Come and See: He Wept…

Now when Jesus came, he found that Lazarus had already been in the tomb four days. Bethany was near Jerusalem, about two miles off, and many of the Jews had come to Martha and Mary to console them concerning their brother. 

So when Martha heard that Jesus was coming, she went and met him, but Mary remained seated in the house. Martha said to Jesus, “Lord, if you had been here, my brother would not have died. But even now I know that whatever you ask from God, God will give you.” 

Jesus said to her, “Your brother will rise again.” Martha said to him, “I know that he will rise again in the resurrection on the last day.” 

Jesus said to her, “I am the resurrection and the life. Whoever believes in me, though he die, yet shall he live, and everyone who lives and believes in me shall never die. Do you believe this?” She said to him, “Yes, Lord; I believe that you are the Christ, the Son of God, who is coming into the world.”

When she had said this, she went and called her sister Mary, saying in private, “The Teacher is here and is calling for you.” And when she heard it, she rose quickly and went to him. Now Jesus had not yet come into the village, but was still in the place where Martha had met him. When the Jews who were with her in the house, consoling her, saw Mary rise quickly and go out, they followed her, supposing that she was going to the tomb to weep there. 

Now when Mary came to where Jesus was and saw him, she fell at his feet, saying to him, “Lord, if you had been here, my brother would not have died.” When Jesus saw her weeping, and the Jews who had come with her also weeping, he was deeply moved in his spirit and greatly troubled. And he said, “Where have you laid him?” 

They said to him, “Lord, come and see.” Jesus wept. So the Jews said, “See how he loved him!” But some of them said, “Could not he who opened the eyes of the blind man also have kept this man from dying?”
John 11:17-37

Beauty, to the Japanese of old, held together the ephemeral with the sacred. Cherry blossoms are most beautiful as they fall, and that experience of appreciation lead the Japanese to consider their mortality. Hakanai bi (ephemeral beauty) denotes sadness, and yet in the awareness of the pathos of life, the Japanese found profound beauty.

For the Japanese, the sense of beauty is deeply tragic, tied to the inevitability of death.

Jesus’ tears were also ephemeral and beautiful. His tears remain with us as an enduring reminder of the Savior who weeps. Rather than to despair, though, Jesus’ tears lead the way to the greatest hope of the resurrection. Rather than suicide, Jesus’ tears lead to abundant life.
~Makoto Fujimura

When I read that Jesus weeps as He witnesses the tears of grief of His dear friends, I am comforted. 

He understands and feels what we feel,
His tears just as plentiful and salty,
His feelings of love brimming so fully
they must be let go and cannot be held back.
He too is overwhelmed by the pathos
of His vulnerable and visceral humanity.

Our Jesus who wept with us becomes a promise of ultimate joy.

There is beauty in His rain of ephemeral tears.

I am reading slowly through the words in the Book of John over the next year alongside my church family. Once a week, I will invite you to “come and see” what those words might mean as we explore His promises together.

A Tumble of Onions

How easily happiness begins by   
dicing onions. A lump of sweet butter   
slithers and swirls across the floor   
of the sauté pan, especially if its   
errant path crosses a tiny slick
of olive oil. Then a tumble of onions.

This could mean soup or risotto   
or chutney (from the Sanskrit
chatni, to lick). Slowly the onions   
go limp and then nacreous
and then what cookbooks call clear,   
though if they were eyes you could see

clearly the cataracts in them.
It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent, like the nuggets of nightmare

and rage and murmury animal   
comfort that infant humans secrete.   
This is the best domestic perfume.   
You sit down to eat with a rumor
of onions still on your twice-washed   
hands and lift to your mouth a hint

of a story about loam and usual   
endurance. It’s there when you clean up   
and rinse the wine glasses and make   
a joke, and you leave the minutest   
whiff of it on the light switch,
later, when you climb the stairs.

~William Matthews “Onions”

I don’t mean to make you cry.
I mean nothing, but this has not kept you
From peeling away my body, layer by layer,

The tears clouding your eyes as the table fills
With husks, cut flesh, all the debris of pursuit.
Poor deluded human: you seek my heart.

Hunt all you want. Beneath each skin of mine
Lies another skin: I am pure onion–pure union
Of outside and in, surface and secret core.

