Month: August 2023

August Ends with a Quick Kiss

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The foliage has been losing its freshness through the month of August, and here and there a yellow leaf shows itself like the first gray hair amidst the locks of a beauty who has seen one season too many.
~Oliver Wendell Holmes from Songs of Many Seasons 1862-1874

Let me enjoy this late-summer day of my heart while the leaves are still green and I won’t look so close as to see that first tint of pale yellow slowly creep in. I will cease endless running and then look to the sky ask the sun to embrace me and then hope she won’t tell of tomorrows less long than today. Let me spend just this time in the slow-cooling glow of warm afternoon light and I’d think I will still have the strength for just one more last fling of my heart.
– John Bohrn ” Late August “

August rushes by like desert rainfall,
A flood of frenzied upheaval,
Expected,
But still catching me unprepared.
Like a match flame
Bursting on the scene,
Heat and haze of crimson sunsets.
Like a dream
Of moon and dark barely recalled,
A moment,
Shadows caught in a blink.
Like a quick kiss;
One wishes for more
But it suddenly turns to leave,
Dragging summer away.
– Elizabeth Maua Taylor “August”

Everything is made to perish;
the wonder of anything at all is that it has not already done so.
No, he thought.
The wonder of anything is that it was made in the first place.
What persists beyond this cataclysm of making and unmaking?
~Paul Harding from Tinkers

Earthly contentment
~perhaps a house stayed dry in a flood
or a forest was passed over in a wildfire
or a devastating diagnosis was averted
or a bank account contained sufficient funds
or gray hairs remain successfully hidden~
won’t last.

Like a quick kiss, it is done and gone, and cannot last.

May I not settle for comfort and contentment
but seek to fill
my overwhelming needs
with what will not perish,
even as the leaves turn yellow
and the light begins to fade,
and rest assured
as the seasons pass, altering the landscape,
I too must be changed.

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A Wondrous and Terrible Turning

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When, in the science museum, I arrive at the overview of our galaxy, with its tiny arrow pointing to You are here (which really ought to be We are here), and see that the two to four hundred billion stars of our local cluster are drifting or chasing or dreaming after each other in circles within milky circles, I can’t help but think of those ancient paintings and rock engravings, discovered all over our celestial body, of that one line which begins at whatever point it can, then curls outward, or inward, toward nothing anyone can define—the oldest shape revered by Aborigine and Celt, by mathematician and engineer and Burning Man reveler alike, and even accorded a place of honor among the mess of thoughts on my desk, as a nifty paper clip of copper.

But it’s already there in the florets of the sunflower crisscrossing with the precision of a logarithm, and in the pin-wheel shape of the Nautilus shell, and in the coiling neurons of the cochlea that let us tell Art Tatum from a three year old’s improvisation.

Call it what you will—“God’s fingerprint,” “the soul unfolding through time,” “the passageway into the Self”— I can’t help but admire, even fear, something as mundane as a flush of the toilet, when its swirling is a variation on our sidereal drift, our existential pain.

And then there’s that famous falcon, “turning and turning in a widening gyre,” a portentous symbol of our own circling into some dread, some pernicious chaos we thought we had just escaped, one town burning a decade behind us, a millennium before that, and into next week, next year, next whenever.

And when the two of us took that winding road an infinity of others had wound down before us and would wind down again, our spirits hushed by the crosses and bouquets at each dead man’s curve and just burning in the dry heat to touch each other, wasn’t that a wondrous and terrible turning?
~Thomas Centolella “Why I’m in Awe of the Spiral”

photo by Kate Steensma
Photo by Kate Steensma

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
~William Butler Yeats “The Second Coming”

I look for the way
things will turn
out spiralling from a center,
the shape
things will take to come forth in

so that the birch tree white
touched black at branches
will stand out
wind-glittering
totally its apparent self:

I look for the forms
things want to come as

from what black wells of possibility,
how a thing will
unfold:

not the shape on paper, though
that, too, but the
uninterfering means on paper:

not so much looking for the shape
as being available
to any shape that may be
summoning itself
through me
from the self not mine but ours.
~A. R. Ammons, “Poetics” from A Coast of Trees

Our very origin as a unique organism is a process of unfolding and spiraling: from our very first doubling after conception expanding to a complexity of trillions of cells powering our every thought and movement.

Now I look everywhere in my backyard world for beginnings and endings, wanting to understand where I fit and where I am in the unfolding process of this spiraling life. As I grow older, I find myself more peripheral than central, just as I am meant to be – I have more perspective now having spun out from the vortex.

