What shall I say, because talk I must? That I have found a cure for the sick? I have found no cure for the sick but this crooked flower which only to look upon all men are cured. This is that flower for which all men sing secretly their hymns of praise! This is that sacred flower! ~William Carlos Williams from “The Yellow Flower”
The nail of each big toe was the horn of a goat. Thick as a thumb and curved, it projected down over the tip of the toe to the underside. With each step, the nail would scrape painfully against the ground and be pressed into his flesh. There was dried blood on each big toe.
It took an hour to do each big toe. The nails were too thick even for my nail cutters. They had to be chewed away little by little, then flattened out with the rasp, washed each toe, dried him off, and put his shoes and socks back on. He stood up and took a few steps, like someone who is testing the fit of a new pair of shoes.
“How is it?” “It don’t hurt,” he said, and gave me a smile that I shall keep in my safety deposit box at the bank until the day I die.
I never go to the library on Wednesday afternoon without my nail clippers in my briefcase. You just never know. ~Richard Selzer from “Toenails” from Letters to a Young Doctor
I know for a while again the health of self-forgetfulness, looking out at the sky through a notch in the valleyside, the black woods wintry on the hills, small clouds at sunset passing across. And I know that this is one of the thresholds between Earth and Heaven, from which even I may step forth and be free. – Wendell Berry from “Sabbath Poems”
Whenever I lose perspective about what I was trained to do and who I am meant to serve, when I wallow in the mud of self-importance rather than in the health of self-forgetfulness~
On those clinic days when I would wash out a plug of wax from a deaf ear and miraculously restore hearing or remove a painful thorn in a festering thumb or clip someone’s crippling toenails so they can step forth in freedom or I simply sit still as someone cries out their heart’s pain
I would cling to that crooked flower of healing and forgiveness I was handed over fifty years ago, sharing its sacred sweetness with another.
I was given these tools for a reason, and try to still use them.
You just never know.
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repeated the way a sunset plays every night in the fade to twilight the same scene over and over but never once lost in its sameness ~Juniper Klatt “some words need to be” from I was raised in a house of water
Out of the deep and the dark, A sparkling mystery, a shape, Something perfect, Comes like the stir of day: One whose breath is a fragrance, One whose eyes reveal the road to stars, The wind in his countenance, The glory of heaven upon his back. He steps like a vision hung in air, Diffusing the passion of eternity; His abode is the sunlight of morn, The music of eve his speech: In his sight, One shall turn from the dust of the grave, And move upward to the woodland. ~Yone Noguchi“The Poet”
Once in your life you pass Through a place so pure It becomes tainted even By your regard, a space Of trees and air where Dusk comes as perfect ripeness. Here the only sounds are Sighs of rain and snow, Small rustlings of plants As they unwrap in twilight. This is where you will go At last when coldness comes. It is something you realize When you first see it, But instantly forget. At the end of your life You remember and dwell in Its faultless light forever. ~Paul Zimmer “The Place” from Crossing to Sunlight Revisited.
I like the slants of light; I’m a collector. That’s a good one, I say… ~Annie Dillard from Pilgrim at Tinker Creek
I won’t forget the glow on the hill as the sun drops, centering behind our sentinel tree. I won’t forget the rays coming through the branches, glistening on a tattered web and an evening primrose unwrapping. I won’t forget the way the air itself changes as the color spreads, like a fragrant scent carried on the wind.
The light is faultless but I am not. My collection of slants of light and words to describe them may fade with time.
Even so, it was – maybe just once – so perfect, so pure, so ripe. And I’ll remember I was there to witness it.
