Tag: writing

Beyond Words

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…to create a happier future for ourselves and others…
three simple messages:
You are not better or more special than others; 
you are not alive simply to work; 
happiness comes from loving and being loved. 
~Arthur Brooks “Don’t Avoid Romance”

Most of what happens happens beyond words…
You are a language I have learned by heart.

Let the young vaunt their ecstasy. We keep
our tribe of two in sovereign secrecy.
What must be lost was never lost on us.
~Dana Gioia from “Marriage of Many Years” from 99 Poems

To be amazed by love is not to be blinded but
to let the flare of wonder fill you
like air filling a sail.

Isn’t this the voice of God at work?

Even his silence breathes life into you, a golden sigh as fresh
as Eden. To love someone is not to lose anything,
but to gain it in giving it all away.
~Luci Shaw from “Amazed by Love” in Water Lines

We are more together than we know,
how else could we keep on discovering
we are more together than we thought?
You are the known way leading always to the unknown,
and you are the known place to which
the unknown is always leading me back.
More blessed in you than I know…
~Wendell Berry “The Country of Marriage”

Love – of another, and another for us – betters us; it is truly the only way we, who were created by Love, are special. Nothing else in this life really matters, does it?

And it is beyond words to describe, so why try?

Yet, I love Words as well, so I had to try. As we speak the same language, I hope you understand.

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Hard to Say

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Sometimes I like to hide in the word
foxgloves – in the middle of foxgloves.
The xgl is hard to say, out of the England
of its harbouring word.
Alone it becomes a small tangle,
a witch’s thimble, hard-to-toll bell,
elvish door to a door. Xgl
a place with a locked beginning
then a snag, a gl
like the little Englands of my grief,
a knotted dark that locks light
in glisten, glow, glint, gleam
and Oberon’s banks of eglantine
which closes in on the opening
of Gulliver whose shrunken gul
says ‘rose’ in my fatherland.
Meanwhile, in the motherland, the xg
is almost the thumb of a lost mitten,
an impossible interior, deeper than forests
and further in. And deeper inland
is the gulp, the gulf, the gap, the grip
that goes before love.
~Zaffar Kunial “Foxglove Country” from England’s Green

I can get lost in a word when considering its origins. Sometimes it is how it looks on the page or screen that sucks me in, other times it is how it rolls off the tongue, or how it fits amid other words, like a musical note in a symphony. At times a word can seem an argle-bargle of nonsensical sounds, as if I’m listening to a foreign language.

This poem dissects an ordinary word like foxglove into letters and sounds in a way I have never considered, so that the flowers growing wild in our yard contain unexpected depth and width. Even eglantine is an elegant way to describe wild rose blossoms.

I love looking deep into the pinkish speckled innards of foxglove, lined up just-so in bell-like columns on a stem. I love the thought they were named as if they were little mittens a fox might happen to step into for a trot down the road. I love the thought of foxgloves being part of a glowing glistening fairy world that I only imagine in my dreams. I love that I have written prescriptions of foxglove derivatives for decades for patients who needed the rhythm-controlling properties of digitalis.

So here’s to nonsense, to words that are hard to say, and words that contain mysteries and fairytales within their letters, especially this particular word that actually spells out Love.

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Filling the Empty Spaces

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If I could peer far enough down
a robin’s pulsing throat, would I see
notes piled there waiting to be flung
into freshness of morning?
 
If I close my eyes and burrow
my face into peony’s petals,
would I discover the source 
of its scent, a sacred offering?
 
Can I plunge inside 
and find a lifetime of words
spooled tightly inside my heart
ready for a tug?
 
If I dig beneath the bedrock 
will I find love there, 
solid like iron or does it flow like magma
filling in all of the empty spaces?
~Christine Valters Paintner “Origins”

photo by Harry Rodenberger

I do not know what gorgeous thing
the bluebird keeps saying,
his voice easing out of his throat,
beak, body into the pink air
of the early morning. I like it
whatever it is. Sometimes
it seems the only thing in the world
that is without dark thoughts.
Sometimes it seems the only thing
in the world that is without
questions that can’t and probably
never will be answered, the
only thing that is entirely content
with the pink, then clear white
morning and, gratefully, says so.
~Mary Oliver “What Gorgeous Thing” from Blue Horses 

