Tag: writing

Petal By Petal

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Life is a stream 
On which we strew 
Petal by petal the flower of our heart; 
The end lost in dream, 
They float past our view, 
We only watch their glad, early start. 

Freighted with hope, 
Crimsoned with joy, 
We scatter the leaves of our opening rose; 
Their widening scope, 
Their distant employ, 
We never shall know. And the stream as it flows 
Sweeps them away, 
Each one is gone 
Ever beyond into infinite ways. 
We alone stay 
While years hurry on, 
The flower fared forth, though its fragrance still stays. 
~Amy Lowell “Petals”

The stream of time flows ever faster,
rushing away my remembrance of yesterday,
the quiet moments today,
my hope for tomorrow.
Every day – a petal thrown into the cascade –
disappears one by one, never to return.
What of my dreams will last
as they droop and drop and scatter?
It is a lingering fragrance their roots leave behind;
that is how to be remembered.



Not to Stop Trying…

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Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

At other times though,
I remember how one flower
in a meadow already full of flowers
somehow adds to the general fireworks effect

as you get to the top of a hill
in Colorado, say, in high summer
and just look down at all that brimming color.
I also try to convince myself

that the smallest note of the smallest
instrument in the band,
the triangle for instance,
is important to the conductor

who stands there, pointing his finger
in the direction of the percussions,
demanding that one silvery ping.
And I decide not to stop trying,

at least not for a while, though in truth
I’d rather just sit here reading
how someone else has been acquainted
with the night already, and perfectly.
~Linda Pastan “Rereading Frost” from Queen of a Rainy Country. 

This morning

poem hopes 

that even though
its lines are broken 

its reader 

will be drawn forward to the part where blueberries
firm against fingers 

say roundness sweetness unspeakable softness
     in the morning
light.
~L.L. Barkat, “This Morning” from The Golden Dress

I want to write with quiet hands. I
want to write while crossing the fields that are
fresh with daisies and everlasting and the
ordinary grass. I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be

songs in which nothing is neglected,
not a hope, not a promise. I want to make poems
that look into the earth and the heavens
and see the unseeable. I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver “Everything”

I’m asked frequently by people who read this blog why I use poems by other authors when I could be writing more original work myself.

My answer, like poet Linda Pastan above is:

Sometimes I think all the best poems
have been written already,
and no one has time to read them,
so why try to write more?

Yet, like Linda, I’ve decided not to stop trying, since I’ve committed myself to being here every day with something that may help me and someone else breathe in the fragrance of words and the world. There are several hundred of you who do take time to read every day – such a privilege to share what I can with you!

Even when my lines are broken, or I say again what another has already said much better yet bears repeating — I too try to write with quiet hands, in reverence and awe for what unseeable gifts God has granted us all.

Let us celebrate by illuminating words and pictures which lift the veil.

Where Have I Been?

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And the seasons they go round and round
And the painted ponies go up and down
We’re captive on the carousel of time
We can’t return, we can only look behind
From where we came
And go round and round and round
In the circle game…
~Joni Mitchell “The Circle Game”

those lovely horses,
that galloped me,

moving the world,
piston push and pull,

into the past—dream to
where? there, when

the clouds swayed by
then trees, as a tire

swing swung
me under—rope groan.

now, the brass beam,
holds my bent face,

calliope cadence—O
where have I been?
~Richard Maxson “Carousel at Seventy”

photo by Tomomi
photo by Tomomi

Sixty years ago in July, I was a five year old having her first ride on the historic carousel at Woodland Park Zoo before we moved from Stanwood to Olympia.
Fifty years ago — a teenager watching the first men walk on the moon the summer I started work as an assistant to a local dentist.
Forty years ago — deep in the guts of a hospital working a forty hour shift thinking about the man who was to become my husband.
Thirty years ago — my husband and I picking up bales of hay with two young children in tow after I had just accepted a new position doctoring at the local university & we are offered an opportunity to buy a larger farm.
Twenty years ago — with three children and our farm house remodel complete, we have three local parents with health issues needing support, helping with church activities and worship, raising Haflinger foals and organizing a summer local Haflinger gathering of nearly 100 horses and owners, planning a new clinic building.
Ten years ago — two sons launched with one about to move to Japan, a daughter at home with a new driver’s license, my mother slowly bidding goodbye to life at a local care center, farming is less about horse raising and more about gardening, starting to record life on my blog.
Five years ago — two sons married, a daughter off in the midwest as a camp counselor so our first summer without children at home. Time for a new puppy!
Now –
O where have I been?
We can only look behind from where we came.

The decades pass, round and round – there is comfort knowing that through the ups and downs of daily life, I am still hanging on and if I slip and fall, there is Someone ready to catch me.


The Lapse of Time

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A single gentle rain makes the grass many shades greener.
So our prospects brighten on the influx of better thoughts.
We should be blessed if we lived in the present always, and
took advantage of every accident that befell us.

