The trees are undressing, and fling in many places— On the gray road, the roof, the window-sill— Their radiant robes and ribbons and yellow laces; A leaf each second so is flung at will, Here, there, another and another, still and still.
A spider’s web has caught one while downcoming, That stays there dangling when the rest pass on; Like a suspended criminal hangs he, mumming In golden garb, while one yet green, high yon, Trembles, as fearing such a fate for himself anon. ~Thomas Hardy “Last Week in October”
We too are flung into the unknown, trembling tethered in the breezes, unready to let go of what sustains us, fated to be tossed wherever the wind blows us.
If caught up by a silken thread, left to dangle, suspended by faith, we await the hope of rescue, alone and together, another and another, still and still.
how you can never reach it, no matter how hard you try, walking as fast as you can, but getting nowhere, arms and legs pumping, sweat drizzling in rivulets; each year, a little slower, more creaks and aches, less breath. Ah, but these soft nights, air like a warm bath, the dusky wings of bats careening crazily overhead, and you’d think the road goes on forever. Apollinaire wrote, “What isn’t given to love is so much wasted,” and I wonder what I haven’t given yet. A thin comma moon rises orange, a skinny slice of melon, so delicious I could drown in its sweetness. Or eat the whole thing, down to the rind. Always, this hunger for more. ~Barbara Crooker “How the Trees on Summer Nights Turn into a Dark River,” from More
I don’t move as quickly as I used to (which is good as I’m watching more closely where I step).
I need more sleep than I used to (which is good because I’m not running “on the rim” as much as I have in the past).
I am not as driven and ignited with impulses as I used to be (which is good as I take more time to savor what I have rather than crave what I think I need).
This doesn’t mean I lack appetite for this continuing journey on the endless road of summer that seems to go on forever. I’m still hungry for more and don’t want to waste a single moment.
It is getting noticeably darker earlier now and I too want to pluck any lingering light out of the sky and swallow it down whole, hoping – just hoping – it might keep me glowing on the road home.
Not the midnight sun exactly, or endless summer, just that extra hour holding steady, western horizon stable, as though shadows won’t lengthen when in August you can outrun the night or feel as though you do, latitude in your favor,
North of Sioux City, the sky widens into South Dakota, turn west and you will think you could see all the way to Wyoming, and if you drive long enough you will, crossing the Missouri River, the bluffs gentle, then the grasslands, the turnoffs for reservations.
As dusk approaches, you may pass a stone house, long deserted, a star carved over the door, a small pond, wind stirring over it even now, forming a second thought, a space you will carry within your speech, your soul stirred by these great expanses. ~Jane Hoogestraat “At the Edge of a Time Zone” from Border States.
We have spent long hours in the past week traveling on the great expanses of Montana, Wyoming, Colorado and Idaho plains. It is a marvel to see so far in every direction yet to feel you are barely moving at 80 miles an hour. The extra hour gained at the edge of a time zone is pure gravy of gifted time.
This is challenging land on which people eke out a living. We have seen a cowboy and herding dog flanking a few dozen Angus cattle alongside the freeway. We’ve seen huge combines kicking up dust clouds as they thresh fields of grain. There are 150 year old remnants of barns and buildings, barely standing against the constant winds and harsh weather.
While we now cross the plains in a day or two, native people and wagon train pioneers spent months by foot or horse, many never managing to reach their destination.
These expanses echo with those lost lives of previous centuries, not to forget hundreds of thousands of bison that also once grazed these basins.
We’ll return to the land of rain and green and ubiquitous trees today. But the great expanses of the plains always enlarge my vision of who lives and works within this vast country.
My heart swells in gratitude with the view of such an endless horizon.
Further in Summer than the Birds Pathetic from the Grass A minor Nation celebrates Its unobtrusive Mass.
No Ordinance be seen So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
Antiquest felt at Noon When August burning low Arise this spectral Canticle Repose to typify
Remit as yet no Grace No Furrow on the Glow Yet a Druidic Difference Enhances Nature now ~Emily Dickinson
“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time. The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world. She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:
So gradual the Grace A pensive Custom it becomes Enlarging Loneliness.
But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state. Words are indivisible with the highest realization of human being.” ~N. Scott Momaday from The Man Made of Words
On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard. He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition. In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a white New England recluse poet — someone as culturally distant from him and his people as possible.
