In the high woods that crest our hills, Upon a steep, rough slope of forest ground, Where few flowers grow, sweet blooms today I found Of the Autumn Crocus, blowing pale and fair. Dim falls the sunlight there; And a mild fragrance the lone thicket fills.
Languidly curved, the long white stems Their purple flowers’ gold treasure scarce display: Lost were their leaves since in the distant spring,
Their February sisters showed so gay. Roses of June, ye too have followed fleet! Forsaken now, and shaded as by thought, As by the human shade of thought and dreams, They bloom ‘mid the dark wood, whose air has wrought With what soft nights and mornings of still dew! Into their slender petals that clear hue, Like paleness in fresh cheeks; a thing On earth, I vowed, ne’er grew More delicately pure, more shyly sweet.
Child of the pensive autumn woods! So lovely, though thou dwell obscure and lone, And though thy flush and gaiety be gone; Say, among flowers of the sad, human mind, Where shall I ever find So rare a grace? in what shy solitudes? ~Robert Laurence Binyon “Autumn Crocus”
The late September emergence of autumn crocus is always sudden, rising up near the equinox in the shade of spent peony bushes.
These rare blooms: tall, tender, bold, and frail, their incubation triggered by retreating light from above, unlike their springtime cousins emerging through melting snow.
The autumn crocus waits with thoughtful temerity, summoned forth from the soil to remind us the end of summer is not the end of them or us.
A luminous gift of hope and beauty borne from a humble bulb; plain and only soil-adorned.
Slowly unfurling on a pale leggy stem, the tender lavender petals peel back to reveal golden crowns of saffron, brazenly blooming when all else is dying back.
Vulnerable to blustery wind and heavy rains, they easily wilt, crushed, deeply bruised purple – under the Sun’s reflection made manifest; returning defeated, inglorious, fallen, to dust.
Yet we know – they remind us: they (and we) will rise again.
…we know what is coming behind the crocus. The spring comes slowly down this way; but the great thing is that the corner has been turned. . . It remains with us to follow or not, to die in this winter, or to go on into that spring and that summer. C.S. Lewis from God in the Dock
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From steady rain we step to sheltered ground in the dark cathedral of the barn, breathe in scents of damp wood and hay, assume a reverent stillness. The dog, with the sudden confidence of one engaged, at last, in good work, trots through the barn’s far doorway heading seven white-faced ewe lambs. Not knowing me, they halt, uncertain, until you smoothly bucket corn from storage to trough, and they— as sheep will—follow where hunger leads. Hard teeth crack dry kernels in percussive counterpoint, a muted consort mimicking the fall of winter rain on wooden shingles. In entiring darkness, we stand, until from your post beneath the hayloft beams, you turn to me, grinning, and say, That’s a good sound. And it is. ~Brian Volck “Visiting”
Every now and then, I forget to turn off the lights in the barn. I usually notice just before I go to bed, when the farm’s boundaries seem to have drawn in close. That light makes the barn seem farther away than it is — a distance I’m going to have to travel before I sleep. The weather makes no difference. Neither does the time of year.
Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses. ~Verlyn Klinkenborg from A Light in the Barn
…let me live in a small room up the narrow stairs from the stalls, the horse shifting comfortably below, browsing and chewing sweet hay. A single bed with blanket the color of factory-sweepings will suffice, each day shaped to the same arc, because days can only end when the lock slides free on the stall’s Dutch door, and I lead the horse in, then muscle the corroded bolt shut. That’s what days are for: I cannot rest until the horse comes home. ~Julie Bruck from “To Bring the Horse Home”
The best moment in the barn is in the evening just following the hay feeding, as the animals are settling down to some serious chewing. I linger in the center aisle, listening to the rhythmic sounds coming from their stalls. It is a most soothing contented cadence, first their lips picking up the grass, then the chew chew chew chew and a pause and it starts again. It’s even better in the dark, with the lights off.
