The Beauty of a Fogbow

We don’t need to understand why a rainbow or fogbow is formed in order to appreciate its beauty, of course, but understanding the physics of rainbows does give us a new set of eyes. I call this the beauty of knowledge.
~Walter Lewin from For the Love of Physics

Ghaist o a gaw that few hae seen
paintit on fog lyk a fugue o thi scheme
Noah supposit thi Lord tae mean
     when aa were drooned,
ither hauf o yin o His een
     thon runic roond.

Rope o smoke lyk a loop on a cable,
Grisaille Cain tae thi rainbow’s Abel,
ultra-blank tae infra-sable,
     auld noose o tow;
Yin that’s strang whaur Yang is faible:
     faur are ye now?
~WN Herbert “The Fogbow” from Omnesia

(this is my best guess of the meaning of Herbert’s inventive English/Gaelic/Scottish)

Ghost of a rainbow bruise that few have seen
painted on fog like a fugue of this scheme
Noah supposed the Lord to mean
when all were drowned
the other half of the dark cold earth is
a mysterious rune ruined.

A rope of smoke like a loop on a cable
a gray pallid Cain to the rainbow’s Abel,
outer-white to inner-black
old noose in tow;
the cold and dark is strong where warmth and light is feeble:
where are you now?

Look at a rainbow.
While it lasts, it is or appears to be,
a great arc of many colours occupying a position out there in space….
And now, before it fades, recollect all you have ever been told about the rainbow and its causes, and ask yourself the question,
Is it really there?
You know from memory that if you walked to the place where the rainbow ends, or seems to end, it would certainly not be ‘there’. In a word, reflection will assure you that the rainbow is the outcome of the sun, the raindrops and your own vision.
~Owen Barfield writing about “The Rainbow”

We saw our first “fogbow” or “ghost rainbow” early yesterday on our morning walk. It happened as we were heading east toward the sun, with the fog thickening, filling in behind us. We had just turned around to check the road to be sure no cars were coming before we crossed to the other side and there was this spectral image of foggy columns curving upward over the road to barely touch one another at the top. As we moved away from it, it vanished, as they say, “into thin air.”

This is an unusual phenomenon where the light and moisture in the air needs to be just right – reading about the physics of the fogbow helps to explain it and to render it even more beautiful. But the knowledge of how it happens isn’t nearly as impactful as the fact it was there at all for us to witness. Without our vision, it wasn’t really “there.”

The “bruised” rainbow color in the sky is God’s Old Testament promise to Noah to never destroy the world by flood again, establishing an everlasting covenant with His people while giving us the capacity to witness His promise. Perhaps the fogbow is ghostly reminder of those who have perished, whose blood, like Abel’s, cried out to God from the earth.

But where are we now? Do we seek to understand, believing the promises God made to us? Or do we walk right past God and His miraculous physics of creation, oblivious to what would not even exist without our ability to see it?

Somewhere, over the fogbow, way up high…

If you enjoy these posts, this book from Barnstorming may be of interest for yourself or as a gift to someone who loves beautiful photography and words of wisdom (from Lois Edstrom) – available to order here:

A Down Comforter of Relief

There is something mysterious about fog.
It whispered to Sandburg as it crept into the harbor


on little cat feet. It settles over Admiralty Inlet,
a down comforter of relief on a simmering summer day.


It moves in quickly, a cool mist that settles lightly
on our faces and arms as we trudge up the hill


toward home. Then the stillness, how it tamps down
sound, reminding us to honor silence and drift


through an inner landscape of ideas,
enter into the ethereal magic of another world
,

as if we were birds soaring in clouds
that have come down to enfold us,


quieting the minor furies we create.
~Lois Parker Edstrom from Glint (MoonPath Press, 2019)

And so you have a life that you are living only now,
now and now and now,
gone before you can speak of it,
and you must be thankful for living day by day,
moment by moment …
a life in the breath and pulse and living light of the present…

~Wendell Berry from Hannah Coulter

~Lustravit lampade terras~
(He has illumined the world with a lamp)
The weather and my mood have little connection.
I have my foggy and my fine days within me;
my prosperity or misfortune has little to do with the matter.
– Blaise Pascal from “Miscellaneous Writings”

The only thing more frightening than the unknown
is the fear that the next moment will be just like the last
or perhaps worse. 

