Fitting Exactly Where Needed

The river is famous to the fish.
The loud voice is famous to silence,   
which knew it would inherit the earth   
before anybody said so.   

The cat sleeping on the fence is famous to the birds   
watching him from the birdhouse.   
The tear is famous, briefly, to the cheek.   
The idea you carry close to your bosom   
is famous to your bosom.  
 

The boot is famous to the earth,   
more famous than the dress shoe,   
which is famous only to floors.
The bent photograph is famous to the one who carries it   
and not at all famous to the one who is pictured.   

I want to be famous to shuffling men   
who smile while crossing streets,   
sticky children in grocery lines,   
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,   
or a buttonhole, not because it did anything spectacular,   
but because it never forgot what it could do.
~Naomi Shihab Nye “Famous” from Words Under the Words: Selected Poems

Detail from “Descent from the Cross” by Rogier van der Weyden

Here’s the truth of it:
no one really wants to be famous
but seeks a life of meaning and purpose
rather than one empty of significance.

The button alone is
pure window-dressing,
a flash in the pan,
a bauble ready to loosen and fall off,
easy to go missing.

A button hole by itself
without a button to latch around
is plain and gaping and lonely and allows in drafts,
blending into the background,
silently waiting for its moment of usefulness.

We cannot forget who we’re meant to be
and what we’re meant to do –
we fit the task for which we’re made.

Send me a button and I’ll make sure it is secured.

In Our Hollowness

There is a day that comes when you realize
you can’t bake enough bread
to make things turn out right, no matter
how many times you read Little House on the Prairie
to your children. There aren’t enough
quart jars to fill with tomatoes
or translucent slices of pear to keep you
from feeling unproductive. There is no bonfire
that burns orange enough in the chill October night
to keep your mind from following the lonesome
howls and yips of the coyotes concealed
by darkness in the harvested cornfield
just beyond the circle of your fire.

And when you step away from your family and fire,
into the dark pasture and tip your head back,
feel the whole black bowl of sky
with its icy prickles of stars, its swath of Milky Way,
settle over you, you know that no one
and everyone is just this alone on the Earth
though most keep themselves distracted enough
not to notice. In your hollowness
you open your arms to God because no one else
is enough to fill them. Eternity
passes between and no one knows this but you.

The hum of their conversation, the whole world, talking.
When it is time, you turn, grasp the woodcart’s handle,
pull it, bumping behind you across the frosty grass,
up the hill to the house, where you
step inside cubes of light, and begin to do ordinary things,
hang up coats, open and close drawers,
rinse hot chocolate from mugs. And you are still
separate, but no longer grieving bread.
~Daye Phillippo “Bread” from The Exponent. Vol. 124 – No 75 (May 3, 2010)

Try as I might, there aren’t enough chores to do, nor meals to make, nor pictures to take or words to write to distract me from the emptiness that can hit in the middle of the night. We each try to find our own way to make the world feel right and good, to give us a sense of purpose for getting up each morning.

Yet life can be harsh. I hear regularly from my patients who fight a futile struggle with pointlessness. Hours, days and years are hollow without loving and meaningful relationships with each other, but especially with our Creator.

My work here is simple: to find meaning in routine and the rhythm of the seasons with a desire to leave behind something that will last longer than I will. In those moments of feeling hollowed-out, I am reminded that God-shaped hole is just as He created it. God knows exactly what I need— I rise like leavened bread becoming more than I could ever be without Him.

The ordinary in me is filled by the extraordinary.

Buttonholed

simbakitty
carp
hooter79
steensmaquail2
The river is famous to the fish.
The loud voice is famous to silence,   
which knew it would inherit the earth   
before anybody said so.   
The cat sleeping on the fence is famous to the birds   
watching him from the birdhouse.   
The tear is famous, briefly, to the cheek.   
The idea you carry close to your bosom   
is famous to your bosom.   
The boot is famous to the earth,   
more famous than the dress shoe,   
which is famous only to floors.
The bent photograph is famous to the one who carries it   
and not at all famous to the one who is pictured.   
I want to be famous to shuffling men   
who smile while crossing streets,   
sticky children in grocery lines,   
famous as the one who smiled back.
I want to be famous in the way a pulley is famous,   
or a buttonhole, not because it did anything spectacular,   
but because it never forgot what it could do.
~Naomi Shihab Nye “Famous” from Words Under the Words: Selected Poems

 

prado2
Detail from “Descent from the Cross” by Rogier van der Weyden

 

boots2

 buttonhole
Here’s the truth of it:
I am the buttonhole lying in wait, hidden in the background – mere open space for locking in and securing the eye-catching button.
I’m neither decorative nor particularly noticeable yet chock-full of potential purpose even though empty.
A button without me is pure window-dressing, a flash in the pan, a bauble ready to loosen and fall off, easy to go missing.
Yet a button hole like me without a button to latch to is just plain and gaping and lonely and allows in drafts.
I never have forgotten what I’m meant to be and what I can do.  I only need the right button to fit me perfectly.
buttonbuttonhole
bonebutton