In the past, I’ve enjoyed listening to the eating sounds at night from the remote vantage point of my bedroom TV monitor system set up to watch my very pregnant mares before foaling. A peculiar lullaby of sorts, strange as that seems, but when all my farm animals are chewing and happy, I am at peace and sleep better.
It reminds me of those dark deep nights of feeding my own newborns, rocking back and forth with the rhythm of their sucking. It is a moment of being completely present and peaceful, and knowing at that moment, nothing else matters–nothing else at all.
If I am very fortunate, each day I live has a rhythm that is reassuring and steady, like the sounds of hay chewing, or rocking a baby. I awake thinking about where my next step will bring me, and then the next, like each chew of sweet hay.
I try to live in communion, without distraction by the worry of the unknown.
But the reality is: life’s rhythms are often out of sync, the cadence is jarring, the sounds are discordant, sometimes I’m the one being chewed on, so pain replaces peacefulness.
Maybe that is why this lullaby in the barn~~this sanctuary~~is so treasured, the chosen place of Jesus’ birth. It brings me home to that doubting center of myself that needs reminding that struggle is fleeting, and peace, however elusive now, is forever. I always know where to find it for a few minutes at the end of every day, in a pastoral symphony of sorts.
Someday my hope for heaven will be angel choruses of glorious praise, augmenting a hay-chewing lullaby.
So simple yet so very, very good.
TEXT O magnum mysterium, et admirabile sacramentum, ut animalia viderent Dominum natum, iacentem in praesepio! Beata Virgo, cujus viscera meruerunt portare Dominum Iesum Christum. Alleluia!
TRANSLATION O great mystery, and wonderful sacrament, that animals should see the newborn Lord, lying in a manger! Blessed is the virgin whose womb was worthy to bear the Lord, Jesus Christ. Alleluia!
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Summer ends now; now, barbarous in beauty, the stooks rise Around; up above, what wind-walks! what lovely behaviour Of silk-sack clouds! has wilder, wilful-wavier Meal-drift moulded ever and melted across skies?
I walk, I lift up, I lift up heart, eyes, Down all that glory in the heavens to glean our Saviour; And eyes, heart, what looks, what lips yet give you a Rapturous love’s greeting of realer, of rounder replies?
And the azurous hung hills are his world-wielding shoulder Majestic – as a stallion stalwart, very-violet-sweet! – These things, these things were here and but the beholder Wanting; which two when they once meet, The heart rears wings bold and bolder And hurls for him, O half hurls earth for him off under his feet. ~Gerard Manley Hopkins “Hurrahing in Harvest”
This poem is (in Hopkin’s own words) “the outcome of half an hour of extreme enthusiasm as I walked home alone one day from fishing in the [River] Elwy.”
This afternoon was the colour of water falling through sunlight; The trees glittered with the tumbling of leaves; The sidewalks shone like alleys of dropped maple leaves, And the houses ran along them laughing out of square, open windows. Under a tree in the park, Two little boys, lying flat on their faces, Were carefully gathering red berries To put in a pasteboard box.
Some day there will be no war, Then I shall take out this afternoon And turn it in my fingers, And remark the sweet taste of it upon my palate, And note the crisp variety of its flights of leaves. To-day I can only gather it And put it into my lunch-box, For I have time for nothing But the endeavour to balance myself Upon a broken world. ~Amy Lowell from “September 1918”
There is no point in seeing without responding; there is no way to respond without seeing.
Christian life and practice require both faith (the sight of the heart) and works (the lurch of the heart toward him in obedience). ~Kathleen Mulhern from “A Christ Sighting” from Dry Bones
Am I the only one who awoke this morning praying today might be a day of healing between peoples, when the barbarous becomes beautiful and we seek to become balanced rather than broken?
A day of no drone missiles being launched, no threats of annihilation and winner takes all, no one gunned down in the street, no vehicles used as weapons, no harsh and angry words spoken, no child misused, no one sold into slavery, no one overdosing, abandoned, homeless and starving.