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I’ve learned that no matter what happens, or how bad it seems today, life does go on, and it will be better tomorrow. I’ve learned that you can tell a lot about a person by the way he/she handles these three things: a rainy day, lost luggage, and tangled Christmas tree lights. I’ve learned that regardless of your relationship with your parents, you’ll miss them when they’re gone from your life. I’ve learned that making a ‘living’ is not the same thing as making a ‘life.’ I’ve learned that life sometimes gives you a second chance. I’ve learned that you shouldn’t go through life with a catcher’s mitt on both hands; you need to be able to throw something back. I’ve learned that whenever I decide something with an open heart, I usually make the right decision. I’ve learned that even when I have pains, I don’t have to be one. I’ve learned that every day you should reach out and touch someone. People love a warm hug, or just a friendly pat on the back. I’ve learned that I still have a lot to learn. I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel. ~Maya Angelou
…think of all the things you’ve learned over the years— the hard and the holy, the mysteries that will always remain mysterious, the clean edges of truth, the soft edges of every kindness given or received, the way trouble and wonder will continue to show up, sometimes leaving us beached and breathless with uncontainable joy or unutterable sorrow. I think of all the times I was knocked to my knees by a beautiful and brilliant flash of the completely obvious. ~Carrie Newcomer from A Gathering of Spirits
I learned from my mother how to love the living, to have plenty of vases on hand in case you have to rush to the hospital with peonies cut from the lawn, black ants still stuck to the buds. I learned to save jars large enough to hold fruit salad for a whole grieving household, to cube home-canned pears and peaches, to slice through maroon grape skins and flick out the sexual seeds with a knife point. I learned to attend viewings even if I didn’t know the deceased, to press the moist hands of the living, to look in their eyes and offer sympathy, as though I understood loss even then. I learned that whatever we say means nothing, what anyone will remember is that we came. I learned to believe I had the power to ease awful pains materially like an angel. Like a doctor, I learned to create from another’s suffering my own usefulness, and once you know how to do this, you can never refuse. To every house you enter, you must offer healing: a chocolate cake you baked yourself, the blessing of your voice, your chaste touch. ~Julie Kasdorf– “What I Learned from my Mother”
Five years ago today, I wrapped up 45 years of uninterrupted medical training and doctoring.
Even while bearing three children and going through a few surgeries myself, I was not away from patient care for more than twenty consecutive days at any one time. This was primarily out of my concern that, even after a few weeks, I would forget all that I’d ever known.
Indeed, half of what I learned in medical school and residency nearly fifty years ago has evolved, thanks to new discoveries and clarifying research. I worried if I actually stepped away from doctoring for an extended time, then return to see patients again, I would be masquerading as a physician rather than be the real thing.
I couldn’t fathom a day when I could actually investigate a medical dilemma by typing a few words in a search engine on a computer screen. Instead, I researched through opening my encyclopedic collection of reference textbooks along with huge notebooks of “Scientific American Updates,” a monthly process of throwing out old articles to be replaced by newly discovered data. That is how I kept learning before the computer replaced books and pen and paper…
If being truly honest, even now, those who spend their professional lives providing medical care to others always share this concern: if a patient only knew how much we don’t know and will never know, despite everything we DO know, there would really be no trust left for us at all.
With so much rapidly changing medical information at everyone’s fingertips and computer screens, who needs a trained physician when there are so many other resources – many sketchy and opportunistic – for seeking health care advice?
Yet, I am convinced most patients really do want doctors to share the best information they have available at any point in time rather than rely on the latest internet algorithm and so-called “experts.”
I know over forty years of clinical experience gave me an eye and an ear for the subtle signs and symptoms that no googled website or AI app or virtual doc-in-the-box can discern: the avoidance of eye contact, the tremble of the lip as they spoke, the barely palpable rash, the hardly discernible extra heart sound, the fullness over an ovary, the slight squeak in a lung base. These are things I was privileged to see and hear, about which I made decisions together with my patients.
The work I did over four decades was a reflection of a continual learning process; out of my natural caution, I was honest when I didn’t know what the diagnosis was, nor the best treatment, but committed to doing my best to find out.
Continual learning – what I was trained to do for thousands of days and many more thousands of patients during my professional life, while passing a comprehensive certification examination every few years to prove my study and changing fund of knowledge.
Since retiring, the help I offer no longer means writing a prescription for a medication, or performing a minor surgery. I have to simply offer up me for what it’s worth, without a stethoscope.
Now I aim to be the best mom and grandma and friend I can be. I can press my hand into another’s, hug when needed, smile and listen and nod and sometimes weep when someone has something they need to say. No advanced degree or certification required.
