Sparkled and Blazed

How late I came to love you,
O Beauty so ancient and so fresh,
how late I came to love you.

You were within me,
yet I had gone outside to seek you.


Unlovely myself,
I rushed toward all those lovely things you had made.
And always you were with me.
I was not with you.

All those beauties kept me far from you –
although they would not have existed at all
unless they had their being in you.

You called,
you cried,
you shattered my deafness.

You sparkled,
you blazed,
you drove away my blindness.

You shed your Fragrance,
and I drew in my breath and I pant for you,
I tasted and now I hunger and thirst.
You touched me, and now I burn with longing.

~St. Augustine in Confessions

God spoke in His Word
but I didn’t listen.
God fed me
but I chose junk food.
God showed me beauty
but I couldn’t see Him.
God smelled like the finest rose
but I turned away.
God touched me
but I was numb.

So He sent His Son
as Word and food,
beauty and fragrance,
sparkling and blazing,
reaching out broken hands
so I would know
my hunger and thirst
is only and always
for Him alone.

A book of beauty in word and photography, available for order here:

Born Broken

Man is born broken.
He lives by mending.
The grace of God is glue.
~Eugene O’Neill
from Act 4, Scene 1 – The Great God Brown

None of us can “mend” another person’s life, no matter how much the other may need it, no matter how much we may want to do it.

Mending is inner work that everyone must do for him or herself. When we fail to embrace that truth the result is heartbreak for all concerned.

What we can do is walk alongside the people we care about, offering simple companionship and compassion. And if we want to do that, we must save the only life we can save, our own.
~Parker Palmer writing about Mary Oliver’s poem “The Journey”

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting

their bad advice – – –
though the whole house
began to tremble
and you felt the old tug
at your ankles.
‘Mend my life!’
each voice cried.
But you didn’t stop.

You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations – – –
though their melancholy
was terrible. It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.

But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice,
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do – –

– determined to save
the only life you could save.
~Mary Oliver “The Journey”

We are born hollering and suddenly alone,
already aware of our emptiness
from the first breath,
each tiny air sac bursting
with the air of our fallen world~
air that is never enough.

The rest of our days are spent
filling up our empty spaces
whether alveoli
or stomach
or synapses starving for understanding,
still hollering in our loneliness
and heart
broken.

So we mend ourselves
through our walk with others
also broken,
we patch up our gaps
by knitting the scraggly fragments
of lives lived together.
We become the crucial glue
boiled from gifted Grace,
all our holes
somehow made holy.

A book of beauty in words and photography, available for order here:

Another Way Home

I do remember darkness, how it snaked
through the alders, their ashen flanks
in our high-beams the color of stone.
That hollow slap as floodwater hit
the sides of the car. Was the radio on?
Had I been asleep?
Sometimes you have to tell a story
your entire life to get it right.

Twenty-two and terrified, I had married you
but barely knew you. And for forty years
I’ve told this story wrong. In my memory
you drove right through it, the river
already rising on the road behind us,
no turning around.
But since your illness I recall it
differently. Now that I know it’s possible
to lose you, I’m finally remembering
it right. That night,
you threw that car in reverse,
and gunned it. You found us
another way home.
~Emily Ransdell, “Everywhere a River,” from New Letters

When life gets scary, we long for rescue as the world threatens to overwhelm us. And eventually it is true, this world will overwhelm us, and we’ll wonder how we will escape.

Where does our help come from?

It doesn’t always come from the direction we expect. Most often, we keep staring ahead, hoping somehow salvation lies just around the corner.

But salvation has been behind us all the while. We were created saved but need to believe it, live it out, share it with anyone open to listen.

We all need to trust in the Rescuer when we are stuck and flooded with life. It takes courage, faith and grace to be led home, either straight ahead or back the way we came.

Heidelberg Catechism Question and Answer 1:

Q.What is your only comfort in life and death?
A.That I am not my own, 1
but belong with body and soul,
both in life and in death, 
2to my faithful Saviour Jesus Christ. 
3He has fully paid for all my sins
with his precious blood, 
4and has set me free
from all the power of the devil. 
5He also preserves me in such a way 
6that without the will of my heavenly Father
not a hair can fall from my head; 
7indeed, all things must work together
for my salvation. 
8Therefore, by his Holy Spirit
he also assures me
of eternal life 
9and makes me heartily willing and ready
from now on to live for him

A book of beauty and hope in words and photography, available for order here:

Almost Eternal, But Not Quite

Again I resume the long
lesson: how small a thing
can be pleasing, how little
in this hard world it takes
to satisfy the mind
and bring it to its rest.

Within the ongoing havoc
the woods this morning is
almost unnaturally still.
Through stalled air, unshadowed
light, a few leaves fall
of their own weight.

                                       The sky
is gray. It begins in mist
almost at the ground
and rises forever. The trees
rise in silence almost
natural, but not quite,
almost eternal, but
not quite.

                      What more did I
think I wanted? Here is
what has always been.
Here is what will always
be. Even in me,
the Maker of all this
returns in rest, even
to the slightest of His works,
a yellow leaf slowly
falling, and is pleased.
~Wendell Berry “VII”

What more did I think I wanted?