I can see where I came from, and have a sense of where I am headed.

We unfurl slowly, surely, gently, in the Hands of our Creator God. He knows how each of us began as He was there from the beginning, forming the very center of us. He remains at the core of our being, as our unfolding lasts forever.

An Awe-filled Quiet

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A dark mist lay over the Black Hills, and the land was like iron. At the top of ridge I caught sight of Devil’s Tower upthrust against the gray sky as if in the birth of time the core of the earth had broken through its crust and the motion of the world was begun. There are things in nature that engender an awful quiet in the heart of man; Devil’s Tower is one of them.
~N.Scott Momaday in The Way to Rainy Mountain

Over the years we have made many cross-country road trips, passing by the turn-off to Devil’s Tower in eastern Wyoming because there was urgency to get where we needed to go. Occasionally we would see it hazy in the far distance, so I could say I had “seen it” but I really had not seen it, according to my Stanford professor N. Scott Momaday.

Scott is from the Kiowa tribe. In his language, this rock formation is named Tso-i-e or “standing on a rock.” For him and his people, it is sacred ground. The Cheyenne, Crow, Lakota, Shoshone, and Arapahoe all revere this rock monolith although most tribal members did not live near enough to see it themselves, but the legends traveled many miles through the generations through oral tradition.

Scott taught an unforgettable class on Native American Mythology and Lore I took 50 years ago as a 19 year old sophomore. He has a commanding presence, a booming resonant voice for story telling, a predilection for the poetry of Emily Dickinson and a hankering since childhood to be a character in the stories of Billy the Kid. The first day of class, he introduced us to Tso-i-e first and foremost. He told us his grandmother’s story passed to her from her grandparents:

“Eight children were there at play, seven sisters and their brother. Suddenly the boy was struck dumb; he trembled and began to run upon his hands and feet. His fingers became claws, and his body was covered with fur. Directly there was a bear where the boy had been. The sisters were terrified.; they ran and the bear after them. They came to the stump of a great tree, and the tree spoke to them. It bade them climb upon it, and as they did so it began to rise into the air. The bear came to kill them, but they were just beyond its reach. It reared against the tree and scored the bark all around with its claws. The seven sisters were borne into the sky, and they became the stars of the Big Dipper.”

A few years ago, we finally made time to see the Tower up close. For me, this “close encounter” was meant to connect the dots from my class and to understand more fully the spiritual background of the Plains people as our son had lived and taught on the Pine Ridge Reservation in South Dakota for two years.

The Tower surely is holy ground for us all – we are diminished in its presence. It disquiets the heart with its awful grandeur and sheer other-worldliness. In its own way, it is as resonant as Scott’s captivating stories about its origins, yet remains a reminder of the ever-changing impermanence of geologic formations.

We need more holy places in our lives even as they (and we) change with the sands and winds of time. We need more awe-filled awful quiet in our hearts.

So we continue to tell the sacred stories, generation to generation, never forgetting Who set the world in motion.

Filling Our Dry Wells

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My uncle in East Germany
points to the unicorn in the painting
and explains it is now extinct.
We correct him, say such a creature
never existed. He does not argue,
but we know he does not believe us.
He is certain power and gentleness
must have gone hand in hand
once. A prisoner of war
even after the war was over,
my uncle needs to believe in something
that could not be captured except by love,
whose single luminous horn
redeemed the murderous forest
and, dipped into foul water,
would turn it pure. This world,
this terrible world we live in,
is not the only possible one,
his eighty-year-old eyes insist,
dry wells that fill so easily now.
~Lisel Mueller “The Exhibit”

This is the animal that never was.
Not knowing that, they loved it anyway;
its bearing, its stride, its high, clear whinny,
right down to the still light of its gaze.

It never was. And yet such was their love
the beast arose, where they had cleared the space;
and in the stable of its nothingness
it shook its white mane out and stamped its hoof.

And so they fed it, not with hay or corn
but with the chance that it might come to pass.
All this gave the creature such a power

its brow put out a horn; one single horn.
It grew inside a young girl’s looking glass,
then one day walked out and passed into her.
~Rainer Maria Rilke “Unicorn”

I sometimes feel the need for magical thinking to help restore goodness in the sad ways of this world. We have fouled our own nest, destroying each other and the extravagant garden we were given.

Hope for restoration feels almost mythical and the stuff of legends.

Power and gentleness do come together in the story of our redemption. We are delivered into a new world by the sacrifice of the most pure and generous Spirit.

Our dry well is filled by a love that quenches all our thirst, promising that our belief in goodness is not myth or legend, but real and true.

