovering a litter of kittens high in a hay loft, shouting orders to a steady workhorse, singing a soft hymn while cleaning stalls, startling out loud as a barn owl or bat flies low overhead. Dust motes lazily drift by in the twilight, seemingly forever suspended above the straw covered wood floor, floating protected from the cooling evening breezes.
There was no heart beat left in this dying barn. It was in full arrest, all life blood drained out, vital signs flat lined. I could hardly bear to go inside much less take pictures of its deteriorating shell.
We had people show up at our front door offering to demolish it for the lumber, now all the fad for expensive modern “vintage” look in new house construction. A photo of our barn showed up in local media declaring “another grand old barn in the county has met its end.” That stung. Meanwhile we were saving our money, waiting until we could afford to bring our old red barn back to life.
It started with one strong young man digging out the support posts to locate the rot. Then another remarkable young man was able to jack up the posts one by one, putting in reinforcing steel and concrete and straightening the gaping sagging roof line, providing the old barn its first ever foundation.
And over the last two weeks a crew of two men have replaced the damaged roof and absent walls with metal siding. The barn is looking whole again.
There is a lot of clean up left to do inside: decades of old hay build up and damaged lumber and untold numbers of abandoned mouse nests and scattered barn owl pellets.
Soon, the barn will be shocked back to a pulse, with the throb of voices, music blaring, dust and pollen flying chaotically, the rattle of the electric “elevator” hauling bales from wagon to loft, the grunts and groans of the crew as they heft and heave the bales into place in the stack. It will go on late into the night, the barn ablaze with lights, the barnyard buzzing with excitement and activity.
It will once again serve as the back up sanctuary on Easter morning when we are rained out up on the hill for Sunrise Service.
Now vital signs measurable, rhythm restored, volume depletion reversed, prognosis good for another 100 years.
Another old barn is resuscitated back to life when so many are left to die. It is revived and breathing on its own again. Its floor will creak with the weight of the hay bales and walls will groan with the pressure of stacks.
I must remember there is always hope for the shattered and weary among us. If an old barn can be saved, then so can we.
This is the grip, like this: both hands. You can close your eyes if you like. When I say, “Now,” it’s time. Don’t wait or it’s all over. But not too soon, either—just right. Don’t worry. Let’s go. Both hands. ~William Stafford, “Survival Course” from Even in Quiet Places.
I know well the feeling of pulling against a momentum determined to break free of the strength I can muster to keep it under control. This is how my life, personally and professionally has often felt over the decades. It seems I am barely hanging on, at times losing my grip, my feet braced but slipping beneath me.
The full-uddered cow in the painting is compelled to join her herd in a pastoral scene just across the creek, but the milk maid must resist the cow’s escape. For the cow’s benefit and comfort, she must be milked. The cow has another agenda. She has snapped her rope tie, almost pulled up the stake, and in a show of strength and determination, the maid braces to pull a much larger animal around to retie her and restore things to how they were.
The action suggests the maid may succeed, but the cow’s attention is directed far afield. She doesn’t even feel the tug on her halter. We’re not fully convinced the cow won’t suddenly pull loose and break away from the maid’s grip, leaping the stream, tail raised straight in the air like a flag of freedom.
Right now, as spring advances rapidly with grass growing thick in the pastures, our horses smell that richness in the air. Sometimes this tug of war takes place when my plan is different than the horse’s. The fields are too wet for them to be out full time yet, so they must wait for the appropriate time to be released to freedom. The grass calls to them like a siren song as I feed them their portion of last summer’s uninviting hay. They can pull my shoulders almost out of joint when they are determined enough, they break through fences in their pursuit of green, they push through stall doors and lift gates off hinges. Right now I’m barely an adequate counterbalance to the pursuit of their desires and I struggle to remind them I’m on the other end of their lead rope.
