To Let it Go

I let her garden go.
let it go, let it go
How can I watch the hummingbird
Hover to sip
With its beak’s tip
The purple bee balm — whirring as we heard
It years ago?

The weeds rise rank and thick
let it go, let it go
Where annuals grew and burdock grows,
Where standing she
At once could see
The peony, the lily, and the rose
Rise over brick

She’d laid in patterns. Moss
let it go, let it go
Turns the bricks green, softening them
By the gray rocks
Where hollyhocks
That lofted while she lived, stem by tall stem,
Blossom with loss.
~ Donald Hall from “Her Garden” about Jane Kenyon

Some gray mornings
heavy with clouds
and tear-streaked windows
I pause melancholy
at the passage of time.

Whether to grieve over
another hour passed
another breath exhaled
another broken heart beat

Or to climb my way
out of deepless dolor
and start the work of
planting the next garden

It takes sweat
and dirty hands
and yes,
tears from heaven
to make it flourish
but even so
just maybe
my memories
so carefully planted
might blossom fully
in the soil of loss.


A Friendly Visit

When a friend calls to me from the road 
And slows his horse to a meaning walk, 
I don’t stand still and look around  
On all the hills I haven’t hoed,    
And shout from where I am, What is it? 
No, not as there is a time to talk. 
I thrust my hoe in the mellow ground,    
Blade-end up and five feet tall,    
And plod: I go up to the stone wall
For a friendly visit.
~Robert Frost, “A Time to Talk” from The Poetry of Robert Frost: The Collected Poems

We don’t take the time to visit anymore. Human connection is too often via VPN and pixels, chat groups and texts, GIFs and tweets. We’ve lost the fine art of conversation and intently listening, and no one remembers how to write a letter long-hand, fold it into an envelope, put a stamp on it and drop it into a mailbox.

No wonder our grandchildren are unsure how to cultivate a relationship like they might a garden: working the soil of another’s life, turning it over and over, fluffing it up, pulling out the unwanted weeds that smother growth, nurturing it with the best fertilizer, planting the seeds most likely to germinate, drenching with the warmth of light and energy, keeping the roots from getting thirsty.

We need to listen; we need to talk; we need to take time; we need to lean on the walls between us and bridge our gaps as best we can.

Just call out to me. I’ll stop what I’m doing, drop my hoe and plod over for a good chin wag. It’s what every good gardener needs to do.

Farmer with a pitchfork by Winslow Homer

Seize the Day, Also the Night

Night and day
seize the day, also the night —
a handful of water to grasp.
The moon shines off the mountain
snow where grizzlies look for a place
for the winter’s sleep and birth.
I just ate the year’s last tomato
in the year’s fatal whirl.
This is mid-October, apple time.
I picked them for years.
One Mcintosh yielded sixty bushels.
It was the birth of love that year.
Sometimes we live without noticing it.
Overtrying makes it harder.
I fell down through the tree grabbing
branches to slow the fall, got the afternoon off.
We drove her aqua Ford convertible into the country
with a sack of red apples. It was a perfect
day with her sun-brown legs and we threw ourselves
into the future together seizing the day.
Fifty years later we hold each other looking
out the windows at birds, making dinner,
a life to live day after day, a life of
dogs and children and the far wide country
out by rivers, rumpled by mountains.
So far the days keep coming.
Seize the day gently as if you loved her.
~Jim Harrison “Carpe Diem” from Dead Man’s Float

There is so much to cling to, as if this were the only day, the only night, knowing it can never come again.

There is so much that has passed, like a blink, and I wonder where time disappears to, where it hides after it disappears over the horizon.

There is so much to remember and never forget.
There is so much yet to come that is unknowable.

So I seize each day, oh so gently, like a lover.

Heaven-Sent Maize

A dim veil hangs over the landscape and flood,
And the hills are all mellowed in haze,
While Fall, creeping on like a monk ‘neath his hood,
Plucks the thick-rustling wealth of the maize.

And long for this manna that springs from the sod
Shall we gratefully give Him the praise,
The source of all bounty, our Father and God,
Who sent us from heaven the maize!
~William Fosdick “The Maize”

The autumn garden can feel like a treasure hunt as we pull out and sort through the dead and dying vines and stalks: the giant zucchini growing undetected under leaves, the cucumber hanging from a cornstalk, the fat hollowed beans ready to burst with seed.

Yet the greatest Easter Egg of all hidden away in husk and cornsilk is this glass gem corn, a maize variety Dan planted in the spring. We’ve never experimented with it before and it grew listlessly, almost half-hearted, with stunted stalks and few apparent ears, pitiful next to our robust sweet corn crop.

It fooled us; this corn is pure gold in a kaleidoscope display. The ears are meager but glowing like stained glass, colorful quilt patches on a stalk. We gathered it up for “Show and Tell” at church last night, showing our Chapel friends what God can do with His unending palette of heaven-sent color and imagination. People come in all colors too, thanks to His artistry, but not nearly so varied as this kernels of colored glass.

