Stitching Broken Pieces Together

“I make them warm to keep my family from freezing;
I make them beautiful to keep my heart from breaking.”
–From the journal of a prairie woman, 1870

To keep a husband and five children warm,
she quilts them covers thick as drifts against
the door. Through every fleshy square white threads
needle their almost invisible tracks; her hours
count each small suture that holds together
the raw-cut, uncolored edges of her life.
She pieces each one beautiful, and summer bright
to thaw her frozen soul. Under her fingers
the scraps grow to green birds and purple
improbable leaves; deeper than calico, her mid-winter
mind bursts into flowers. She watches them unfold
between the double stars, the wedding rings.
~Luci Shaw “Quiltmaker”

Perhaps the world was made this way:
piecemeal, the parts fitting together exactly
as if made for one another~
the unique, disparate and separate
coming together in a glorious harmony.

The point of its creation is
forever functional and full of love –
a blanket of warmth and security
for generations to come.
Our legacy is to preserve this
beauty arising from scraps,
this broken stitched to broken
in a tapestry holy and whole.

all quilts here are on display this week at the Northwest Washington Fair
see previous year’s artwork here and here and here and here

This new Barnstorming book is like a quilt made of pieces of poetry and photographs – available for order here:

Waiting in Wilderness: Don’t Ever Let Go of the Thread

There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.
~William Stafford, “The Way It Is” From Ask Me: 100 Essential Poems. 

I had been told how the old-time weavers, all the while they were making their beautiful and intricate patterns, saw no more than the backs of their shawls. Nothing was visible to them but a tangle of colored threads. They never saw the design they were creating until they took the finished fabric from their looms.

The parallel to the mortal lot is plain. Human experience appears to us – as the shawls did to the weavers – to be no more than incomprehensible tangles of colored threads, whereas in fact life represents the ordered threads in a great design – the design being woven daily on the loom of eternity.
~Ernest Gordon from Miracle on the River Kwai

Although the threads of my life have often seemed knotted,
I know, by faith, that on the other side of the embroidery there is a crown.
~Corrie Ten Boom in My Heart Sings

What does it say about me that I’ve covered the backs of countless embroidery projects so the tangles are no longer visible? 

There is a sense of shame in the need to hide the messy and too often painful side of existence, not wanting to admit how really chaotic and tragic life is at times.

Yet out of the incomprehensible comes beauty. 
Out of the mess comes order and harmony.
What appears knotted and tangled and makes no sense
is turned right side up to become grace on our heads, like a crown.

Sewing the Dream

In the juggle of job, geography,
child-rearing, art, sometimes the only
quiet is at the kitchen table,
a pot of tea, perhaps a bowl of custard,
a visitor. The conversation—a fine
visible thread one or the other
occasionally pulls tight—stretches
from Ireland to Alaska, culture
to creature, mad experience
to dizzy present. How to best sew
the dream? The question follows
the line we daily stitch:
the journey inside. On the stove
water steams. Another pot suffices.
~Ken Waldman,”Irish Tea” from The Secret Visitor’s Guide

Your great mistake is to act the drama
as if you were alone…

Put down the weight of your aloneness and ease into
the conversation. The kettle is singing
even as it pours you a drink, the cooking pots
have left their arrogant aloofness and
seen the good in you at last.
Everything is waiting for you.
~David Whyte from “Everything is Waiting for You”

Many of us are feeling conversation-deficient right now. I know I am; even as a confirmed introvert, I struggle with the desire to stay comfortably internal when instead I need a good chat to discover through careful listening what others are thinking and saying.

Typed words on a screen or handwritten on a piece of paper, or confined to a muted box in a zoom meeting, or spontaneous telephone conversations just don’t do it.

We need a pot of tea, a mug of coffee, a scone or piece of fruit placed in front of us, and a couple of hours to trace the threads of our lives and see where they connect. We build a tapestry of friendship together, sorting through the colors and themes and blending what we can where we are able.

A conversation doesn’t have to be profound nor have an agenda. Sitting together with the patchwork of the world’s swirling events is reason enough. You choose the fabric, I’ll thread the needle and we’ll sew a dream of a better world.

When we stitch with our words, the good in you is sewn together with the good in me – a solid seam reinforced and everlasting.

A Thousand Colors

Who would have thought it possible that a tiny little flower could preoccupy a person so completely that there simply wasn’t room for any other thought?
~ Sophie Scholl 
from At the Heart of the White Rose

Little flower,
but if I could understand what you are,
root and all in all,
I should know what God and man is.
~  Tennyson

There are days we live⠀
as if death were nowhere⠀
in the background; from joy⠀
to joy to joy, from wing to wing,⠀
from blossom to blossom to⠀
impossible blossom, to sweet impossible blossom.⠀

~Li-Young Lee from “From Blossoms”

Summer was our best season:
it was sleeping on the back screened porch in cots,
or trying to sleep in the tree house;
summer was everything good to eat;
it was a thousand colors in a parched landscape…

~Harper Lee from “To Kill a Mockingbird

I seek relief anywhere it can be found:
this parched landscape fills
with anger and lashing out,
division and distrust,
discouragement and disparity.

I want to live again as if
death is not in the background of
overflowing ICUs and irrational shootings.

I want to be so preoccupied with the medley of beauty around me,
there can be no room for other thoughts.

I want to understand how God still loves man
even when we turn away.

I want to revel in the impossible possible,
in a variegated kaleidoscope of colors
prepared to bloom bountiful
in an overwhelming tapestry of unity.



Begin the Day Slow

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O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
~Robert Frost, from “October” in A Boy’s Will

 

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These mornings I wander stunned by light and mist
to see trees tremble inside their loosening cloaks,
a pulsing palette of color ready to detach,
revealing mere bones and branches.

I want to slow it down,
leave the leaves attached like a fitted mosaic
rather than randomly falling away.

Their release is not their choosing:
the trees know it is time for slowly letting go~
readying for sleep, for sprouts and buds, for fresh tapestry to be woven
from October’s leaves lying about their feet.

 

 

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My Barren Skin

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And then in the falling comes a rising,
as of the bass coming up for autumn’s last insects
struggling amid the mosaic of leaves on the lake’s surface.
We express it as the season of lacking, but what is this nakedness
— the unharvested corn frost-shriveled but still a little golden
under the diffuse light of a foggy sky,
the pin oak’s newly stark web of barbs, the woodbine’s vines
shriven of their scarlet and left askew in the air
like the tangle of threads on the wall’s side
of the castle tapestry—what is it but greater intimacy,
the world slackening its grip on the veils, letting them slump
to the floor in a heap of sodden colors, and saying,
this is me, this is my skeletal muscle,
my latticework of bones, my barren winter skin,
this is it and if you love me, know that this is what you love.
~Laura Fargas “October Struck”

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