This Failing Light

Day after day, day after still day,
The summer has begun to pass away.
Starlings at twilight fly clustered and call,
And branches bend, and leaves begin to fall.
The meadow and the orchard grass are mown,
And the meadowlark’s house is cut down.

The little lantern bugs have doused their fires,
The swallows sit in rows along the wires.
Berry and grape appear among the flowers
Tangled against the wall in secret bowers,
And cricket now begins to hum the hours
Remaining to the passion’s slow procession
Down from the high place and the golden session
Wherein the sun was sacrificed for us.


A failing light, no longer numinous,
Now frames the long and solemn afternoons
Where butterflies regret their closed cocoons.
We reach the place unripe, and made to know
As with a sudden knowledge that we go
Away forever, all hope of return
Cut off, hearing the crackle of the burn-
ing blade behind us, and the terminal sound
Of apples dropping on the dry ground.
~Howard Nemerov “Summer’s Elegy
from Collected Poems

As far as I can see this autumn haze
That spreading in the evening air both ways,
Makes the new moon look anything but new,
And pours the elm-tree meadow full of blue,
Is all the smoke from one poor house alone
With but one chimney it can call its own;
So close it will not light an early light,
Keeping its life so close and out of sight
No one for hours has set a foot outdoors
So much as to take care of evening chores.
The inmates may be lonely women-folk.
I want to tell them that with all this smoke
They prudently are spinning their cocoon
And anchoring it to an earth and moon
From which no winter gale can hope to blow it,—
Spinning their own cocoon did they but know it.

~Robert Frost “The Cocoon”

The summer ends, and it is time
To face another way. Our theme
Reversed, we harvest the last row
To store against the cold, undo
The garden that will be undone.
We grieve under the weakened sun
To see all earth’s green fountains dried,
And fallen all the works of light.
You do not speak, and I regret
This downfall of the good we sought
As though the fault were mine. I bring
The plow to turn the shattering
Leaves and bent stems into the dark,
From which they may return. At work,
I see you leaving our bright land,
The last cut flowers in your hand.
~Wendell Berry “The Summer Ends” from A Timbered Choir.

I too regret the closed cocoon,
so seemingly safe at the time —
once launched before being ready,
there is no returning.

In this fading, failing light, I feel undone,
weepy at harvest, gathering urgently,
not wanting anything to go to waste,
trying to memorialize it all as it changes.

I part again from you, Summer –
your gifts seemed endless
until you yourself ended –
a reminder that someday,
so must I.

photo by Bob Tjoelker

The Running Down of Life’s Clock

sphere of pillowed sky
one faceless gathering of blue.
..

… I’m tethered, and devoted
to your raw and lonely bloom

my lavish need to drink
your world of crowded cups to fill.
~Tara Bray “hydrangea” from Image Journal

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

Dwelling within a mosaic of dying colors,
these petals fold and collapse
under the weight of the sky’s tears.

This hydrangea bears a rainbow of hues,
once-vibrant promises of blue
now fading to rusts and grays.

I know what this is like:
the running out of the clock,
feeling the limits of vitality.

Withering and drying,
I’m drawn, thirsty for the beauty,
to this waning artist’s palette.

To quench my thirst:
from an open cup, an invitation,
an everlasting visual sacrament.

A Fading Rainbow of Hues

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

… I’m tethered, and devoted
to your raw and lonely bloom

my lavish need to drink
your world of crowded cups to fill.
~Tara Bray “hydrangea” from Image Journal

Dwelling within a mosaic of dying colors,
these petals fold and collapse
under the weight of the sky’s tears.

This hydrangea bears a rainbow of hues,
once-vibrant promises of blue
now fading to rusts and grays.

I know what this is like:
the running out of the clock,
feeling the limits of vitality.

Withering and drying,
I’m drawn, thirsty for the beauty,
to this waning artist’s palette.

To quench my thirst:
from an open cup, an invitation,
an everlasting visual sacrament.

How Generous the Ground

Once again, the field rehearses how to die.
Some of the grass turns golden first. Some
simply fades into brown. Just this morning,
I, too, lay in corpse pose, practicing
how to let myself be totally held by the earth
without striving, how to meet the day
without rushing off to do the next necessary
or beautiful thing. Soon, the grass will bend
or break, molder or disintegrate. Every year,
the same lesson in how to join the darkness,

how to be unmade, how quietly
we might lean into the uncertainty,
how generous the ground.
~Rosemerry Wahtola Trommer “Shavasana”

The prairie grasses are collapsing,
withering to the ground,
all spent after a season of flourishing.
The next wind and rain storm will finish the job.
Stems and leaves become rich compost
in the seasons that follow,
a generous bed for future seeds.