Am I the only one who awakes and only seeks to watch the clouds to praise the heavens to see the leaves turn color to take out this one day and taste it and find that it is good, then put it away for self-keeping to share when and if I find someone else as hungry for grace and mercy as I am,
so as to balance myself somehow in the beauty of this world while teetering on its brokenness?
The songs of small birds fade away into the bushes after sundown, the air dry, sweet with goldenrod. Beside the path, suddenly, bright asters flare in the dusk. The aged voices of a few crickets thread the silence. It is a quiet I love, though my life too often drives me through it deaf. Busy with costs and losses, I waste the time I have to be here—a time blessed beyond my deserts, as I know, if only I would keep aware. The leaves rest in the air, perfectly still. I would like them to rest in my mind as still, as simply spaced. As I approach, the sorrel filly looks up from her grazing, poised there, light on the slope as a young apple tree. A week ago I took her away to sell, and failed to get my price, and brought her home again. Now in the quiet I stand and look at her a long time, glad to have recovered what is lost in the exchange of something for money. ~Wendell Berry “The Sorrel Filly”
I am reminded at summer’s end — when it is already dark and chores not done yet, and horses waiting to be fed — of the value of decades of moments spent with long-lashed eyes, wind-swept manes, and velvet muzzles.
True, it appears to others to be time and money wasted. But for a farmer like me, sometimes deaf and blind to what is in front of me every day, not all valuables are preserved in a lock box or a bank account.
Golden treasure can have four hooves, a tail, a rumbling greeting asking if I’d somehow gotten lost since I’m a little later than usual and they were a bit concerned I’d forgotten them.
If only I would keep aware, remember where my home is, how easy it is to wander from the path that somehow always leads me back here.
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She lingered in that charming little garden to say hello to the gnomes, such a glorious infestation! How few wizards realize just how much we can learn from the wise little gnomes- or, to give them their correct names, the Gernumbli gardensi. ‘Ours do know a lot of excellent swear words,’ said Ron… J.K. Rowling in Harry Potter and the Deathly Hallows
It is hard to say exactly when the first one moved in. This farm was distinctly gnome-less when we bought it nearly forty years ago, largely due to twenty-seven hungry barn cats residing here at the time in various stages of pregnancy, growth, development and aging. It took awhile for the feline numbers to whittle down to an equilibrium that matched the rodent population.
In the mean time, our horse numbers increased from three to seven to over fifteen with a resultant exponential increase in barn chores. One spring thirty years ago, I was surprised to walk in the barn one morning to find numerous complex knots tied in the Haflingers’ manes. Puzzling as I took precious time to undo them, literally adding hours to my chores, I knew I needed to find the cause or culprit.
It took some research to determine the probable origin of these tight tangles. Based on everything I researched, they appeared to be the work of Gernumbli faenilesi, a usually transient species of gnome preferring to live in barns and haylofts in close proximity to heavy maned ponies. In this case, as the tangles persisted for months, they clearly had moved in, lock, stock and barrel. The complicated knots were their signature pride and joy, their artistic way of showing their devotion to a happy farm.
All well and good, but the extra work was killing my fingers and thinning my horses’ hair. I plotted ways to get them to cease and desist.
I set live traps of cheese and peanut butter cracker sandwiches, hoping to lure them into cages for a “catch and release”. Hoping to drive them away, I played polka music on the radio in the barn at night. Hoping to be preemptive, I braided the manes up to be less tempting but even those got twisted and jumbled. Just as I was becoming ever more desperate and about to round up more feral cats, the tangling stopped.
It appeared the gnomes had moved on to a more hospitable habitat. Apparently I had succeeded in my gnome eradication plan.
Or so I thought.