Someday, hopefully not too soon, I will die happy knowing I chose this with my life: still learning and still caring.
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All day the stars watch from long ago my mother said I am going now when you are alone you will be all right whether or not you know you will know look at the old house in the dawn rain all the flowers are forms of water the sun reminds them through a white cloud touches the patchwork spread on the hill the washed colors of the afterlife that lived there long before you were born see how they wake without a question even though the whole world is burning ~W.S. Merwin “Rain Light”
Well-away and be it so, To the stranger let them go. Even cheerfully I yield Pasture, orchard, mowing-field, Yea and wish him all the gain I required of them in vain. Yea and I can yield him house, Barn, and shed, with rat and mouse To dispute possession of. These I can unlearn to love. Since I cannot help it? Good! Only be it understood, It shall be no trespassing If I come again some spring In the grey disguise of years, Seeking ache of memory here. ~Robert Frost from “On the Sale of My Farm”
the farm where I grew up in east Stanwoodthe Stanwood farm from the road
From the road, each of the two small farms where I grew up in western Washington state (Stanwood and Olympia) look nothing like they did in my childhood. When I drive past now, whether on Google Earth virtually or for real, the outbuildings have changed and are unfamiliar, fences pulled down, the trees exponentially taller or gone altogether, the fields no longer well-tended. Instead the familiarity is in the road to get there, the lean into the curves, the acceleration in and out of dips, the landscape which triggers a simultaneous comfort and disquiet deep in my DNA.
Though my brother once stopped and got permission to look around our long-ago childhood home, and sent me pictures that looked barely recognizable, I myself have never stopped to knock; instead I have driven slowly past to sense if I feel what I used to feel in these places. My memories are indeed triggered but feel a bit as if they must have happened to someone else.
I have the same feeling when driving past my parents’ childhood farms on Similk Bay on Fidalgo Island and in the Palouse wheat fields. Part of me belongs to these places even though they have never been truly “mine” – only part of sweet memories from my own childhood.
barn on Olympia farmOlympia housethe driveway to my mother’s Palouse farm where she grew upmy mother’s childhood home in Spring Valley, the Palouse
One clinic day years ago, I glanced at the home address of a young man I was about to see for a medical issue and I realized he now lived in my childhood home located over 100 miles away. When I greeted him I told him we had something in common: we had grown up under the same roof, inside the same walls, though children of two different generations.
He was curious but seemed skeptical — how could this gray-haired middle aged woman know anything about his home? He told me a bit about the house, the barn, the fields, the garden and how he experienced it felt altogether strange to me. He and I had shared nothing but a patch of real estate — our recollections were so completely disparate.
The two daughters of the family who sold our current farm to us over thirty years ago have been back to visit a time or two, and have driven by whenever they are in the area. Many things remain familiar to them but also too much has changed – it is not quite the same farm they remember from their childhood. I know it aches to visit here but they do let me know when a photo I post has a particular sweet memory for them.
I worry for the fearsome ache if someday, due to age or finances, we must sell this farm we cherish ~ this beloved place our children were raised, animals bred and cared for, fruit picked from an ancient orchard, plants tended and soil turned over. It will remain on the map surely as the other two farms of my past, visible as we pass by slowly on the road, but primarily preserved in the words and photos I harvest here.
Only be it understood, It shall be no trespassing If I come again some spring In the grey disguise of years, Seeking ache of memory here.
There will always be hoping something will still remain familiar on the map of my memory. After all, there is no such beauty as the place where I belonged – now and forever ago.
Tell me, where is the road I can call my own That I left, that I lost So long ago? All these years I have wandered Oh, when will I know There’s a way, there’s a road That will lead me home
After wind, after rain When the dark is done As I wake from a dream In the gold of day Through the air there’s a calling From far away There’s a voice I can hear That will lead me home
Rise up, follow me Come away, is the call With the love in your heart As the only song There is no such beauty As where you belong Rise up, follow me I will lead you home ~Michael Dennis Browne
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And I was alive in the blizzard of the blossoming pear, Myself I stood in the storm of the bird–cherry tree. It was all leaflife and starshower, unerring, self–shattering power, And it was all aimed at me.