We expect this fading away.

I know it doesn’t mean the end –
there is still vitality lying dormant,
hidden away, waiting for the right moment
to re-emerge, resurrect and live again.

I know this too about myself.
The dying-time-of-year doesn’t get easier.
It seems more real-time and vivid.
Colors fade, leaves wrinkle and dry,
fruit falls unconsumed and softened. 

Our beauty, so evident only a short time ago,
is meant to thrive inward, germinating,
ready to rise again when called forth.

A Fading Fire

Some candle clear burns somewhere I come by.
I muse at how its being puts blissful back
With yellowy moisture mild night’s blear-all black,
Or to-fro tender trambeams truckle at the eye.
By that window what task what fingers ply,
I plod wondering, a-wanting, just for lack
Of answer the eagerer a-wanting Jessy or Jack
There God to aggrándise, God to glorify.—

Come you indoors, come home; your fading fire
Mend first and vital candle in close heart’s vault:
You there are master, do your own desire;
What hinders? Are you beam-blind, yet to a fault
In a neighbour deft-handed? Are you that liar
And, cast by conscience out, spendsavour salt?

~Gerard Manley Hopkins “The Candle Indoors”

Sometimes a lantern moves along the night, 
That interests our eyes. And who goes there? 
I think; where from and bound, I wonder, where, 
With, all down darkness wide, his wading light? 

Men go by me whom either beauty bright
In mould or mind or what not else makes rare: 
They rain against our much-thick and marsh air
Rich beams, till death or distance buys them quite. 

Death or distance soon consumes them: wind
What most I may eye after, be in at the end
I cannot, and out of sight is out of mind. 

Christ minds: Christ’s interest, what to avow or amend
There, éyes them, heart wánts, care haúnts, foot fóllows kínd,
Their ránsom, théir rescue, ánd first, fást, last friénd.

~Gerard Manley Hopkins “The Lantern Out of Doors

photo by Josh Scholten

Now burn, new born to the world,
Doubled-naturèd name,
The heaven-flung, heart-fleshed, maiden-furled
Miracle-in-Mary-of-flame,
Mid-numbered he in three of the thunder-throne!

Not a dooms-day dazzle in his coming nor dark as he came;
Kind, but royally reclaiming his own;
A released shower, let flash to the shire,
not a lightning of fíre hard-hurled.

Let him easter in us, be a dayspring to the dimness of us,
be a crimson-cresseted east…
~Gerard Manley Hopkins from “The Wreck of the Deutschland”

In three days, we have gone from a sub-zero wind chill ice storm from the north to a balmy 60 degree storm from the south, both winds taking out our power and plunging us into a deeper darker night.

Rather than resort to generator power immediately, I break the darkness with candle light. It is only a brief respite as candles burn down, batteries die, and we’re back in darkness again until the power lines are patched and the transformers restored.

Sometimes the Advent and Christmas season can feel like that: a recharge for my faith that has gone dark and cold, a fire lit under me to banish creeping doubt and discouragement. I need more than Advent rituals and Christmas traditions to keep the darkness in its place beyond today.

God doesn’t need beeswax or batteries to keep His Light on.
He just needs us: our trust, our love, our desire for understanding, our need for Him.

We are the candles that shine forth in the world to light the way for those around us who are floundering in the dark.

And that, Charlie Brown, is what Christmas is all about…

A Garland of Melancholy

The melon shades of leaves
will soon rust and fall gently
to layers of rest and forgetting,
like sunken poems, unusual love,
and grave silence after the crows.


The black walnut tree trembles down
its mysterious spheres to sleep darkly,
to pulse with memory of heartwood.


Old roses are paling with grace
in this air of ruining tomorrows.
Autumn again, and all the years
twisting a garland of melancholy.

~Tim Buck, “Autumn” from VerseWrights Journal

The beauty around me is dying. It becomes harder to find vibrance and life in my surroundings in the volatility of deep autumn: a high wind warning is on the horizon in a few hours and we face a long winter as the uncontrolled pandemic continues unabated.

Those facts alone are enough to make me wander about the farm feeling melancholic. Even more than the loss of mere leaves and the fading of blooms is the reality of so many afflicted and infected people whose season for dying will come too soon.

Woe to us who are more concerned about our inconvenience and discomfort today than the months of ruined tomorrows for millions.

Lest it be forgotten in our bitterness – the promise of healing and renewal is also on the horizon.

May I listen for the pulse deep within the heartwood of each person with whom I have differences; my love for them must not fade nor wither but grow more graceful, more forgiving, more vibrant and beautiful by the day.

To Go With the Drift of Things

Out through the fields and the woods
   And over the walls I have wended;
I have climbed the hills of view
   And looked at the world, and descended;
I have come by the highway home,
   And lo, it is ended.