But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem. What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.
As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending. Not only are the skies are filled with smoke from uncontrolled wildfires, but the streets are filled with protesters and counter-protesters who loot and shoot rather than meet to ask questions, and our future is filled with the uncertain timeline of ongoing pandemic destruction as nature has the upper hand yet again.
There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.
Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone. The Word brings Grace, like no other, to pathetic and transient man who shall emerge transformed.
There is no furrow on the glow. There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.
Who made the world? Who made the swan, and the black bear? Who made the grasshopper?
I don’t know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I have been doing all day. Tell me, what else should I have done? Doesn’t everything die at last, and too soon? Tell me, what is it you plan to do with your one wild and precious life?
I’m reminded daily of how short our time on earth is – the evidence is everywhere. Yesterday it was the stark finality of discovering a beetle-cleaned bighorn sheep skull in the woods, in addition to the bold reality of a black bear paw print on the car sitting next to our cabin.
Each day I receive an email from the local hospital where I’ve had clinical privileges for 35 years – it innumerates the number of admitted COVID-19 cases and deaths, the number of ICU beds filled and the number of ventilators in use. Reading those numbers is like scanning the obituaries for names and ages and causes of death in the newspaper, the only consistent thing I read in the paper anymore. The deaths are reported dispassionately, as if they are inevitable, which they are, yet each happens too soon.
Much too soon.
So the admonition is to pay attention to each living thing and witness each moment, falling onto the grass in worship of this “wild and precious life” I’ve been given rather than dwell on the future when I’ll be buried under the grass.
I shall celebrate being a consumer of this precious life, overjoyed by these sweet weeds and colorful wildflowers. There is still much that awaits me on this earth before, inevitably, I too become the consumed.
August rushes by like desert rainfall, A flood of frenzied upheaval, Expected, But still catching me unprepared. Like a match flame Bursting on the scene, Heat and haze of crimson sunsets. Like a dream Of moon and dark barely recalled, A moment, Shadows caught in a blink. Like a quick kiss; One wishes for more But it suddenly turns to leave, Dragging summer away. – Elizabeth Maua Taylor“August”
August is rushing by in its anxiousness to be done with this summer of upheaval: too many tears and too much tragedy.
The sky in weeping empathy leaves a quick moist kiss on our cheeks, dripping bedazzled.
It won’t last; we know these dangling drops will fade in the heat of the moment.
This wilted, withered summer won’t leave easy ~dragged away still kicking~ we’ll wave it goodbye, blowing our kisses in the air.
But you can have the fig tree and its fat leaves like clown hands gloved with green. You can have the touch of a single eleven-year-old finger on your cheek, waking you at one a.m. to say the hamster is back. You can have the purr of the cat and the soulful look of the black dog, the look that says, If I could I would bite every sorrow until it fled, and when it is August, you can have it August and abundantly so. You can have love, though often it will be mysterious, like the white foam that bubbles up at the top of the bean pot over the red kidneys until you realize foam’s twin is blood.
You can speak a foreign language, sometimes, and it can mean something. You can visit the marker on the grave where your father wept openly. You can’t bring back the dead, but you can have the words forgive and forget hold hands as if they meant to spend a lifetime together.
You can have your grandfather sitting on the side of your bed, at least for a while, you can have clouds and letters, the leaping of distances, and Indian food with yellow sauce like sunrise.
You can’t count on grace to pick you out of a crowd but here is your friend to teach you how to high jump, how to throw yourself over the bar, backwards, until you learn about love, about sweet surrender, and here are periwinkles, buses that kneel, farms in the mind as real as Africa. And when adulthood fails you,
you can still summon the memory of the black swan on the pond of your childhood, the rye bread with peanut butter and bananas your grandmother gave you while the rest of the family slept. There is the voice you can still summon at will, like your mother’s, it will always whisper, you can’t have it all, but there is this. ~Barbara Ras from “You Can’t Have It All“ from Bite Every Sorrow
My pragmatic mother who gave up her teaching career for marriage and family reminded me regularly that I couldn’t have it all: there was no way a woman can have a husband and children and a farm and a garden and animals and a profession and travel and volunteer in the community and not make a mess of it all and herself.
My father would listen to her and say softly under his breath: “you do whatever you put your mind to…you know what you are here for.”
