Much Too Beautiful to Stay

I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.

~Elinor Wylie from “Wild Peaches”

An amber light stretches from sky to ground
this beautiful morning, another mid-summer dawning-
today a clone of yesterday’s and the day before.

A stretch of forty identical days cannot last and will not stay.
I long again for rain and chill nights.

Drying up and pock-marked with holes,
I feel punched and withering in this browning landscape,
wondering on this Sabbath day of communing together
where holiness is to be found.

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What’s Left of Joy

You recall how winter
colored your love, left it


overly delicate, like a flower
skimmed of all fragrance.


You hear in the long last notes
of the nightingale’s song


how to harbor what’s left
of joy, how spring clutches


the green shoot of life and holds
on and on through summer, prepares


for no end that is sure in coming,
the fall ever endlessly repeating.
~Maureen Doallas “Recounting Seasons”, from Neruda’s Memoirs 

One of my greatest joys is watching time as days become weeks, then months, and as years flow by, the seasons repeat seemingly endlessly. I know they must end for me eventually so I anticipate transitions before they take place.

In the “olden” days, many farmers kept daily hand-written diaries to track the events of the seasons: when the soil was warm enough to sow, when the harvest was ready, the highs and lows of temperature fluctuations, how many inches in the rain gauge, how deep the snow.

Now we follow the years with a swift scroll in our photo collection in our phones: the tulips bloomed two weeks later this year, or the tomatoes ripened early or the pears were larger two years ago.

I take comfort things tend to repeat predictably year after year, yet I can spot subtle differences. Our hydrangea bushes are a harbinger of seasonal change: they are blooming a darker burgundy color this year, the lace caps are mostly blue rather than pink and purple. Their blooms fade eventually into blended earth tones, then blanche, finally losing color altogether and becoming skeletal.

And so it is with me. I harbor joy by noticing each change, knowing the repetition of the seasons and the cycle of blooming will continue, with or without me here watching. I am unnecessary except as a recorder of fact.

I will keep watching and keep documenting as long as I’m able.

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The Live-Long Light

Some of the most powerful memories of summer
come out of our childhood when we wake up on a June morning and suddenly remember that school is out
and that summer stretches in front of us
as endlessly as the infinities of space.

Everything is different.
The old routines are gone.
The relentless school bus isn’t coming.
The bells will be silent in silent hallways.

And all the world is leafy green,
and will be green,
forever and ever.

~Ray Bradbury from Summer: A Spiritual Biography of the Season

The sun is rich
And gladly pays
In golden hours,
Silver days,

And long green weeks
That never end.
School’s out. The time
Is ours to spend.

There’s Little League,
Hopscotch, the creek,
And, after supper,
Hide-and-seek.

The live-long light
Is like a dream,
and freckles come
Like flies to cream.

~John Updike “June” from A Child’s Calendar

photo by Harry Rodenberger
Photo by Harry Rodenberger

Time lurches ahead in imprecisely measured chunks. 

Sometimes the beginning and ending of seasons are the yardstick,  or the celebration of a holiday or a birthday.  Memories tend to be stickiest surrounding a milestone event: a graduation, a move, a wedding, a birth, a road trip, a funeral.

But Summer needs nothing so remarkable to be memorable. It simply stands on its own in all its extravagant abundance of light and warmth and growth and color stretching deep within the rising and setting horizons.  Each long day can feel like it must last forever, never ending.

Yet summer does eventually wind down, spin itself out, darkening gradually into the shadow dusk of autumn and the night of winter. 

I always let go of summer with reluctance, feeling as if no summer like it will ever come again.

Yet another will, somehow, somewhere, someday.  Surely a never-ending summer is what heaven itself will be.

Perfectly delightful and delightfully perfect. 

We’ve already had a taste.

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This Water-Lily World

In spring there’s hope,
in fall the exquisite, necessary diminishing,
in
winter I am as sleepy
as any beast in its
leafy cave,
but in summer there is

everywhere the luminous sprawl of gifts,
the hospitality of the Lord
and my
inadequate answers as
I row my beautiful, temporary body

through this water-lily world.
~Mary Oliver from “Six Recognitions of the Lord”

what I want in my life
is to be willing
to be dazzled—
to cast aside the weight of facts

and maybe even
to float a little
above this difficult world.
I want to believe I am looking

into the white fire of a great mystery.
~Mary Oliver from “The Ponds”

I admit to being oblivious to the wonders going on beneath my feet, around my middle and above my head. My nose is to the grindstone, doing what needs to be done.

