The Power of Fluff

As the days warm and lengthen, the grass
is getting happy almost overnight.
Under my window the first star of spring
opens its eye on the front lawn. Yellow
as butter, it is only one. But it is one,
and in the nature of things, and like
the multiple asterisks seeding the night sky,
it will flourish and take over every
grassy bank in town. I long to be prolific
as the dandelion, spinning pale parachutes
of words, claiming new territory by
the power of fluff. The stars in their courses
have bloomed an unending glory
across the heavens, but here in my yard
a local constellation prepares to launch
multiple, short-lived, radiant coronas
to proclaim the new-sprung season.
~Luci Shaw “Dandelion”

How I loved those spiky suns,   
rooted stubborn as childhood   
in the grass, tough as the farmer’s   
big-headed children—the mats   
of yellow hair, the bowl-cut fringe.   
How sturdy they were and how   
slowly they turned themselves   
into galaxies, domes of ghost stars   
barely visible by day, pale   
cerebrums clinging to life   
on tough green stems.   
Like you.   
Like you, in the end.   
If you were here,   
I’d pluck this trembling globe to show   
how beautiful a thing can be   
a breath will tear away.  
~Jean Nordhaus “A Dandelion for My Mother”

We harbor a dandelion sanctuary,
a safe haven from herbicides and trowels.

The lawn is filled with them now
yellow spots in carpeted green
which close tight at night,
then open each morning
as miniature reflections
of the real dawn.

As a kid, I was paid a nickel
to dig up each long dandelion root,
restoring the blemished green yard
to pristine perfection;
no more yellow splotches,
unruly stems,
trembling transparent globes
releasing scores of
seedy offspring.

But it didn’t last.

The perfect lawn,
like the perfect life
~unbesmirched~
is a myth.

A host of opportunistic seeds
float innocently on the breeze
or lie hidden deep in our soil
ready to spring up again overnight.

Those spunky spiky suns
and ghostly stars of fluff
overwhelm my heart with joy:
they take my breath away
as my breath, in turn,
blows them away.


Bones in the Ground

All winter your brute shoulders strained against collars, padding
and steerhide over the ash hames, to haul
sledges of cordwood for drying through spring and summer,
for the Glenwood stove next winter, and for the simmering range.

In April you pulled cartloads of manure to spread on the fields,
dark manure of Holsteins, and knobs of your own clustered with oats.
All summer you mowed the grass in meadow and hayfield, the mowing machine clacketing beside you, while the sun walked high in the morning;

and after noon’s heat, you pulled a clawed rake through the same acres,
gathering stacks, and dragged the wagon from stack to stack,
and the built hayrack back, uphill to the chaffy barn,
three loads of hay a day from standing grass in the morning.

Sundays you trotted the two miles to church with the light load
a leather quartertop buggy, and grazed in the sound of hymns.
Generation on generation, your neck rubbed the windowsill
of the stall, smoothing the wood as the sea smooths glass.

When you were old and lame, when your shoulders hurt bending to graze,
one October the man, who fed you and kept you, and harnessed you every morning, led you through corn stubble to sandy ground above Eagle Pond,
and dug a hole beside you where you stood shuddering in your skin,

and lay the shotgun’s muzzle in the boneless hollow behind your ear,
and fired the slug into your brain, and felled you into your grave,
shoveling sand to cover you, setting goldenrod upright above you,
where by next summer a dent in the ground made your monument.

For a hundred and fifty years, in the Pasture of dead horses,
roots of pine trees pushed through the pale curves of your ribs,
yellow blossoms flourished above you in autumn, and in winter
frost heaved your bones in the ground – old toilers, soil makers:

O Roger, Mackerel, Riley, Ned, Nellie, Chester, Lady Ghost.
~Donald Hall, “Names of Horses”

Photo of Aaron Janicki haying with his Oberlander team in Skagit County courtesy of Tayler Rae

As a child,  I regularly visited the horse grave dug by hand by my father in 1965 in an open clearing of our woods where our little chestnut mare, Dolly, rested in the ground.

She was felled by a vet’s bullet to the head after an agonizing bout with colic. I had returned to the house, unable to watch, but could not help but hear the gunshot as if it had gone through me as well.

At first her grave was a place to cry where no one but the trees and wild flowers could see.