Each day I find I try too hard to restore order in my life, on the farm, in the house, in my work, with my family. I want to pull that cow back around, get her tied up and relieved of her burden of milk so that it can nurture and replenish others. Sometimes I hang on, only to be pulled roughly along on the ground, scraped and yelling in the process.
Sometimes I just let go and have to try to catch that cow all over again.
Once in awhile I successfully get the cow turned around and actually milked without a spill.
I’ve held on with both hands. I’m clasping them together in prayer and petition that I won’t get pulled into the mud. I’ve got a grip. And maybe, just maybe, I will make cheese….
A hill, a farm, A forest, and a valley. Half a hill plowed, half woods. A forest valley and a valley field.
Sun passes over; Two solstices a year Cow in the pasture Sometimes deer
A farmhouse built of wood. A forest built on bones. The high field, hawks The low field, crows
Wren in the brambles Frogs in the creek Hot in summer Cold in snow
The woods fade and pass. The farm goes on. The farm quits and fails The woods creep down
Stocks fall you can’t sell corn Big frost and tree-mice starve Who wins who cares? The woods have time. The farmer has heirs. ~“Map” by Gary Snyder from Left Out in the Rain.
We have now passed from the season when our farm is brilliant, verdant and delicious to behold. In June, the cherry orchard blossoms yield to fruit and the pastures are knee high with grass. During the summer months, the daylight starts creeping over the eastern foothills at 4 AM and the last glimpse of sun disappears at nearly 10 PM. So many hours of light to work with!
I yearn for the coming dark rainy days to hide inside with a book.
Instead the lawnmower and weed whacker call our names, and the fish pond needs cleaning and the garden must be prepared for winter. It’s not that things don’t happen on the farm during months like this. It’s just that nothing we do is enough. Blackberry brambles have taken over everything, grass grows faster than we can keep it mowed down, the manure piles grow exponentially. The fences always need fixing.
Suddenly our farm dream seems not nearly so compelling.
We spent many years dreaming about the farm as we hoped it would be. We imagined the pastures managed perfectly with fencing that was both functional and beautiful. Our barns and buildings would be tidy and leak-proof, and the stalls secure and safe. We’d have a really nice pick up truck with low miles on it, not a 35 year old hand me down truck with almost 200,000 miles. We would have trees pruned expertly and we’d have flower beds blooming as well as a vegetable garden yielding 9 months of the year. Our hay would never be rained on. We would have dogs that wouldn’t run off and cats that would take care of all the rodents. We wouldn’t have any moles, thistles, dandelions or buttercup. The pheasant, deer, coyotes, raccoons, and wild rabbits would only stroll through the yard for our amusement and not disturb anything. We’d have livestock with the best bloodlines we could afford and a steady demand from customers to purchase their offspring at reasonable prices so that not a dime of our off-farm income would be necessary to pay farm expenses. Our animals (and we) would never get sick or injured.
And our house would always stay clean.
Dream on. Farms are often back-breaking, morale-eroding, expensive sinkholes. I know ours is. Yet here we be and here we stay.
It’s home. We’ve raised three wonderful children here. We’ve bred and grown good horses and great garden and orchard crops and tons of hay from our own fields. We breathe clean air and hear dozens of different bird songs and look out at some of the best scenery this side of heaven. Eagles land in the trees in our front yard. It’s all enough for us even if we are not enough for the farm. I know there will come a time when the farm will need to be a fond memory and not a daily reality. Until then we will keep pursuing our dream as we and the farm grow older. Dreams age and mature and I know now what I dreamed of when I was younger was not the important stuff.
We have been blessed with one another, with the sunrises and the sunsets and everything in between. This is the stuff of which the best dreams are made.