Not long after, I had the distinct feeling of being watched as I walked past some rose bushes in the yard. I stopped to take a look, expecting to spy the shining eyes of one of the pesky raccoons that frequents our yard to steal from the cats’ food dish. Instead, beneath the thorny foliage, I saw two round blue eyes peering at me serenely. This little gal was not at all intimidated by me, and made no move to escape. She was an ideal example of Gernumbli gardensi, a garden gnome known for their ability to keep varmints and vermin away from plants and flowers. They also happen to actively feud with Gernumbli Faenilesi so that explained the sudden disappearance of my little knot-tying pests in the barn.
It wasn’t long before more Gardensi moved in, a gnomey infestation. They tend to arrive in pairs and bunches, bringing their turtles and dogs with them, like to play music, smoke pipes, play on a teeter totter, work with garden tools, take naps on sun-warmed rocks and one even prefers a swing, day and night through all four seasons. They are a bit of a rowdy bunch and always up for a party, but I enjoy their happy presence and jovial demeanor. I haven’t yet heard any bad language as we have a “keep it clean” policy about bad words around here. They seem quite hardy, stoically withstand extremes in weather, wear masks when asked and only seem fearful when hornets build a nest right in their lap.
As long as they continue to coexist peaceably with us and each other, keep the varmints and their knot-tying cousins away, and avoid bad habits and swear words, I’m quite happy they are here. Actually, I’ve given them the run of the place. I’ve been told to be cautious as there are now news reports of an even more invasive species of gnome, Gernumbli kitschsi, that could move in and take over if I’m not careful. In fact, several new little fellows moved into my hanging baskets and back into the barn this week – someone obviously had put the word out this is a great place to winter over. Now I need to watch for more mane tangles again.
A gnome explosion.
I shudder to think. There goes the neighborhood.
photo by Tomomi Gibson
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The kitchen is sweet with the smell of apples, big yellow pie apples, light in the hand, their skins freckled, the stems knobby and thick with bark, as if the tree could not bear to let the apple go. Baskets of apples circle the back door, fill the porch, cover the kitchen table.
My mother and my grandmother are running the apple brigade. My mother, always better with machines, is standing at the apple peeler; my grandmother, more at home with a paring knife, faces her across the breadboard. My mother takes an apple in her hand,
She pushes it neatly onto the sharp prong and turns the handle that turns the apple that swivels the blade pressed tight against the apple’s side and peels the skin away in long curling strips that twist and fall to a bucket on the floor. The apples, coming off the peeler,
Are winding staircases, little accordions, slinky toys, jack-in-the-box fruit, until my grandmother’s paring knife goes slicing through the rings and they become apple pies, apple cakes, apple crisp. Soon they will be married to butter and live with cinnamon and sugar, happily ever after. ~Joyce Sutphen, “Apple Season” from Coming Back to the Body.
I liked how the starry blue lid of that saucepan lifted and puffed, then settled back on a thin hotpad of steam, and the way her kitchen filled with the warm, wet breath of apples, as if all the apples were talking at once, as if they’d come cold and sour from chores in the orchard, and were trying to shoulder in close to the fire. She was too busy to put in her two cents’ worth talking to apples. Squeezing her dentures with wrinkly lips, she had to jingle and stack the bright brass coins of the lids and thoughtfully count out the red rubber rings, then hold each jar, to see if it was clean, to a window that looked out through her back yard into Iowa. And with every third or fourth jar she wiped steam from her glasses, using the hem of her apron, printed with tiny red sailboats that dipped along with leaf-green banners snapping, under puffs of pale applesauce clouds scented with cinnamon and cloves, the only boats under sail for at least two thousand miles. ~Ted Kooser “Applesauce” from Delights and Shadow
1.
Through the night the apples outside my window one by one let go their branches and drop to the lawn. I can’t see, but hear the stem-snap, the plummet through leaves, then the final thump against the ground.
Sometimes two at once, or one right after another. During long moments of silence I wait and wonder about the bruised bodies, the terror of diving through air, and think I’ll go tomorrow to find the newly fallen, but they all look alike lying there dewsoaked, disappearing before me.