When my tears dried up, it was a place to sing loudly where no one but chipmunks and my dog could hear.

Later it became the sanctuary where I retreated to talk to God when my church no longer was.

Her bones lie there still and no one but me knows where. The dent in the ground will always betray the spot.

No one but me still remembers you.

Returning Home

In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
And the sky is clear and red,
When the summer’s ceased its gleaming
When the corn is past its prime,
When adventure’s lost its meaning –
I’ll be homeward bound in time

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

If you find it’s me you’re missing
If you’re hoping I’ll return,
To your thoughts I’ll soon be listening,
And in the road I’ll stop and turn
Then the wind will set me racing
As my journey nears its end
And the path I’ll be retracing
When I’m homeward bound again

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
I’ll be homeward bound again.

~Marta Keen “Homeward Bound”

Seventy eight years ago, my parents married on Christmas Eve. It was not a conventional wedding day but a date of necessity, only because a justice of the peace was available to marry a score of war-time couples in Quantico, Virginia, shortly before the newly trained Marine officers were shipped out to the South Pacific to fight in WWII.

When I look at my parents’ young faces – ages 22 and just turned 21 — in their only wedding portrait, I see a hint of the impulsive decision that led to that wedding just a week before my father left for 30 months. They had known each other at college for over a year, had talked about a future together, but with my mother starting a teaching job in a rural Eastern Washington town, and the war potentially impacting all young men’s lives very directly, they had not set a date.

My father put his college education on hold to enlist, knowing that would give him some options he wouldn’t have if drafted, so they went their separate ways as he headed east to Virginia for his Marine officer training, and Mom started her high school teaching career as a speech and drama teacher. One day in early December of 1942, he called her and said, “If we’re going to get married, it’ll need to be before the end of the year. I’m shipping out the first week in January.” Mom went to her high school principal, asked for a two week leave of absence which was granted, told her astonished parents, bought a dress, and headed east on the train with a friend who had received a similar call from her boyfriend.

This was a completely uncharacteristic thing for my overly cautious mother to do, so… it must have been love.

They were married in a brief civil ceremony with another couple as the witnesses. They stayed in Virginia only a couple days and took the train back to San Diego, and my father was shipped out. Just like that. Mom returned to her teaching position and the first three years of their married life was composed of letter correspondence only, with gaps of up to a month during certain island battles when no mail could be delivered or posted.

As I sorted through my mother’s things following her death over a decade ago, I found their war-time letters to each other, stacked neatly and tied together in a box.

In my father’s nearly daily letters home to my mother during WWII, month after month after month, he would say, over and over, while apologizing for the repetition:

“I will come home to you, I will return, I will not let this change me, we will be joined again…”

This was his way of convincing himself even as he carried the dead and dying after island battles: men he knew well and the enemy he did not know. He knew they were never returning to the home they died protecting and to those who loved them.

He shared little of battle in his letters as each letter was reviewed and signed off by a censor before being sealed and sent. This story, however, made it through:

“You mentioned a story of Navy landing craft taking the Marines into Tarawa.  It reminded me of something which impressed me a great deal and something I’m sure I’ll never forget. 

So you’ll understand what I mean I’ll try to start with an explanation.  In training – close order drill- etc.  there is a command that is given always when the men form in the morning – various times during the day– after firing– and always before a formation is dismissed.  The command is INSPECTION – ARMS.  On the command of EXECUTION- ARMS each man opens the bolt of his rifle.  It is supposed to be done in unison so you hear just one sound as the bolts are opened.  Usually it is pretty good and sounds O.K.

Just to show you how the morale of the men going to the beach was – and how much it impressed me — we were on our way in – I was forward, watching the beach thru a little slit in the ramp – the men were crouched in the bottom of the boat, just waiting.  You see- we enter the landing boats with unloaded rifles and wait till it’s advisable before loading.  When we got about to the right distance in my estimation I turned around and said – LOAD and LOCK – I didn’t realize it, but every man had been crouching with his hand on the operating handle and when I said that — SLAM! — every bolt was open at once – I’ve never heard it done better – and those men meant business when they loaded those rifles. 

A man couldn’t be afraid with men like that behind him.”