What is this dire delight flowering fleeing always earth? What is being? What is truth?
Blossoms rupture and rapture the air, All hover and hammer, Time intensified and time intolerable, sweetness raveling rot. It is now. It is not. ~Osip Mandelstam “And I Was Alive” (translated by Christian Wiman) from Stolen Air
Ordinary things have always seemed numinous to me. One Calvinist notion deeply implanted in me is that there are two sides to your encounter with the world. You don’t simply perceive something that is statically present, but in fact there is a visionary quality to all experience. It means something because it is addressed to YOU. ~Marilynne Robinson from The Paris Review 2008
We mostly live through routine and ordinary days, unconscious of many treasures and abundance laid before us.
In fact, these are addressed to us as pure gift – postmarked to our address, fully paid, no postage due.
Daily I search the soil of my life, this farm, this faith to find what in me still yearns to grow, to blossom, to fruit, in order to be harvested to share with others.
Such sweetness undoes our inevitable decay.
I am so grateful for the tie that binds me to those who visit this page, hoping what I share makes a difference in your ordinary, but still so precious, day.
The gift of ordinary time is now. Its numinosity is aimed at each one of us.
Poem by Dana Gioia
Echo of the clocktower, footstep in the alleyway, sweep of the wind sifting the leaves. Jeweller of the spiderweb, connoisseur of autumn’s opulence, blade of lightning harvesting the sky.
Keeper of the small gate, choreographer of entrances and exits, midnight whisper traveling the wires. Seducer, healer, deity or thief, I will see you soon enough— in the shadow of the rainfall, in the brief violet darkening a sunset—
but until then I pray watch over him as a mountain guards its covert ore and the harsh falcon its flightless young.
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…The world is flux, and light becomes what it touches, becomes water, lilies on water, above and below water, becomes lilac and mauve and yellow and white and cerulean lamps, small fists passing sunlight so quickly to one another that it would take long, streaming hair inside my brush to catch it. To paint the speed of light! Our weighted shapes, these verticals, burn to mix with air and change our bones, skin, clothes to gases. Doctor, if only you could see how heaven pulls earth into its arms and how infinitely the heart expands to claim this world, blue vapor without end. ~Lisel Mueller from “Monet Refuses the Operation” from Second Language
Monet’s corner of a lily pond (1918-1919)
“Heaven pulls earth into its arms…”
We all see things differently, don’t we? What seems ordinary to one is extraordinarily memorable to another.
How might I help others to see the world as I do? How might I learn to adjust my focus to see things as you do?
The world is in flux; my delight and dismay flows from moment to moment, from object to absence, from light to darkness, from color to muted.
Perhaps the blur from Monet’s cataracts also impedes my vision, creating a deeper understanding, as I use my imagination to fill in what I can’t quite discern.
My heart and mind expands exponentially to claim this world and all that beauty has to offer, while heaven – all this while – pulls me into its arms.
In heaven, my focus will be clear. All will be extraordinarily ordinary.