To know that as long as I’m able to hold on,
I can be a spot of light in a dark and bleak world.
Once I let go,
it is finished and worthwhile,
seeing His knowing smile.

A book of beauty in words and photography, available to order here:

Bagging Gold

All afternoon his tractor pulls a flat wagon
with bales to the barn, then back to the waiting
chopped field. It trails a feather of smoke.
Down the block we bend with the season:
shoes to polish for a big game,
storm windows to batten or patch.
And how like a field is the whole sky now
that the maples have shed their leaves, too.
It makes us believers—stationed in groups,
leaning on rakes, looking into space. We rub blisters
over billows of leaf smoke. Or stand alone,
bagging gold for the cold days to come.

~David Baker “Neighbors in October”

There is a desperation to these October days:
the leaves torn from branches by unrelenting gusts
with no thought to where they may land~
upon which patch of grass or gravel will be their final resting place
to wilt and wither in the rain,
under frost,
buried by eventual peaceful snowbanks
until they return to dust.

Or in my need to hold on to what I can
of what was,
I preserve a few like precious treasure,
tucked between book pages
to remain forever neighbors
with the words they embrace.

A book with beautiful words and photography (but no leaves tucked inside) is available to order here:

The Way I Might Have Gone

Out walking in the frozen swamp one gray day,
I paused and said, ‘I will turn back from here.
No, I will go on farther—and we shall see.’
The hard snow held me, save where now and then
One foot went through. The view was all in lines
Straight up and down of tall slim trees
Too much alike to mark or name a place by
So as to say for certain I was here
Or somewhere else: I was just far from home.
A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather—
The white one in his tail; like one who takes
Everything said as personal to himself.
One flight out sideways would have undeceived him.
And then there was a pile of wood for which
I forgot him and let his little fear
Carry him off the way I might have gone,
Without so much as wishing him good-night.
He went behind it to make his last stand.
It was a cord of maple, cut and split
And piled—and measured, four by four by eight.

And not another like it could I see.
No runner tracks in this year’s snow looped near it.
And it was older sure than this year’s cutting,
Or even last year’s or the year’s before.
The wood was gray and the bark warping off it
And the pile somewhat sunken. Clematis
Had wound strings round and round it like a bundle.
What held it though on one side was a tree
Still growing, and on one a stake and prop,
These latter about to fall. I thought that only
Someone who lived in turning to fresh tasks
Could so forget his handiwork on which
He spent himself, the labor of his ax,
And leave it there far from a useful fireplace
To warm the frozen swamp as best it could

With the slow smokeless burning of decay.
~Robert Frost, “The Wood-pile” from North of Boston

My labor is usually done with fervor and purpose, but there are times when I do not experience the fruits of my labor. It is left to smolder slowly to decay rather than provide the intended warmth and nurture of a fresh hearthfire.

I might have chosen a different way to go if I had known.

Perhaps I will simply follow the birds instead…

fire photo by Josh Scholten

A book of beauty in words and photography is available for order here:

To a Heaven of Impermanence

In heaven it is always autumn.
~John Donne

The leaves are always near to falling there
but never fall, and pairs of souls out walking
heaven’s paths no longer feel the weight of years upon them.
Safe in heaven’s calm, they take each other’s arm,
the light shining through them, all joy and terror gone.
But we are far from heaven here, in a garden ragged and unkept
as Eden would be with the walls knocked down,
    the paths littered
with the unswept leaves of many years, bright keepsakes
for children of the Fall. The light is gold, the sun pulling
the long shadow soul out of each thing, disclosing an outcome.
The last roses of the year nod their frail heads,
like listeners listening to all that’s said, to ask,
What brought us here? What seed? What rain? What light?
What forced us upward through dark earth? What made us bloom?
What wind shall take us soon, sweeping the garden bare?
Their voiceless voices hang there, as ours might,
if we were roses, too. Their beds are blanketed with leaves,
tended by an absent gardener whose life is elsewhere.
It is the last of many last days. Is it enough?
To rest in this moment? To turn our faces to the sun?
To watch the lineaments of a world passing?
To feel the metal of a black iron chair, cool and eternal,
press against our skin? To apprehend a chill as clouds
pass overhead, turning us to shivering shade and shadow?
And then to be restored, small miracle, the sun
    shining brightly

as before? We go on, you leading the way, a figure
leaning on a cane that leaves its mark on the earth.
My friend, you have led me farther than I have ever been.
To a garden in autumn. To a heaven of impermanence
where the final falling off is slow, a slow and radiant happening.
The light is gold. And while we’re here, I think it must
    be heaven.
~Elizabeth Spires “In Heaven It Is Always Autumn” from Now the Green Blade Rises

I wander the autumn garden mystified at the passing of the weeks since the seed was first sown, weeds pulled, peapods picked. It could not possibly be done so soon–this patch of productivity and beauty, now wilted and brown, vines crushed to the ground, no longer fruitful.

The root cellar is filling up, the freezer is packed.  The work of putting away is almost done.