I tend to forget:
the moment just passed can never be retrieved and relived.  

Worry and sorrow and angst are more contagious
than the latest viral scourge.
I mask up and wash my hands of it throughout the day.
I wish we could be vaccinated to protect us all from our unnamed fears.

I want to say to myself:
Stop and acknowledge this moment in time.
Stop wanting to be numb to all discomfort.
Stop fearing the next moment.
Just stop.
Instead, simply be,
now and now and now.

I need to know:
this moment, foggy or fine, is mine alone,
a down comforter of relief~
this moment of weeping and sharing
and breath and pulse and light.
I shout for joy in it
even when sound is muffled in morning fog.
It is to be celebrated.
I mustn’t hold back.

A new book from Barnstorming (with poetry from today’s poet Lois Edstrom) can be ordered here:

A January Partly Cloudy

Today is one of those
excellent January partly cloudies
in which light chooses
an unexpected part of the landscape
to trick out in gilt,
and then the shadow sweeps it away.

You know you’re alive.
You take huge steps,
trying to feel the planet’s roundness arc between your feet.
~Annie Dillard from Pilgrim at Tinker Creek

It was like a church to me.
I entered it on soft foot,
Breath held like a cap in the hand.
It was quiet.
What God there was made himself felt,
Not listened to, in clean colours
That brought a moistening of the eye,
In a movement of the wind over grass.

There were no prayers said. But stillness
Of the heart’s passions – that was praise
Enough; and the mind’s cession
Of its kingdom. I walked on,
Simple and poor, while the air crumbled
And broke on me generously as bread.
~R.S. Thomas “The Moor”

There are January days
when I am surrounded
by mist and fog and partly cloudies-
a brief gift of blue sky
and gilt light.

God is felt on days like this,
neither seen or heard,
His stilling presence
overtaking me
with each breath I draw,
following the path of each glistening tear,
becoming the arcing ground
reaching to meet my foot
with each bold step I take.

Facing Forward to November

The wild November come at last
Beneath a veil of rain;
The night wind blows its folds aside –
Her face is full of pain.

The latest of her race, she takes
The Autumn’s vacant throne:
She has but one short moon to live,
And she must live alone.

A barren realm of withered fields,
Bleak woods, and falling leaves,
The palest morns that ever dawned;
The dreariest of eves.

It is no wonder that she comes,
Poor month! With tears of pain;
For what can one so hopeless do
But weep, and weep again?
~Richard Henry Stoddard “November”

Leaves wait as the reversal of wind
comes to a stop. The stopped woods
are seized of quiet; waiting for rain
bird & bug conversations stutter to a
stop.

…the rain begins to fall. Rain-strands,
thin slips of vertical rivers, roll
the shredded waters out of the cloud
and dump them puddling to the ground.

Whatever crosses over
through the wall of rain
changes; old leaves are
now gold. The wall is
continuous, doorless. True,
to get past this wall
there’s no need for a door
since it closes around me
as I go through.
~Marie Ponsot from “End of October”

I reluctantly bid October good-bye to face forward
into a darkening November.

Summer is mere memory now;
all color drained from
leaves fallen, dissolving
in frost and rain.

There’s no turning around now
that the clock has fallen back.
We commit our stumbling feet to the path
that trudges toward winter,
silenced and seized
by the relentless momentum of doorless darkness.
There appears no escape hatch.

Yet when the light rises on the hills, even briefly,
I feel a veil lift enough
that I am able to see
far beyond my reach.
The horizon extends on and on forever
and I only then I know
I will endure another winter.

One Last Pale Wave

(The Celtic Halloween)

In the season leaves should love,
since it gives them leave to move
through the wind, towards the ground
they were watching while they hung,
legend says there is a seam
stitching darkness like a name.