Slowly the west reaches for clothes of new colors
which it passes to a row of ancient trees.
You look, and soon these two worlds both leave you
one part climbs toward heaven, one sinks to earth.

leaving you, not really belonging to either,
not so hopelessly dark as that house that is silent,
not so unswervingly given to the eternal as that thing
that turns to a star each night and climbs–leaving you
(it is impossible to untangle the threads)
your own life, timid and standing high and growing,
so that, sometimes blocked in, sometimes reaching out,
one moment your life is a stone in you, and the next, a star.
~Rainer Maria Rilke  “Sunset” (Trans. by Robert Bly) from The Soul is Here for Its Own Joy

We are born with one hand still grasping tight to the star-studded heaven from which we came, still dusty from creation.  The other hand grabs hold of whatever it finds here on earth and won’t let go, whether the symphony of birds, the scents from the garden, the richness of relationship or the coldness of stone.

It can take decades, but our firm hold on heaven loosens so that we forget the dusty origins of our miraculous being.  We tend to forget Who made us and why.

We can’t decide, tangled up in the threads of this life:  dust of earth, stone heart?  Or dust of stars, child of Heaven?

We are daily reminded by the Light which clothes us in new colors – early in the morning as it crests the eastern hills and late as it descends in the west.  Heaven will still reach down once again to grasp our hand, making sure we know the way home.

photo by Josh Scholten
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The Secret of Life

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Two girls discover   
the secret of life   
in a sudden line of   
poetry.

I who don’t know the   
secret wrote   
the line. They   
told me

(through a third person)   
they had found it
but not what it was   
not even

what line it was. No doubt   
by now, more than a week   
later, they have forgotten   
the secret,

the line, the name of   
the poem. I love them   
for finding what   
I can’t find,

and for loving me   
for the line I wrote,   
and for forgetting it   
so that

a thousand times, till death   
finds them, they may   
discover it again, in other   
lines

in other   
happenings. And for   
wanting to know it,   
for

assuming there is   
such a secret, yes,   
for that   
most of all.
~Denise Levertov “The Secret”

The secret of seeing is, then the pearl of great price.
If I thought he could teach me to find it and keep it forever
I would stagger barefoot across a hundred deserts after any lunatic at all.
But although the pearl may be found, it may not be sought.

The literature of illumination reveals this above all:
although it comes to those who wait for it,
it is always, even to the most practiced and adept,
a gift and a total surprise.

I return from one walk
knowing where the killdeer nests in the field by the creek and the hour the laurel blooms.
I return from the same walk a day later scarcely knowing my own name.

Litanies hum in my ears;
my tongue flaps in my mouth.
Ailinon, alleluia!
~Annie Dillard from Pilgrim at Tinker Creek

Is a lamp brought in to be put under a basket, or under a bed, and not on a stand?  
For nothing is hidden except to be made manifest;
nor is anything secret except to come to light…
Mark 4: 21-22

We all want to know it: learning the elusive secret that would resolve the mystery of our existence. Why are we here at all and for what purpose do we live and breathe?

Some are untroubled by not knowing. They live out each day one step at a time, not looking back and not too worried about what is coming up around the bend while others are always looking for meaning, evaluating the significance of each moment.

Some of us seek middle ground. I am eager to have life’s mysteries cleared up, but content to give the unknown the time it demands. Each day I search for something that asks for my complete attention, whether a line of poetry or a slant of light in the sky, or my grandchild’s arms around my neck. That is enough for me to settle in with gratitude for simply being here. And it feels right to share what I see and read and hear and experience.

So here is one person’s secret of life: don’t give up the search and share what you find along the way…

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You’re the One

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If this comes creased and creased again and soiled
as if I’d opened it a thousand times
to see if what I’d written here was right,
it’s all because I looked too long for you
to put in your pocket. Midnight says
the little gifts of loneliness come wrapped
by nervous fingers. What I wanted this
to say was that I want to be so close
that when you find it, it is warm from me.
~Ted Kooser “Pocket Poem”

One who has loved is never quite alone,
though all the hills declare our solitude.
Having known you, I am no more afraid,
the essential singleness of blood and bone
when dispossessed, comes never in return;
one who has loved is never quite alone.
~Jane Tyson Clement “One Who Has Loved” from  The Heart’s Necessities

I never have left a poem in your pocket,
hoping it would stay warm from me.

Instead, to stave off loneliness
every morning I match poems and pictures together
here on this page, knowing you’ll see it later.
It’s not much but it’s the best I can do.