Look at you, chopping and weeping…
~Suji Kwock Kim from “Monologue for a Onion”

It’s true it can make you weep
to peel them, to unfurl and to tease   
from the taut ball first the brittle,   
caramel-colored and decrepit
papery outside layer, the least

recent the reticent onion
wrapped around its growing body,   
for there’s nothing to an onion
but skin, and it’s true you can go on   
weeping as you go on in, through   
the moist middle skins, the sweetest

and thickest, and you can go on   
in to the core, to the bud-like,   
acrid, fibrous skins densely   
clustered there, stalky and in-
complete, and these are the most   
pungent

~William Matthews from “Onions”

I would never scold the onion
for causing tears.
It is right that tears fall
for something small and forgotten.
How at meal, we sit to eat,
commenting on texture of meat or herbal aroma
but never on the translucence of onion,
now limp, now divided,
or its traditionally honorable career:
For the sake of others,
disappear.

~Naomi Shihab Nye from “The Traveling Onion”
from Words Under the Words: Selected Poems.

Onion,
luminous flask,
your beauty formed
petal by petal,
crystal scales expanded you
and in the secrecy of the dark earth
your belly grew round with dew.
Under the earth
the miracle
happened
and when your clumsy
green stem appeared,
and your leaves were born
like swords
in the garden,
the earth heaped up her power
showing your naked transparency…

…You make us cry without hurting us.
I have praised everything that exists,
but to me, onion, you are
more beautiful than a bird
of dazzling feathers,
heavenly globe, platinum goblet,
unmoving dance
of the snowy anemone

and the fragrance of the earth lives
in your crystalline nature.

~Pablo Neruda from “Ode to the Onion”

Everything smells of “eau de onion” here in the kitchen when the onions are brought in from our garden to be stored or dehydrated and frozen for winter soups and stews.

This is weepy business, but these are good tears like I spill over the whistled Greensleeves theme from the old “Lassie” TV show, or during any childrens’ choir song, or by simply watching videos of our grandchildren who live too far away to visit every day.

It takes almost nothing these days to make me weep, so onions are a handy excuse, allowing my tears to flow without explanation:

I weep over the headlines.

I weep over how messy things can get between people who don’t listen to one another or who misinterpret what they think they hear.

I weep knowing we all have layers and layers of skin that appear tough on the outside, but as you peel gently or even ruthlessly cut them away, the layers get more and more tender until you reach the throbbing heart of us.

We tend to hide our hearts out of fear of being hurt, crying out in pain.

Like an onion, each one of us exists to make the day a bit better, the meal more savory, to enhance the flavors of all who are mixed into this melting pot together, trying to make sad things new.

We aren’t meant to stand alone, but to disappear into the stew, and be sorely missed if we are absent.

So very dish needs an onion, and for the sake of the dish, every onion vanishes in the process.

No, I don’t mean to make you cry
as you peel my layers away,
gently, one by one,
each more tender until you reach my heart.
Chop away at me if you must
but weep the good tears, the ones that mean
we weep for the sake of our meal together:
you eating and drinking,
and me – consumed.

Lyrics:
When the dark wood fell before me
And all the paths were overgrown
When the priests of pride say there is no other way
I tilled the sorrows of stone

I did not believe because I could not see
Though you came to me in the night
When the dawn seemed forever lost
You showed me your love in the light of the stars

Chorus:
Cast your eyes on the ocean
Cast your soul to the sea
When the dark night seems endless
Please remember me

Then the mountain rose before me
By the deep well of desire
From the fountain of forgiveness
Beyond the ice and fire

Though we share this humble path, alone
How fragile is the heart
Oh, give these clay feet wings to fly
To touch the face of the stars

Breathe life into this feeble heart
Lift this mortal veil of fear
Take these crumbled hopes, etched with tears
We’ll rise above these earthly cares

Lyrics: Light after darkness, gain after loss
Strength after weakness, crown after cross;
Sweet after bitter, hope after fears
Home after wandering, praise after tears

Alpha and Omega
Beginning and the end
He is making all things new
Springs of living water
Shall wash away each tear
He is making all things new

Sight after mystery, sun after rain
Joy after sorrow, peace after pain;
Near after distant, gleam after gloom
Love aftеr wandering, life after tomb

A Delicate Sadness of Dusk

The talkative guest has gone,
and we sit in the yard
saying nothing. The slender moon
comes over the peak of the barn.

The air is damp, and dense
with the scent of honeysuckle. . . .
The last clever story has been told
and answered with laughter.

