Almost Eternal, But Not Quite

Again I resume the long
lesson: how small a thing
can be pleasing, how little
in this hard world it takes
to satisfy the mind
and bring it to its rest.

Within the ongoing havoc
the woods this morning is
almost unnaturally still.
Through stalled air, unshadowed
light, a few leaves fall
of their own weight.

                                       The sky
is gray. It begins in mist
almost at the ground
and rises forever. The trees
rise in silence almost
natural, but not quite,
almost eternal, but
not quite.

                      What more did I
think I wanted? Here is
what has always been.
Here is what will always
be. Even in me,
the Maker of all this
returns in rest, even
to the slightest of His works,
a yellow leaf slowly
falling, and is pleased.
~Wendell Berry “VII”

What more did I think I wanted?

To know that as long as I’m able to hold on,
I can be a spot of light in a dark and bleak world.
Once I let go,
it is finished and worthwhile,
seeing His knowing smile.

A book of beauty in words and photography, available to order here:

The Way I Might Have Gone

Out walking in the frozen swamp one gray day,
I paused and said, ‘I will turn back from here.
No, I will go on farther—and we shall see.’
The hard snow held me, save where now and then
One foot went through. The view was all in lines
Straight up and down of tall slim trees
Too much alike to mark or name a place by
So as to say for certain I was here
Or somewhere else: I was just far from home.
A small bird flew before me. He was careful
To put a tree between us when he lighted,
And say no word to tell me who he was
Who was so foolish as to think what he thought.
He thought that I was after him for a feather—
The white one in his tail; like one who takes
Everything said as personal to himself.
One flight out sideways would have undeceived him.
And then there was a pile of wood for which
I forgot him and let his little fear
Carry him off the way I might have gone,
Without so much as wishing him good-night.
He went behind it to make his last stand.
It was a cord of maple, cut and split
And piled—and measured, four by four by eight.

And not another like it could I see.
No runner tracks in this year’s snow looped near it.
And it was older sure than this year’s cutting,
Or even last year’s or the year’s before.
The wood was gray and the bark warping off it
And the pile somewhat sunken. Clematis
Had wound strings round and round it like a bundle.
What held it though on one side was a tree
Still growing, and on one a stake and prop,
These latter about to fall. I thought that only
Someone who lived in turning to fresh tasks
Could so forget his handiwork on which
He spent himself, the labor of his ax,
And leave it there far from a useful fireplace
To warm the frozen swamp as best it could

With the slow smokeless burning of decay.
~Robert Frost, “The Wood-pile” from North of Boston

My labor is usually done with fervor and purpose, but there are times when I do not experience the fruits of my labor. It is left to smolder slowly to decay rather than provide the intended warmth and nurture of a fresh hearthfire.

I might have chosen a different way to go if I had known.

Perhaps I will simply follow the birds instead…

fire photo by Josh Scholten

A book of beauty in words and photography is available for order here:

The Safety of the Thicket

He loved to ask his mother questions. It was the pleasantest thing for him to ask a question and then to hear what answer his mother would give. Bambi was never surprised that question after question should come into his mind continually and without effort. 

Sometimes he felt very sure that his mother was not giving him a complete answer, was intentionally not telling him all she knew.  For then there would remain in him such a lively curiosity, such suspicion, mysteriously and joyously flashing through him, such anticipation, that he would become anxious and happy at the same time, and grow silent.
~Felix Salten from Bambi

A Wounded Deer—leaps highest—
I’ve heard the Hunter tell—
‘Tis but the Ecstasy of death—
And then the Brake is still!
~Emily Dickinson from “165″

My first time ever
seated next to my mother
in a movie theater, just
a skinny four year old girl
practically folded up in half
by a large padded chair
whose seat won’t stay down,
bursting with anticipation
to see Disney’s Bambi.

Enthralled with so much color,
motion,  music, songs and fun
characters, I am wholly lost
in a new world of animated
reality when suddenly
Bambi’s mother looks up,
alarmed,  from eating
a new clump of spring grass
growing in the snow.

My heart leaps
with worry.
She tells him
to run
for the thicket,
the safest place where
she has always
kept him warm
next to her.

She follows behind,
tells him to run faster,
not to look back,
don’t ever look back.

Then the gun shot
hits my belly too.

My stomach twists
as he cries out
for his mother,
pleading for her.
I know in my heart
she is lost forever,
sacrificed for his sake.

