The Beauty of a Fogbow

We don’t need to understand why a rainbow or fogbow is formed in order to appreciate its beauty, of course, but understanding the physics of rainbows does give us a new set of eyes. I call this the beauty of knowledge.
~Walter Lewin from For the Love of Physics

Ghaist o a gaw that few hae seen
paintit on fog lyk a fugue o thi scheme
Noah supposit thi Lord tae mean
     when aa were drooned,
ither hauf o yin o His een
     thon runic roond.

Rope o smoke lyk a loop on a cable,
Grisaille Cain tae thi rainbow’s Abel,
ultra-blank tae infra-sable,
     auld noose o tow;
Yin that’s strang whaur Yang is faible:
     faur are ye now?
~WN Herbert “The Fogbow” from Omnesia

(this is my best guess of the meaning of Herbert’s inventive English/Gaelic/Scottish)

Ghost of a rainbow bruise that few have seen
painted on fog like a fugue of this scheme
Noah supposed the Lord to mean
when all were drowned
the other half of the dark cold earth is
a mysterious rune ruined.

A rope of smoke like a loop on a cable
a gray pallid Cain to the rainbow’s Abel,
outer-white to inner-black
old noose in tow;
the cold and dark is strong where warmth and light is feeble:
where are you now?

Look at a rainbow.
While it lasts, it is or appears to be,
a great arc of many colours occupying a position out there in space….
And now, before it fades, recollect all you have ever been told about the rainbow and its causes, and ask yourself the question,
Is it really there?
You know from memory that if you walked to the place where the rainbow ends, or seems to end, it would certainly not be ‘there’. In a word, reflection will assure you that the rainbow is the outcome of the sun, the raindrops and your own vision.
~Owen Barfield writing about “The Rainbow”

We saw our first “fogbow” or “ghost rainbow” early yesterday on our morning walk. It happened as we were heading east toward the sun, with the fog thickening, filling in behind us. We had just turned around to check the road to be sure no cars were coming before we crossed to the other side and there was this spectral image of foggy columns curving upward over the road to barely touch one another at the top. As we moved away from it, it vanished, as they say, “into thin air.”

This is an unusual phenomenon where the light and moisture in the air needs to be just right – reading about the physics of the fogbow helps to explain it and to render it even more beautiful. But the knowledge of how it happens isn’t nearly as impactful as the fact it was there at all for us to witness. Without our vision, it wasn’t really “there.”

The “bruised” rainbow color in the sky is God’s Old Testament promise to Noah to never destroy the world by flood again, establishing an everlasting covenant with His people while giving us the capacity to witness His promise. Perhaps the fogbow is ghostly reminder of those who have perished, whose blood, like Abel’s, cried out to God from the earth.

But where are we now? Do we seek to understand, believing the promises God made to us? Or do we walk right past God and His miraculous physics of creation, oblivious to what would not even exist without our ability to see it?

Somewhere, over the fogbow, way up high…

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What’s Left of Joy

You recall how winter
colored your love, left it


overly delicate, like a flower
skimmed of all fragrance.


You hear in the long last notes
of the nightingale’s song


how to harbor what’s left
of joy, how spring clutches


the green shoot of life and holds
on and on through summer, prepares


for no end that is sure in coming,
the fall ever endlessly repeating.
~Maureen Doallas “Recounting Seasons”, from Neruda’s Memoirs 

One of my greatest joys is watching time as days become weeks, then months, and as years flow by, the seasons repeat seemingly endlessly. I know they must end for me eventually so I anticipate transitions before they take place.

In the “olden” days, many farmers kept daily hand-written diaries to track the events of the seasons: when the soil was warm enough to sow, when the harvest was ready, the highs and lows of temperature fluctuations, how many inches in the rain gauge, how deep the snow.

Now we follow the years with a swift scroll in our photo collection in our phones: the tulips bloomed two weeks later this year, or the tomatoes ripened early or the pears were larger two years ago.

I take comfort things tend to repeat predictably year after year, yet I can spot subtle differences. Our hydrangea bushes are a harbinger of seasonal change: they are blooming a darker burgundy color this year, the lace caps are mostly blue rather than pink and purple. Their blooms fade eventually into blended earth tones, then blanche, finally losing color altogether and becoming skeletal.

And so it is with me. I harbor joy by noticing each change, knowing the repetition of the seasons and the cycle of blooming will continue, with or without me here watching. I am unnecessary except as a recorder of fact.

I will keep watching and keep documenting as long as I’m able.