Making for the Light

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Let us go forward quietly,
forever making for the light,
and lifting up our hearts in the knowledge
that we are as others are
and that others are as we are,
and that it is right to love one another
in the best possible way –
believing all things,
hoping for all things,
and enduring all things…
~Vincent Van Gogh in Letter to Theo Van Gogh – 3 April 1878

Yet another racially motivated killing appeared in the headlines today. So much collective societal energy is spent emphasizing, elaborating, indeed celebrating our diverse differences. If anything, this separates us rather than unites us, whether it be issues of race, culture, religion, political leanings or sexuality.

Yet we are alike far more than we are different. Despite the variety inherent in all living creatures, we share remarkable similarities deep in our cellular functions – mirror images of each other, intentionally created in the image of God.

“…we are as others are
and that others are as we are,
and that it is right to love one another
in the best possible way –“

Each of us are born from the womb of our mother and each of us will die to dust someday. Those bookends to our lives bind the pages of our lives together, rather than tear us apart.

For some, similarities are not welcome – many hesitate to admit it is true, desiring to maintain distance and disagreement.

Can we make for the Light, enduring this painful journey together? Can we be bound by striving for unity? Can we agree to agree rather than disagree – it is right and true and worthy to love one another just as we are loved by our Creator?

So Frail A Bloom

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Blue and dark-blue
rose and deepest rose
white and pink they

are everywhere in the diligent
cornfield rising and swaying
in their reliable

finery in the little
fling of their bodies their
gear and tackle

all caught up in the cornstalks.
The reaper’s story is the story
of endless work of

work careful and heavy but the
reaper cannot
separate them out there they

are in the story of his life
bright random useless
year after year

taken with the serious tons
weeds without value

~Mary Oliver “Morning Glories”

Was it worthwhile to paint so fair
The every leaf – to vein with faultless art
Each petal, taking the boon light and air
Of summer so to heart?

To bring thy beauty unto a perfect flower,
Then like a passing fragrance or a smile
Vanish away, beyond recovery’s power –
Was it, frail bloom, worthwhile?

Thy silence answers: “Life was mine!
And I, who pass without regret or grief,
Have cared the more to make my moment fine,
Because it was so brief.

In its first radiance I have seen
The sun! – Why tarry then till comes the night?
I go my way, content that I have been
Part of the morning light!”
~Florence Earle Coates “The Morning Glory”

Can I too unfurl with joy in the morning light, knowing I will wilt and wither at the end of the day? Will I live fully open to this day, unconcerned about tomorrow? 

God intended for us to tend His garden yet He continually tends us, His frail blooms. We mess up like random useless weeds and are given a daily opportunity to make it right. I am alive – no question in my mind – to try to make this day better for others.

I blossom under His tending and like a passing smile, I will leave without grief or regret.

The Dewy Cheek of Day

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The red east glows, the dewy cheek of Day
Has not yet met the sun’s o’erpowering smile;
The dew-drops in their beauty still are gay,
Save those the shepherd’s early steps defile.
Pleas’d will I linger o’er the scene awhile;
The black clouds melt away, the larks awaken–
Sing, rising bird, and I will join with thee:
With day-break’s beauties I have much been taken,
As thy first anthem breath’d its melody.
I’ve stood and paus’d the varied cloud to see,
And warm’d in ecstacy, and look’d and warm’d,
When day’s first rays, the far hill top adorning,
Fring’d the blue clouds with gold: O doubly charm’d
I hung in raptures then on early Morning.
~John Clare “Daybreak”

You tell me to live each day
as if it were my last. This is in the kitchen
where before coffee I complain
of the day ahead—that obstacle race
of minutes and hours,
grocery stores and doctors.

But why the last? I ask. Why not
live each day as if it were the first—
all raw astonishment, Eve rubbing
her eyes awake that first morning,
the sun coming up
like an ingénue in the east?

You grind the coffee
with the small roar of a mind
trying to clear itself. I set
the table, glance out the window
where dew has baptized every
living surface.
~Linda Pastan “Imaginary Conversation”

How to begin each day like the first day, rather than the last…

It would mean unbridled awe and astonishment, hung in raptures. Look Not only gratitude that the world exists, but also grateful that I exist within it.

Instead of living as if this were my last day, I want to be newly created and dew-baptized in amazement – just like my first day.