I sob as my mother
reaches out to me,
telling me not to look.
I bury my face
inside her hug,
knowing Bambi
is cold and alone
with no mother
at all.

My mama took me home
before the end.
I could not bear to watch
the rest of the movie 
for years.

Those cries
still echo
in my ears
every time someone hunts and shoots
to kill the innocent.

Now, my own children are grown,
they have babies of their own,
my mom is gone from this earth,
I can even keep the seat from folding
me up in a movie theater.

I am in my seventh decade, and
there are still places in this world where
mothers and fathers
sons and daughters
grandmothers and grandfathers
sisters and brothers
and babies are hunted down
despite the supposed safety of the thicket~
of the sanctuary, the school, the grocery store, the home,
where we believe we are shielded from violence.

There is innocence no longer,
if there ever was.

A book of beauty in words and photography, available to order here:

In My Hunger

I made for grief a leaden bowl
and drank it, every drop.
And though I thought I’d downed it all
the hurting didn’t stop.

I made of hope a golden sieve
to drain my world of pain.
Though I was sure I’d bled it dry
the void filled up again.

I made of words a silver fork
and stabbed love in the heart,
and when I found the sweetness gone
I chewed it into art.
~Luci Shaw “What I Needed to Do”

How can I stow away our hurt and grief
when it keeps refilling, leaking everywhere?
Where can hope be found when all feels hopeless?
When I have been loved beyond all measure,
with bleeding hands and feet and side;
why not turn to the Word,
its sweetness never exhausted
no matter how often I chew through it
in my hunger.

A book of art in words and photography, available to order here:

Eavesdropping on Private Voices

When I opened the door
I found the vine leaves
speaking among themselves in abundant
whispers.
                   My presence made them
hush their green breath,
embarrassed, the way
humans stand up, buttoning their jackets,
acting as if they were leaving anyway, as if
the conversation had ended
just before you arrived.
                                               I liked
the glimpse I had, though,
of their obscure
gestures. I liked the sound
of such private voices. Next time
I’ll move like cautious sunlight, open
the door by fractions, eavesdrop
peacefully.
~Denise Levertov, “Aware” from This Great Unknowing.

I need to be cautious or I also would be swallowed up inch by inch by a variety of vines surrounding our home and farm buildings. Between the ivy, Virginia creeper and our opportunistic ubiquitous blackberry vines, I’m mere audience to their varied plans of expansive world domination.

As part of generations of human creep, I can’t indict the vines as aggressive interlopers for going where no vine has gone before. Much human migration has been out of necessity due to inadequate food sources or inhospitable circumstances. Some is due to a spirit of adventure and desire for new places to explore. Nevertheless, we human vines end up dominating places where we may not be really welcome.

So we human vines whisper together conspiratorially about where to send out our tendrils next, never asking permission, only sometimes asking for forgiveness later.

I can’t help but listen to those private voices – one of which is my own – who feel discontented with the “here and now” — we suspect somewhere else may be better. Rather than choose to stay and flourish in place, we keep creeping and overwhelming our surroundings.

Dear human vines: creep gently with sensitivity for the ground you occupy. Don’t block the sun from others or quench yourself while others thirst. Be kind and make the spot you cover more beautiful than it was before.https://barnstorming.blog/new-book-available-almanac-of-quiet-days/

A book of beauty in words and photography

Held My Breath

We drove across high prairie,
the Mississippi behind us,
nothing ahead for miles
but sky,

a loamy sky, thick enough
to put a trowel into,
but off to the south
clouds pulled


away from one another
as if to stand back
take a long look,
and in that


space what light was left
of the sun
already gone below
the horizon


flowed up and held there
and we did too hold
our breaths at the sudden
beauty.
~Athena Kildegaard “We drove across high prairie…” from Cloves & Honey.

We didn’t drive this time;
instead we boarded a plane
with other masked people,
holding our breath with the unfamiliarity
of being so close to strangers—
rather than a response
to the beauty of what we saw.

The vast landscape appeared below
rather than stretching out before us,
its emptiness stark and lonely from the air
as well as from the road.

We hold our breath,
awed by the reality
that we are truly here.
Really here, one way or the other.

In two hours, rather than two days.
Masked, but never blind to the beauty.

A book of beautiful words and photos available to order

Into a Commonwealth of Joy

The meaning of marriage begins in the giving of words. We cannot join ourselves to one another without giving our word. And this must be an unconditional giving, for in joining ourselves to one another we join ourselves to the unknown.
~Wendell Berry from “Poetry and Marriage” in Standing By Words

Our vows to one another forty years ago today:

Before God and this gathering, I vow from my heart and spirit that I will be your wife/husband for as long as we both shall live.