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Missing the Right Things

In your next letter, please describe
the weather in great detail. If possible,
enclose a fist of snow or mud,

everything you know about the soil,
how tomato leaves rub green against
your skin and make you itch, how slow

the corn is growing on the hill.
Thank you for the photographs
of where the chicken coop once stood,

clouds that did not become tornadoes.
When I try to explain where I’m from,
people imagine corn bread, cast-iron,

cows drifting across grass. I interrupt
with barbed wire, wind, harvest air
that reeks of wheat and diesel.

I hope your sleep comes easy now
that you’ve surrendered the upstairs,
hope the sun still lets you drink

one bitter cup before its rise. I don’t miss
flannel shirts, radios with only
AM stations, but there’s a certain kind

of star I can’t see from where I am—
bright, clear, unconcerned. I need
your recipes for gravy, pie crust,

canned green beans. I’m sending you
the buttons I can’t sew back on.
Please put them in the jar beside your bed.

In your next letter, please send seeds
and feathers, a piece of bone or china
you plowed up last spring. Please
promise I’m missing the right things.

~Carrie Shipers, “In Your Next Letter” from Cause for Concern

For our children (and now their children) who have left the farm, now living far away:

I want to be sure you are missing the right things about this incredible place.

There is so much about a farm that is worrisome, burdensome, back-breaking and unpredictable. Don’t miss those things.

Miss what is breath-taking, awe-inspiring and heart-swelling.

We miss you more than we can ever say, indeed an intensive “missing” that can’t be expressed in words. So I send this to you and you’ll understand.

The Way It Ought To Be

After three weeks of hot weather and drought,
           we’ve had a week of cold and rain,
just the way it ought to be here in the north,
            in June, a fire going in the woodstove
all day long, so you can go outside in the cold
            and rain anytime and smell
the wood smoke in the air.
 
This is the way I love it. This is why
           I came here almost
fifty years ago. What is June anyway
          without cold and rain
and a fire going in the stove all day?
~David Budbill, “What Is June Anyway?” from Tumbling toward the End.

I spent seven hours yesterday at my daughter’s house
helping her expand their garden by at least ten times.
We dug up sod by the shovelful, shook off the dirt as
best we could; sod into the wheelbarrow and off to the
pile at the edge of the yard. Then all that over and over
again. Five hours total work-time, with time out for lunch
and supper. By the time I got home I knew all too well
that seventy-two is not thirty-five; I could barely move.

I got to quit earlier than Nadine. She told me I’d done
enough and that I should go get a beer and lie down on
the chaise lounge and cheer her on, which is what I did.

All this made me remember my father forty years ago
helping me with my garden. My father’s dead now, and
has been dead for many years, which is how I’ll be one
of these days too. And then Nadine will help her child,
who is not yet here, with her garden. Old Nadine, aching
and sore, will be in my empty shoes, cheering on her own.

So it goes. The wheel turns, generation after generation,
around and around. We ride for a little while, get off and
somebody else gets on. Over and over, again and again.
~David Budbill “Seventy-Two Is Not Thirty-Five” from Tumbling toward the End.

June is not supposed to be like this.

It is typically cool and rainy during these first few weeks of summer. June is an impossible month to hold outdoor weddings as we discovered a year ago. We celebrated our daughter and son-in-law’s wedding amid chilly breezes and sprinkles, avoiding a downpour.

Yet if it had been this year we would have all baked and sweated to a golden melting crust sitting in the full sun.

Yesterday we reached 106 F here in the normally temperate Pacific Northwest. I am scanning the weather forecast for any hint of rain (none) and am celebrating the prediction of mid-80s temperatures (hopefully soon). I once thought 85 to be intolerably hot.

It all is a matter of perspective when considering how things “ought” to be.

Wild temperature fluctuations and weather extremes are not new to this earth, but they certainly seem more frequent, causing more damage and suffering among all earth dwellers, whether plant or animal. We expect natural predictable cycles in the seasons and in the passing of one generation to another — a smooth replacement plan as older gives way to the younger.

This is how it ought to be. Yet it isn’t always so. Sometimes not even close.

We’ll remember 2020 and early 2021 as months of pandemic that sucked the life and joy from so many of us. Now the crazy heat index of June 2021 is effectively distracting us from a dwindling risk of COVID infection to consider instead the immediacy of how to avoid overheating ourselves, our animals and our gardens/crops.

It is always something in this life of peril and worry.

That is just how it is,
rather than how it ought to be.

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Wind-Wandering Trees

felled 1879

My aspens dear, whose airy cages quelled,
  Quelled or quenched in leaves the leaping sun,
  All felled, felled, are all felled;
    Of a fresh and following folded rank
                Not spared, not one
                That dandled a sandalled
         Shadow that swam or sank
On meadow & river & wind-wandering weed-winding bank.