With my sleeping self I met
my obligations, but now I am aware
of the silence, and your affection,
and the delicate sadness of dusk.
~Jane Kenyon, “The Visit” from Collected Poems

From morning suns and evening dews
At first thy little being came:
If nothing once, you nothing lose,
For when you die you are the same;
The space between, is but an hour,
The frail duration of a flower.
~Philip Freneau from “The Wild Honey Suckle”

It sprang up wild along the chain link fence—thick,
with glorious white
and yellow summer blooms, and green tips that we
pinched and pulled for one
perfect drop of gold honey. But Dad hated
it—hated its lack
of rows and containment, its disorder. Each
year, he dug, bulldozed,
and set fire to those determined vines. But each
year, they just grew back
stronger. Maybe that’s why I felt the urge to
plant it that one day
in May, when cancer stepped onto my front porch
and rang the doorbell,
loose matches spilling out of its ugly fists.
~Karla Morton “Honeysuckle” from Accidental Origami: New and Selected Works

Some things are very dear to me–
Such things as flowers bathed by rain
Or patterns traced upon the sea
Or crocuses where snow has lain . . .
The iridescence of a gem,
The moon’s cool opalescent light,
Azaleas and the scent of them,
And honeysuckles in the night.
And many sounds are also dear–
Like winds that sing among the trees
Or crickets calling from the weir
Or Negroes humming melodies.
But dearer far than all surmise
Are sudden tear-drops in your eyes
~Gwendolyn Bennett— Sonnet 2

I am an easy cryer. It takes very little to tip me over the edge: a hymn, a poem, simply witnessing a child’s joy.

Suddenly my eyes fill up.

I blame this on my paternal grandmother who was in tears much of the time while visiting our family, crying happy, crying sad, crying frustrated and angry tears, crying desperate tears after being diagnosed with metastatic pancreatic cancer. I think of her often as she was the age I am now, grateful I too have not been visited with such dire news.

My greatest trigger to weep myself is watching someone else tear up.
I think my grandmother left behind some powerful empathy genes and I will honor that when I visit her grave this weekend to lay flowers.

I needed to desensitize my response to others’ tears to be effective as a physician/healer. Witnessing tears in the exam room is a normal part of the job: patients are anxious, ill, in pain or just need to decompress in safety. I learned early on to be unobtrusive and not interrupt, letting the flow of tears be part of how the patient was trying to communicate their distress. It was a struggle when my inclination was to cry right along with them.

But I needed to remain the rock in the room, solid and steady. I could understand their tears as yet another symptom of a clinical presentation, allowing me to observe without being clouded by my own emotional response.

Sometimes that worked. Sometimes not. At times overwhelmed myself, I wept at births, I wept at deaths, I wept at the sharing of bad news.

Now retired and liberated from the exam room, I freely and regularly weep at the state of the world, or when I read of disaster and tragedy, and especially when I witness intentional harm and cruelty in others. I’m no longer a stone, but more like an over-filled sponge being squeezed – everything builds up until I can hold it no more.

Reading headlines in the news is sometimes more than I can bear.
I cry myself dry.

And that is okay, thanks to Grandma. Once emptied out, I can be filled again by so much that is good and precious and beautiful in this life – a sad and delicate dusk, the promising light of dawn, the persistence of the wild honeysuckles, the raindrops on colorful blooms, the resonance of a heartfelt spiritual, the love of my husband, children, grandchildren and friends.

Now those are worth weeping over.

…Or What’s a Heaven For?

And God held in his hand
A small globe. Look, he said.
The son looked. Far off,
As through water, he saw
A scorched land of fierce
Colour. The light burned
There; crusted buildings
Cast their shadows; a bright
Serpent, a river
Uncoiled itself, radiant
With slime.

                        On a bare
Hill a bare tree saddened
The sky. Many people
Held out their thin arms
To it, as though waiting
For a vanished April
To return to its crossed
Boughs. The son watched
Them. Let me go there, he said.
~R.S. Thomas “The Coming”

…for each of us has known the pleasure
of spring, the way it feels for something closed

to open: the soft, heavenly weather of arrival.
~Faith Shearin from “Geese” from Moving the Piano

Ah, but a man’s reach should exceed his grasp,
Or what’s a heaven for? 

~Robert Browning from “Andrea del Sarto”

“Let me go there”
And You did. Knowing what awaited You.

Your arms out wide
to embrace us
who try to grasp
a heaven which eludes us.