Sometimes, in a summer morning, having taken my accustomed bath, I sat in my sunny doorway from sunrise till noon, rapt in a revery, amidst the pines and hickories and sumachs, in undisturbed solitude and stillness, while the birds sing around or flitted noiseless through the house, until by the sun falling in at my west window, or the noise of some traveller’s wagon on the distant highway, I was reminded of the lapse of time.
~Henry David Thoreau from “Simplicity” in Walden.

I’m completely unskilled at doing nothing and have no idea how to go about it.

There is no continuing education course or training in it. I can’t get credit hours for accumulating guilt about wasting time — I get antsy at the mere thought of inactivity. Simply watching the hours pass makes me itchy for productivity.

So I’m practicing at nothing whatsoever this summer, just to see if I’m really cut out for it. I’ve read up on “how to rest”: connecting to nature, taking a break from being responsible, choosing not to be helpful and just remaining still and to be content to watch what is around me. Except for the nature part, I’m an utter failure otherwise.

It starts to feel like work to not work.

Even Thoreau ended up writing down and then publishing his meandering thoughts. Sounds like work to me.

Time for a nap.

Waving Goodbye

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A poem begins as a lump in the throat, a sense of wrong, a homesickness, a lovesickness.
~Robert Frost in a letter to Louis Untermeyer

Spending time away from home has always been difficult for me. I was hopelessly homesick as a child whenever I stayed overnight with a friend or even with my grandma. Going to college two states away was a complete ordeal – it took me much longer than typical to let go of home and finally settle into a new life away from all that was familiar. I really did feel sick clinging too tightly to home base, unwilling to launch, barely able to wave good-bye.

Even now, as I travel away from the farm for a week for this or that, I sometimes get the lump-in-the-throat feeling that I remember keenly from my childhood years — knowing I am out of my element, stretching my comfort zone, not feeling at home away from home.

Will I ever grow out of this now that I’m in my mid-sixties or will it only get worse? Will I ever embrace a lovesickness for the rest of the world?

I keep trying – but the return trip is still the sweetest remedy for this sickness. There’s no place like home…

Something Way Down Deep

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We all know that something is eternal. 
And it ain’t houses and it ain’t names, 
and it ain’t earth, and it ain’t even the stars 
. . . everybody knows in their bones that something is eternal, 
and that something has to do with human beings. 
All the greatest people ever lived have been telling us that 
for five thousand years and yet you’d be surprised 
how people are always losing hold of it. 
There’s something way down deep 
that’s eternal about every human being.
~Thornton Wilder, from “Our Town”

Write as if you were dying.
At the same time, assume you write for an audience consisting solely of terminal patients.
That is, after all, the case.
~Annie Dillard from “Write Till You Drop”

I began to write regularly after September 11, 2001 because more than on any previous day, it became obvious to me I was dying, though more slowly than the thousands who vanished that day in fire and ash, their voices obliterated with their bodies into eternity.  

Nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers to others dying with and around me.

We are, after all, terminal patients — some of us more prepared than others to move on — as if our readiness had anything to do with the timing.

Each day I get a little closer to the eternal, but I write in order to feel a little more ready.  Each day I want to detach just a little bit, leaving a trace of my voice behind.  Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.

There is no time or word to waste.

A Filigree of Nature

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holyleaf2

 

 

It’s just a leaf. A damaged leaf at that,
clinging to a filbert tree ravaged by blight.
The leaf turns partially back upon itself,
riddled with holes, the traumatic result
of voracious insect appetites.

Damaged does not accurately describe
this leaf, the color of rich burgundy wine,
deep purple veins that branch to the tips
of its serrated edge. The holes open the leaf
to light and air, forming a filigree of nature,
an exquisite fragile beauty.

It makes me think of our own traumas,
how they open us, raw and hurting, humble us,
soften and expand us to the pain of others
and when we are most vulnerable we hold on,
weakened, but not necessarily damaged.

Perhaps it is then our scars become beautiful
and an inner loveliness shines through.
~Lois Parker Edstrom “Fragile Beauty”


–an ekphrastic poem based on my photo above,
soon to be published in her latest poetry book  –
thank you, Lois, for allowing me to share your beautiful words here

 

 

holyleaf1

 

 

Nature doth thus kindly heal every wound.
By the mediation of a thousand little mosses and fungi,
the most unsightly objects become radiant of beauty.
There seem to be two sides of this world, presented us at different times,
as we see things in growth or dissolution, in life or death.
And seen with the eye of the poet,
as God sees them,
all things are alive and beautiful.
~Henry David Thoreau (journal)

 

 

holyleaf1-1

 

 

…writing was one way to let something of lasting value emerge
from the pains and fears of my little, quickly passing life.
Each time life required me to take a new step into unknown spiritual territory,
I felt a deep, inner urge to tell my story to others–
Perhaps as a need for companionship but maybe, too,
out of an awareness that my deepest vocation
is to be a witness to the glimpses of God I have been allowed to catch.
~Henri Nouwen

 

 

theleavings2