When a moment comes out of nowhere and I’m dazzled by something I’ve seen or heard or smelled, it shouldn’t come as a surprise. It has always been there; I’m simply waking to it.

Lord, lift my head in the midst of my blind hunger to see what you have already prepared for me.

Translation from Icelandic:

Hear, smith of heavens.
The poet seeketh.
In thy still small voice
Mayest thou show grace.
As I call on thee,
Thou my creator.
I am thy servant,
Thou art my true Lord.

God, I call on thee;
For thee to heal me.
Bid me, prince of peace,
Thou my supreme need.
Ever I need thee,
Generous and great,
O’er all human woe,
City of thy heart.

Guard me, my savior.
Ever I need thee,
Through ev’ry moment
In this world so wide.
Virgin–born, send me
Noble motives now.
Aid cometh from thee,
To my deepest heart.

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Four Seasons

Autumn

Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz
, a poem in Readers’ Digest Nov. 1983

Winter
Winter

L’Inverno (Winter)
Opus 8, No. 4, in F minor

I. Allegro non molto–
Frozen and trembling in the icy snow,
In the severe blast of the horrible wind,
As we run, we constantly stamp our feet,
And our teeth chatter in the cold.
II. Largo–
To spend happy and quiet days near the fire,
While, outside, the rain soaks hundreds.
III. Allegro–
We walk on the ice with slow steps,
And tread carefully, for fear of falling.
Symphony, If we go quickly, we slip and fall to the ground.
Again we run on the ice,
Until it cracks and opens.
We hear, from closed doors,
Sirocco, Boreas, and all the winds in battle.
This is winter, but it brings joy.

~Vivaldi (Winter poem)

Spring
Spring
Spring
Spring

La Primavera (Spring)
Opus 8, No. 1, in E Major

I. Allegro–
Festive Spring has arrived,
The birds salute it with their happy song.
And the brooks, caressed by little Zephyrs,
Flow with a sweet murmur.
The sky is covered with a black mantle,
And thunder, and lightning, announce a storm.
When they are silent, the birds
Return to sing their lovely song.
II. Largo e pianissimo sempre–
And in the meadow, rich with flowers,
To the sweet murmur of leaves and plants,
The goatherd sleeps, with his faithful dog at his side.
III. Danza pastorale. Allegro–
To the festive sound of pastoral bagpipes,
Dance nymphs and shepherds,
At Spring’s brilliant appearance.

~Vivaldi (Spring poem)

Summer
Summer
Summer
Summer

L’Estate (Summer)
Opus 8, No. 2, in G minor

I. Allegro non molto–
Under the heat of the burning summer sun,
Languish man and flock; the pine is parched.
The cuckoo finds its voice, and suddenly,
The turtledove and goldfinch sing.
A gentle breeze blows,
But suddenly, the north wind appears.
The shepherd weeps because, overhead,
Lies the fierce storm, and his destiny.
II. Adagio; Presto–
His tired limbs are deprived of rest
By his fear of lightning and fierce thunder,
And by furious swarms of flies and hornets.
III. Presto–
Alas, how just are his fears,
Thunder and lightening fill the Heavens, and the hail
Slices the tops of the corn and other grain.
~Vivaldi (Summer poem)

Autumn
Autumn
Autumn

Autumn
Autumn

L’Autunno (Autumn)
Opus 8, No. 3, in F Major

I. Allegro–
The peasants celebrate with dance and song,
The joy of a rich harvest.
And, full of Bacchus’s liquor,
They finish their celebration with sleep.
II. Adagio molto–
Each peasant ceases his dance and song.
The mild air gives pleasure,
And the season invites many
To enjoy a sweet slumber.
III. Allegro–
The hunters, at the break of dawn, go to the hunt.
With horns, guns, and dogs they are off,
The beast flees, and they follow its trail.
Already fearful and exhausted by the great noise,
Of guns and dogs, and wounded,
The exhausted beast tries to flee, but dies.

~Vivaldi (Autumn poem)

I walk this path to stand at the same spot
countless times through the year,
to witness the palette changing
around me.