Hoping they stay warm to the touch,
these daily stories about how wonderful life is
spill from my fingertips
as dawn pours over the eastern hills

Here’s to another good morning with you, my love ~
I tuck this poem into your empty pocket,
to keep it close and forever warm
today, tomorrow and always.

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An Ordinary Night

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What scene would I want to be enveloped in
more than this one,
an ordinary night at the kitchen table,
floral wallpaper pressing in,
white cabinets full of glass,
the telephone silent,
a pen tilted back in my hand?

It gives me time to think
about all that is going on outside–
leaves gathering in corners,
lichen greening the high grey rocks,
while over the dunes the world sails on,
huge, ocean-going, history bubbling in its wake.

But beyond this table
there is nothing that I need,
not even a job that would allow me to row to work,
or a coffee-colored Aston Martin DB4
with cracked green leather seats.

No, it’s all here,
the clear ovals of a glass of water,
a small crate of oranges, a book on Stalin,
not to mention the odd snarling fish
in a frame on the wall,
and the way these three candles–
each a different height–
are singing in perfect harmony.

So forgive me
if I lower my head now and listen
to the short bass candle as he takes a solo
while my heart
thrums under my shirt–
frog at the edge of a pond–
and my thoughts fly off to a province
made of one enormous sky
and about a million empty branches.
~Billy Collins “I Ask You”

I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be
songs in which nothing is neglected…
~Mary Oliver  from “Everything”

Some days, my search for new words and images runs dry, especially in mid-winter when a chill wind is blowing and inhospitable. I seek indoor comfort more than inspiration. I am content sitting in a warm kitchen with other’s words running through my ears and over my tongue.

I feel kinship with the amaryllis bulb that has been on my kitchen table for the past month, as it enjoys the warmth in its soil pot and occasional drink of water. It started out as such a plain-looking bulb, so dry, so underwhelming in every respect. Once the stem started emerging from its plain-jane cocoon, I watched it grow taller each day. Last week it burst open, wearing its heart on its sleeve, comically cheerful at this drab time of year. I appreciate its effort at bringing summer right into my kitchen and my heart; I get a bit drab and cranky myself without the reminder that winter is not forever.

So I allow myself to drink deeply from a cup of astonishment, even on an ordinary night in an ordinary kitchen on an ordinary very cold end-of-January evening.

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Here Under This Sky

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I stop

and look at the sky. Suddenly: orange, red, pink, blue,
green, purple, yellow, gray, all at once and everywhere.

I pause in this moment at the beginning of my old age
and I say a prayer of gratitude for getting to this evening

a prayer for being here, today, now, alive
in this life, in this evening, under this sky.
~David Budbill from Winter: Tonight: Sunset

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case.
~Annie Dillard from “Write Till You Drop”

At its best, the sensation of writing is that of any unmerited grace.

It is handed to you, but only if you look for it. You search, you break your fists, your back, your brain, and then – and only then – it is handed to you. From the corner of your eye you see motion. Something is moving through the air and headed your way. It is a parcel bound in ribbons and bows; it has two white wings.

It flies directly at you; you can read your name on it. If it were a baseball, you would hit it out of the park. It is that one pitch in a thousand you see in slow motion; its wings beat slowly as a hawk’s.
~Annie Dillard from “Write Till You Drop”

I began to write regularly after September 11, 2001 because that day it became obvious to me I was dying too, though more slowly than the thousands who vanished in fire and ash, their voices obliterated with their bodies.   So, nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers to others dying around me.

We are, after all, terminal patients, some of us more prepared than others to move on, as if our readiness has anything to do with the timing.  Once, when our small church lost one of its most senior members to metastatic cancer, he announced his readiness once the doctor gave him the dire news (he liked to say he never bought green bananas as he wasn’t sure he’d be around to use them), but God had different plans and kept him among us for several years beyond his diagnosis.

Each day I too get a little closer to the end, but I write in order to feel a little more ready.  Each day I detach just a little bit, leaving a trace of my voice behind.  Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing. I will be far out of the park, far beyond here.

Not a moment, not a sunrise, not a sunset, and not a word to waste.