My father did return home to my mother after nearly three years of separation. He finished his college education to become an agriculture teacher to teach others how to farm the land while he himself became bound to the pasture and chained to the plow.

He never forgot those who died, making it possible for him to return home. I won’t forget either.

My mother and father could not have foretold the struggles that lay ahead for them. The War itself seemed struggle enough for the millions of couples who endured the separation, the losses and grieving, as well as the eventual injuries–both physical and psychological.  It did not seem possible that beyond those harsh and horrible realities, things could go sour after reuniting.

The hope and expectation of happiness and bliss must have been overwhelming, and real life doesn’t often deliver.  After raising three children, their 35 year marriage fell apart with traumatic finality.  When my father returned home (again) over a decade later, asking for forgiveness, they remarried and had five more years together before my father died in 1995.

Christmas is a time of joy, a celebration of new beginnings and new life when God became man, humble, vulnerable and tender. But it also gives us a foretaste for the profound sacrifice made in giving up this earthly life, not always so gently.

As I peer at my father’s and mother’s faces in their wedding photo, I remember those eyes, then so trusting and unaware of what was to come.  I find peace in knowing they returned home to behold the Light, the Salvation and the Glory~~the ultimate Christmas~~in His presence.

In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
And the sky is clear and red,
When the summer’s ceased its gleaming
When the corn is past its prime,
When adventure’s lost its meaning –
I’ll be homeward bound in time

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

If you find it’s me you’re missing
If you’re hoping I’ll return,
To your thoughts I’ll soon be listening,
And in the road I’ll stop and turn
Then the wind will set me racing
As my journey nears its end
And the path I’ll be retracing
When I’m homeward bound again

Bind me not to the pasture
Chain me not to the plow
Set me free to find my calling
And I’ll return to you somehow

In the quiet misty morning
When the moon has gone to bed,
When the sparrows stop their singing
I’ll be homeward bound again.

~Marta Keen “Homeward Bound”

Stumbling in His Wake

Horse Team by Edvard Munch

My father worked with a horse-plough,
His shoulders globed like a full sail strung
Between the shafts and the furrow.
The horses strained at his clicking tongue.

An expert. He would set the wing
And fit the bright steel-pointed sock.
The sod rolled over without breaking.
At the headrig, with a single pluck

Of reins, the sweating team turned round
And back into the land. His eye
Narrowed and angled at the ground,
Mapping the furrow exactly.

I stumbled in his hobnailed wake,
Fell sometimes on the polished sod;
Sometimes he rode me on his back
Dipping and rising to his plod.

I wanted to grow up and plough,
To close one eye, stiffen my arm.
All I ever did was follow
In his broad shadow round the farm.

I was a nuisance, tripping, falling,
Yapping always. But today
It is my father who keeps stumbling
Behind me, and will not go away

photo by Joel DeWaard
photo by Joel DeWaard
Painting “Plowing the Field” by Joyce Lapp
Benjamin Janicki of Sedro Woolley raking hay with his team of Oberlanders

My grandparents owned the land,
worked the land, bound
to the earth by seasons of planting
and harvest.

They watched the sky, the habits
of birds, hues of sunset,
the moods of moon and clouds,
the disposition of air.
They inhaled the coming season,
let it brighten their blood
for the work ahead.

Soil sifted through their fingers
imbedded beneath their nails
and this is what they knew;
this rhythm circling the years.
They never left their land;
each in their own time
settled deeper.
~Lois Parker Edstrom “Almanac” from Night Beyond Black. © MoonPath Press, 2016.

photo by Joel DeWaard
photo by Joel DeWaard
photo by Joel DeWaard
photo by Joel DeWaard
Field with Plowing Farmers by Vincent Van Gogh

My father did field work with horses when he was young and honestly — he hated every moment of it. He badly wanted a tractor though his father could never afford one, so the draft horses were their meal ticket, swerving around the large stumps on a farm that would never produce enough to sustain the family.

My father wanted more when he grew up. For him, it wasn’t about the rhythms of the seasons or his relationship with the horses, or the romance of the soil turning over to be planted. It was hard sweaty frustrating often futile work.