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A hundred thousand birds salute the day:– One solitary bird salutes the night: Its mellow grieving wiles our grief away, And tunes our weary watches to delight; It seems to sing the thoughts we cannot say, To know and sing them, and to set them right; Until we feel once more that May is May, And hope some buds may bloom without a blight. This solitary bird outweighs, outvies, The hundred thousand merry-making birds Whose innocent warblings yet might make us wise Would we but follow when they bid us rise, Would we but set their notes of praise to words And launch our hearts up with them to the skies. ~Christina Rossetti “A Hundred Thousand Birds”
Every day is perfect, if when you wake, you hear birds in the garden, in the yard. Birds
up and down, ushering in one more day in all the houses on Shaker Way. Birds on telephone lines, light posts. Birds
twit, twittering on trees hailing fellow birds with a nod of beak—gray kingbird;
top-hatted, streamertail tuxedoed, doctor bird— busy-bodied hummingbird
tucking in, out, of pink, red ixoras punch-drunk in love. Birds preening for, chatting up other birds—
the oriole, the grass quit, in mid-song on the lawn, in a dance of birds an all-day-long conference of bird;
red-headed woodpecker —drummer boy, or girl bird in this daily symphony of birds
—an orchestra on Shaker Way in serenade of each perfect day with birds— from the very first mockingbird
heralding, in solo warble one more day, filled with birds— brightened, lightened, trilled by birds:
Bird, bird, bird. Hello bird. You lift me up bird. You sing the day beautiful, bird. ~Ann-Margaret Lim “Birdsong of Shaker Way”
Birds afloat in air’s current, sacred breath? No, not breath of God, it seems, but God the air enveloping the whole globe of being. It’s we who breathe, in, out, in, the sacred, leaves astir, our wings rising, ruffled—but only saints take flight… But storm or still, numb or poised in attention, we inhale, exhale, inhale, encompassed, encompassed. ~Denise Levertov from “In Whom We Live and Move and Have Our Being”from The Stream and the Sapphire
As if reluctant to let go the setting sun last night, one lone bird still sang a twilight song, long after the others fell asleep, their heads tucked neatly under their wings.
This lone bird had not yet finished the day, breathing in and out its plaintive melody, articulating what my own thoughts could not say.
And before a hint of light this June morning, I am swept from my dreams at 4:30 AM by a full chorus singing from the same tree, no longer a lone voice, but hundreds.
Although my day is launched early by warbling songs, I cannot forget twilight’s one reluctant bird who fought back the impending darkness using only its voice.
I too resist the darkness with what I write here, if only I can keep it at bay: inhaling, exhaling, encompassed in holy Breath.
I want to sing out light and love to Light: encompassed by no darkness here.
I hear a bird chirping, up in the sky I’d like to be free like that spread my wings so high I see the river flowing water running by I’d like to be that river, see what I might find
I feel the wind a blowin’, slowly changing time I’d like to be that wind, I’d swirl and the shape sky I smell the flowers blooming, opening for spring I’d like to be those flowers, open to everything
I feel the seasons change, the leaves, the snow and sun I’d like to be those seasons, made up and undone I taste the living earth, the seeds that grow within I’d like to be that earth, a home where life begins
I see the moon a risin’, reaching into night I’d like to be that moon, a knowing glowing light I know the silence as the world begins to wake I’d like to be that silence as the morning breaks
He doesn’t know the world at all Who stays in his nest and doesn’t go out. He doesn’t know what birds know best Nor what I sing about, Nor what I sing about, Nor what sing about: That the world is full of loveliness.
When dew-drops sparkle in the grass And earth is aflood with morning light. light A blackbird sings upon a bush To greet the dawning after night, the dawning after night, the dawning after night. Then I know how fine it is to live.
Hey, try to open your heart to beauty; Go to the woods someday And weave a wreath of memory there. Then if tears obscure your way You’ll know how wonderful it is To be alive. ~Paul Read
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O! my heart now feels so cheerful as I go with footsteps light In the daily toil of my dear home; And I’ll tell to you the secret that now makes my life so bright— There’s a flower at my window in full bloom.
It is radiant in the sunshine, and so cheerful after rain; And it wafts upon the air its sweet perfume. It is very, very lovely! May its beauties never wane— This dear flower at my window in full bloom.
Nature has so clothed it in such glorious array, And it does so cheer our home, and hearts illume; Its dear mem’ry I will cherish though the flower fade away— This dear flower at my window in full bloom.
Oft I gaze upon this flower with its blossoms pure and white. And I think as I behold its gay costume, While through life we all are passing may our lives be always bright Like this flower at my window in full bloom. ~Lucian Watkins“The Flower at My Window”from Voices of Solitude
Details of the life of poet Lucian Watkins are few: a black man born in 1879 in Virginia, educated as a teacher, a writer and poet, then served as a U.S. Army Sergeant during WWI in the Philippines and France, dying of an unknown illness in Fort McHenry hospital in 1921.
He leaves behind only a handful of poems, including the one above.