What I remember is the ebb and flow of sound That summer morning as the mower came and went And came again, crescendo and diminuendo, And always when the sound was loudest how it ceased A moment while he backed the horses for the turn, The rapid clatter giving place to the slow click And the mower’s voice. That was the sound I listened for, The voice did what the horses did. It shared the action As sympathetic magic does or incantation. The voice hauled and the horses hauled. The strength of one Was in the other and in the strength was impatience. Over and over as the mower made his rounds I heard his voice and only once or twice he backed And turned and went ahead and spoke no word at all. ~Robert Francis “The Sound I Listened For” from Collected Poems
In the rural countryside where we live, we’ve been fortunate enough to know people who still dabble in horse farming, whose draft teams are hitched to plows and mowers and manure spreaders as they head out to the fields to recapture the past and experience working the land in a way that honors the traditions of our forebears.
A good teamster primarily works with his horses using his voice. No diesel engine means hearing bird calls from the surrounding fields and woods, along with the steady footfall of the horses, the harness chains jingling, the leather straps creaking, the machinery shushing quietly as gears turn and grass lays over in submission. No ear protection is needed. There is no clock needed to pace the day.
There is a rhythm of nurture when animals instead of motors are part of the work day. The gauge for taking a break is the amount of foamy sweat on the horses and how fast they are breathing — time to stop and take a breather, time to start back up and do a few more rows, time to water, time for a meal, time for a nap, time for a rest in a shady spot.
This is gentle use of the land with four footed stewards who deposit right back to the soil the digested forage they have eaten only hours before. This is gentle to our ears and our souls, measuring the ebb and flow of sound and silence.
The horse-drawn field mower is a sound I listen for, if not next door then in my dreams.
The Science of Government it is my Duty to study, more than all other Sciences:
the Art of Legislation and Administration and Negotiation, ought to take Place, indeed to exclude in a manner all other Arts. I must study Politics and War that my sons may have liberty to study Mathematics and Philosophy. My sons ought to study Mathematics and Philosophy, Geography, natural History, Naval Architecture, navigation, Commerce and Agriculture, in order to give their Children a right to study Painting, Poetry, Music, Architecture, Statuary, Tapestry and Porcelain. ~John Adams in a letter to his wife Abigail Adams
It is not our part to master all the tides of the world, but to do what is in us for the succour of those years wherein we are set, uprooting the evil in the fields that we know, so that those who live after may have clean earth to till. What weather they shall have is not ours to rule. ~J.R.R. Tolkien from The Return of the King
As we watch family generations build one atop another: great grandparents fighting wars to bring peace for their children grandparents attending school to bring culture to their children parents bringing music and poetry and beauty to their children the children returning to the garden, tending the soil.
they all work the land, turning the earth planting and weeding growing and harvesting preserving so the children, grandchildren, great grandchildren have succor and sustenance.
Clean earth to till, good food to share, mighty blessings to bestow.
Through it all, we watch the skies, wondering whether the weather might take it all away as it has before. We are not its master so pray for His merciful Hand on us.
It was the face of spring, it was the face of summer, it was the warmness of clover breath. ~Ray Bradbury from Dandelion Wine
However you may come, You’ll see it suddenly Lie open to the light Amid the woods: a farm Little enough to see Or call across—cornfield, Hayfield, and pasture, clear As if remembered, dreamed And yearned for long ago, Neat as a blossom now With all the pastures mowed And the dew fresh upon it, Bird music all around. That is the vision, seen As on a Sabbath walk: The possibility Of human life whose terms Are Heaven’s and this earth’s.
The land must have its Sabbath Or take it when we starve. The ground is mellow now, Friable and porous: rich. Mid-August is the time To sow this field in clover And grass, to cut for hay Two years, pasture a while, And then return to corn.
This way you come to know That something moves in time That time does not contain. For by this timely work You keep yourself alive As you came into time, And as you’ll leave: God’s dust, God’s breath, a little Light. ~Wendell Berry from The Farm
Farming is daily work outside of time – the labor of this day is the care for the eternal. There is a timelessness about summer: about preparing and planting and preserving, this cycle of living and dying repeating through generations. We, as our many great great grandparents did, must become God’s dust yet again.
