The Forgiveness of Sleep

The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of that sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart “The Hundred Names of Love”

In the lull of evening, your son nested in your arms
becomes heavier and with a sigh his body
sloughs off its weight like an anchor into deep sleep,
until his small breath is the only thing that exists.

And as you move the slow dance through the dim hall
to his bedroom and bow down to deliver his sleeping form,
arms parting, each muscle defining its arc and release—
you remember the feeling of childhood,

traveling beneath a full moon,
your mother’s unmistakable laugh, a field of wild grass,
windows open and the night rushing in
as headlights trace wands of light across your face—

there was a narrative you were braiding,
meanings you wanted to pluck from the air,
but the touch of a hand eased it from your brow
and with each stroke you waded further

into the certainty of knowing your sleeping form
would be ushered by good and true arms
into the calm ocean that is your bed.
 — Alexandra Lytton Regalado, “The T’ai Chi of Putting a Sleeping Child to Bed” author of Matria

Each of those countless nights of a child wakening,
each of the hundreds of hours of lulling them in the moonlit dark,
leading them back to the soft forgiveness of sleep.

I remember the moves of that hypnotic dance,
a head nestled snug into my neck,
their chest pressed into mine,
our hearts beating in synchrony
as if they were still inside.

Even when our sleep was spare and our rest was sparse,
those night times rocking in unison
were worth every waking moment, trusting
we’re in this together, no matter what,
no matter how long.

We’re in this together.

A new book from Barnstorming is available to order here:


He Looks on Life with Quiet Eyes

  Who loves the rain    
    And loves his home, 
And looks on life with quiet eyes,  
     Him will I follow through the storm;    
     And at his hearth-fire keep me warm;
Nor hell nor heaven shall that soul surprise,    
     Who loves the rain, 
     And loves his home, 
And looks on life with quiet eyes.

~Frances Shaw, “Who loves the rain” from Look To the Rainbow

No jump-starting the day,
no bare feet slapping the floor
to bath and breakfast.

Dozing instead
in the nest
like, I suppose,
a pair of gophers

underground
in fuzz and wood shavings.
One jostles the other
in closed-eye luxury.

We are at last
perhaps
what we are:

uncombed,
unclothed,
mortal.

Pulse
and breath
and dream.

~Marjorie Saiser “Weekends, Sleeping In” from Beside You at the Stoplight. 

Each year, as we grow older together:
grayer, softer, gentler
with ourselves,
each other
and the world.

I pause,
on this day you were born,
to thank God yet again
for bringing you to earth
so we could meet,
raise three amazing children,
and walk this journey together
with pulse and breath and dreams.

It was your quiet brown eyes I trusted first
and just knew
I’d follow you anywhere
and I have.


Of Their Own Free Will

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The mares go down for their evening feed
                                                              into the meadow grass.
Two pine trees sway the invisible wind—
                                                          some sway, some don’t sway.
The heart of the world lies open, leached and ticking with sunlight
For just a minute or so.
The mares have their heads on the ground,
                                 the trees have their heads on the blue sky.
Two ravens circle and twist.
              On the borders of heaven, the river flows clear a bit longer.
~Charles Wright “The Evening is Tranquil, and Dawn is a Thousand Miles Away”

 

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When I stroll in the fields on summer evenings,
the horses raise their heads in greeting,
still chewing, they walk up slowly from pasture
to follow me inside for the night.

They could choose not to leave the field,
to enjoy freedom all night under the stars outside,
yet they choose the walls and doors of the barn,
and joining with me when I call.

Come and go gently, my friends. Come and go gently.

And so will I.

 

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Underneath the stars I’ll meet you
Underneath the stars I’ll greet you
There beneath the stars I’ll leave you
Before you go of your own free will

Go gently

Underneath the stars you met me
Underneath the stars you left me
I wonder if the stars regret me
At least you’ll go of your own free will

Go gently

Here beneath the stars I’m mending
I’m here beneath the stars not ending
Why on earth am I pretending?
I’m here again, the stars befriending
They come and go of their own free will

Go gently
Go gently

Underneath the stars you met me
And underneath the stars you left me
I wonder if the stars regret me
I’m sure they’d like me if they only met me
They come and go of their own free will

Go gently
~Kate Rusby “Underneath the Stars”

 

 

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This Good Man

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This good man
~who has left us behind~

whose farm-hardened hands
wielded not only heavy hammers
but cradled a trembling wee bird.

This good man
~who has left us behind~

raised many a calf and chick
and a plethora of pups and piglets
and enough canaries to fill a thousand homes with song.

This good man
~who left us behind~

whose gentle smile
and generous heart
volunteered thousands of hours of selfless service.

This good man
~who has left us behind~

who raised no children himself
yet loved and nurtured a slew of nieces and nephews,
keeping track of every single one.

This good man
~who has left us behind~

who plowed and planted,
harvested and gathered
and saved and gave and gave and gave.

This good man
~who has left us behind~

who dressed for the farm every day
yet changed his jeans and tee shirt and muck boots
each week to Sunday’s best button-down shirt and sweater.

This good man
~who has left us behind~

is the only man to ever have owned both
a church organ in his front room
and a gold FireBird Trans Am in his back shed.

This good man
~who has left us behind~

has shown us the way to follow Him:

by his faithful service
by his love for the land
by his love for the garden
by his love for his animals
by his love for his family and friends
by his love for his church
by his love for the Lord.

This good man~
This good and humble man~
This good and humble and gentle man~

has gone down the lane ahead of us a bit
and will be waiting for us around the bend,
watching and waiting, waiting and watching,
keeping vigil until he can
someday see us coming on the horizon
and beckon us in and welcome us home.

driveway

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john
Uncle John Smit