Among the sparse information available about Lucian are three letters written by him. This was a young man who earnestly wanted to have both a writing career and a “bread-winning vocation.” He describes feeling compelled to compose poetry, no matter what else he accomplishes.
The obvious challenges he faced – –as a black man looking for a suitable place to live in Illinois so he can attend a college where there are no other people of color nearby, –as a veteran of a most horrific war, –as a creative mind trying to find a way to make a living.
He writes passionately about the aspirational purity of a white flower outside his window. Its bright radiance represents what he longs for in his own life.
From his letter to President Bissell of Bissell Colleges in Effingham, Illinois in 1919 after President Bissell is unable to assist in finding him a place to live, having suggested that the war veteran might consider “doing light housekeeping” – essentially live as a servant in a white household:
“About this matter of a boarding place. While I had hoped to obtain board with a member of my own race in Effingham, I had not thought it imperative that I should do so. I feel sure that there is enough Christianity in Effingham to provide that a brother-stranger in their midst shall not die of hunger.
What would Jesus do?
It seems that some places in the south they rise more readily to our American ideal of democracy than in the North and Middle-West. ‘The Richmond Planet’ of Richmond, Va., states that ‘right here in Richmond, the capital of the late Confederacy, colored soldiers are welcomed to aristocratic Westhampton, and with no sigh of racial discrimination or antipathy to their being there.’
What is the matter with Illinois?
I am not sure as to what your question involves. We shall talk it over when I arrive. There must be a way that is just and that will be good for all concerned. Very respectfully, signed Lucian B. Watkins“
**This man was not only a poet. He was a statesman.**
And a few months later, to the Editor of Crisis Magazine, the publication for the NAACP:
I have tried my best to forget poetry since being here – this with the hope I could the better prepare for a sure-enough bread-winning vocation. But the spell is on me again. With me, this thing is a madness. I hope you understand me, as it is really a painful matter that I have never expressed to anyone before. I have always felt that people can never know as to what this fever means.
Had I the world to give, I would give it freely for my ability to concentrate my mental and physical forces on real money-earning work as I seem compelled to do in the making of a quatrain. Now unless I can get away from this verse-making obsession, I must fail in everything, because success as a poet means very little, in a material way, even for those who are called masters in the art.
I hope you will pardon me for this much of your time I have taken.
Though Lucian Watkins’ life was cut short by an unknown illness, and his portfolio of poetry is small, he is nonetheless a gift to generations of future poets and readers.
This black artist did not let the inevitable rainfall in his life discourage his world view; he himself is radiant with illumination, showing a budding cheerfulness. His work reminds us:
Something as simple as observing a resilient flower outside our window can help heal painful hurts and fulfill our deepest longing.
Something as basic as seeing life through different perspectives or lenses can make all the difference in how we feel about our existence.
In his writing, Lucian Watkins draws a thin line between joy and sorrow, embracing joy in a simple white flower in full bloom — before it, as will we all, fades away.
From this low-lying valley; Oh, how sweet And cool and calm and great is life, I ween, There on yon mountain-throne—that sun-gold crest!
From this uplifted, mighty mountain-seat: How bright and still and warm and soft and green Seems yon low lily-vale of peace and rest! ~Lucian Watkins “Two Points of View”
Flower gleam and glow let your power shine make the Clock reverse bring back what once was mine What once was mine Heal what has been hurt change the fate’s design Save what has been lost bring back what once was mine what once was mine ~Healing Song from Tangled
The great affair, the love affair with life, is to live as variously as possible, to groom one’s curiosity like a high-spirited thoroughbred, climb aboard, and gallop over the thick, sun-struck hills every day.
