Fixing Eyes on the Unseen – We Need More Cowbells

We come across a ridge and hear
a cowbell in the cove beyond,
a tinkle sweetening the air
with vague rubato as the breeze
erases tones and then the notes
resume like echoes from the past
or from a cave inside the cliff,
a still, calm voice in dialect
and keeping its own company,
both out of time and long as time,
both here and from a higher sphere,
as if the voice of history
were intimate as memory.

~Robert Morgan “Cowbell”

Over my head, I see the bronze butterfly,   
Asleep on the black trunk,
Blowing like a leaf in green shadow.   
Down the ravine behind the empty house,   
The cowbells follow one another   
Into the distances of the afternoon.   
To my right,
In a field of sunlight between two pines,   
The droppings of last year’s horses   
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.   
A chicken hawk floats over, looking for home.
I have wasted my life.
~James Wright “Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota”

photo by Kate Steensma from Steensma Creamery

One of the lullabies I remember hearing as a youngster were cowbells in the pasture outside my bedroom window on our family farm. Each of our three milking Guernsey cows wore a bell on her neck so my dad could tell where they were in our wooded field. He’d whistle and call “Come Bossy!” and they would walk single file into the barn, ringing and tinkling with each step, for their twice daily grain and hand-milking.

When I was old enough, I liked to perch on top of their bony backs while my dad leaned his head into their flank, whistling a tune while he milked them, the steaming stream of milk hitting the metal bucket with a high-pitched whine. The bells on their necks still chimed as the cows chewed, moving their heads up and down to finish their meal.

This was divine music that soothed and reassured me. All was right with the world, thanks to the cows and their intrinsic tunes created by their movements, as if they were created to charm their keepers. There are moments when I believe we are hearing what heaven must sound like.

Now, sixty five years later, the soft harmony of cowbells has been replaced by the random chords of wind chimes hanging outside our house. The memory of cowbell music remains a reminder: I have not wasted my life if I can taste heaven through such simple things and magical moments.

But I still need more cowbell…

This year’s Lenten theme:
So we fix our eyes not on what is seen, but on what is unseen, since what is seen is temporary, but what is unseen is eternal.
2 Corinthians 4: 18

and because there is always a need for more cowbell…

Antidote to Bitterness

Keep a green tree in your heart and perhaps a singing bird will come–
~Chinese Proverb

photo by Harry Rodenberger

I heard a wood thrush in the dusk
Twirl three notes and make a star—
My heart that walked with bitterness
Came back from very far.


Three shining notes were all he had,
And yet they made a starry call—
I caught life back against my breast
And kissed it, scars and all.
~Sara Teasdale, featured in “The Wood” in Earth Song

…then came a sound even more delicious than the sound of water. Close beside the path they were following, a bird suddenly chirped from the branch of a tree. It was answered by the chuckle of another bird a little further off. And then, as if that had been a signal, there was chattering and chirruping in every direction, and then a moment of full song, and within five minutes the whole wood was ringing with birds’ music, and wherever Edmund’s eyes turned he saw birds alighting on branches, or sailing overhead or chasing one another or having their little quarrels or tidying up their feathers with their beaks.
~C.S. Lewis from The Lion, The Witch and the Wardrobe

Their song reminds me of a child’s neighborhood rallying cry—ee-ock-ee—with a heartfelt warble at the end. But it is their call that is especially endearing. The towhee has the brass and grace to call, simply and clearly, “tweet”. I know of no other bird that stoops to literal tweeting. 
~Annie Dillard, Pilgrim at Tinker Creek

I hope you love birds too. It is economical. It saves going to heaven.
~Emily Dickinson in an 1885 letter to Miss Eugenia Hall

I need reminding that what I offer up from my heart predicts what I will receive there.

If I’m grumbling and falling apart like a dying vine
instead of a vibrant green tree~~~
coming up empty and hollow with discouragement,
entangled in the cobwebs and mildew of worry,
only grumbling and grousing~~~
then no singing bird will come.