They were both right. The alluring abundance of this life has invited me to want to touch and feel and taste it all, not unlike another woman who was placed with purpose in the Garden to be side-by-side companion and co-worker. Yet she demonstrated what happens when you want more than you are given and yes, she made a mess of it.
Yet there is this: despite wanting it all and working hard for it all and believing I could do it all, I indeed missed the point altogether. It’s forgive and forget walking hand in hand for a lifetime. It’s all gift, not earned. It’s all grace, not deserved. It’s all August abundance, all year long, to sustain us through the drought and drab of winter.
I found a box of old hours at the back of the fridge. I don’t even know how long it had been there. Summer hours. Smelled like roses. ~Duchess Goldblatt on Twitter
We all have things we’ve forgotten tucked away in the back of the fridge. A good cleaning now and then will surface some things that are barely identifiable and, frankly, a little scary. But those of us who are nostalgic creatures, like the delightfully fictional Duchess Goldblatt who dispenses desperately needed ascerbic wisdom on Twitter (of all places), also store away a few things that just might come in handy on a depressing day
I like the idea of taking these long summer days, the countless hours of daylight and slowed-downness, putting them in a box and pushing them to the back of fridge for safe-keeping. I might even label it “open in case of emergency” or “don’t open until December 25” or “fragile – handle with care.” In the darkest hours of winter, when I need a booster shot of light, I would bend down to look as far back on the fridge shelf as possible, pushing aside the jam jars and the left-over pea soup and the blocks of cheese, and reach for my rescue inhaler.
I would lift the lid on the box of summer hours and take in a deep breath to remind myself of dewy mornings with a bit of fog, a scent of mown grass, a hint of campfire smoke. But mostly, I would open the box to smell the roses of summer, as no winter florist rose ever exudes that fragrance. It has to be tucked away in the summer hours box in the back of the fridge. Just knowing it’s there would make me glad.
Light wakes us – there’s the sun climbing the mountains’ rim, spilling across the valley, finding our faces. It is July, between the hay and harvest, a time at arm’s length from all other time…
It is the time to set aside all vigil, good or ill, to loosen the fixed gaze of our attention as dandelions let seedlings to the wind. Wake with the light. Get up and go about the day and watch its surfaces that brighten with the sun. ~Kerry Hardie from “Sleep in Summer”
Saying good-bye to July is admitting summer is already half-baked and so are we– we are still doughy and not nearly done enough.
The rush to autumn is breathless. We want to hold on tight to our longish days and our sweaty nights for just a little while longer…
Please, oh please grant us light and steady us for the task of getting ready and letting go.
Outrageous flowers as big as human heads! They’re staggered by their own luxuriance: I had to prop them up with stakes and twine. In the darkening June evening I draw a blossom near, and bending close search it as a woman searches a loved one’s face. ~Jane Kenyon from “Peonies at Dusk”
There’s not a pair of legs so thin, there’s not a head so thick, There’s not a hand so weak and white, nor yet a heart so sick But it can find some needful job that’s crying to be done, For the Glory of the Garden glorifieth every one.
Then seek your job with thankfulness and work till further orders, If it’s only netting strawberries or killing slugs on borders; And when your back stops aching and your hands begin to harden, You will find yourself a partner In the Glory of the Garden.
Oh, Adam was a gardener, and God who made him sees That half a proper gardener’s work is done upon his knees, So when your work is finished, you can wash your hands and pray For the Glory of the Garden that it may not pass away! And the Glory of the Garden it shall never pass away ! ~Rudyard Kipling from “The Glory of the Garden”
There is no better place to be than in a garden down on my knees. Humans were created for this: the naming, the turning over of the soil, the planting and nurturing, the weeding and thinning, the harvest and gratitude, and then a time of lying fallow to rest.
The garden is a place for prayer and praise.
When I meet a truly great gardener, like my friend Jean who has grown and hybridized dahlias for decades, what I see growing in the soil is a tapestry of artwork made from petals, leaves and roots. She has passionately cared for these plants and they reflect that love in every spiral and swirl, hue and gradient of color, showing stark symmetry and delightful variegation.
Arising from the plainest of homely and knobby look-alike tubers grow these luxurious beauties of infinite variety. I kneel stunned before each one, captivated, realizing that same Creator makes sure I too bloom from mere dust and then set me to work in His garden.