This heaven, Your heaven
You brought down to us,
knowing our terrible need.

You wanted to come here,
knowing all this.

Holding us firmly
within your wounded grip,
You the Son
handed us back to heaven.

A sorrowful holy season of opening and emptying:
from cloistered tight
to reaching beyond our grasp.
Or what’s a heaven for?

Bring to Light the Mystery: Unsettled Petals

sakura217

God is within all things, but not enclosed;
outside all things, but not excluded;
above all things but not aloof;
below all things but not debased.

~St. Bonaventure, 14th C. philosopher and theologian 

wwusakura4
wwusakura6

Beauty, to the Japanese of old, held together the ephemeral with the sacred. Cherry blossoms are most beautiful as they fall, and that experience of appreciation lead the Japanese to consider their mortality.

Hakanai bi (ephemeral beauty) denotes sadness, and yet in the awareness of the pathos of life, the Japanese found profound beauty.

For the Japanese, the sense of beauty is deeply tragic, tied to the inevitability of death.

Jesus’ tears were also ephemeral and beautiful. His tears remain with us as an enduring reminder of the Savior who weeps. Rather than to despair, though, Jesus’ tears lead the way to the greatest hope of the resurrection. Rather than suicide, Jesus’ tears lead to abundant life.
~Makoto Fujimura

Everyone feels grief
when cherry blossoms scatter.
Might they then be tears –
those drops of moisture falling
in the gentle rains of spring?
~Otomo no Juronushi (late 9th century)

fallensakura
fallen sakura petals in Tokyo (photo by Nate Gibson)
sakurarain
fallen sakura blossoms in Tokyo, photo by Nate Gibson

For four decades, as a family physician, I saw patients struggling with depression, some contemplating whether living another day was worth the pain and effort. 

Most described their feelings completely dry-eyed, unwilling to let their emotions flow from inside and flood their outsides. Others sat soaking in tears of hopelessness and despair.

Their weeping moved and reassured me — it is a raw and authentic spilling over when the internal dam is breaking. It is so human, yet we also know tears contain the divine.

When I read that Jesus weeps as He witnesses the tears of grief of His dear friends, I am comforted. He understands and feels what we feel, His tears just as plentiful and salty, His overwhelming feelings of love brimming so full they must be let go and cannot be held back.

Our Jesus who wept with us became a promise of ultimate joy.

There is beauty in this: His rain of tears, the spilling of the divine onto our mortal soil like the unsettled petals of spring.

photo by Nate Gibson

This year’s Barnstorming Lenten theme is Ephesians 3:9:

…to bring to light for everyone what is the plan of the mystery hidden for ages in God, who created all things…

Blooming into Glass

All the love you will ever feel
you have always carried within you

The pellet you think love is

blooms into stone,
into flame, into glass

The tree knows
how to feed every part of itself

When you tap the tree
to drink it
it speaks to you

There is sweetness in you
All the self can do
is melt

~Hannah Stephenson from “Sap Season”

It never mattered that there was once a vast grieving:

trees on their hillsides, in their groves, weeping—
a plastic gold dropping

through seasons and centuries to the ground—
until now.

The clear air we need to find each other in is
gone forever, yet

this resin once
collected seeds, leaves and even small feathers as it fell
and fell

which now in a sunny atmosphere seem as alive as
they ever were

as though the past could be present and memory itself
a Baltic honey—

a chafing at the edges of the seen, a showing off of just how much
can be kept safe

inside a flawed translucence.
~Eavan Boland, from “Amber” in The Wake Forest Book of Irish Women’s Poetry (2011)

The last remaining cherry tree on our farm,
a Royal Anne,
has stood between house and barn for over 100 years.
This year, its branch joints and bark defects are bleeding – oozing sculptures of amber sap.

The resin is hard and glass-like,
reflecting the tree’s slow internal circulation,
changing subtly day by day.

Though its cherries burst months ago
with juicy flavor,
now it bleeds crystalline flames from its wounds.

What a gift is this love bleeding out
as it moves deep inside an old trunk.
In its thirsty anguish, our dear cherry tree is weeping,
creating glass fruit reflecting Light.

No Stomach For It…

The thing is
to love life, to love it even
when you have no stomach for it
and everything you’ve held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
~Ellen Bass, “The Thing Is” from Mules of Love

...everything here
seems to need us
—Rainer Maria Rilke

It’s a hard time to be human. We know too much
and too little. Does the breeze need us?
If you’ve managed to do one good thing,
the ocean doesn’t care.
But when Newton’s apple fell toward the earth,
the earth, ever so slightly, fell
toward the apple.