  O if we but knew what we do
         When we delve or hew —
     Hack and rack the growing green!
          Since country is so tender
     To touch, her being só slender,
     That, like this sleek and seeing ball
     But a prick will make no eye at all,
     Where we, even where we mean
                 To mend her we end her,
            When we hew or delve:
After-comers cannot guess the beauty been.
  Ten or twelve, only ten or twelve
     Strokes of havoc unselve
           The sweet especial scene,
     Rural scene, a rural scene,
     Sweet especial rural scene.

~Gerard Manley Hopkins “Binsey Poplars”

Our farm is bookshelved between two poplar rows, one short, the other longer. The trees are showing their advanced age and struggle now with winter storms with heavy winds and icy build-up, branches shattering like toothpicks.

They will eventually, like Hopkins’ Binsey poplars, be felled before they tumble weakened and withered in a gale, landing where they mustn’t.

I will miss their blowhard boldness, their noisy leaves and branches, their dance in the wind and their orderliness as they stand like guardians to the farm. I’m being sentimental but there will be a sadness when it comes time to say goodbye.

Once they are gone, who in the future would know they once stood there, towering above everything else.

Unlike the poplars, I must leave something behind to be remembered.

Orchard in bloom with poplars- Van Gogh
Two Poplars in the Alpilles near Saint-Remy by Van Gogh
Avenue of Poplars in Autumn– Van Gogh Museum

Poplar trees Van Gogh

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Marshmallow Fields Forever

Watch the sunrise at least once a year, put a lot of marshmallows in your hot chocolate, lie on your back and look at the stars… don’t overlook life’s small joys while searching for the big ones.
~H.Jackson Brown Jr. from “Life’s Little Instruction Book”

Life is a marshmallow, easy to chew but hard to swallow.
~Francis Bacon

And by and by Christopher Robin came to the end of things,
and he was silent,
and he sat there, looking out over the world,
just wishing it wouldn’t stop.

~A.A. Milne from The House at Pooh Corner

Always, no sometimes, think it’s me
But you know I know when it’s a dream
I think I know I mean a yes
But it’s all wrong
That is I think I disagree


Let me take you down
‘Cause I’m going to Marshmallow Fields
Nothing is real
And nothing to get hung about
Marshmallows Fields forever

~with apologies to John Lennon and The Beatles “Strawberry Fields Forever”

It’s marshmallow harvest season once again, just in time for this long holiday weekend’s camp fires, scary ghost stories, roasting sticks, chocolate bars and graham crackers.

After a year of isolation and loneliness, I am ready for our life together to begin again, seeking s’more to chew on, sticky, messy and oh so glorious.

I sit in silence looking out over the marshmallow fields, hoping the world won’t stop.

No, not ever again.

A new book from Barnstorming is available to order here

A Girl from the Palouse

My mother, Elna Schmitz Polis, was born 101 years ago today in the lonely isolation of a Palouse wheat and lentil farm in eastern Washington. She drew her first breath in a two story white house located down a long poplar-lined lane and nestled in a draw between the undulating hills.

She attended a one room school house until 8th grade, located a mile away in the rural countryside, then moved in with her grandmother “in town” in Rosalia to attend high school, seeing her parents only a couple times a month.

It was a childhood which accustomed her to solitude and creative play inside her mind and heart – her only sibling, an older brother, was busy helping their father on the farm. All her life and especially in her later years, she would prefer the quiet of her own thoughts over the bustle of a room full of activities and conversation.

Her childhood was filled with exploration of the rolling hills, the barns and buildings where her father built and repaired farm equipment, and the chilly cellar where the fresh eggs were stored after she reached under cranky hens to gather them. She sat in the cool breeze of the picketed yard, watching the huge windmill turn and creak next to the house. She helped her weary mother feed farm crews who came for harvest time and then settled in the screened porch listening to the adults talk about lentil prices and bushel production. She woke to the mourning dove call in the mornings and heard the coyote yips and howls at night.

She nearly died at the age of 13 from a ruptured appendix, before antibiotics were an option. That near-miss seemed to haunt her life-long, filling her with worry that it was a mistake that she survived that episode at all. Yet she thrived despite the anxiety, and ended up, much to her surprise, living a long life full of family and faith, letting go at age 88 after fracturing a femur, breaking her will to continue to live.

As a young woman, she was ready to leave the wheat farm behind for college, devoting herself to the skills of speech, and the creativity of acting and directing in drama, later teaching rural high school students, including a future Pulitzer Prize winning poet, Carolyn Kizer. She loved words and the power and beauty they wielded.

