Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn

Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this path to stand at the same spot
countless times through the year,
to witness the palette changing
around me.

The Artist chooses His color and technique
lovingly, with a gentle touch for each season.

My life too is painted with richness and variety:
from the bare lines of winter,
to a green emergence of spring,
a summer sweet fruitfulness
and a mosaic crescendo of autumn.

This ever-new pathway extends
beyond the reach of the canvas.


Turning Darkness Into Light: Hope Happens

Was certainly not winter, scholars say,
When holy habitation broke the chill
Of hearth-felt separation, icy still,
The love of life in man that Christmas day.
Was autumn, rather, if seasons speak true;
When green retreats from sight’s still ling’ring gaze,
And creeping cold numbs sense in sundry ways,
While settling silence speaks of solitude.
Hope happens when conditions are as these; 
Comes finally lock-armed with death and sin,
When deep’ning dark demands its full display.
Then fallen nature driven to her knees
Flames russet, auburn, orange fierce from within,
And brush burns brighter for the growing grey.
~David Baird “Autumn”

We have become so accustomed to the idea of divine love and of God’s coming at Christmas that we no longer feel the shiver of fear that God’s coming should arouse in us. We are indifferent to the message, taking only the pleasant and agreeable out of it and forgetting the serious aspect, that the God of the world draws near to the people of our little earth and lays claim to us. The coming of God is truly not only glad tidings, but first of all frightening news for everyone who has a conscience.
~Dietrich Bonhoeffer from Watch for the Light

The shepherds were sore afraid.   Why aren’t we?

The scholars say Christ was more likely born in the autumn of the year ~ so fitting, as the reds and oranges of fall fade fast as we descend into winter soon. 

Murderous frosts have wilted down all that was flush with life and we are desperate for hope for renewal in the midst of the dying.

And so this babe has come like a refiner’s fire and we who have gotten too comfortable will feel the heat in the middle of the chill, no matter what time of year.

Hope happens when conditions are as these…

Deep in the cold of winter,
Darkness and silence were eve’rywhere;
Softly and clearly, there came through the stillness a wonderful sound,
A wonderful sound to hear.

All bells in paradise I heard them ring,
Sounding in majesty the news that they bring;
All bells in paradise I heard them ring,
Welcoming our Saviour, born on earth, a heavenly King.

Chorus:
All bells in paradise, I heard them ring,
‘Glory to God on high’ the angel voices sing.

Lost in awe and wonder,
Doubting I asked what this sign may be;
Christ, our Messiah, revealed in a stable,
A marvelous sight, a marvelous sight to see.

Chorus

He comes down in peace,
A child in humility,
The keys to his kingdom belong to the poor;
Before him shall kneel the kings with their treasures,
Gold, incense, and myrrh.

Chorus
~John Rutter “All Bells in Paradise”

As If What Exists

How swiftly the strained honey
of afternoon light
flows into darkness


and the closed bud shrugs off
its special mystery
in order to break into blossom


as if what exists, exists
so that it can be lost
and become precious
~Lisel Mueller
“In Passing” from Alive Together: New and Selected Poems

We lose light so quickly by mid to late afternoon these days. There is no wistful lingering within the descent of evening; the curtain is pulled closed and it is dark — just like that.

I don’t know about you, but I’m having more difficulty adjusting to the loss of daylight this year than any year previously. This is perplexing as the change of seasons is no mystery to me. Somehow I’m feeling a new deprivation beyond the fact that shorter days are simply a part of the annual autumnal routine.

As if –
something precious has been stolen away

as if –
I had any claim to the light to begin with

as if –
I exist only to notice what ceases to exist.

I’m ready for more than just feeling loss.
I’m ready to break into blossom;
to be the light instead of grumbling in the dark.

A Garland of Melancholy

The melon shades of leaves
will soon rust and fall gently
to layers of rest and forgetting,
like sunken poems, unusual love,
and grave silence after the crows.