The Artist chooses His color and technique
lovingly, with a gentle touch for each season.

My life too is painted with richness and variety:
from the bare lines of winter,
to a green emergence of spring,
a summer sweet fruitfulness
and a mosaic crescendo of autumn.

This ever-new pathway extends
beyond the reach of the canvas.


Alive and Ticking

Had I not been awake I would have missed it,
A wind that rose and whirled until the roof
Pattered with quick leaves off the sycamore

And got me up, the whole of me a-patter,
Alive and ticking like an electric fence:
Had I not been awake I would have missed it

It came and went too unexpectedly
And almost it seemed dangerously,
Hurtling like an animal at the house,

A courier blast that there and then
Lapsed ordinary. But not ever
Afterwards. And not now.
~Seamus Heaney  “Had I Not Been Awake”

It is very still in the world now –
Thronged only with Music
like the Decks of Birds
and the Seasons take their hushed places
like figures in a Dream –

~Emily Dickinson from an envelope poem fragment

My dreams have been exceptionally vivid recently, not scary but seemingly real. I’ll awake suddenly, surfacing out of deepest sleep to take a breath of reality and remind my brain that I’m still in bed, in a dark hushed room, my husband solid and warm beside me. All is well. I lie awake, reorienting myself from dream world to my world and ponder the hazy neuro-pathways in-between.

If I had not been awake after my dreams, I would have missed the night sounds of coyotes howling in the fields around the farmhouse, the chorus of peepers in the wetlands, the trickling waterfall in our koi pond, the clicking of the owls flying overhead, the sudden gust of wind that shakes the windows, the pelting of heavy rain.

So much still happens when I am asleep to the world, numb and inattentive. Even so, when dreams wake me, I find myself alive and listening, electrified by the awareness of everything around me.

Suddenly, nothing is ordinary because everything is. I am the most unordinary ordinary of all.

Forevermore.

Like a Century Ago

I like farming.
I like the work.
I like the livestock and the pastures and the woods. 
It’s not necessarily a good living, but it’s a good life. 
I now suspect that if we work with machines
the world will seem to us to be a machine,
but if we work with living creatures
the world will appear to us as a living creature. 
That’s what I’ve spent my life doing,

trying to create an authentic grounds for hope.
~Wendell Berry, horse farmer, essayist, poet, professor

When I pull open the barn doors,
every morning
and each evening,
as my grandparents did
one hundred years ago,
six rumbling voices
rise in greeting.
We exchange scents,
nuzzle each others’ ears.

I do my chores faithfully
as my grandparents once did–
draw fresh water
into buckets,
wheel away
the pungent mess underfoot,
release an armful of summer
from the bale,
reach under heavy manes
to stroke silken necks.

I don’t depend
on our horses’ strength
and willingness to
don harness
to carry me to town
or move the logs
or till the soil
as my grandparents did.

Instead,
these soft eyed souls,
born on this farm
two or three long decades ago,
are simply grateful
for my constancy
morning and night
to serve their needs
until the day comes
they need no more.

I depend on them
to depend on me
to be there
to open the doors;
their low whispering welcome
gives voice
to the blessings of
living on a farm
ripe with rhythms and seasons,
as if today and tomorrow are
just like one hundred years ago.

A Cottonwood Dream

Stand near the river with your feet
slightly apart. Push your toes down
beyond the mud, below the water.
Stretch your arms and head back
deliberately, until straight lines
no longer matter—until the sky
from any angle is your desire.
Let the skin go grey and split open.
If you die a little somewhere
the wind will carve the branches back
into an alphabet
someone will try to remember
how to read. Stay this way
half a century or more, turning leaves
in the half-note tides of the air.
Inside, with that blood so slow
no one hears it, set buds for spring
by each late October. November,
December, dream what it means
being owl…or star.
~Kathleen Cain, “What This Means, Being Cottonwood” from Times of Sorrow, Times of Grace

According to old Morton Lawrence, the original owner of this farm, this particular cottonwood was a special tree. He called it the “Balm of Gilead” tree for the sticky resin that exudes from its spring buds, which he liked to rub into his dry cracked hands. The scent is memorable, both sweet and green, and invokes the smell of spring ground awakening from a long winter.

