A fine rain was falling, and the landscape was that of autumn. The sky was hung with various shades of gray, and mists hovered about the distant mountains – a melancholy nature. The leaves were falling on all sides like the last illusions of youth under the tears of irremediable grief. Every landscape is, as it were, a state of the soul, and whoever penetrates into both is astonished to find how much likeness there is in each detail.” ~Henri Frederic Amiel from The Amiel Journal
What is melancholy at first glance glistens bejeweled when studied up close.
It isn’t all sadness~ there is solace in knowing: the landscape and my soul share an inner world of tears.
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Out through the fields and the woods And over the walls I have wended; I have climbed the hills of view And looked at the world, and descended; I have come by the highway home, And lo, it is ended.
The leaves are all dead on the ground, Save those that the oak is keeping To ravel them one by one And let them go scraping and creeping Out over the crusted snow, When others are sleeping.
And the dead leaves lie huddled and still, No longer blown hither and thither; The last lone aster is gone; The flowers of the witch hazel wither; The heart is still aching to seek, But the feet question ‘Whither?’
Ah, when to the heart of man Was it ever less than a treason To go with the drift of things, To yield with a grace to reason, And bow and accept the end Of a love or a season? ~Robert Frost “Reluctance”
As I kick through piles of fallen leaves in the barnyard, I realize how close I am to becoming one of them. Within my own seasons, I have flourished and bloomed and fruited, but, with aging, am now reminded of my fading, withering and eventual letting go. I find I’m not nearly so bold anymore, instead trembling nervously when harsh winds blow me about.
I have come to question the stability of the stems, branches, trunk and roots I’ve always depended upon. Will they continue to nourish and sustain me?
Everything feels transitory — especially me.
When these thoughts overwhelm, I tend to hang on tighter rather than simply giving up and letting go. My feet stumble when I try to do the same tasks I did so smoothly years ago. I am easily torn, broken and full of holes. No graceful bow from me; I’m stubbornly wanting things to stay the same, reluctant for a transition to something different.
My only solace is that the heart of man — indeed my own holey heart — is transient compared to the holy Heart of God. I am sustained by His steady Pulse, His ubiquitous Circulation, His impeccable Rhythm of Life and Death.
In that I trust. In that I come to abandon my stubborn reluctance.
Autumn in my part of the world is a season of bounty and beauty. It’s also a season of steady decline—and, for some of us, a slow slide into melancholy. The days become shorter and colder, the trees shed their glory, and summer’s abundance starts to decay toward winter’s death.
I’m a professional melancholic, and for years my delight in the autumn color show quickly morphed into sadness as I watched the beauty die. Focused on the browning of summer’s green growth, I allowed the prospect of death to eclipse all that’s life-giving about fall and its sensuous delights.
Then I began to understand a simple fact: All the “falling” that’s going on out there is full of promise. Seeds are being planted and leaves are being composted as Earth prepares for yet another uprising of green. ~ Parker J. Palmer from On the Brink of Everything: Grace, Gravity, and Getting Old
A fine rain was falling, and the landscape was that of autumn. The sky was hung with various shades of gray, and mists hovered about the distant mountains – a melancholy nature. Every landscape is, as it were, a state of the soul, and whoever penetrates into both is astonished to find how much likeness there is in each detail. ~Henri Frederic Amiel
A melancholic first glance~ rain droplets glisten bejeweled when studied up close.
It isn’t all sadness~ there is solace in knowing the landscape and I share an inner world of change: both promises and tears.
She skimmed the yellow water like a moth, Trailing her feet across the shallow stream; She saw the berries, paused and sampled them Where a slight spider cleaned his narrow tooth. Light in the air, she fluttered up the path, So delicate to shun the leaves and damp, Like some young wife, holding a slender lamp To find her stray child, or the moon, or both. Even before she reached the empty house, She beat her wings ever so lightly, rose, Followed a bee where apples blew like snow; And then, forgetting what she wanted there, Too full of blossom and green light to care, She hurried to the ground, and slipped below. ~James Wright “My Grandmother’s Ghost from Above the River: The Complete Poems
I saw my grandma’s ghost once.
She was my only grandparent I actually knew and who actually knew me — the others were lost before I was born or too young to realize what I had lost.
She had lived a hard life: losing her mother when she was 12, taking over the household duties for her father and younger brother while leaving school forever, too young marrying an abusive alcoholic, losing her first child to lymphoma at age 8, taking her three remaining children to safety away from their father for a year to live above a seedy restaurant where she cooked seven days a week to make ends meet.
But there was grace too. A marriage that somehow got patched together after Grandpa found God and sobriety, her faith that never wavered, their soil that yielded beautiful flowers she planted and nurtured and picked to sell, children and grandchildren who welcomed her many open armed visits and hugs.
She was busy planning her first trip of a lifetime at age 72 when we noticed her eyes looked yellow. Only two weeks later she was bed-bound in unrelenting pain due to pancreatic cancer, gazing heaven-ward instead of Europe-bound. Her dreams had been dashed so quickly, she barely realized her itinerary and destination had changed.
I was 16 at the time, too absorbed in my own teenage cares and concerns to really notice how quickly she was fading and failing like a wilted flower. Instead I was picking fights with my stressed parents, worrying over taking my driver’s license driving test, distracted by all the typical social pressures of high school life.
Her funeral was unbearable as I never really said goodbye – only one brief hospital visit when she was hardly recognizable in her anguish and jaundice. I didn’t even get to hold her hand.
Soon after she had been lowered into the ground next to her husband and young daughter, she came back to me in a dream.