~Ellen Bass from “The World Has Need of You” from Like a Beggar

Fallen leaves will climb back into trees.
Shards of the shattered vase will rise
and reassemble on the table.
Plastic raincoats will refold
into their flat envelopes. The egg,
bald yolk and its transparent halo,
slide back in the thin, calcium shell.
Curses will pour back into mouths,
letters un-write themselves, words
siphoned up into the pen. My gray hair
will darken and become the feathers
of a black swan. Bullets will snap
back into their chambers, the powder
tamped tight in brass casings. Borders
will disappear from maps. Rust
revert to oxygen and time. The fire
return to the log, the log to the tree,
the white root curled up
in the un-split seed. Birdsong will fly
into the lark’s lungs, answers
become questions again.
When you return, sweaters will unravel
and wool grow on the sheep.
Rock will go home to mountain, gold
to vein. Wine crushed into the grape,
oil pressed into the olive. Silk reeled in
to the spider’s belly. Night moths
tucked close into cocoons, ink drained
from the indigo tattoo. Diamonds
will be returned to coal, coal
to rotting ferns, rain to clouds, light
to stars sucked back and back
into one timeless point, the way it was
before the world was born,
that fresh, that whole, nothing
broken, nothing torn apart.

~Ellen Bass “When You Return” from Like a Beggar

There is so much grief these days
so much anger,
so much loss of life,
so much weeping.

How can we withstand this?
How can we know, now,
when we are barely able to breathe
that we might know – at some point –
we might have the stomach to love life again?

This time of year, no matter which way I turn,  autumn’s kaleidoscope displays new patterns, new colors, new empty spaces as I watch the world die into itself once again. 

Some dying is flashy, brilliant, blazing – a calling out for attention. Then there is the hidden dying that happens without anyone taking notice: just a plain, tired, rusting away letting go.

I spent this morning adjusting to the change in season by occupying myself with the familiar task of moving manure. Cleaning barn is a comforting chore, allowing me to transform tangible benefit from something objectionable and just plain stinky to the nurturing fertilizer of the future.

It feels like I’ve actually accomplished something.

As I scoop and push the wheelbarrow, I recalled another barn cleaning 24 years ago, just days before the world changed on 9/11/01.

I was one of three or four friends left cleaning over ninety stalls after a Haflinger horse event that I had organized at our local fairgrounds. Some people had brought their horses from over 1000 miles away to participate for several days, including a Haflinger parade through our town on a quiet Sunday morning.

There had been personality clashes and harsh words among some participants along with criticism directed at me as the organizer that I had taken very personally. As I struggled with the umpteenth wheelbarrow load of manure, tears stung my eyes and my heart. 

I was miserable with regret, feeling my work had been futile and unappreciated.

One friend had stayed behind with her young family to help clean up the large facility and she could see I was struggling to keep my composure. Jenny put herself right in front of my wheelbarrow and looked me in the eye, insisting I stop for a moment and listen:

“You know,  none of these troubles and conflicts will amount to a hill of beans years from now. People will remember a fun event in a beautiful part of the country, a wonderful time with their Haflingers, their friends and family, and they’ll be all nostalgic about it, not giving a thought to the infighting or the sour attitudes or who said what to whom. So don’t make this about you and whether you did or didn’t make everyone happy. You loved us all enough to make it possible to meet here and the rest was up to us. So quit being upset about what you can’t change. There’s too much you can still do for us.”

Jenny had no idea how wise her words were, even two days later, on 9/11.

During tough times since (and there have been plenty), Jenny’s advice replays, reminding me to cease seeking appreciation from others or feeling hurt when harsh words come my way. 

She was right about the balm found in the tincture of time. She was right about giving up the upset in order to die to self and self absorption, and instead to focus outward.

I have remembered.

Jenny herself did not know that day she would subsequently spend six years dying while still loving life every day, fighting a relentless cancer that was only slowed in the face of her faith and intense drive to live.

She became a rusting leaf gone holy, fading imperceptibly over time, crumbling at the edges until she finally had to let go. Her dying did not flash brilliance, nor draw attention at the end. Her intense focus during the years of her illness had always been outward to others, to her family and friends, to the healers she spent so much time with in medical offices, to her firm belief in the plan God had written for her and those who loved her.