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Blinking in the Sun

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When you have been
at war with yourself
for so many years that
you have forgotten why,
when you have been driving
for hours and only
gradually begin to realize
that you have lost the way,
when you have cut
hastily into the fabric,
when you have signed
papers in distraction,
when it has been centuries
since you watched the sun set
or the rain fall, and the clouds,
drifting overhead, pass as flat
as anything on a postcard;
when, in the midst of these
everyday nightmares, you
understand that you could
wake up,
you could turn
and go back
to the last thing you
remember doing
with your whole heart:
that passionate kiss,
the brilliant drop of love
rolling along the tongue of a green leaf,
then you wake,
you stumble from your cave,
blinking in the sun,
naming every shadow
as it slips.
~Joyce Sutphen “From Out the Cave” from Straight Out of View.

Rather than mindfulness, I try to practice something I call “heartfulness.” Instead of staying so much inside my head while going through the necessary motions of everyday routine, I try to make sense of my place and purpose in the world to invest my heart in it. I pay attention to what is happening around me – the sights, sounds, smells – to where my feet will land next and to where my hands might extend to serve. For internally focused people like me, it helps to stretch my vision and my actions beyond my own needs.

It is like waking from a troubled sleep, and seeing familiar surroundings that have been in shadow, cast in a new light for the first time. When I first bought a phone with a camera over a decade ago, I started looking at the world differently, eager to capture the subtle changes I witnessed throughout the time of day and seasonal progression. Sometimes I receive feedback that my photos look “all the same” – they are only two-dimensional versions of what I see around me. Indeed, how can a photo communicate the fresh feel of dew-dawn air, or the crunch of snow underfoot, or the scent of spring blossoms or the smell of badly needed rain? My photo becomes my hook back to a focused moment of heartfulness for me — my reminder of what ‘was’ and ‘is” and what ‘will be again.’

As I climb out of the relative safety of my dark “cave” – a place we all retreat to when life is simply too much – I stand astonished and heart-full, blinking at the sun, aware that I’m meant to witness all that is beyond me.

And simply to share and tell about it as best I can.

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Here’s My Hand

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How far friends are! They forget you,
most days. They have to, I know; but still,
it’s lonely just being far and a friend.
I put my hand out—this chair, this table—
So near: touch, that’s how to live.
Call up a friend? All right, but the phone
itself is what loves you, warm on your ear,
on your hand. Or, you lift a pen
to write—it’s not that far person
but this familiar pen that comforts.
Near things: Friend, here’s my hand.
~William Stafford “Friends” from The Way It Is

I initially started writing online almost twenty years ago to a group of friends, most that I had met in real life, but some of whom I only knew from afar. It felt like I was writing a letter but without the pen, paper, envelopes and stamp.

Now I write to over 22,000 people every day. A few of you I know well, some I’ve only met once, most of you I will never have the privilege to know personally. Some of you have written to me privately (some with pen and paper, stamp and envelope!) to tell me more about your lives and how the thoughts I send along each day make a difference to you.

I know the power and love found in a hand-written letter. Someone I have known for nearly 50 years still writes to her friends – Jane Goodall was my teacher and mentor. When she gave me the opportunity to work with her in Africa in the 1970s, it changed my life in ways I still am discovering. Most remarkably, she has written to me on a number of occasions and I treasure those notes. Her familiar pen written by her familiar hand comforts me.

It’s lonely being far away, and a friend. But here is my hand. I hope you will continue to take what I offer here and find it comforting.

giving Jane a hug, courtesy of WWU Communications

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Like Dust in Sunlight

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The poem rises 
like dust in sunlight 
as I hold my breath
             and write
~Rick Maxson, “Ars Poetica” from  Molly and the Thieves

Words have breathed life into the dust from which we all were created.

I am still a mess of dust and words. Words suspended in light before my eyes are a reminder that God Himself breathed life and spirit into merest dust.

When I try to wrestle words down from the air to the page, I try to help them make sense, hoping then I might make sense.

I find myself holding my own breath as I write, as if that will keep my words orderly and safe, yet they have a tendency to come out jumbled and random, with no rhyme nor reason.

In my world, there is no such thing as mere dust or meaningless words. They wait for God’s holy breath to bring them to light and life.

Then the Lord God formed a man from the dust of the ground and breathed into his nostrils the breath of life, and the man became a living being.
Genesis 2:7

Now available: a gift from Barnstorming if you donate $50 to support daily Barnstorming posts – you will receive three blank notecards of original art from our farm.

art by Anja Lovegren
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