I was asleep when my bedroom door opened into the dark, wakening me as the bright hallway light pushed its way via a shimmering beam to my bed. Grandma Kittie stood in my bedroom doorway, backlit by the light surrounding her silhouette. She silently stood there, just looking at me.
Startled, I sat up in my bed and said to her, “Grandma, why are you here? You died and we buried you!”
She nodded and smiled. And then she said to me:
“I wanted you to know I’m okay and always will be. You will be too.”
She gave a little wave, turned and left, closing the door behind her. I woke suddenly with a gasp in my darkened bedroom and knew I had just been visited.
She hadn’t come to say goodbye or to tell me she loved me — that I knew already.
She had come to shine with her light blossoming around her, mending my broken heart by planting it with peace.
There seemed a smell of autumn in the air At the bleak end of night; he shivered there In a dank, musty dug-out where he lay, Legs wrapped in sand-bags,—lumps of chalk and clay Spattering his face. Dry-mouthed, he thought, “To-day We start the damned attack; and, Lord knows why, Zero’s at nine; how bloody if I’m done in Under the freedom of that morning sky!” And then he coughed and dozed, cursing the din.
Was it the ghost of autumn in that smell Of underground, or God’s blank heart grown kind, That sent a happy dream to him in hell?— Where men are crushed like clods, and crawl to find Some crater for their wretchedness; who lie In outcast immolation, doomed to die Far from clean things or any hope of cheer, Cowed anger in their eyes, till darkness brims And roars into their heads, and they can hear Old childish talk, and tags of foolish hymns.
He sniffs the chilly air; (his dreaming starts). He’s riding in a dusty Sussex lane In quiet September; slowly night departs; And he’s a living soul, absolved from pain. Beyond the brambled fences where he goes Are glimmering fields with harvest piled in sheaves, And tree-tops dark against the stars grown pale; Then, clear and shrill, a distant farm-cock crows; And there’s a wall of mist along the vale Where willows shake their watery-sounding leaves. He gazes on it all, and scarce believes That earth is telling its old peaceful tale; He thanks the blessed world that he was born…. Then, far away, a lonely note of the horn.
They’re drawing the Big Wood! Unlatch the gate, And set Golumpus going on the grass: He knows the corner where it’s best to wait And hear the crashing woodland chorus pass; The corner where old foxes make their track To the Long Spinney; that’s the place to be. The bracken shakes below an ivied tree, And then a cub looks out; and “Tally-o-back!” He bawls, and swings his thong with volleying crack,— All the clean thrill of autumn in his blood, And hunting surging through him like a flood In joyous welcome from the untroubled past; While the war drifts away, forgotten at last.
Now a red, sleepy sun above the rim Of twilight stares along the quiet weald, And the kind, simple country shines revealed In solitudes of peace, no longer dim. The old horse lifts his face and thanks the light, Then stretches down his head to crop the green. All things that he has loved are in his sight; The places where his happiness has been Are in his eyes, his heart, and they are good. * * * * Hark! there’s the horn: they’re drawing the Big Wood. ~Siegfried Sassoon “Break of Day” (written about his memories as a WWI soldier)
When we are at war, whether deep in the foxhole hiding from the enemy, or deeper yet in a hole of our own making, trying to conceal our sins.
Amidst that mire and mud, we dream of better days and an untroubled past, when the hunter and hunted was merely a game, not life and death.
May we know the means of peace was brought to earth.
May we surface in mutual surrender, begging for reprieve, longing for redemption. May the solitudes of peace overwhelm those who are angry and conflicted. May we lift our faces up and thank the Light.
This is how the world is built in the depths we cannot see, but, stopping for a moment, we can feel it, in the solitude of any night.
In the absence of light, on the precipice of dreams we can hear a jot of humming, as the unseen parts of the world spin and gather themselves within us, inside the air that eases down the leaves and sustains, as it moves toward us, the distant calling of an owl. ~Richard Maxson “Dreams and After”
Last night we were awakened by a summer windstorm – from a muggy stillness where no air moves to sudden breezes flowing roughshod over our bed. Our wind chimes outside clanged a cacophony rather than gentle harmonic tones. The window shades became percussion instruments. Anything not fastened down went airborne.
This fortuitous storm pulled me from a bad dream of a recent stress-filled work day I didn’t manage well. As I woke startled to bed sheets blowing, I gulped at the fresh air as it passed by, allowing my dream to exhale right through the window, never to return.
Life’s intertwined moments, good, bad and indifferent, remain carefully braided together, bound and strengthened so the weaker strands are held steadfast by the enveloping twists and turns of those sturdier ones.
What was, is and will be are held together unbroken, bolstered by tougher stuff than we may think possible.
And we, swinging in the breezes, simply must hang on for dear life, if only by a slender thread.
Sometimes I’d get mad because things didn’t work out well, I’d spoil a flapjack, or slip in the snowfield while getting water, or one time my shovel went sailing down into the gorge, and I’d be so mad I’d want to bite the mountaintops and would come in the shack and kick the cupboard and hurt my toe.
But let the mind beware, that though the flesh be bugged, the circumstances of existence are pretty glorious. ~Jack Kerouac from The Dharma Bums
Little things can bug us. In fact, like a thistle covered with aphids which entices ants, we can be bugged on top of bugged.
Yet we still bloom. We are on notice there is joy to be found. What solace is this?
Though bugs exult in irritating us, flaunting our flawed flesh, it is a reminder of our vulnerability during our short stay on this good earth, bugs and all.
The rest is all glorious, right down to the thirsty roots that hold us fast.