It is so much better to nurture the singers of joy and gladness with a heart budding green with grace and gratitude, anticipatory and expectant.

My welcome mat is out and waiting.

The symphony can begin any time now…

Original Barnstorming artwork note cards available as a gift to you with a $50 donation to support Barnstorming – information here

Lifted on the Breeze

a gentle breeze was
lightly tussling shells and stones

meant to strike on each other to sibilate,
hiss, and whisper your own
freshly loosed thoughts
back into your soul.
like voices afar off
the jangling of each woven shroud
brought sundry pitch and textured sounds
awakening new areas of my mind.
deep breaths of open musing
rose and fell with the wind as it
returned to tantalize the ornamental chimes
that had waited so long in silence.
Lifted on the breeze
freed to manifest each ubiquitous interval
and send forth vibrations into
nature’s lonely sentiment.
I close my eyes and feel the sounds
made so effortlessly
that tranquilize my worries
and open my heart to hear
the rapture of the universe.
–so fortunate to be sitting here.

~Suzanne Eaton “windchimes”

She goes out to hang the windchime
in her nightie and her work boots.
It’s six-thirty in the morning
and she’s standing on the plastic ice chest
tiptoe to reach the crossbeam of the porch,
windchime in her left hand,
hammer in her right, the nail
gripped tight between her teeth
but nothing happens next because
she’s trying to figure out
how to switch #1 with #3.

She must have been standing in the kitchen,
coffee in her hand, asleep,
when she heard it—the wind blowing
through the sound the windchime
wasn’t making
because it wasn’t there.
..
~Tony Hoagland from “Windchime”

Once upon a time, nearly 5 decades ago, I attended a university with a bell carillon in a tower that frequently played wonderful concerts. I missed spontaneous music floating on the air after I graduated. Living rural, we are nowhere near a bell tower, nor can we hear our church bells ringing in our Chapel belfry a few miles away.

So when the merest breeze is able to make music, I find it a hopeful reminder the earth itself has its own breath and rhythm and holds its own concerts if given the tools.

We have four windchimes of varying size and tuning hanging from our front porch and back yard, each with its own song and personality. Depending on where we are in the house, we hear different harmony and pitch. The largest sounds like church bells, deep and resonant, another is a pentatonix of harmony, one plays the notes of “Amazing Grace” and the last is just random tintinnabulation.

In certain seasons, our area can get strong northeast or southerly winds that blow over 50 mph. In that case, we take the windchimes down temporarily – the battering clatter and clanging becomes more unsettling than the storm itself. Once the winds die down again, it is too quiet – the silence reminds me to replace the chimes on their hooks.

As I wake in the night to hear their gentle melodies through our open window, my worries are soothed and my heart lifts and floats along with the breeze.

The earth continues to breath and so, for now, will I.

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The Stones Themselves Will Start to Sing: Turn Sighs Into Songs

Sing to the God who turns our sighs into a song.
Sing to the One who mends our broken hearts with music.
Sing to the One who fills our empty hearts with love.
Sing to the One who gives us light to step into the darkest night.
Sing to the God who turns our sighs into a song.

~Susan Boersma

Sixty-seven years, oh Lord, to look at the clouds,
the trees in deep, moist summer,

daisies and morning glories
opening every morning

their small, ecstatic faces—
Or maybe I should just say

how I wish I had a voice
like the meadowlark’s,

sweet, clear, and reliably
slurring all day long

from the fencepost, or the long grass
where it lives

in a tiny but adequate grass hut
beside the mullein and the everlasting,

the faint-pink roses
that have never been improved, but come to bud

then open like little soft sighs
under the meadowlark’s whistle, its breath-praise,

its thrill-song, its anthem, its thanks, its
alleluia. Alleluia, oh Lord.

~Mary Oliver “While I Am Writing A Poem to Celebrate Summer, the Meadowlark Begins to Sing”

Each day opens to new possibility
with a sigh, a breath and thankfulness-

once in awhile tears, sometimes heartbreak,
and flat out fear of what comes next.