Where there is no risk, the emotional terrain is flat and unyielding, and, despite all its dimensions, valleys, pinnacles, and detours, life will seem to have none of its magnificent geography, only a length. It began in mystery, and it will end in mystery, but what a savage and beautiful country lies in between. ~Diane Ackerman from A Natural History of the Senses
…once more the quiet mystery is present to me, the throng’s clamor recedes: the mystery that there is anything, anything at all, let alone cosmos, joy, memory, everything, rather than void: and that, O Lord, Creator, Hallowed One, You still, hour by hour sustain it. ~Denise Levertov “Primary Wonder” from Selected Poems
It’s strange to be here. The mystery never leaves you. ~John O’Donohue from Anam Cara
We must learn to acknowledge that the creation is full of mystery; we will never entirely understand it. We must abandon arrogance and stand in awe. We must recover the sense of the majesty of creation, and the ability to be worshipful in its presence. ~Wendell Berry from The Art of the Commonplace: The Agrarian Essays
…being a living mystery: means to live in such a way that one’s life would not make sense if God did not exist. ~ Emmanuel Cardinal Suhard of Parisquoted in Walking on Water
It is our love affair with each day: even when the going is rough and the way is unknown territory.
The road I walk makes no sense without the knowledge God’s Hand created me, His breath becoming mine.
He forms the bridge over the chasm, so I may safely cross.
It’s astonishing, to be truthful. I want to point out the mystery to anyone who will listen so we can bow down together, amazed and awed.
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The night of the Perseid shower, thick fog descended but I would not be denied. I had put the children to bed, knelt with them, and later in the quiet kitchen as tall red candles burned on the table between us, I’d listened to my wife’s sweet imprecations, her entreaties to see a physician. But at the peak hour— after she had gone to bed, and neighboring houses stood solemn and dark— I felt no human obligation and went without hope into the yard. In the white mist beneath the soaked and dripping trees, I lifted my eyes into a blind nothingness of sky and shivered in a white robe. I couldn’t see the outline of the neighbor’s willows, much less the host of streaking meteorites no bigger than grains of sand blazing across the sky. I questioned the mind, my troubled thinking, and chided myself to go in, but looking up, I thought of the earth on which I stood, my own scanty plot of ground, and as the lights passed unseen I imagined glory beyond all measure. Then I turned to the lights in the windows— the children’s nightlights, and my wife’s reading lamp, still burning. ~Richard Jones “The Manifestation”
Perhaps as a child you had the chicken pox and your mother, to soothe you in your fever or to help you fall asleep, came into your room and read to you from some favorite book, Charlotte’s Web or Little House on the Prairie, a long story that she quietly took you through until your eyes became magnets for your shuttering lids and she saw your breathing go slow. And then she read on, this time silently and to herself, not because she didn’t know the story, it seemed to her that there had never been a time when she didn’t know this story—the young girl and her benevolence, the young girl in her sod house— but because she did not yet want to leave your side though she knew there was nothing more she could do for you. And you, not asleep but simply weak, listened to her turn the pages, still feeling the lamp warm against one cheek, knowing the shape of the rocking chair’s shadow as it slid across your chest. So that now, these many years later, when you are clenched in the damp fist of a hospital bed, or signing the papers that say you won’t love him anymore, when you are bent at your son’s gravesite or haunted by a war that makes you wake with the gun cocked in your hand, you would like to believe that such generosity comes from God, too, who now, when you have the strength to ask, might begin the story again, just as your mother would, from the place where you have both left off. ~Keetje Kuipers“Prayer”
Flung is too harsh a word for the rush of the world. Blown is more like it, but blown by a generous, unending breath. ~Annie Dillardfrom Pilgrim at Tinker Creek
How could it be possible?
The five year old me had a sudden terrifying revelation that I would some day cease to walk this earth.
The much older me is more afraid of the faster and faster rush of the days than of their end.
The world hurtles through space and time at a pace that leaves me breathless. Throughout my seventy-plus years, I have felt flung all too frequently, bruised and weary from hurry and hubbub.
I have need of Someone to stop me for a moment, sit down and begin the Story again with me, starting right where we left off.
Now, with retirement from daily work obligations: breathing space. I’m lifted lighter, drifting where I’m blown, less weighted down by the next thing to do and the next place to be.
Instead I can just be… part of the story to be told, part of the wonder. Blown by breath that loves, fills and nurtures, a generous promise hopeful and fulfilled.
I’m grateful for the opportunity to see, even in the dark, a manifestation of glory and love just beyond my vision, praying that one day I will see and know it clearly.
The old me ~ Blown upon.
If only the five year old me could have known.
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