So I’m reminded, walking through the pasture’s clover patch, of all the ways to become seed and soil for the next generation. For a blossom that appears so plain and goes so unnoticed during its life, it dies back, enfolding upon itself, with character and color and drama, each a bit differently from its neighbor.
Just like us.
Perhaps it is the breath of clover we should remember at the last; God’s own breath comes to us disguised in so many ways as we walk this ground. Inhale deeply of Him and remember we too are made fruits of His eternal labor.
My husband and I met in the late 70’s while we were both in graduate school in Seattle, living over 100 miles away from our grandparents’ farms farther north in Washington. We lived farther still from my grandparents’ wheat farm in Eastern Washington and his grandparents’ hog farm in Minnesota. One of our first conversations together, the one that told me I needed to get to know this man better, was about wanting to move back to work on the land. We were both descended from peasant immigrants from the British Isles, Holland and Germany – farming was in our DNA, the land remained under our fingernails even as we sat for endless hours studying in law school and medical school classes.
When we married and moved north after buying a small farm, we continued to work full time at desks in town. We’ve never had to depend on this farm for our livelihood, but we have fed our family from the land, bred and raised livestock, and harvested and preserved from a large garden and orchard. It has been a good balance thanks to career opportunities made possible by our education, something our grandparents would have marveled was even possible.
Like our grandparents, we watch in wonder at what the Creator brings to the rhythm of the land each day – the light of the dawn over the fields, the activity of the wild birds and animals in the woods, the life cycles of the farm critters we care for, the glow of the evening sun as night enfolds us. We are blessed by the land’s generosity when it is well cared for.
Now forty years after that first conversation together about returning to farming, my husband and I hope to never leave the land. It brought us together, fed our family, remains imbedded under our fingernails and in our DNA. Each in our own time, we will settle even deeper.
Thank you to retired RN and poet Lois Parker Edstrom for this exquisite poem about living and dying on the land. It has been my privilege to meet her and her husband and welcome them to our farm. Your words have brought me many blessings!
Here is the place; right over the hill Runs the path I took; You can see the gap in the old wall still, And the stepping-stones in the shallow brook.
There is the house, with the gate red-barred, And the poplars tall; And the barn’s brown length, and the cattle-yard, And the white horns tossing above the wall.
There are the beehives ranged in the sun; And down by the brink Of the brook are her poor flowers, weed-o’errun, Pansy and daffodil, rose and pink.
A year has gone, as the tortoise goes, Heavy and slow; And the same rose blows, and the same sun glows, And the same brook sings of a year ago.
I can see it all now,—the slantwise rain Of light through the leaves, The sundown’s blaze on her window-pane, The bloom of her roses under the eaves.
Just the same as a month before,— The house and the trees, The barn’s brown gable, the vine by the door,— Nothing changed but the hives of bees.
Before them, under the garden wall, Forward and back, Went drearily singing the chore-girl small, Draping each hive with a shred of black.
Trembling, I listened: the summer sun Had the chill of snow; For I knew she was telling the bees of one Gone on the journey we all must go! ~John Greenleaf Whittier from “Telling the Bees”
An old Celtic tradition necessitates sharing any news from the rural household with the farmer’s bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death. This ensures the hives’ well-being and continued connection to home and farm – the bees are kept in the loop, so to speak, so they stay at home, not swarming to move on to a more hospitable and presumably communicative place.
Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all. These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.
I do hope the Beekeeper comes and personally reassures us: “Here is what has happened. All will be okay. We will navigate this life together. Please stay with me.”
O gentle bees, I have come to say That grandfather fell to sleep to-day. And we know by the smile on grandfather’s face. He has found his dear one’s biding place. So, bees, sing soft, and, bees, sing low. As over the honey-fields you sweep,— To the trees a-bloom and the flowers a-blow Sing of grandfather fast asleep; And ever beneath these orchard trees Find cheer and shelter, gentle bees. ~Eugene Field from “Telling the Bees”