2.
I lie beneath my window listening to the sound of apples dropping in
the yard, a syncopated code I long to know, which continues even as I sleep, and dream I know
the meaning of what I hear, each dull thud of unseen apple-
I tell you, folks, all politics is like applesauce. ~Will Rogers
Once again, it’s applesauce season on our farm. The number of windfall apples lying on the ground is exponentially increasing, so I can put off the task no longer.
The old apple trees in our orchard are primarily antique varieties rarely grown any longer. I have the choice of a number of varieties: a Baldwin or two, some Pippins, a few Kings, and some Dutch Mignons, a russet apple undistinguished in appearance, not at all pretty, and easy to pass by for something more showy.
It takes no time at all to fill several large boxes. Sadly, some apples are already beyond hope; they lay rotting, half consumed by hornets, slugs, deer, possum, raccoons and other critters — so I let them be.
The task of washing, peeling and coring organic apples is time consuming. They require a fair amount of preparation: the bruised spots must be cut out, as well as the worm holes and tracks. The apples are cut to the core and sliced into the simmering pot to be stirred and slowly cooked down to sauce. Before long, before my eyes, together they become a pale yellow mash, blending their varied flavors together.
However the smooth sweetness of this wonderful sauce is owed to the Dutch Mignon. It is a sublime sauce apple despite its humble unassuming appearance. Used alone, it would lack the “stand out” flavors of the other apple varieties, but as it cooks down, it becomes a foundation allowing the other apples to blend their unique qualities.
If I’m feeling really homespun, I marry the sublime with cinnamon and sugar, to create something happily ever after.
So it should be with the fellowship of diverse people and so should it be during a painful political season.
We are bruised, wormy, but salvageable. We are far better together than we are separate. And through the process, with perhaps a sprinkle of cinnamon and sweetness, we are transformed into something far better than how we began.
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Not just the first crocus bulb poking from the ground, but its pollen shining saffronly on the legs of a bee.
The reverberations of a hammered dulcimer or the puff of sweetness escaping between peel and pith of a ripe tangelo.
It’s riding the elevator after the doctor tells you, we can’t say why the scans are suddenly clear, or, if you’re exhausted from trying, time to surround yourself with people you love. It’s waking
in the middle of the night, looking out at the silhouettes of trees and realizing there is nothing lonely about silence. It’s cruising a wide-open Montana highway
or swinging your hips to the rhythm of a street-corner bucket drummer and daring the stares. It’s not the cicada blooming from its shell as much
as the shell itself, balanced on the finger of a little girl, then tumbling along the grass tips among the unkillable dandelions. ~Tania Runyan from “What It’s Like to Rise Again”
We’re each given a fresh start each day; even when it was a fitful sleep, and we’re fearful about what comes next, or if there will even be a “next”…
Jesus explains what it is like to rise above the darkness; bold, unafraid, leaving behind, neatly folded, the vestiges of death.
He gives us each reason to get up every morning, surrounded by those who love us.
Even when crushed and broken, He rose up so we can follow.
Everything’s going to be all right…
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Stand still. The trees ahead and bushes beside you Are not lost. Wherever you are is called Here, And you must treat it as a powerful stranger, Must ask permission to know it and be known. The forest breathes. Listen. It answers, I have made this place around you. If you leave it, you may come back again, saying Here. No two trees are the same to Raven. No two branches are the same to Wren. If what a tree or a bush does is lost on you, You are surely lost. Stand still. The forest knows Where you are. You must let it find you. ~David Wagoner “Lost”
Our grandchildren — born in Tokyo, adapting to a rural life here — bring within them the serenity of the gardens they visited there, finding respite from worldly worries and sorrows.
We remind them to love such stillness: there is rest after busyness, there is light beyond darkness, there is peace amid chaos, there are smiles after tears, there is quiet within noisiness, there is grace and mercy forever…
…as we who are older give way to the new.