Even so,
through it all
I sing a song of praise, an alleluia
that reminds me why I am
and who I live for.

All is well,
it is well with my soul.

This year’s Lenten theme for Barnstorming is a daily selection from songs and hymns about Christ’s profound sacrifice on our behalf.

If we remain silent about Him, the stones themselves will shout out and start to sing (Luke 19:40).

In His name, may we sing…

When time sweeps yesterday away,
It leaves behind an empty heart,
Weeping through the night so dark and long.
When words are lost among the tears,
When sadness steals another day,
God hears our cries and turns our sighs into a song.

Sing to the One who mends our broken hearts with music.
Sing to the One who fills our empty hearts with love.
Sing to the One who gives us light to step into the darkest night.
Sing to the God who turns our sighs into a song.

From heaven falls a mercy sweet,
The time for weeping now is gone;
God hears our sighs and gives us His eternal song.
Sing to the One who mends our broken hearts with music.
Sing to the One who fills our empty hearts with love.

Translation:
Lord, protect Ukraine. Give us strength, faith, and hope, our Father. Amen

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A Longed-For Beauty

When I was a child
I once sat sobbing on the floor
Beside my mother’s piano
As she played and sang
For there was in her singing
A shy yet solemn glory
My smallness could not hold

And when I was asked
Why I was crying
I had no words for it
I only shook my head
And went on crying

Why is it that music
At its most beautiful
Opens a wound in us
An ache a desolation
Deep as a homesickness
For some far-off
And half-forgotten country

I’ve never understood
Why this is so

But there’s an ancient legend
From the other side of the world
That gives away the secret
Of this mysterious sorrow

For centuries on centuries
We have been wandering
But we were made for Paradise
As deer for the forest

And when music comes to us
With its heavenly beauty
It brings us desolation
For when we hear it
We half remember
That lost native country

We dimly remember the fields
Their fragrant windswept clover
The birdsongs in the orchards
The wild white violets in the moss
By the transparent streams

And shining at the heart of it
Is the longed-for beauty
Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.
~Anne Porter “Music” from Living Thing
s

One evening, when our daughter was only a toddler,
just learning the words to tell us what she needed,
I was preparing dinner, humming along to
a Celtic choral music piece playing in the background.

She sat on the kitchen floor, looking up at me,
her eyes welling full with tears
like pools of reflected light spilling over
from some deep-remembered reservoir of sorrow.

At first I thought she was hurt or upset
but then could see she was feeling
an ache a desolation
deep as a homesickness

as she wept for wonder
at the sad beauty of the music
of the land her ancestors left long ago –
it spoke for her the words she herself could not express:

Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.

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Opening One at a Time

In noisy shades
of apricot and pink
the blossoms

of the gladiola open
all down the long aisle
of the stem

like a choral procession
or the woody
notes

of a flute
opening one stop
at a time.
~Linda Pastan “Gladiola”

Most flowers tempt our senses:
the vibrant colors to the eye,
the softness of the petals to the touch,
the delicate fragrances wafting to the nose –
even some have a piquant perfumed taste for the palate.

Yet how many blooms sound like an orchestra
tuning in the wind?

A long gladiola stalk rises boldly,
swaying in the breeze, each key
blossom unfolding one by one in flowing overture.

When each is done with its own ruffled note,
the next one opens to play its part.

The notes progress up the stem
until the final chord is held
~fermata-like~
until performances commence
again next summer.

I’ll be sure to reserve a front row seat.

Wishing you could hold beautiful words and pictures in your hands? This book from Barnstorming is available for order here:



To Muck and Shovel and Sing

“He (the professor) asked what I made of the other students (at Oxford) so I told him.
They were okay, but they were all very similar…
they’d never failed at anything or been nobodies,
and they thought they would always win.
But this isn’t most people’s experience of life.

He asked me what could be done about it.
I told him the answer was to send them all out for a year
to do some dead-end job
like working in a chicken processing plant
or spreading muck with a tractor.
It would do more good than a gap year in Peru. 