I will love you with faithfulness, knowing its importance in sustaining us through good times and bad.

I will love you with respect, serving your greatest good and supporting your continued growth.

I will love you with compassion, knowing the strength and power of forgiveness.

I will love you with hope, remembering our shared belief in the grace of God and His guidance of our marriage.

“And at home, by the fire, whenever you look up, there I shall be–and whenever I look up, there will be you.”

(our wedding vows for our September 19, 1981 wedding at First Seattle Christian Reformed Church — the last line adapted from Thomas Hardy’s  “Far From the Madding Crowd”)

Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.

We enter, willing to die,
into the commonwealth of its joy.
~Wendell Berry from “A Country of Marriage”

…Marriage… joins two living souls as closely as, in this world, they can be joined. This joining of two who know, love, and trust one another brings them in the same breath into the freedom of sexual consent and into the fullest earthly realization of the image of God.  From their joining, other living souls come into being, and with them great responsibilities that are unending, fearful, and joyful. The marriage of two lovers joins them to one another, to forebears, to descendants, to the community, to heaven and earth. It is the fundamental connection without which nothing holds, and trust is its necessity.
~Wendell Berry from Sex, Economy, Freedom and Community

We married in our Seattle church with our pastor officiating, with a small group of family and friends as witnesses.

It was a wedding created by two frugal people with little to spend – I sewed my dress and Dan’s shirt from muslin, we grew our own flowers, our families helped potluck the lunch afterward and our tiered carrot cake was made by a friend.

Yet our vows to one another were not frugal and held nothing back.
They were extravagant and comprehensive, coming from our hearts and spirits. The music we asked our amazing organist to play (versions below) inspired us by its simplicity and complexity – very much like the families that raised us and the God we worship.

Our vows have taken us from the city to the countryside, to the raising and rejoicing in three amazing children (each of whom wrote movingly to us today) and now four grandchildren. We served more than forty years as a public-employed attorney and physician, have laid down those responsibilities, and picked up the tools of farm and garden along with church and community service for as long as we are able.

We treasure each day of living together in faithfulness, respect, compassion and hope – knowing that how we love and find joy in one another mirrors how God loves and revels in His people.

We are praying for many more days to fill us with what endures.

A pot of red lentils
simmers on the kitchen stove.
All afternoon dense kernels
surrender to the fertile
juices, their tender bellies
swelling with delight.

In the yard we plant
rhubarb, cauliflower, and artichokes,
cupping wet earth over tubers,
our labor the germ
of later sustenance and renewal.

Across the field the sound of a baby crying
as we carry in the last carrots,
whorls of butter lettuce,
a basket of red potatoes.

I want to remember us this way—
late September sun streaming through
the window, bread loaves and golden
bunches of grapes on the table,
spoonfuls of hot soup rising
to our lips, filling us
with what endures.
~Peter Pereira from “A Pot of Red Lentils”

Here are versions of the organ music we selected for prelude, processional, recessional and postlude

There Goes the Neighborhood

She lingered in that charming little garden to say hello to the gnomes,
such a glorious infestation!
How few wizards realize just how much we can learn
from the wise little gnomes-
or, to give them their correct names, the Gernumbli gardensi.
‘Ours do know a lot of excellent swear words,’ said Ron…
J.K. Rowling in Harry Potter and the Deathly Hallows

It is hard to say exactly when the first one moved in.  This farm was distinctly gnome-less when we bought it over thirty years ago, largely due to twenty-seven hungry barn cats residing here at the time in various stages of pregnancy, growth, development and aging.  It took awhile for the feline numbers to whittle down to an equilibrium that matched the rodent population.  In the mean time, our horse numbers increased from three to seven to over fifteen with a resultant exponential increase in barn chores.   One spring twenty years ago,  I was surprised to walk in the barn one morning to find numerous complex knots tied in the Haflingers’ manes.  Puzzling as I took precious time to undo them, literally adding hours to my chores, I knew I needed to find the cause or culprit.

It took some research to determine the probable origin of these tight tangles.  Based on everything I researched, they appeared to be the work of Gernumbli faenilesi, a usually transient species of gnome preferring to live in barns and haylofts in close proximity to heavy maned ponies.  In this case, as the tangles persisted for months, they clearly had moved in, lock, stock and barrel.   The complicated knots were their signature pride and joy, their artistic way of showing their devotion to a happy farm.