Sometimes One Gallops Past

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As if the past were riding up to meet you
as if the past could ride a horse

as if the past were a horse wandering riderless
along a dusty road

as if the horse had never been ridden

/

They say a horse is broken when the rider
can stay on

they say the past is broken when you can
let go of it

I have broken with the past, she says

I have erased it from my phone
I have blindered my eyes from her eyes

/

I didn’t know the past was made of horses
I didn’t even call it a horse until now

I didn’t even call it strange
until I looked back on it

the past was a horse crossing a desert
a body draped over it

this is how we get the beloved home

/

Strange now to never hear a horse upon waking
or when out in the field

I didn’t know the past would come for me
I didn’t even call it the past until now

sometimes one gallops past
but no one else ever sees it
~Nick Flynn ” Unbroken” from “Low.”

photo by Brandon Dieleman

The past has a way of galloping away with me if I let it. I try to slow it down to a slow amble, enjoying the scenery along the way. But memories have a way of wanting to go their own way, not listening to pressure from the leg or a pull on the bit.

The past can’t be controlled or redirected any more than a horse can be ridden through my thoughts alone.

It must be a partnership, an agreement to keep moving forward, no matter what is being left behind. A horse prefers not to back up into the unseen unknown when there is so much ahead yet to be explored. I need to stop looking back and start looking between golden ears at where I’m going next.

It just might be the adventure of a lifetime.

photo by Emily Vander Haak
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Finding Refuge

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When the wind
turns and asks, in my father’s voice,
Have you prayed?

I know three things. One:
I’m never finished answering to the dead.

Two: A man is four winds and three fires.
And the four winds are his father’s voice,
his mother’s voice . . .

Or maybe he’s seven winds and ten fires.
And the fires are seeing, hearing, touching,
dreaming, thinking . . .
Or is he the breath of God?

When the wind turns traveler
and asks, in my father’s voice, Have you prayed?
I remember three things.

One: A father’s love
is milk and sugar,
two-thirds worry, two-thirds grief, and what’s left over
is trimmed and leavened to make the bread
the dead and the living share.

And patience? That’s to endure
the terrible leavening and kneading.

And wisdom? That’s my father’s face in sleep.

When the wind
asks, Have you prayed?
I know it’s only me
reminding myself

a flower is one station between
earth’s wish and earth’s rapture, and blood
was fire, salt, and breath long before
it quickened any wand or branch, any limb
that woke speaking. It’s just me
in the gowns of the wind,

or my father through me, asking,
Have you found your refuge yet?
asking, Are you happy?

Strange. A troubled father. A happy son.
The wind with a voice. And me talking to no one.
~Li Young Lee “Have You Prayed?”

I pray because I can’t help myself.
I pray because I’m helpless.
I pray because the need flows out of me all the time — waking and sleeping.
It doesn’t change God — it changes me.
~C.S. Lewis

I never did hear my father pray out loud except for saying grace together as a family before our dinner meal. Once he described a prayer he uttered while hunkering in a trench on the island of Tarawa during WWII: if God could see him safe through the three years of combat, he would turn his life to over to God and become a preacher of the Word.

He came home safe, his body still whole but he could see the harsh reality of his foxhole promise: agriculture teachers made better incomes than preachers. He had a family to support so he became a high school FFA teacher. I’m not sure he ever forgave himself for not keeping his word, even when God did. I figure the world needs good farmers as much as good preachers and he trained his share of farmers over the decades, including me.

I learned to pray out loud at our small church as we spend part of every evening service praying out loud for the needs of our church people, our community and our world. It still does not come easily or naturally to me, yet I hope our children, having heard their parents pray out loud, have learned they are not just talking to the wind when they speak to God aloud, when helpless, when weary, when joyful, when thankful.

Praying changes everything.

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A Purple Blemish

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Her body is not so white as
anemone petals nor so smooth—nor
so remote a thing. It is a field
of the wild carrot taking
the field by force; the grass
does not raise above it.
Here is no question of whiteness,
white as can be, with a purple mole
at the center of each flower.

Each flower is a hand’s span
of her whiteness.  Wherever
his hand has lain there is
a tiny purple blemish.  Each part
is a blossom under his touch
to which the fibres of her being
stem one by one, each to its end,
until the whole field is a
white desire, empty, a single stem,
a cluster, flower by flower,
a pious wish to whiteness gone over —
or nothing.
~William Carlos Williams — “Queen Anne’s Lace” (1919)

We all arise from a single stem, branching off in countless directions, a thousand million hues and shapes and types.

We reflect the sun’s light and the Light of the Son.

There can be no question of whiteness nor a pious wish for purity – we are all purple-blemished right at the heart.

We bleed together, my friends, as He did for us.

We bleed together.

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