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Autumn begins to be inferred By millinery of the cloud, Or deeper color in the shawl That wraps the everlasting hill. ~Emily Dickinson from “Summer Begins to Have the Look”
The passing of the summer fills again my heart with strange sweet sorrow, and I find the very moments precious in my palm. Each dawn I did not see, each night the stars in spangled pattern shone, unknown to me, are counted out against me by my God, who charges me to see all lovely things… ~Jane Tyson Clement from “The Passing of Summer”
September’s Baccalaureate A combination is Of Crickets — Crows — and Retrospects And a dissembling Breeze That hints without assuming — An Innuendo sear That makes the Heart put up its Fun And turn Philosopher. ~Emily Dickinson“September’s Baccalaureate”
There’s something in my very blood that owns Bare hills, cold silver on a sky of slate A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. ~Elinor Wylie from “Wild Peaches”
Summer now is waning and wistful; it has the look of packing up, and moving on without bidding adieu or looking back over its shoulder.
Cooling winds have carried in darkening clouds with a hint of spit from the sky as I gaze upward to see (and smell) the change.
A decent rain is long overdue yet there is temptation to bargain for a little more time. Though we are in need of a good drenching there are still onions and potatoes to pull from the ground, berries to pick before they mold on the vine, tomatoes not yet ripened, corn cobs just too skinny to pick.
I’m not quite ready to wave goodbye to sun-soaked clear skies.
The overhead overcast is heavily burdened with clues of what is coming: earlier dusk, the feel of moisture, the deepening graying hues, the briskness of breezes.
There is no negotiation possible. I need to steel myself and get ready, wrapping myself in the soft shawl of inevitability.
So autumn advances with the clouds, taking up residence where summer has left off. Though there is still clean up of the overabundance left behind, autumn will bring its own unique plans for display of a delicious palette of hues.
The truth is we’ve seen nothing yet.
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I am a dry man whose thirst is praise of clouds, and whose mind is something of a cup. My sweetness is to wake in the night after days of dry heat, hearing the rain. ~Wendell Berry from “Water”
I have had my dream—like others— and it has come to nothing, so that I remain now carelessly with feet planted on the ground and look up at the sky— feeling my clothes about me, the weight of my body in my shoes, the rim of my hat, air passing in and out at my nose—and decide to dream no more. ~William Carlos Williams “Thursday” from Sour Grapes
Open the window, and let the air Freshly blow upon face and hair, And fill the room, as it fills the night, With the breath of the rain’s sweet might.
Not a blink shall burn to-night In my chamber, of sordid light; Nought will I have, not a window-pane, ‘Twixt me and the air and the great good rain, Which ever shall sing me sharp lullabies; And God’s own darkness shall close mine eyes; And I will sleep, with all things blest, In the pure earth-shadow of natural rest. ~James Henry Leigh Hunt from “A Night-Rain in Summer”
We are still waiting for a few late-summer rainy days; each year they are a blissful reminder of God’s intent to refresh and replenish us when we are at our driest, when we are short on sleep and hope and dreams.
How sweet to fall asleep listening in the dark to the patter of raindrops after weeks of drought, waking to damp air, raindrop jewelry, and petrichor.
Perhaps I’ll remember this longing of mine while I grumble and slosh around in the fortieth day of rain this winter.
When will I be satisfied there is just enough but not too much? When will all my dreams seem as real as pulse and breath?
In the meantime, God — let it rain – preferably as I sleep.
Lyrics:
I know your life On earth was troubled And only you could know the pain You weren’t afraid to face the devil You were no stranger to the rain
Go rest high on that mountain Now your work on earth is done Go to heaven a-shoutin’ Love for the Father and the Son
Oh, how we cried the day you left us We gathered ’round your grave to grieve Wish I could see the angels faces When they hear your sweet voice sing
Go to heaven a-shoutin’ Love for the Father and the Son
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