He laughed and thought this was tremendously witty.
It wasn’t meant to be funny.

~James Rebanks from The Shepherd’s Life
(how a sheep farmer succeeds at Oxford and then goes back to the farm)


In our barn we have a very beat up old AM/FM radio that sits on a shelf next to the horse stalls and serves as company to the horses during the rainy stormy days they stay inside, and serves as distraction to me as we clean stalls of manure and wet spots in the evening.  We live about 10 miles south of the Canadian border, so most stations that come in well on this radio’s broken antenna are from the lower mainland of British Columbia.  This includes a panoply of stations spoken in every imaginable language– a Babel of sorts that I can tune into: Spanish, Japanese, Chinese, Hindi, Russian, French and of course, proper British accent English.  But standard issue American melting pot genetic mix that I am, I prefer to tune into the “Oldies” Station and reminisce.

There is a strange comfort in listening to songs that I enjoyed 40-50+ years ago, and I’m somewhat miffed and perplexed that they should be called “oldies”.  Oldies always referred to music from the 20’s, 30’s and 40’s, not the 50’s, 60’s, and 70’s!   I listen and sing along with a mixture of feeling ancient and yet transported back to my teens.  I can think of faces and names I haven’t thought of in decades, remember special summer days picking berries and hear long lost voices from school days. I can smell and taste and feel things all because of the trigger of a familiar song.   There is something primordial –deep in my synapses– that is stirred by this music. In fact, I shoveled manure to these same songs 50 years ago, and somehow, it seems not much as changed. 

Or has it? One  (very quick) glance in the mirror tells me it has and I have.

YesterdayI Got You, Babe and you were a Bridge Over Troubled Waters for this Natural Woman who just wants to be Close to You so You’ve Got a Friend.  There’s Something in the way I Cherish The Way We Were and of course Love Will Keep Us Together. If You Leave Me Now,  You’re So VainI’ve always wanted it My Way but How Sweet It Is when I Want To Hold Your Hand.  Come Saturday Morning we’re Born to Be Wild.

Help! Do You Know Where You’re Going To?  Me and You and A Dog Named Boo will travel Country Roads and Rock Around the Clock even though God Didn’t Make the Little Green Apples.  Fire and Rain will make things All Right Now once Morning is Broken, I’ll Say a Little Prayer For You.

I Can’t Get No Satisfaction from the Sounds of Silence — If— Those Raindrops Keep Fallin’ on My HeadStand By Me as It’s Just My Imagination that I am a Rock,when really I only want Time in a Bottle and to just Sing, Sing a Song.

They just don’t write songs like they used to.  I seem to remember my parents saying that about the songs I loved so well.  Somehow in the midst of decades of change, there are some constants.  Music still touches our souls, no matter how young or old we are.

And there will always be manure that needs shoveling.

In the Dark, Reconciled

sunset121173

 

I am the rest between two notes,
which are somehow always in discord
because Death’s note wants to climb over—
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful.
~Rainer Maria Rilke from “My Life is Not This Steeply Sloping Hour”

 

north12518

 

sunset125182

 

On Sunday evenings I often feel I’m the spot in the middle between discordant notes. There is on one side of me the pressure of catch-up from what was left undone through a too-brief weekend and on the other side is the anticipated demand of the coming week. As I prepare to sleep at the end of a Sabbath day, I feel uneasily in dead center, immobilized by the unknown ahead and the known behind.

This moment of rest in the present, between the trembling past and uncertain future, is my moment of reconciliation: my Sabbath extended.

This evening, I will allow myself a steeply sloping hour of silence and reflection before I surge ahead into the week, knowing that on my journey I’ll inevitably hit wrong notes, yet beautiful nevertheless.

Even the least harmonious notes resolve within the next chord. I will move from the rest of my Sabbath back into the rhythm of my life.

Trembling, still trembling, always trembling at what is to come.