The big tree stands apart from the rest of the forest, always a sentinel of the seasons, blowing cotton fluff in the late spring and heart-shaped leaves in the fall, covering the surrounding fields.

The buds may well have healing properties, as described in the Book of Jeremiah in the Old Testament, but it is this tree that I depend upon for its unblinking steadiness through the worst wind storms, the driest summers and our iced-over winters. The cottonwood, in its multi-armed reach to the skies, is balm to my eyes, no matter when I look at it — a dream of the healing I’ll find someday in heaven for all that ails me.

Let the Mind Take a Photograph

It will not always be like this,
The air windless, a few last
Leaves adding their decoration
To the trees’ shoulders, braiding the cuffs
Of the boughs with gold; a bird preening

In the lawn’s mirror. Having looked up
From the day’s chores, pause a minute,
Let the mind take its photograph
Of the bright scene, something to wear
Against the heart in the long cold.
~Ronald Stuart Thomas A Day in Autumn

Autumn farm chores are good for the weary heart.

When the stresses of the work world amass together and threaten to overwhelm, there is reassurance in the routine of putting on muck boots, gloves, jacket, then hearing the back door bang behind me as I head outside. Following the path to the barns with my trusty corgi boys in the lead, I open wide the doors to hear the welcoming nickers of five different Haflinger voices.

The routine:  loosening up the twine on the hay bales and opening each stall door to put a meal in front of each hungry horse, maneuvering the wheelbarrow to fork up accumulated manure, fill up the water bucket, pat a neck and go on to the next one. By the time I’m done, I am calmer, listening to the rhythmic chewing from five sets of molars. It is a welcome symphony of satisfaction for both the musicians and audience. My mind snaps a picture and records the song to pull out later when needed.

The horses are not in the least perturbed that I may face a challenging day. Like the dogs and cats, they show appreciation that I have come to do what I promised to do–I care for them, I protect them and moreover, I will always return.

Outside the barn, the chill wind blows gently through the bare tree branches with a wintry bite, reminding me who is not in control. I should drop the pretense. The stars, covered most nights by cloud cover, show themselves, glowing alongside the moon in a galactic sweep across the sky.  They exude the tranquility of an Ever-Presence over my bowed and humbled head. I am cared for and protected; He is always there and He will return.

Saving mental photographs of the extraordinary ordinariness of barn chores, I ready myself as autumn fades to winter.

Equilibrium is delivered to my heart, once and ever after, from a stable.

To Go With the Drift of Things

Out through the fields and the woods
   And over the walls I have wended;
I have climbed the hills of view
   And looked at the world, and descended;
I have come by the highway home,
   And lo, it is ended.

 
The leaves are all dead on the ground,
   Save those that the oak is keeping
To ravel them one by one
   And let them go scraping and creeping
Out over the crusted snow,
   When others are sleeping.

 
And the dead leaves lie huddled and still,
   No longer blown hither and thither;
The last lone aster is gone;
   The flowers of the witch hazel wither;
The heart is still aching to seek,
   But the feet question ‘Whither?’

 
Ah, when to the heart of man
   Was it ever less than a treason
To go with the drift of things,
   To yield with a grace to reason,
And bow and accept the end
   Of a love or a season?

~Robert Frost “Reluctance”


 As I kick through piles of fallen leaves in the barnyard, I realize how close I am to becoming one of them. Within my own seasons, I have flourished and bloomed and fruited, but, with aging, am now reminded of my fading, withering and eventual letting go. I find I’m not nearly so bold anymore, instead trembling nervously when harsh winds blow me about.

I have come to question the stability of the stems, branches, trunk and roots I’ve always depended upon. Will they continue to nourish and sustain me?

Everything feels transitory — especially me.

When these thoughts overwhelm, I tend to hang on tighter rather than simply giving up and letting go. My feet stumble when I try to do the same tasks I did so smoothly years ago. I am easily torn, broken and full of holes. No graceful bow from me; I’m stubbornly wanting things to stay the same, reluctant for a transition to something different.

My only solace is that the heart of man — indeed my own holey heart — is transient compared to the holy Heart of God. I am sustained by His steady Pulse, His ubiquitous Circulation, His impeccable Rhythm of Life and Death.

In that I trust. In that I come to abandon my stubborn reluctance.