The black walnut tree trembles down
its mysterious spheres to sleep darkly,
to pulse with memory of heartwood.


Old roses are paling with grace
in this air of ruining tomorrows.
Autumn again, and all the years
twisting a garland of melancholy.

~Tim Buck, “Autumn” from VerseWrights Journal

The beauty around me is dying. It becomes harder to find vibrance and life in my surroundings in the volatility of deep autumn: a high wind warning is on the horizon in a few hours and we face a long winter as the uncontrolled pandemic continues unabated.

Those facts alone are enough to make me wander about the farm feeling melancholic. Even more than the loss of mere leaves and the fading of blooms is the reality of so many afflicted and infected people whose season for dying will come too soon.

Woe to us who are more concerned about our inconvenience and discomfort today than the months of ruined tomorrows for millions.

Lest it be forgotten in our bitterness – the promise of healing and renewal is also on the horizon.

May I listen for the pulse deep within the heartwood of each person with whom I have differences; my love for them must not fade nor wither but grow more graceful, more forgiving, more vibrant and beautiful by the day.

Brooding Over the Bent World

Oh, morning, at the brown brink eastward, springs —
Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings

~Gerard Manley Hopkins from “God’s Grandeur”

It began so plainly this morning, building up over 45 minutes to a burst of burning clouds and settling back down to a mere halo on Mt. Baker’s northern shoulder.

Surely God’s grandeur cannot be more evident than when His spirit broods over us, bent and broken as we are, igniting the needed flame under us, giving us what we need when we need it.

We can go on and so, we are assured all will be well.

Facing Forward to November

The wild November come at last
Beneath a veil of rain;
The night wind blows its folds aside –
Her face is full of pain.

The latest of her race, she takes
The Autumn’s vacant throne:
She has but one short moon to live,
And she must live alone.

A barren realm of withered fields,
Bleak woods, and falling leaves,
The palest morns that ever dawned;
The dreariest of eves.

It is no wonder that she comes,
Poor month! With tears of pain;
For what can one so hopeless do
But weep, and weep again?
~Richard Henry Stoddard “November”

Leaves wait as the reversal of wind
comes to a stop. The stopped woods
are seized of quiet; waiting for rain
bird & bug conversations stutter to a
stop.

…the rain begins to fall. Rain-strands,
thin slips of vertical rivers, roll
the shredded waters out of the cloud
and dump them puddling to the ground.

Whatever crosses over
through the wall of rain
changes; old leaves are
now gold. The wall is
continuous, doorless. True,
to get past this wall
there’s no need for a door
since it closes around me
as I go through.
~Marie Ponsot from “End of October”

I reluctantly bid October good-bye to face forward
into a darkening November.

Summer is mere memory now;
all color drained from
leaves fallen, dissolving
in frost and rain.

There’s no turning around now
that the clock has fallen back.
We commit our stumbling feet to the path
that trudges toward winter,
silenced and seized
by the relentless momentum of doorless darkness.
There appears no escape hatch.

Yet when the light rises on the hills, even briefly,
I feel a veil lift enough
that I am able to see
far beyond my reach.
The horizon extends on and on forever
and I only then I know
I will endure another winter.

This Bleak World

Tis the last rose of summer
Left blooming alone;
All her lovely companions
Are faded and gone:
No flower of her kindred,
No rose-bud is nigh,
To reflect back her blushes,
Or give sigh for sigh.

I’ll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping,
Go, sleep thou with them.
Thus kindly I scatter
Thy leaves o’er the bed,
Where thy mates of the garden
Lie scentless and dead.

So soon may I follow,
When friendships decay,
And from Love’s shining circle
The gems drop away.
When true hearts lie wither’ d,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?

~Thomas Moore “The Last Rose of Summer”

The last rose of the season is one tough bud. It has persisted through months of prunings and aphids and withering heat and frost-tipped mornings.

It doesn’t elegantly swell and swirl like its summer cousins adorned with pristine petals and silky smooth surface. It is blotchy and brown-tipped and not-a-little saggy.

Yet the last rose bud of the season is what I am. I would rather stay out on the bush than be plucked and admired in a vase. I would rather, plain as I am, weather my way through the elements to the fullest bloom possible and then drop, petal by petal, piece by piece to litter the ground below. I am meant to become the ground that will bear beauty next spring.

Rather than born for display, the last rose of October is born for hope.

Leaves and Lives Falling Away

If we could,
like the trees,
practice dying,
do it every year
just as something we do—
like going on vacation
or celebrating birthdays—
it would become
as easy a part of us
as our hair or clothing.


Someone would show us how
to lie down and fade away
as if in deepest meditation,
and we would learn
about the fine dark emptiness,
both knowing it and not knowing it,
and coming back would be irrelevant.


Whatever it is the trees know
when they stand undone,
surprisingly intricate,
we need to know also
so we can allow
that last thing
to happen to us
as if it were only
any ordinary thing,


leaves and lives
falling away, the spirit, complex,
waiting in the fine darkness
to learn which way
it will go.
~Grace Butcher, “Learning from Trees” from Poetry of Presence

If I were to die as a leaf,
I would want to change my clothes just bit by bit,
overnight oozing gradually to scarlet,
bleeding into the green a little bit more,
until I’m so unrecognizable,
I’ll seem brand new.

That would be ideal.

The reality is a fading to grey and brown,
my edges withered and torn,
bug-bitten with holes and weather-beaten bruised,
dangling and fearful of letting go
and so forgotten.

So I remember:
no one, not one, falls
without its Maker knowing.
No one, not one, dies
without being made brand new.

The Autumn Sun

The way the trees empty themselves of leaves,
let drop their ponderous fruit,
the way the turtle abandons the sun-warmed log,
the way even the late-blooming aster
succumbs to the power of frost—


this is not a new story.
Still, on this morning, the hollowness
of the season startles, filling
the rooms of your house, filling the world
with impossible light, improbable hope.


And so, what else can you do
but let yourself be broken
and emptied? What else is there
but waiting in the autumn sun?

~Carolyn Locke “What Else?” from The Place We Become

So this is how our life goes:

we are sowed, set down roots, bud and grow and flower and bloom and fruit and flourish,

then dry and change and wither and empty and break away to be carried off beyond this air and water and soil.

We thrived where we were planted, did what we could with a little nurture, to transcend the here and now.

So may we plant the next generation in healthy soil.
May we weed and water and feed as needed.
May we never overshadow the sun but step aside so its light fully shines.

The Departure Gate


and the garden diminishes: cucumber leaves rumpled
and rusty, zucchini felled by borers, tomatoes sparse
on the vines. But out in the perennial beds, there’s one last
blast of color: ignitions of goldenrod, flamboyant
asters, spiraling mums, all those flashy spikes waving
in the wind, conducting summer’s final notes.
The ornamental grasses have gone to seed, haloed
in the last light. Nights grow chilly, but the days
are still warm; I wear the sun like a shawl on my neck
and arms. Hundreds of blackbirds ribbon in, settle
in the trees, so many black leaves, then, just as suddenly,
they’re gone. This is autumn’s great Departure Gate,
and everyone, boarding passes in hand, waits
patiently in a long, long line.
~Barbara Crooker “And Now It’s September” from Spillway

The advance of autumn usually feels like I’m waiting to embark on an unplanned journey that I wish to avoid. I don’t like airports, don’t like the strangeness of unfamiliar destinations, don’t like flying with nothing between me and the ground.

Now “fall” is just like that — like I’m falling.

I look at what is dying around me and know these blasts of color and fruitfulness are their last sad gasps.

So too, when I go out the departure gate, may I go down the long ramp gaily without fear and without regrets — maybe even with a skip in my step as I fall.