All well and good, but the extra work was killing my fingers and thinning my horses’ hair.  I plotted ways to get them to cease and desist.

I set live traps of cheese and peanut butter cracker sandwiches, hoping to lure them into cages for a “catch and release”. Hoping to drive them away, I played polka music on the radio in the barn at night.  Hoping to be preemptive, I braided the manes up to be less tempting but even those got twisted and jumbled.  Just as I was becoming ever more desperate and about to round up more feral cats, the tangling stopped.

It appeared the gnomes had moved on to a more hospitable habitat.  Apparently I had succeeded in my gnome eradication plan. 

Or so I thought.

Not long after, I had the distinct feeling of being watched as I walked past some rose bushes in the yard.  I stopped to take a look, expecting to spy the shining eyes of one of the pesky raccoons that frequents our yard to steal from the cats’ food dish.  Instead, beneath the thorny foliage, I saw two round blue eyes peering at me serenely.   This little gal was not at all intimidated by me, and made no move to escape.   She was an ideal example of Gernumbli gardensi, a garden gnome known for their ability to keep varmints and vermin away from plants and flowers.  They also happen to actively feud with Gernumbli Faenilesi so that explained the sudden disappearance of my little knot-tying pests in the barn.

It wasn’t long before more Gardensi moved in, a gnomey infestation.  They tend to arrive in pairs and bunches, bringing their turtles and dogs with them, like to play music, smoke pipes, play on a teeter totter, work with garden tools, take naps on sun-warmed rocks and one even prefers a swing, day and night through all four seasons.  They are a bit of a rowdy bunch and always up for a party, but I enjoy their happy presence and jovial demeanor.   I haven’t yet heard any bad language as we have a “keep it clean” policy about bad words around here.  They seem quite hardy, stoically withstand extremes in weather, wear masks when asked and only seem fearful when hornets build a nest right in their lap.

As long as they continue to coexist peaceably with us and each other, keep the varmints and their knot tying cousins away,  and avoid bad habits and swear words, I’m quite happy they are here.  Actually, I’ve given them the run of the place.  I’ve been told to be cautious as there are now news reports of an even more invasive species of gnome, Gernumbli kitschsi, that could move in and take over if I’m not careful. In fact, several new little fellows moved into my hanging baskets and back into the barn this week – someone obviously had put the word out this is a great place to winter over. Now I need to watch for more mane tangles again.

A gnome explosion.

I shudder to think.  There goes the neighborhood.

photo by Tomomi Gibson

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We May Or Might Never, Meet Here Again

My great grandfather had some fields in North Carolina
and he willed those fields to his sons and his sons
willed them to their sons so there is a two-hundred-year-old
farm house on that land where several generations
of my family fried chicken and laughed and hung

their laundry beneath the trees. There are things you
know when your family has lived close to the earth:
things that make magic seem likely. Dig a hole on the new
of the moon and you will have dirt to throw away
but dig one on the old of the moon and you won’t have

enough to fill it back up again: I learned this trick
in the backyard of childhood with my hands. If you know
the way the moon pulls at everything then you can feel
it on the streets of a city where you cannot see the sky.

I may walk the streets
of this century and make my living in an office
but my blood is old farming blood and my true
self is underground like a potato.

I have taken root in my grandfather’s
fields: I am hanging my laundry beneath his trees.
~Faith Shearin from “Fields”

It just isn’t possible to completely take me off the farm – I have generations of farmers extending back on both sides of my family, so I have dug myself a hole here, resting easy in the soil like a potato and ventured out only as I needed to in order to actually make a living.

A gathering of all my vaccinated clinic colleagues came to our farm yesterday to help me celebrate my retiring from office life. They brought beautiful flowers, plentiful food, kind and restoring words, thirty year old photos and lovely parting gifts, as well as my singing doctor buddy sharing a sea shanty about bittersweet parting. It is helping ease my sorrow at leaving regular doctoring behind, knowing there are more days to come, more time to grow things in the ground, more blissing out over sunrises and sunsets and more hanging laundry on the clothesline.

My dear friends know where they can find me – on the hill above our farm – we may or might never, meet here again but it was such a fine time together yesterday, thank you!

