Marvelous Truth, confront us at every turn in every guise… Thrust close your smile that we know you, terrible joy. ~Denise Levertov from “Matins”
A child is born, crowned in blood, and we lighten up. Sure, we see it every day, and yet this day, tradition says, is unlike any, which is true. It has never happened, and never will again, over and over the will to be reborn, to gasp and cry forgiveness, that is, like birth, difficult, scared, insurgent, brave with the stranger, the winter child, that blossoms through the wound. ~Bruce Bond from “Advent”
In sleep his infant mouth works in and out. He is so new, his silk skin has not yet been roughed by plane and wooden beam nor, so far, has he had to deal with human doubt.
He is in a dream of nipple found, of blue-white milk, of curving skin and, pulsing in his ear, the inner throb of a warm heart’s repeated sound.
His only memories float from fluid space. So new he has not pounded nails, hung a door, broken bread, felt rebuff, bent to the lash, wept for the sad heart of the human race. ~Luci Shaw “Kenosis”
To the end of the way of the wandering star, To the things that cannot be and that are, To the place where God was homeless And all men are at home. ~G.K. Chesterton from “The House of Christmas” (1915)
To think that the original Breath stirring the dust of man led to this?
This mystery of God becoming man, growing within woman, fed from her breast, wounded and bleeding to save her who delivered him, emptied himself completely to then deliver all of us as newborns, sliding slippery into our new life.
And we gasp for breath, our nostrils no longer breathing dust, but filled by the fragrance of forgiveness and grace.
We blossom through his wounds, bursting into bloom.
I let her garden go. let it go, let it go How can I watch the hummingbird Hover to sip With its beak’s tip The purple bee balm — whirring as we heard It years ago?
The weeds rise rank and thick let it go, let it go Where annuals grew and burdock grows, Where standing she At once could see The peony, the lily, and the rose Rise over brick
She’d laid in patterns. Moss let it go, let it go Turns the bricks green, softening them By the gray rocks Where hollyhocks That lofted while she lived, stem by tall stem, Blossom with loss. ~ Donald Hall from “Her Garden” about Jane Kenyon
Some gray mornings heavy with clouds and tear-streaked windows I pause melancholy at the passage of time.
Whether to grieve over another hour passed another breath exhaled another broken heart beat
Or to climb my way out of deepless dolor and start the work of planting the next garden
It takes sweat and dirty hands and yes, tears from heaven to make it flourish but even so just maybe my memories so carefully planted might blossom fully in the soil of loss.
A fine rain was falling, and the landscape was that of autumn. The sky was hung with various shades of gray, and mists hovered about the distant mountains – a melancholy nature. The leaves were falling on all sides like the last illusions of youth under the tears of irremediable grief. Every landscape is, as it were, a state of the soul, and whoever penetrates into both is astonished to find how much likeness there is in each detail.” ~Henri Frederic Amiel from The Amiel Journal
What is melancholy at first glance glistens bejeweled when studied up close.
It isn’t all sadness~ there is solace in knowing: the landscape and my soul share an inner world of tears.
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Autumn in my part of the world is a season of bounty and beauty. It’s also a season of steady decline—and, for some of us, a slow slide into melancholy. The days become shorter and colder, the trees shed their glory, and summer’s abundance starts to decay toward winter’s death.
I’m a professional melancholic, and for years my delight in the autumn color show quickly morphed into sadness as I watched the beauty die. Focused on the browning of summer’s green growth, I allowed the prospect of death to eclipse all that’s life-giving about fall and its sensuous delights.
Then I began to understand a simple fact: All the “falling” that’s going on out there is full of promise. Seeds are being planted and leaves are being composted as Earth prepares for yet another uprising of green. ~ Parker J. Palmer from On the Brink of Everything: Grace, Gravity, and Getting Old
A fine rain was falling, and the landscape was that of autumn. The sky was hung with various shades of gray, and mists hovered about the distant mountains – a melancholy nature. Every landscape is, as it were, a state of the soul, and whoever penetrates into both is astonished to find how much likeness there is in each detail. ~Henri Frederic Amiel
A melancholic first glance~ rain droplets glisten bejeweled when studied up close.
It isn’t all sadness~ there is solace in knowing the landscape and I share an inner world of change: both promises and tears.
She skimmed the yellow water like a moth, Trailing her feet across the shallow stream; She saw the berries, paused and sampled them Where a slight spider cleaned his narrow tooth. Light in the air, she fluttered up the path, So delicate to shun the leaves and damp, Like some young wife, holding a slender lamp To find her stray child, or the moon, or both. Even before she reached the empty house, She beat her wings ever so lightly, rose, Followed a bee where apples blew like snow; And then, forgetting what she wanted there, Too full of blossom and green light to care, She hurried to the ground, and slipped below. ~James Wright “My Grandmother’s Ghost from Above the River: The Complete Poems
I saw my grandma’s ghost once.
She was my only grandparent I actually knew and who actually knew me — the others were lost before I was born or too young to realize what I had lost.
She had lived a hard life: losing her mother when she was 12, taking over the household duties for her father and younger brother while leaving school forever, too young marrying an abusive alcoholic, losing her first child to lymphoma at age 8, taking her three remaining children to safety away from their father for a year to live above a seedy restaurant where she cooked seven days a week to make ends meet.
But there was grace too. A marriage that somehow got patched together after Grandpa found God and sobriety, her faith that never wavered, their soil that yielded beautiful flowers she planted and nurtured and picked to sell, children and grandchildren who welcomed her many open armed visits and hugs.
She was busy planning her first trip of a lifetime at age 72 when we noticed her eyes looked yellow. Only two weeks later she was bed-bound in unrelenting pain due to pancreatic cancer, gazing heaven-ward instead of Europe-bound. Her dreams had been dashed so quickly, she barely realized her itinerary and destination had changed.