 

419661_3133313644072_422257452_n
photo by Josh Scholten

 

392613_3049721161175_1428161787_n
photo by Lea Gibson

 

 

 

 

One Who Waits For Us

evening1151514

When I was a child
I once sat sobbing on the floor
Beside my mother’s piano
As she played and sang
For there was in her singing
A shy yet solemn glory
My smallness could not hold

And when I was asked
Why I was crying
I had no words for it
I only shook my head
And went on crying

Why is it that music
At its most beautiful
Opens a wound in us
An ache a desolation
Deep as a homesickness
For some far-off
And half-forgotten country

I’ve never understood
Why this is so

But there’s an ancient legend
From the other side of the world
That gives away the secret
Of this mysterious sorrow

For centuries on centuries
We have been wandering
But we were made for Paradise
As deer for the forest

And when music comes to us
With its heavenly beauty
It brings us desolation
For when we hear it
We half remember
That lost native country

We dimly remember the fields
Their fragrant windswept clover
The birdsongs in the orchards
The wild white violets in the moss
By the transparent streams

And shining at the heart of it
Is the longed-for beauty
Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.
~Anne Porter “Music” from Living Things. © Zoland Books, 2006.

evening1151513

One evening, when our daughter was only a toddler,
just learning the words to tell us what she needed,
I was preparing dinner, humming to
a choral music piece playing in the background.

She sat on the kitchen floor, looking up at me,
her eyes welling full with tears
like pools of reflected light spilling over
from some deep-remembered reservoir of sorrow.

At first I thought she was hurt or upset
but then could see she was feeling
an ache a desolation
deep as a homesickness
as she wept for wonder
at the sad beauty of the music
that spoke for her
the words she could not express:

Of the One who waits for us
Who will always wait for us
In those radiant meadows

Yet also came to live with us
And wanders where we wander.

pinkbaker1217

Sure on this shining night
Of star made shadows round,
Kindness must watch for me
This side the ground.
The late year lies down the north.
All is healed, all is health.
High summer holds the earth.
Hearts all whole.
Sure on this shining night
I weep for wonder wand’ring far
alone
Of shadows on the stars.

Just Too Much on a June Morning

morningbird

Every spring
I hear the thrush singing
in the glowing woods
he is only passing through.
His voice is deep,
then he lifts it until it seems
to fall from the sky.
I am thrilled.
I am grateful.
Then, by the end of morning,
he’s gone, nothing but silence
out of the tree
where he rested for a night.
And this I find acceptable.
Not enough is a poor life.
But too much is, well, too much.
Imagine Verdi or Mahler
every day, all day.
It would exhaust anyone.
~Mary Oliver from “A Thousand Mornings”

birdonpostrodenberger
photo by Harry Rodenberger

 

What does it say about me that in the darkness of December mornings, I yearn for the early sunrises of June but once I’m firmly into the June calendar, it no longer is so compelling?  It confirms my suspicion that I’m incapable of reveling in the moment at hand, something that would likely take years of therapy to undo.  I’m sure there is some deep seated issue here, but I’m too sleep deprived to pursue it.

My eyes popped open this morning at 4:17 AM, spurred by vigorous birdsong in the trees surrounding our farm house.  There was daylight sneaking through the venetian blinds at that unseemly hour as well.  Once the bird chorus starts, with one lone chirpy voice in the apple tree by our bedroom window, it rapidly becomes a full frontal onslaught symphony orchestra from the plum, cherry, poplar, walnut, fir and chestnut.   Sleep is irretrievable.

I remember wishing for early morning birdsong last December when it seemed the sun would never rise and the oppressive silence would never lift.  I had conveniently forgotten those mornings a few years ago when we had a flock of over a dozen young roosters who magically found their crows very early in the morning a mere 10 weeks after hatching.  Nothing before or since could match their alarm clock expertise after 4 AM.  No barbecue before or since has tasted as sweet.

So I remind myself how bad it can really be and backyard birdsong is a veritable symphony in comparison.

Even so, I already need a nap.

sunrise63161

marshmallowmorning1