Kind Friend and Companions, Come join me in rhyme,
Come lift up your voices, In chorus with mine,
Come lift up your voices, all grief to refrain,
For we may or might never, all meet here again
Here’s a health to the company and one to my lass,
Let us drink and be merry, all out of one glass,
Let us drink and be merry, all grief to refrain
For we may or might never, all meet here again
Here’s a health to the dear lass, that I love so well,
For her style and her beauty, sure none can excel,
There’s a smile on her countenance, as she sits on my knee,
There’s no man in this wide world, as happy as me,
Here’s a health to the company, and one to my lass
Let us drink and be merry, all out of one glass,
Let us drink and be merry, all grief to refrain
For we may or might never, all meet here again,
Our ship lies at anchor, she’s ready to dock,
I wish her safe landing, without any shock,
If ever I should meet you, by land or by sea,
I will always remember, your kindness to me,
Here’s a health to the company and one to my lass,
Let us drink and be merry, all out of one glass,
Let us drink and be merry, all grief to refrain
For we may or might never, all meet here again
Here’s a health to the company and one to my lass,
Let us drink and be merry, all out of one glass,
Let us drink and be merry, all grief to refrain
For we may or might never, all meet here again

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The Soul’s Sap Quivers

To think that this meaningless thing was ever a rose,
Scentless, colourless, this!
Will it ever be thus (who knows?)
Thus with our bliss,
If we wait till the close?


Though we care not to wait for the end, there comes the end
Sooner, later, at last,
Which nothing can mar, nothing mend:

An end locked fast,
Bent we cannot re-bend.

~Christina Rossetti “Summer is Ended”

The soul’s sap quivers. There is no earth smell
Or smell of living thing. This is the spring time
But not in time’s covenant. Now the hedgerow
Is blanched for an hour with transitory blossom
Of snow, a bloom more sudden
Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable Zero summer?

We shall not cease from exploration
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
Through the unknown, unremembered gate
When the last of earth left to discover
Is that which was the beginning;


And all shall be well and
All manner of thing shall be well
When the tongues of flames are in-folded
Into the crowned knot of fire
And the fire and the rose are one.

~T.S. Eliot – lines taken from “Little Gidding”

As a grade school child in November 1963, I learned the import of the U.S. flag being lowered to half mast in response to the shocking and violent death of our President. The lowering of the flag was so rare when I was growing up, it had dramatic effect on all who passed by — our soul’s sap quivers — something very sad had happened to our country, something or someone had tragically ended, warranting our silence and our stillness.

For twenty years since 9/11/01, our flag has spent significant time at half mast, so much so that I’m befuddled instead of contemplative, puzzling over what the latest loss might be as there are so many, sometimes all happening in the same time frame.  We no longer are silenced by this gesture of honor and respect and we certainly are not stilled, personally and corporately instigating and suffering the same mistakes against humanity over and over again.

We are so bent. Will we ever be mended again?

Eliot wrote the prescient words of the Four Quartets in the midst of the WWII German bombing raids that destroyed people and neighborhoods. Perhaps he sensed the destruction he witnessed would not be the last time in history that evil visits the innocent, leaving them in ashes. There would be so many more losses to come, not least being the horror of 9/11/01.

There remains so much more sadness to be borne, such abundance of grief that our world has become overwhelmed and stricken. Yet Eliot was right: we have yet to live in a Zero summer of endless hope and fruitfulness, of spiritual awakening and understanding.  Where is it indeed? When will rise again the summer Rose of beauty and fragrance?

We must return, as people of faith to Eliot’s still point to which we are called on a day such as today.  We must be stilled; we must be silenced. We must grieve the losses of this turning world and pray for release from the suffering we cause and we endure.  Only in the asking, only in the kneeling down and pleading, are we surrounded by God’s unbounded grace and His Rose may bloom recognizable again.  

“There Are No Words” written on 9/11/2001
by Kitty Donohoe

there are no words there is no song
is there a balm that can heal these wounds that will last a lifetime long
and when the stars have burned to dust
hand in hand we still will stand because we must

in one single hour in one single day
we were changed forever something taken away
and there is no fire that can melt this heavy stone
that can bring back the voices and the spirits of our own

all the brothers, sisters and lovers all the friends that are gone
all the chairs that will be empty in the lives that will go on
can we ever forgive though we never will forget
can we believe in the milk of human goodness yet

we were forged in freedom we were born in liberty
we came here to stop the twisted arrows cast by tyranny
and we won’t bow down we are strong of heart
we are a chain together that won’t be pulled apart

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