Now when dying grasses veil
earth from the sky in one last pale
wave, as autumn dies to bring
winter back, and then the spring,
we who die ourselves can peel
back another kind of veil

that hangs among us like thick smoke.
Tonight at last I feel it shake.
I feel the nights stretching away
thousands long behind the days
till they reach the darkness where
all of me is ancestor.

~Annie Finch, from “Samhain” from Eve

There is no denying I am composed of all of the hundreds (thousands?) of my ancestors, carrying their DNA in every cell of my body. Their traits and characteristics pulse continuously in my blood even when at times I wish they didn’t.

On the eve of All Hallow’s, we remember those from whom we come — all those spirited ghosts within our cells who shake and rattle a bit louder this time of year in the foggy darkness.

I wave at them warily from my perch in the 21st century.

I come from somber folk. That explains a lot.

I don’t mind all the peasant farmers I descend from though I wish I could turn off the genes that lead me to eat too much, and worry too much and my tendency toward the melancholy rather than the jocular. Somehow I have suppressed the tendency to drink too much and curse too much. I do come from a long line of believers in ghosts, so these days of Samhain and All Hallows’ tend to open those creaky doors of shivers and chills, so I avoid anything even remotely scary. It only encourages those strands of my DNA.

I am indeed made up of all-ancestor bits and pieces, and can’t deny it. There is some comfort in realizing there is nothing really brand new about me, so I try not to make a fool of myself on behalf of the hundreds of others sitting tidily wrapped up in my nuclei. There is additional comfort knowing a small part of me will continue in my descendants, who will ponder their family tree wondering which great-great-great-great grandparent passed down which annoying characteristic. I wave hopefully from the 21st century to those generations to come, to remind them not to forget those of us who came before. If there are spirits that come to visit on Samhain, I promise to be a friendly ghost.

A Genial Light

I cannot endure to waste anything so precious as autumnal sunshine by staying in the house.
There is no season
when such pleasant and sunny spots may be lighted on,
and produce so pleasant an effect on the feelings,

as now in October.
The sunshine is peculiarly genial;
and in sheltered places,

as on the side of a bank, or of a barn or house,
one becomes acquainted and friendly with the sunshine.
It seems to be of a kindly and homely nature.
And the green grass strewn with a few withered leaves looks the more green and beautiful for them.

~Nathaniel Hawthorne
from The American Notebooks

After the keen still days of September,
the October sun filled the world with mellow warmth…
The maple tree in front of the doorstep

burned like a gigantic red torch.
The oaks along the roadway glowed yellow and bronze.
The fields stretched like a carpet of jewels,

emerald and topaz and garnet.
Everywhere she walked the color shouted and sang around her…
In October any wonderful unexpected thing might be possible.
~Elizabeth George Speare from The Witch of Blackbird Pond 

If I were a month,
I would choose to be October:
bathed by a genial and friendly sun,
within a kindly and homely nature,
slowly withering, yet still crisp,
with mild temperature and modest temperament
despite a rain and wind storm or two,
only once in a while foggy.

Most of all,
I would cherish my flashes of burnt umber
as I reluctantly relinquish the light.

A Long, Long Road

The road is long
With many a winding turn
That leads us to who knows where
Who knows where
But I’m strong
Strong enough to carry him
He ain’t heavy, he’s my brother

If I’m laden at all
I’m laden with sadness
That everyone’s heart
Isn’t filled with the gladness
Of love for one another

It’s a long, long road
From which there is no return
While we’re on the way to there
Why not share

And the load
Doesn’t weigh me down at all…

~Bobby Scott and Bob Russell from “He Ain’t Heavy, He’s My Brother”

I know where this road ends to the east: at the very edge of the Cascade foothills, right in the middle of a small tribal nation trying to survive challenging economic times on their reservation land.