So Jenny let go her hold on life here. And we reluctantly let her go.   Brilliance cloaks her as her focus is now on things eternal.

You were so right, Jenny. The hard feelings from a quarter century ago don’t amount to a hill of beans now. The words you spoke to me that day taught me to love life even when I have no stomach for it.

All of us did have a great time together a few days before the world changed. And manure transforms over time to rich, nurturing compost.

I promise I am no longer upset that I can’t change what is past nor the fact that you and so many others have now left us.

But we’ll catch up later.

Renewed Pulse

The cold remote islands
And the blue estuaries
Where what breathes, breathes
The restless wind of the inlets,
And what drinks, drinks
The incoming tide;


Where shell and weed
Wait upon the salt wash of the sea,
And the clear nights of stars
Swing their lights westward
To set behind the land;


Where the pulse clinging to the rocks
Renews itself forever;
Where, again on cloudless nights,
The water reflects
The firmament’s partial setting;

—O remember
In your narrowing dark hours
That more things move
Than blood in the heart.

Louise Bogan “Night” from The Blue Estuaries

 I know what my heart is like
Since your love died:
It is like a hollow ledge
Holding a little pool
Left there by the tide,
A little tepid pool,
Drying inward from the edge.
~Edna St. Vincent Millay “Ebb”

My mother was 58 when my father left her for a younger woman. 

For months, she withered,
her heart broken, her pulse erratic,
crying until there were no more tears left.

She began drying inward from her edges
despite the ebbing and flowing
of her heartbeat.

It took ten years,
but he came back like an overdue high tide.  

She was sure her love had died
but that tepid pool refilled
with water cool to the touch,
yet overflowing.

AI image created for this post

Trying Not to Cry

People have said, “Don’t cry” to other people for years and years, and all it has ever meant is, “I’m too uncomfortable when you show your feelings.  Don’t cry.”  I’d rather have them say, “Go ahead and cry.  I’m here to be with you.”

~Mister Fred Rogers

I cry easily, always have. Certain songs and hymns will trigger tears, and of course, any rituals surrounding baptisms, funerals, weddings, and graduations.

Tears don’t bother me, whether they are my own or someone else’s. My medical office and exam rooms were always well- stocked with boxes of tissues as a safe place to cry it out.

One of my routine mental health history questions was “what will bring tears to your eyes – dicing onions doesn’t count?”  

Some patients would look at me blankly, not sure they ever remember crying, and others will weep at the mere suggestion.

No matter what the reason for someone’s tears, it is a powerful outward expression of human feeling, like a laugh or a grimace of pain. I watch for those cues and sometimes feel their emotion as surely as if it were my own.

Even tears can bring peace – like a river.

I am with you.  And always intend to be.

Where You Go, I Will Go: Weary with Weeping

Jesus comes near and he beholds the city
And looks on us with tears in his eyes,
And wells of mercy, streams of love and pity
Flow from the fountain whence all things arise.
He loved us into life and longs to gather
And meet with his beloved face to face
How often has he called, a careful mother,
And wept for our refusals of his grace,
Wept for a world that, weary with its weeping,
Benumbed and stumbling, turns the other way,
Fatigued compassion is already sleeping
Whilst her worst nightmares stalk the light of day.
But we might waken yet, and face those fears,
If we could see ourselves through Jesus’ tears.
~Malcolm Guite “Jesus Weeps”

When Jesus wept, the falling tear
in mercy flowed beyond all bound;
when Jesus groaned, a trembling fear
seized all the guilty world around.
~William Billings

And when he drew near and saw the city, he wept over it, saying, “Would that you, even you, had known on this day the things that make for peace!
But now they are hidden from your eyes. 
~Luke 19:41-42

Commencing this holy week of remembrance,
knowing how our world is in a terrible disarray,
too many sleeping in the street, some in graves,
many grieving losses,
all wondering what comes next.

On this journey, we face our own fears of vulnerability and mortality,
these days when thorns overwhelm emerging blossoms~~

To remember what He did this week long ago,
and still does today
to conquer the shroud and the stone,
to defy death,
makes all the difference to me.

Indeed Jesus wept and groaned for us.

To be known for who we are
by a God who weeps for us
and moans with pain we caused:
we can know
no greater love.

This week ends our living for self, only to die,
and begins our dying to self, in order to live.

This year’s Lenten theme:

…where you go I will go…
Ruth 1:16