In Solitudes of Peace

There seemed a smell of autumn in the air
At the bleak end of night; he shivered there
In a dank, musty dug-out where he lay,
Legs wrapped in sand-bags,—lumps of chalk and clay
Spattering his face. Dry-mouthed, he thought, “To-day
We start the damned attack; and, Lord knows why,
Zero’s at nine; how bloody if I’m done in
Under the freedom of that morning sky!”
And then he coughed and dozed, cursing the din
.

Was it the ghost of autumn in that smell
Of underground, or God’s blank heart grown kind,
That sent a happy dream to him in hell?—
Where men are crushed like clods, and crawl to find
Some crater for their wretchedness; who lie
In outcast immolation, doomed to die
Far from clean things or any hope of cheer,
Cowed anger in their eyes, till darkness brims
And roars into their heads, and they can hear
Old childish talk, and tags of foolish hymns.

He sniffs the chilly air; (his dreaming starts).
He’s riding in a dusty Sussex lane
In quiet September; slowly night departs;
And he’s a living soul, absolved from pain.
Beyond the brambled fences where he goes
Are glimmering fields with harvest piled in sheaves,
And tree-tops dark against the stars grown pale;
Then, clear and shrill, a distant farm-cock crows;
And there’s a wall of mist along the vale
Where willows shake their watery-sounding leaves.
He gazes on it all, and scarce believes
That earth is telling its old peaceful tale;
He thanks the blessed world that he was born….
Then, far away, a lonely note of the horn.

They’re drawing the Big Wood! Unlatch the gate,
And set Golumpus going on the grass:
He knows the corner where it’s best to wait
And hear the crashing woodland chorus pass;
The corner where old foxes make their track
To the Long Spinney; that’s the place to be.
The bracken shakes below an ivied tree,
And then a cub looks out; and “Tally-o-back!”
He bawls, and swings his thong with volleying crack,—
All the clean thrill of autumn in his blood,
And hunting surging through him like a flood
In joyous welcome from the untroubled past;
While the war drifts away, forgotten at last.

Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.

* * * *  
Hark! there’s the horn: they’re drawing the Big Wood.
~Siegfried Sassoon “Break of Day”
(written about his memories as a WWI soldier)

When we are at war,
whether deep in the foxhole
hiding from the enemy,
or deeper yet in a hole of our own making,
trying to conceal our sins.

Amidst that mire and mud,
we dream of better days
and an untroubled past,
when the hunter and hunted was merely a game,
not life and death.

May we know the means of peace was brought to earth.

May we surface in mutual surrender,
begging for reprieve, longing for redemption.
May the solitudes of peace overwhelm
those who are angry and conflicted.
May we lift our faces up
and thank the Light.

Going Home to Mother

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“Comrade General, instead of a decoration, could I go home to see my mother?”

I was sixteen, taking second year high school Russian during the Cold War, partly for the challenge, but mostly to understand better who our “enemy” was.  Our teacher assigned us unusual homework one weekend: watch the 1959 Russian movie  Ballad of a Soldier being broadcast on PBS in 1970.  It had English subtitles, but the point of the assignment was to experience the sounds and inflections of native Russian speakers.  Although the movie was a fictional story of a Russian soldier’s brief leave from the front during WWII, it complemented a concurrent assignment in our World History class, reading All Quiet on the Western Front. The unforgettable juxtaposition of these two works of art helped me appreciate, in the midst of the nightly news from Vietnam,  the terrible cost of war.

Recently, some forty seven years later, I watched this movie again. The tale is a classic “returning home from war” saga with the twist that young Alyosha is only on a brief leave granted by a compassionate general rewarding the front line soldier for an extraordinary act of bravery.  Alyosha asks only to return to his home village to fix the leaking roof of his mother’s home.  Given the extraordinary difficulties of war time travel in an economically struggling country, as well as the challenges and people he ends up meeting along the way, his time home ends up being only a few precious minutes before he has to turn around and return to the front.  He only has enough time to hug his mother, and say goodbye one last time, never to return again.

Although the story focuses on a son’s determination to get home to his mother, it also allows a view of war’s permanent damage to bodies and minds,  as well as the toll of war time separation on relationships.  There seems little sense of hopeful future for the characters in this story, so the immediacy of what they experience takes on greater significance.

Alyosha meets a young woman on the train and their evolving connection offers a glimpse of a potential love that can transcend the ugliness of war.  They part not even knowing how to find each other again, after having spent precious few hours in conversation.   Acknowledging that lack of future hope is the most painful of all;  there is no ability to make plans with confidence, no sense of a long life stretching ahead like the dusty road leading from his village that reaches endless to the horizon.

I remember sitting in my childhood home, watching this movie as a teenager with so little life experience at that point.  Tears streamed down my face, touched forever by the tender story of a man made too old by war and hardship for his young years and his simple desire to once again hug his mother.   This Russian soldier did not feel like an enemy to me.  This felt like someone I could easily love and hold on to–as a brother, someday as a cherished husband, eventually as a precious son.   Years later I would identify with the role of the mother with moistening eyes, watching my children leave our home, heading down that long endless road to their own uncertain futures.

On this day — May 26 — what would have been my mother’s 98th birthday — I have the simple desire to once again hug my mother and feel her tender love.  The wrenching moments of saying goodbye as I left home remain my precious bittersweet memories of her, even as my own road now grows shorter.

There will come a time, in our forever home,  when there will be no more goodbyes,  I’ll never have to let go of her and neither of us will walk away to an uncertain future.

 

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