Marrying my father was a brave and impulsive act, traveling by train to the east coast only a week before he shipped out for almost 3 years to the South Pacific to fight as a Marine in WWII. She must have wondered about the man who returned from war changed and undoubtedly scarred in ways she could not see or touch. They worked it out, as rocky as it must have been at times, and in their reconciliation after their divorce years later, I could see the devotion and mutual respect of life companions who shared purpose and love.

As a wife and mother, she rediscovered her calling as a steward of the land and a steward of her family, gardening and harvesting fruits, vegetables and children tirelessly. When I think of my mother, I most often think of her tending us children in the middle of the night whenever we were ill; her over-vigilance was undoubtedly due to her worry we might die in childhood as she almost did.

She never did stop worrying until the last few months. As she became more dependent on others in her physical decline, she gave up the control she thought she had to maintain through her “worry energy” and became much more accepting about the control the Lord maintains over all we are and will become.

I know from where my shyness comes, my preference for birdsongs rather than radio music, my preference for naps, and my tendency to be serious and straight-laced with a twinkle in my eye. This is my German Palouse side–immersing in the quietness of solitude, thrilling to the sight of the spring wheat flowing like a green ocean wave in the breeze and appreciating the warmth of rich soil held in my hands. From that heritage came my mother and it is the legacy she has left with me. I am forever grateful to her for her unconditional love and her willingness to share the warmth of her nest whenever we felt the need to fly back home and shelter, overprotected at times but safe nonetheless, under her wings.

Elna Schmitz playing Elizabeth Barrett Browning

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A Resting Place

Does the road wind up-hill all the way?
Yes, to the very end.
Will the day’s journey take the whole long day?
From morn to night, my friend.


But is there for the night a resting-place?
A roof for when the slow dark hours begin.
May not the darkness hide it from my face?
You cannot miss that inn.


Shall I meet other wayfarers at night?
Those who have gone before.
Then must I knock, or call when just in sight?
They will not keep you standing at that door.


Shall I find comfort, travel-sore and weak?
Of labour you shall find the sum.
Will there be beds for me and all who seek?
Yea, beds for all who come.
~Christina Rossetti, “Up-Hill” from Rossetti: Poems

Nothing is quite as comforting as a room to stay and bed to sleep in after a long day of traveling. At times, we’re not sure we’ll get there before dark. The roads stretch ahead for miles, the scenery seems foreign to our eyes.

So we hope for a quiet place to stay where others are welcoming.

Yet there is rest. Yes, there is rest for the weary and travel-worn. There are beds for each. A place to rest our heads.

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Reading Over My Shoulder

Ten more miles, it is South Dakota.
Somehow, the roads there turn blue,
When no one walks down them.
One more night of walking, and I could have become
A horse, a blue horse, dancing
Down a road, alone.

I have got this far. It is almost noon. But never mind time:
That is all over.
It is still Minnesota.
Among a few dead cornstalks, the starving shadow
Of a crow leaps to his death.
At least, it is green here,
Although between my body and the elder trees
A savage hornet strains at the wire screen.
He can’t get in yet.

It is so still now, I hear the horse
Clear his nostrils.
He has crept out of the green places behind me.
Patient and affectionate, he reads over my shoulder
These words I have written.
He has lived a long time, and he loves to pretend
No one can see him.
Last night I paused at the edge of darkness,
And slept with green dew, alone.
I have come a long way, to surrender my shadow
To the shadow of a horse.

~James Wright “Sitting in a small screenhouse on a summer morning”

I have a sense of someone reading over my shoulder as I write. It keeps me honest to feel that breath on my hair, that green smell reminding me who I am.

I should not try to be anyone else.

When my words don’t say exactly what I hope, I feel forgiveness from the shadow beside me.

It’s all softness. It’s all okay even when it’s not.

Make the Call

Just before the green begins there is the hint of green
a blush of color, and the red buds thicken
the ends of the maple’s branches and everything
is poised before the start of a new world,
which is really the same world
just moving forward from bud
to flower to blossom to fruit
to harvest to sweet sleep, and the roots
await the next signal, every signal
every call a miracle and the switchboard
is lighting up and the operators are
standing by in the pledge drive we’ve
all been listening to: Go make the call.
~Stuart Kestenbaum “April Prayer”

The buds have been poised for weeks
and then, as if responding to the conductor’s downstroke,
let go of all their pent up potential~
exploding with energy
enough to carry them to autumn
when again they let go
and are gone.