 
The leaves are all dead on the ground,
   Save those that the oak is keeping
To ravel them one by one
   And let them go scraping and creeping
Out over the crusted snow,
   When others are sleeping.

 
And the dead leaves lie huddled and still,
   No longer blown hither and thither;
The last lone aster is gone;
   The flowers of the witch hazel wither;
The heart is still aching to seek,
   But the feet question ‘Whither?’

 
Ah, when to the heart of man
   Was it ever less than a treason
To go with the drift of things,
   To yield with a grace to reason,
And bow and accept the end
   Of a love or a season?

~Robert Frost “Reluctance”


 As I kick through piles of fallen leaves in the barnyard, I realize how close I am to becoming one of them. Within my own seasons, I have flourished and bloomed and fruited, but, with aging, am now reminded of my fading, withering and eventual letting go. I find I’m not nearly so bold anymore, instead trembling nervously when harsh winds blow me about.

I have come to question the stability of the stems, branches, trunk and roots I’ve always depended upon. Will they continue to nourish and sustain me?

Everything feels transitory — especially me.

When these thoughts overwhelm, I tend to hang on tighter rather than simply giving up and letting go. My feet stumble when I try to do the same tasks I did so smoothly years ago. I am easily torn, broken and full of holes. No graceful bow from me; I’m stubbornly wanting things to stay the same, reluctant for a transition to something different.

My only solace is that the heart of man — indeed my own holey heart — is transient compared to the holy Heart of God. I am sustained by His steady Pulse, His ubiquitous Circulation, His impeccable Rhythm of Life and Death.

In that I trust. In that I come to abandon my stubborn reluctance.

A World of Crowded Cups to Fill

sphere of pillowed sky
one faceless gathering of blue.
..

… I’m tethered, and devoted
to your raw and lonely bloom

my lavish need to drink
your world of crowded cups to fill.
~Tara Bray “hydrangea” from Image Journal

Like in old cans of paint the last green hue,
these leaves are sere and rough and dull-complected
behind the blossom clusters in which blue
is not so much displayed as it’s reflected;

They do reflect it imprecise and teary,
as though they’d rather have it go away,
and just like faded, once blue stationery,
they’re tinged with yellow, violet and gray;

As in an often laundered children’s smock,
cast off, its usefulness now all but over,
one senses running down a small life’s clock.

Yet suddenly the blue revives, it seems,
and in among these clusters one discovers
a tender blue rejoicing in the green.
~Rainer Maria Rilke “Blue Hydrangea” Translation by Bernhard Frank

Dwelling within a mosaic of dying colors,
these petals fold and collapse
under the weight of the sky’s tears.

This hydrangea bears a rainbow of hues,
once-vibrant promises of blue
now fading to rusts and grays.

I know what this is like:
the running out of the clock,
feeling the limits of vitality.

Withering and drying,
I’m drawn, thirsty for the beauty,
to this waning artist’s palette.

To quench my thirst:
from an open cup, an invitation,
an everlasting visual sacrament.

Love That Well

photo by Harry Rodenberger

That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin’d choirs, where late the sweet birds sang.
In me thou see’st the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death’s second self, that seals up all in rest.
In me thou see’st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consum’d with that which it was nourish’d by.
This thou perceiv’st, which makes thy love more strong,
To love that well which thou must leave ere long.
~William Shakespeare Sonnet 73

photo by Harry Rodenberger

I may think youth has it all – strength, beauty, energy-
but now I know better.
There is so much treasure in slowing down,
this leisurely leave-taking,
the finite becoming infinite
and a limitlessness loving.
Without our aging
we’d never change up
who we are
to become so much more:
enriched, vibrant,
shining passionately
until the very last.
To love well
To love strong
To love as if
nothing else matters.

photo by Harry Rodenberger

In Me the Glowing of Such Fire

octoberalders1
parrotia1013181
lateoctobereast
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruin’d choirs, where late the sweet birds sang.
In me thou see’st the twilight of such day
As after sunset fadeth in the west,
Which by and by black night doth take away,
Death’s second self, that seals up all in rest.
In me thou see’st the glowing of such fire
That on the ashes of his youth doth lie,
As the death-bed whereon it must expire,
Consum’d with that which it was nourish’d by.
This thou perceiv’st, which makes thy love more strong,
To love that well which thou must leave ere long.
~William Shakespeare — Sonnet 73
highnoon
parrotia1013184
May I remember
with each passing season,
as my outer self fades and fails,
wrinkles and withersI am consumed wholly
by glowing embers of love
received and thereby shared;
no warmth compares
to such a grace freely given.
lateoctoberlane
3rfamr3
sunset1026