I Am Responsible

In your extended absence, you permit me
use of earth, anticipating
some return on investment. I must report
failure in my assignment, principally
regarding the tomato plants.
I think I should not be encouraged to grow
tomatoes. Or, if I am, you should withhold
the heavy rains, the cold nights that come
so often here, while other regions get
twelve weeks of summer. All this
belongs to you: on the other hand,
I planted the seeds, I watched the first shoots
like wings tearing the soil, and it was my heart
broken by the blight, the black spot so quickly
multiplying in the rows. I doubt
you have a heart, in our understanding of
that term. You who do not discriminate
between the dead and the living, who are, in consequence,
immune to foreshadowing, you may not know
how much terror we bear, the spotted leaf,
the red leaves of the maple falling
even in August, in early darkness: I am responsible for these vines.
~Louise Glück “Vespers”

As the calendar turns to September and August fades away, I know all too well what this means. I have spent a lifetime loving the season of autumn best of all, but that is because I wasn’t living it, and it seems now I am.

More and more the blight feels personal, the color change is in the mirror looking back at me, the leaves falling from my own scalp, the threat of rot setting in quite real. There is nothing “pumpkin spice” and “harvest gold” about growing older.

Even so, the fruit I try to bear is still edible even if not as presentable; the vine still bears useful life. A first frost forces ripening and prepares what remains because time is short and there is so much yet to get done.

I feel the responsibility of making all this effort count for something. I am here because I was intentionally planted, weeded, nurtured, watered and warmed. When it is my turn, the rot is cut away and thankfully forgotten.

I will still be sweet to the taste, just as I am meant to be.

Never Leaving the Land

My grandparents owned the land,
worked the land, bound
to the earth by seasons of planting
and harvest.

They watched the sky, the habits
of birds, hues of sunset,
the moods of moon and clouds,
the disposition of air.
They inhaled the coming season,
let it brighten their blood
for the work ahead.

Soil sifted through their fingers
imbedded beneath their nails
and this is what they knew;
this rhythm circling the years.
They never left their land;
each in their own time
settled deeper.
~Lois Parker Edstrom “Almanac” from Night Beyond Black. © MoonPath Press, 2016

My husband and I met in the late 70’s while we were both in graduate school in Seattle, living over 100 miles away from our grandparents’ farms farther north in Washington. We lived farther still from my grandparents’ wheat farm in Eastern Washington and his grandparents’ hog farm in Minnesota. One of our first conversations together, the one that told me I needed to get to know this man better, was about wanting to move back to work on the land. We were both descended from peasant immigrants from the British Isles, Holland and Germany – farming was in our DNA, the land remained under our fingernails even as we sat for endless hours studying in law school and medical school classes.

When we married and moved north after buying a small farm, we continued to work full time at desks in town. We’ve never had to depend on this farm for our livelihood, but we have fed our family from the land, bred and raised livestock, and harvested and preserved from a large garden and orchard. It has been a good balance thanks to career opportunities made possible by our education, something our grandparents would have marveled was even possible.

Like our grandparents, we watch in wonder at what the Creator brings to the rhythm of the land each day – the light of the dawn over the fields, the activity of the wild birds and animals in the woods, the life cycles of the farm critters we care for, the glow of the evening sun as night enfolds us. We are blessed by the land’s generosity when it is well cared for.

Now forty years after that first conversation together about returning to farming, my husband and I hope to never leave the land. It brought us together, fed our family, remains imbedded under our fingernails and in our DNA. Each in our own time, we will settle even deeper.

Thank you to retired RN and poet Lois Parker Edstrom for this exquisite poem about living and dying on the land. It has been my privilege to meet her and her husband and welcome them to our farm.
Your words have brought me many blessings!

The Vine That Tendrils Out Alone

A certain kind of Eden holds us thrall.
Even the one vine that tendrils out alone
in time turns on its own impulse,
twisting back down its upward course
a strong and then a stronger rope,
the greenest saddest strongest
kind of hope.
~Kay Ryan from “A Certain Kind of Eden”
from Flamingo Watching

This is the season for entwining enchantment.

Simply walking out in the garden in the morning, the tendrils are reaching out and grabbing onto my shirt and my jeans. If I stood still for an hour, they would be wrapping up my legs and clinging to my arms. There I would be, held hostage by these insistent vines for the duration of the season.

There are worse fates: a verdant Garden is exactly where we were placed to begin with.

The vines that don’t find a grab-hold, end up bending back onto themselves, curling back down the ladder they just created, sometimes knotting themselves into a nest. They wind up and down in nothingness and sadly cannot hold fast enough to be fruitful except creeping along the ground itself.

May there always be Someone Solid to cling to, to wrap around, to hold fast. May we once again know the glories of His Garden.