So why do I go back to the now barren soil we so carefully worked, numb in the knowledge I will pick no more this season, nor feel the burst of a cherry tomato exploding in my mouth or the green freshness of a bean or peapod straight off the vine?

Because for a few fertile weeks, only a few weeks, the garden was a bit of heaven on earth, impermanent but a real taste nonetheless.   We may have once mistaken our Lord for the gardener when He appeared to us radiant, suddenly unfamiliar, but it was He who offered us the care of the garden, to bring in the sheaves, to share the forever mercies in the form of daily bread grown right here and now.

When He says my name, then I will know Him. 
He will lead me farther than I have ever been.

A book of beauty in words and photography is available to order here:

The Safety of the Thicket

He loved to ask his mother questions. It was the pleasantest thing for him to ask a question and then to hear what answer his mother would give. Bambi was never surprised that question after question should come into his mind continually and without effort. 

Sometimes he felt very sure that his mother was not giving him a complete answer, was intentionally not telling him all she knew.  For then there would remain in him such a lively curiosity, such suspicion, mysteriously and joyously flashing through him, such anticipation, that he would become anxious and happy at the same time, and grow silent.
~Felix Salten from Bambi

A Wounded Deer—leaps highest—
I’ve heard the Hunter tell—
‘Tis but the Ecstasy of death—
And then the Brake is still!
~Emily Dickinson from “165″

My first time ever
seated next to my mother
in a movie theater, just
a skinny four year old girl
practically folded up in half
by a large padded chair
whose seat won’t stay down,
bursting with anticipation
to see Disney’s Bambi.

Enthralled with so much color,
motion,  music, songs and fun
characters, I am wholly lost
in a new world of animated
reality when suddenly
Bambi’s mother looks up,
alarmed,  from eating
a new clump of spring grass
growing in the snow.

My heart leaps
with worry.
She tells him
to run
for the thicket,
the safest place where
she has always
kept him warm
next to her.

She follows behind,
tells him to run faster,
not to look back,
don’t ever look back.

Then the gun shot
hits my belly too.

My stomach twists
as he cries out
for his mother,
pleading for her.
I know in my heart
she is lost forever,
sacrificed for his sake.

I sob as my mother
reaches out to me,
telling me not to look.
I bury my face
inside her hug,
knowing Bambi
is cold and alone
with no mother
at all.

My mama took me home
before the end.
I could not bear to watch
the rest of the movie 
for years.

Those cries
still echo
in my ears
every time someone hunts and shoots
to kill the innocent.

Now, my own children are grown,
they have babies of their own,
my mom is gone from this earth,
I can even keep the seat from folding
me up in a movie theater.

I am in my seventh decade, and
there are still places in this world where
mothers and fathers
sons and daughters
grandmothers and grandfathers
sisters and brothers
and babies are hunted down
despite the supposed safety of the thicket~
of the sanctuary, the school, the grocery store, the home,
where we believe we are shielded from violence.

There is innocence no longer,
if there ever was.

A book of beauty in words and photography, available to order here:

A Benediction of Mourning

The waning October moon reluctantly rose,
pulling back from the full globe of a few nights before.

I drive a night darkened country road, white lines sweeping past,
aware of advancing frost in the evening haze,
anxious to return home to fireplace light.

Nearing a familiar corner, a stop sign loomed,
to the right, a rural cemetery sits silently expectant.

Open iron gates and tenebrous headstones,
in the middle path, incongruous, a car’s headlights beam bright.
I slowed, thinking: lovers or vandals would seek inky cover of night.

Instead, these lights illuminate a lone figure, kneeling graveside,
one hand resting heavily on a stone, head bowed in prayer.

A stark moment of solitary sorrow,
invisible grieving of the heart
focused by twin beams.

A benediction of mourning; light piercing their blackness,
as gentle fingertips trace the engraved letters of a beloved name.

An uneasy witness, I withdraw as if touched myself
and drive on into the night, struggling to see
through the thickening mist of my eyes and the road.

Angel of Grief–Stanford University

A book of beauty in words and photography, available for order here:

What Falling Leaves Disclose

And Is it not enough that every year
A richly laden autumn should unfold
And shimmer into being leaf by leaf,
It’s scattered ochres mirrored everywhere
In hints and glints of hidden red and gold
Threaded like memory through loss and grief,
When dusk descends, when branches are unveiled,
When roots reach deeper than our minds can feel
And ready us for winter with strange calm,
That I should see the inner tree revealed
And know its beauty as the bright leaves fall
And feel its truth within me as I am?

It is not yet enough. So I must try,
In my poor turn, to help you see it too,
As though these leaves could be as rich as those,
That red and gold might glimmer in your eye,
That autumn might unfold again in you,
Feeling with me what falling leaves disclose.

~Malcolm Guite from “And is it Not Enough?”

As the rains return,
and the leaves turn and fall,
we shelter together,
blessed by years and miles,
our unknown becoming known,
our understanding of nakedness
breathed in silence.

Though we be gray as the clouds above,
our hearts beat in synchrony
each pulsing moment
more sacred than our last.

More beauty in words and photography in this book, available to order here: