Time to Stand and Stare

What is this life is, full of care
We have no time to stand and stare.
No time to stand beneath the boughs
And stare as long as sheep or cows.
No time to see, when woods we pass,
Where squirrels hide their nuts in grass.
No time to see, in broad daylight,
Streams full of stars, like skies at night.
No time to turn at Beauty’s glance,
And watch her feet, how they can dance.
No time to wait till her mouth can
Enrich that smile her eyes began.
A poor life this if, full of care,
We have no time to stand and stare.

~William Henry Davies “Leisure”

Fingers of twilight shadow
begin to reach over the hill
crawling down through the field
up unto the bank of blackberries
covering fences along the alder grove.

Our horses chew their last
clover leafs before
coming to the barn for night, eyelids heavy,
relaxed and full, drowsy with spring evening
peace at hand and hoof.

A sudden change in the air forces
their heads up and ears forward;
they form a line, standing and staring at the hilltop
above them, riveted to the spot, alert
to an coming intruder, unfamiliar and foreign.

The roar is intermittent, like a warm wind
rattling a barn roof, but inconstant;
then peaking over the crest of the hill
a rounded top of technicolor glory:
The hot air balloon rises.

The horses riveted, baffled, fascinated;
no wild instinct prepares their response
to this wizard’s act from Oz in their own backyard.
The basket riders wave and laugh at the equine audience below
standing in formation with golden noses in the air
and white manes blowing in the breeze.

The balloon summits the hill, dipping low, almost touchable
before moving back up to race the sunset,
and search out other pastures, other valleys and hills.
The horses released from the spell of “stand and stare”
leap in response, snowy tails high, noses flared-

To race up the hill to catch impending darkness,
our night mares cavort, float suspended
until their air is let out, gently, in softening snorts,
to settle down in a shavings bed in the barn
where night, blissful, becomes ordinary again.

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Why Did I Cry Today?

A second crop of hay lies cut   
and turned. Five gleaming crows   
search and peck between the rows.
They make a low, companionable squawk,   
and like midwives and undertakers   
possess a weird authority.

Crickets leap from the stubble,   
parting before me like the Red Sea.   
The garden sprawls and spoils.

Cloud shadows rush over drying hay,   
fences, dusty lane, and railroad ravine.   
The first yellowing fronds of goldenrod   
brighten the margins of the woods.

Schoolbooks, carpools, pleated skirts;   
water, silver-still, and a vee of geese.

*

The cicada’s dry monotony breaks   
over me. The days are bright   
and free, bright and free.

Then why did I cry today   
for an hour, with my whole   
body, the way babies cry?

*

A white, indifferent morning sky,   
and a crow, hectoring from its nest   
high in the hemlock, a nest as big   
as a laundry basket …
                                    In my childhood   
I stood under a dripping oak,
while autumnal fog eddied around my feet,   
waiting for the school bus
with a dread that took my breath away.

The damp dirt road gave off   
this same complex organic scent.

I had the new books—words, numbers,   
and operations with numbers I did not   
comprehend—and crayons, unspoiled   
by use, in a blue canvas satchel
with red leather straps.

Spruce, inadequate, and alien   
I stood at the side of the road.   
It was the only life I had.

~Jane Kenyon, “Three Songs at the End of Summer” from Collected Poems.

The first day back to school isn’t always the day after Labor Day as it was when I was growing up. Some students have been in classes for a couple weeks now, others started a few days ago to ease into the transition more gently, especially adjusting to classrooms and masking after a year of remote learning for so many.  Some will be return to the routine tomorrow: school buses will roar past our farm brimming with young faces under fresh masks, new clothes and shoes, stuffed back packs amid a fair amount of dread and anxiety.

I remember well that foreboding that accompanied a return to school — the strict schedule, the inflexible rules and the painful reconfiguration of social hierarchies and friend groups.  Even as a good learner and obedient student, I was a square peg being pushed into a round hole when I returned to the classroom; the students who struggled academically and who pushed against the boundaries of rules must have felt even more so. We all felt alien and inadequate to the immense task before us to fit in with one another, allow teachers to open our minds to new thoughts, and to become something and someone more than who we were before.

Growth is so very hard, our stretching so painful, the tug and pull of potential friendships stressful.  Two of my own children now make this annual transition to a new school year as veteran teachers.

For the first time in over thirty years, I won’t have yet another “first day” or new students under my care — it all feels new and unfamiliar yet again.

So I take a deep breath on this foggy Labor Day morning and am immediately taken back to the anxieties and fears of a skinny little girl in a new home-made corduroy jumper and saddle shoes, waiting for the schoolbus on a drippy wooded country road.

She is still me — just buried deeply in the fog of who I became after all those years of schooling, hidden somewhere under all the piled-on layers of learning and growing and hurting and stretching — but I do remember her well.

Like every student starting a new adventure tomorrow,
she could use a hug.

More like this is found in photos and words in this book from Barnstorming, available to order here:

Wired With Alertness

Edmund Darch Lewis – Susquehanna
Agnes Wallace by Robert Sivell

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.


Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.


I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,


a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.


There is little doubt
that others have been fishing
on the Susquehanna,


rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.


But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,


when I balanced a little egg of time
in front of a painting
in which that river curled around a bend


under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana


sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.


That is something I am unlikely

ever to do, I remember
saying to myself and the person next to me.


Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,


even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

A Hare in the Forest by Hans Hoffman (Getty Museum)
Susquehanna by Jasper Francis Cropsey
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m content to simply imagine.

I’m not a rock climber or a zip liner or willing to jump out of an airplane. I won’t ride a horse over a four foot jump or race one around a track. Not for me waterskis or unicycles or motorcycles.

I’m grateful there are those who are eagerly wired with alertness for the next experience: adventurers who seek out the extremes of life so the rest of us can sit back and admire their courage and applaud their explorations and achievement.

My mind’s eye and imagination is powerful enough, thanks to the words and pictures of others. I find I’m content to explore the corners of my quiet places, both inside and outside, to see what I can build from what I find right here under my nose.

When the light is right, and I’m open enough to it, what I see is ready to spring right out of the frame.

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

….and August the most peaceful month.

To be, in the grass, in the peacefullest time,
And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

You become a self that fills the four corners of
night.
~Wallace Stevens, from “A Rabbit As King of the Ghosts”

More of my images along with Lois Edstrom’s ekphrastic poetry can be found in this book, available for order here:

My First Step Toward Not Returning

I was cold and leaned against the big oak tree
as if it were my mother wearing a rough apron
of bark, her upraised arms warning of danger.
Through those boughs and leaves I saw
dark patches of sky…
I looked to the roof of mom and dad’s house
and wondered if the paisley couch patterns
would change during the day. My brother peeked
from a window and waved. When the bus came,
I pawed away from the trunk, fumbled,
and took my first step toward not returning.
~Dante Di Stefano from “With a Coat”

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
~T.S. Eliot from “Little Gidding”

I remember the restlessness of my late teens when I learned homesickness was not a terminal condition.  There was a world out there to be explored and I knew I was meant to be a designated explorer,  seeking out the extraordinary.

Ordinary simply wouldn’t do.  Ordinary was plentiful at home on a small farm with a predictable routine, a garden to be weeded and daily chores to be done, with middle-aged parents tight with tension in a struggling marriage.

On a whim at age nineteen, I applied for wild chimpanzee research study in Africa, and much to my shock, was accepted.  A year of academic and physical preparation as well as Swahili language study was required, so this was no impulsive adventure.   I had plenty of time to back out, reconsider and be ordinary again.

It was an adventure, far beyond what I had anticipated and trained for.  When I had to decide between more exploration, without clear purpose or funding, or returning home, I opted to return to the place I started, seeing home differently, as if for the first time,  after having been away.

Ordinary is a state of mind, not a place.  I can choose to be deeply rooted in the mundane, or I can seek the extraordinary in attentive exploration of my everyday world.

Returning back where I started – knowing the place for the first time.

Imagining

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.

Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,


a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.

There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,

sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend

under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana

sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.

That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,

even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

Edmund Darch Lewis – Susquehanna
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m simply content to just imagine.

I’m not a rock climber or a zip liner or willing to jump out of an airplane. I won’t ride a horse over a four foot jump or race one around a track. Not for me waterskis or unicycles or motorcycles.

I’m grateful there are adventurers who seek out the extremes of life so the rest of us can admire their courage and applaud their explorations.

My imagination is powerful enough, thanks to the words and pictures of others – sometimes too vivid. I contentedly explore the corners of my quiet places, both inside and outside, to see what I can build from what’s here.

When the light is right, what I see in my mind is ready to spring right out of the frame.

Electrified With Morning

Video by Harry Rodenberger
Video by Harry Rodenberger

One swallow does not make a summer, neither does one fine day…
~Aristotle from The Nicomachean Ethics

God gives every bird his worm,
but He does not throw it into the nest. 
~Swedish Proverb

You wake wanting the dream
you left behind in sleep,
water washing through everything,
clearing away sediment
of years, uncovering the lost
and forgotten. You hear the sun
breaking on cold grass,
on eaves, on stone steps
outside. You see light
igniting sparks of dust
in the air. You feel for the first
time in years the world
electrified with morning.

You know something has changed
in the night, something you thought
gone from the world has come back:
shooting stars in the pasture,
sleeping beneath a field
of daisies, wisteria climbing
over fences, houses, trees.

This is a place that smells
like childhood and old age.
It is a limb you swung from,
a field you go back to.
It is a part of whatever you do.
~Scott Owen “Arrival of the Past”

The beginning of summer brings back early childhood memories of waking early in the morning with no plans for the day other than just showing up.

As a kid, I was never bored with so many open-ended hours before me; the air felt electric with potential adventures, whether it was building a tree fort, bushwhacking a new trail in the woods, searching out killdeer nests in the field, catching butterflies, or watching a salamander sunning itself for hours. The possibilities felt infinite and I was free as a bird to go looking for what the day had to offer.

By the time I was ten, I began to work to earn money to make my dream (owning my own horse) come true – picking berries, weeding gardens, babysitting neighbor kids. The work routine started early as dreams don’t happen without striving for them.

Now for the first time in 55 years, I awake knowing life has changed in the night: I don’t have a schedule and don’t need to show up to a job. The long summer days I thought were gone and forgotten have been here all along, just now uncovered again.

I can go back to those days of electrifying potential open-ended hours, just to simply show up to the moments before me.

I stand here, mouth open, ready to be fed.

In Search Of…

homermaple

 

A man travels the world over in search of what he needs and returns home to find it.
~Kathleen Norris

 

treehouse1

 

I remember well the feeling of restlessness, having an itch that couldn’t be reached, feeling too rooted and uneasy staying in one place for long, especially if that place was my hometown.  I knew I must be destined for greater things, grander plans and extraordinary destinations.  There exists in most human beings an inborn compulsion to wander far beyond one’s own threshold, venturing out into unfamiliar and sometimes hostile surroundings simply because one can.   It is the prerogative of the young to explore, loosen anchor and pull up stakes and simply go.  Most cannot articulate why but simply feel something akin to a siren call.

And so at twenty I heard and I went, considerably aging my parents in the process and not much caring that I did.  To their credit, they never told me no, never questioned my judgement, and never inflicted guilt when I returned home after the adventure went sour.

I had gone on a personal quest to the other side of the world and had come home empty.  But home itself was not empty nor had it ever been and has not been since.

There is a Dorothy-esque feeling in returning home from a land of wonders and horrors, to realize there is no place like home.    There was no way to know until I went away,  searching, then coming home empty-handed, to understand home was right inside my heart the whole time.  There was no leaving after all, not really.

So I’m here to stay–there is no greater, grander or more extraordinary than right here.  Even when I board a plane for a far off place, I know I’ll be back as this is where the search ends and the lost found.

My head now rests easy on the pillow.

 

briarcroftponies

 

backsidebriarcroft

 

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The Unknown Unremembered Gate

sunset430161

What we call the beginning is often the end
And to make an end is to make a beginning.
The end is where we start from.

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;
~T.S. Eliot from “Little Gidding” The Four Quartets

sunsetfence

I can, with very little effort, remember the restlessness of my late teens when I learned homesickness was not a terminal condition.  There was a world out there to be explored just beyond the gate of my childhood barnyard, and I knew I was meant to be a designated explorer,  seeking out the extraordinary.

Ordinary simply wouldn’t do.  Ordinary was plentiful at home on a small farm with a predictable routine, a garden to be weeded and daily chores to be done, with middle-aged parents tight with tension in their struggling marriage.

On a whim at age nineteen, I applied for wild chimpanzee research study in Africa, and much to my shock, was accepted.  A year of academic and physical preparation as well as Swahili language study was required, so this was no impulsive adventure.   I had plenty of time to back out, reconsider and retreat to ordinary again.

It was an adventure, far beyond what I had anticipated and trained for.  When I had to decide between more exploration, without clear purpose or funds, or returning home, I opted to return to the place I started. I saw home differently, as if for the first time,  after  experiencing the world in all its glory and ugliness.

Ordinary is a state of mind, not a place.  I can choose to be deeply rooted in the mundane, or I can seek the extraordinary in attentive exploration of my everyday world and my everyday people, seeking to enter that unknown, unremembered gate back home ~arriving where I started, back at the beginning and knowing the place for the first time.

sunsetfence

homekitchen

The Danger of Going Out the Door

morning6615

image

It’s a dangerous business… going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.
— J.R.R. Tolkien

Every day I embark on new adventure, like it or not.  The moment I wake from dreams and acknowledge a new morning, when my eyes and ears open and take it in, when I first step onto the floor and start my journey–I pray the road rises to meet me and leads me where I need to go.

Inside my head and inside my house, all appears routine and certain.  The moment I walk out the door, down the steps and make my way into the day, there awaits an unpredictable and often hostile world.   Rather than armor myself, girding for disaster, I need to “keep my feet.”  If I know where I’m about to step, I’m more likely to be ready for the one after–less likely to stroll blindly into a deep ditch, stumble oblivious into a hornet’s nest, disappear unexpectedly into a hidden crevasse, swept completely away in a gust of wind.

It’s a dangerous business, this waking up and living.

But someone has to do it.

 

hiveaugust

pathwaylight2

This To Come Back To

IMG_1777

sunrise11515

 

He saw clearly how plain and simple – how narrow, even – it all was;
but clearly, too, how much it all meant to him,
and the special value of some such anchorage in one’s existence.
He did not at all want to abandon the new life and its splendid space
s,
to turn his back on sun and air and all they offered him
and creep home and stay there;
the upper world was all too strong,
it called to him still, even down there,
and he knew he must return to the larger stage.
But it was good to think he had this to come back to,
this place which was all his own,
these things which were so glad to see him again
and could always be counted upon for the same simple welcome.
~Kenneth Grahame, from Wind in the Willows about the Mole and his home at Mole End

 

stainedglass

molecity

mossyroof