I was 16 at the time, too absorbed in my own teenage cares and concerns to really notice how quickly she was fading and failing like a wilted flower. Instead I was picking fights with my stressed parents, worrying over taking my driver’s license driving test, distracted by all the typical social pressures of high school life.
Her funeral was unbearable as I never really said goodbye – only one brief hospital visit when she was hardly recognizable in her anguish and jaundice. I didn’t even get to hold her hand.
Soon after she had been lowered into the ground next to her husband and young daughter, she came back to me in a dream.
I was asleep when my bedroom door opened into the dark, wakening me as the bright hallway light pushed its way via a shimmering beam to my bed. Grandma Kittie stood in my bedroom doorway, backlit by the light surrounding her silhouette. She silently stood there, just looking at me.
Startled, I sat up in my bed and said to her, “Grandma, why are you here? You died and we buried you!”
She nodded and smiled. And then she said to me:
“I wanted you to know I’m okay and always will be. You will be too.”
She gave a little wave, turned and left, closing the door behind her. I woke suddenly with a gasp in my darkened bedroom and knew I had just been visited.
She hadn’t come to say goodbye or to tell me she loved me — that I knew already.
She had come to shine with her light blossoming around her, mending my broken heart by planting it with peace.
The ripe, the golden month has come again… Frost sharps the middle music of the seasons, and all things living on the earth turn home again… the fields are cut, the granaries are full, the bins are loaded to the brim with fatness, and from the cider-press the rich brown oozings of the York Imperials run. The bee bores to the belly of the grape, the fly gets old and fat and blue, he buzzes loud, crawls slow, creeps heavily to death on sill and ceiling, the sun goes down in blood and pollen across the bronzed and mown fields of the old October. ~Thomas Wolfe
Mid-October dreary cloud-covered rain and wind.
An instant at dusk, the sun broke through, peeling away the grey, infusing amber onto fields and foliage, ponies and puddles. The shower spun raindrops threading a gold tapestry through the evening air, casting sparkles,
casting sparkles, a sunray sweep of fairy godmother’s wand across the landscape.
One more blink, and the sun shrouded, the color drained away the glimmer mulled into mere weeping once more, streaming over our farm’s fallen face.
Now I know to gently wipe the teardrops away, having seen the hidden magic within, when the light is just so.
Savoring the tears of gold that glisten when the light is just right.
We thought we were the perfect family— loyal, stable, a brick wall you couldn’t topple with a wrecking ball. Parents dependable as the frozen Minute Maid juice we squeezed from cardboard cans and drank mornings, reconstituted.
We’d come to this place just to be together. October in Ogunquit, record heat, no need for the sweaters we’d packed. Dad had died but Mom, in her 80s, sat pouring green tea, our wicker chairs on the small porch, six sets of knees touching.
She didn’t mean to mention Dad’s first wife.
To our collective what? she sputtered lasted a year, before the war, her name: Phyllis. Remember that chest in the basement? It was hers.
Some moments passed, then mutely we agreed to let it go. Radium glowed green in our brains but didn’t burn. The knowing, a relief: We didn’t have to be perfect.
The August-warm wind felt pleasant and odd. We sat on that porch, orange leaves pinwheeling down the street. ~Karen Paul Holmes “Rental Cottage, Maine” from No Such Thing as Distance
Surfacing to the street from a thirty two hour hospital shift usually means my eyes blink mole-like, adjusting to searing daylight after being too long in darkened windowless halls. This particular day is different. As the doors open, I am immersed in a subdued gray Seattle afternoon, with horizontal rain soaking my scrubs.
Finally remembering where I had parked my car in pre-dawn dark the day before, I start the ignition, putting the windshield wipers on full speed. I merge onto the freeway, pinching myself to stay awake long enough to reach my apartment and my pillow.
The freeway is a flowing river current of head and tail lights. Semitrucks toss up tsunami waves cleared briefly by my wipers frantically whacking back and forth.
Just ahead in the lane to my right, a car catches my eye — it looks just like my Dad’s new Buick. I blink to clear my eyes and my mind, switching lanes to get behind. The license plate confirms it is indeed my Dad, oddly 100 miles from home in the middle of the week. I smiled, realizing he and Mom, the best parents ever, have probably planned to surprise me by taking me out for dinner.
I decide to surprise them first, switching lanes to their left and accelerating up alongside. As our cars travel side by side in the downpour, I glance over to my right to see if I can catch my Dad’s eye through streaming side windows. He is looking away to the right at that moment, obviously in conversation. It is then I realize something is amiss. When my Dad looks back at the road, he is smiling in a way I have never seen before. There are arms wrapped around his neck and shoulder, and a woman’s auburn head is snuggled into his chest.
My mother’s hair is gray.
My initial confusion turns instantly to fury. Despite the rivers of rain obscuring their view, I desperately want them to see me. I think about honking, I think about pulling in front of them so my father would know I have seen and I know. I think about ramming them with my car so that we’d perish, unrecognizable, in an explosive storm-soaked mangle.
At that moment, my father glances over at me and our eyes meet across the white line separating us. His face is a mask of betrayal, bewilderment and then shock, and as he tenses, she straightens up and looks at me quizzically.
I can’t bear to look any longer.
I leave them behind, speeding beyond, splashing them with my wake. Every breath burns my lungs and pierces my heart. I can not distinguish whether the rivers obscuring my view are from my eyes or my windshield.
Somehow I made it home to my apartment, my heart still pounding in my ears. The phone rings and remains unanswered.
I throw myself on my bed, bury my wet face in my pillow and pray — for a sleep without dreams, without secrets, without lies, without the burden of knowing the truth I alone now knew and wished I didn’t.