Heading west from here, there is another tribal nation trying to survive. In between are farmers who are having to sell their dairy herds because milk prices aren’t keeping up with the cost of maintaining their business. There are families now without sustainable wage employment because large industries have pulled up stakes and closed their doors. There is land that is overpriced as people flee the cities to come to rural surroundings because of ongoing pandemic shutdowns and worries.

There is much sadness all along this country road during times like these, but that’s not new. In another 100 years it will still not be new. There will always be foggy and stormy days interspersed among times of hope and light.

We remain a diverse people of tears and struggle, but we take turns carrying one another when one has what another does not. We still have the sun and the rain and the soil, the turning of the seasons and the rhythm of sun up and sun down.

On our way to there, why not share?

Spun with Wonder

A poem is a spider web
Spun with words of wonder,
Woven lace held in place
By whispers made of thunder.
~Charles Ghigna

I wandered the barnyard this morning
studying the complexities of overnight web design,
marveling at one tiny creature’s creative masterpiece
of connection using the slenderest thread.

Through my words and pictures I whisper
from my own corner of the web
and wait patiently for the shimmer of some slim connection,
wondering if my rumbling thunder has been heard.

Intended for Joy

There is not one blade of grass, there is no color in this world that is not intended to make us rejoice.
~John Calvin
as quoted in  John Calvin: A Sixteenth Century Portrait (Oxford, 1988) by William J. Bouwsma

It is too easy to become blinded to the glory surrounding us if we perceive it to be routine and commonplace.

I can’t remember the last time I celebrated a blade of grass,  given how focused I am at mowing it into conformity.

Too often I’m not up early enough to witness the pink sunrise or I’m too busy to take time to watch the sun paint the sky red as it sets or to witness our horses turning to gold in the evening glow.

I didn’t notice how the light was illuminating our walnut tree until I saw the perfect reflection of it in our koi pond — I had marveled at a reflection instead of the real thing itself.

I almost missed the miracle of a spider’s overnight work in the grass; from a distance, it looked like a dew-soaked tissue draped like a tent over the green blades. When I went to go pick it up to throw it away in the trash, I realized I was staring at a small creature’s masterpiece.

I miss opportunities to rejoice innumerable times a day.  It takes only a moment of recognition and appreciation to feel the joy, and in that moment time stands still.  Life stretches a little longer when I stop to acknowledge the intention of creation as an endless reservoir of rejoicing.   If a blade of grass, if a leaf turning color, if a chance reflection, if a delicately knit tent in the grass — if all this is made for joy, then maybe so am I.

Even colorless, plain and commonplace me, created an image-bearer and intended reflector of Light.

Maybe so am I.

An Unchanging Flower


 
Like the small soft unchanging flower
     The words in silence speak;
Obedient to their ancient power
     The tear stands on my cheek.

 
Though our world burns, the small dim words
     Stand here in steadfast grace,
And sing, like the indifferent birds,
     About a ruined place.

 
Though the tower fall, the day be done,
     The night be drawing near,
Yet still the tearless tune pipes on,
     And still evokes the tear.

 
The tearless tune, wiser than we,
     As weak and strong as grass
Or the wild bracken-fern we see
     Spring where the palace was.

~Ruth Pitter “On an Old Poem” from Poems 1926-1966

When I write
a poem, sometimes, there is a kind of daze
that lifts, and I can see
what I couldn’t before, as if my mind
was in a fog, a cloud,
and only wanted

a poem to lift it out. I wanted
the rhythm, just the right
word, the crescendo from whisper to loud
celebration, and found them in the days
of trying poems. And I don’t mind
telling you: poetry has brought complacency

to a (wanted) end, turned upside-down days
aright, settled my unquiet mind,
and allowed me to clearly see.

~Monica Sharman from What Poetry Can Do”

When the world is topsy-turvy
and all seems immersed in fog and cobwebs,
it helps to put down images and words
to clarify and highlight.

Daily I need reminding to stay centered,
daily I acknowledge what makes me weep
and what is worth celebration.

It is a new day to illustrate with words and pictures
what is unchanging in my life:
thank God for a new day,
everyday.