He didn’t welcome my interest in horses but he still supported me. He loaned me the seed money that got us started with a small breeding herd of Haflinger horses and he had advice for us when we asked but not unless we asked. He built stalls in our barn and fashioned hefty metal stall closures and helped in whatever way he could with the handy skills he had learned growing up on a farm that never could succeed.

As a child, I had stumbled after my dad in the figurative furrows he plowed ahead of me, always leading me to pursue something better. He reminded me regularly that I could do whatever I set my mind to, like setting the wing of the plow and eyeing the straight line, mapping the course ahead. And I did, largely because of his encouragement during the 60’s when most girls didn’t hear that from their daddies. Instead it was usually angry bored moms who became the voices who pushed their daughters to dig deeper and plow stronger. Not my mom.

My dad’s encouragemnt still echoes in my mind. He gave me momentum in the furrow. He is still there behind me, ready to steady me when I stumble.

I’m glad he led me down his plow line, and all these years later, he still follows me and isn’t going away.

photo by Joel DeWaard
photo by Joel DeWaard
Dan driving our first Haflinger team – brother and sister Hans and Greta

Thank you once again to Joel deWaard, local farmer and photographer, who has graciously shared his photos of the Annual International Lynden (Washington) Plowing Match

A Foot in the Door

Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air. 

Nobody sees us,
Stops us, betrays us;
The small grains make roo
m.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves
Our kind multiplies

We shall by morning
Inherit the earth. 
Our foot’s in the door.
~Sylvia Plath from “Mushroom”

This overnight overture into the light,
a parturition of “ink caps” after a shower.
As if seed had been sprinkled on the manure pile,
they sprout three inch stalks
still stretching at dawn,
topped by dew-catching caps and umbrellas.

Nearly translucent as glass,
already curling at the edges in the morning light,
by noon melting into ooze
by evening complete deliquescence,
withered and curling back
into the humus
which birthed them hours before.

It shall be repeated
again and again,
this birth from unworthy soil,
this brief and shining life in the sun,
this folding, curling and collapse
to die back to dust and dung.

Inedible, yet so Chrisincredible,
they rise beautiful
and worthy
as is the way of things
that never give up
once a foot’s in the door.

Searching a Blossom as a Loved One’s Face

Outrageous flowers as big as human
heads! They’re staggered
by their own luxuriance: I had
to prop them up with stakes and twine.


In the darkening June evening
I draw a blossom near, and bending close
search it as a woman searches
a loved one’s face.
~Jane Kenyon from “Peonies at Dusk”

There’s not a pair of legs so thin, there’s not a head so thick,
There’s not a hand so weak and white, nor yet a heart so sick
But it can find some needful job that’s crying to be done,
For the Glory of the Garden glorifieth every one.

Then seek your job with thankfulness and work till further orders,
If it’s only netting strawberries or killing slugs on borders;
And when your back stops aching and your hands begin to harden,
You will find yourself a partner In the Glory of the Garden.

Oh, Adam was a gardener, and God who made him sees
That half a proper gardener’s work is done upon his knees,
So when your work is finished, you can wash your hands and pray
For the Glory of the Garden that it may not pass away!
And the Glory of the Garden it shall never pass away !

~Rudyard Kipling from “The Glory of the Garden”

There is no better place to be than in a garden down on my knees. Humans were created for this: the naming, the turning over of the soil, the planting and nurturing, the weeding and thinning, the harvest and gratitude, and then a time of lying fallow to rest.

The garden is a place for prayer and praise.

When I meet a truly great gardener, like my friend Jean who has grown and hybridized dahlias for decades, what I see growing in the soil is a tapestry of artwork made from petals, leaves and roots. She has passionately cared for these plants and they reflect that love in every spiral and swirl, hue and gradient of color, showing stark symmetry and delightful variegation.

Arising from the plainest of homely and knobby look-alike tubers grow these luxurious beauties of infinite variety. I kneel stunned before each one, captivated, realizing that same Creator makes sure I too bloom from mere dust and then set me to work in His garden.

Greeting the Air

… how do the roots know
they must climb toward the light?
And then greet the air
with so many flowers and colors?

Tell me, is the rose naked
or is that her only dress?

Why do trees conceal
the splendor of their roots?

But do you know from where
death comes, from above or from below?
From microbes or walls,
from wars or winter?

Where is the child I was,
still inside me or gone?

~Pablo Neruda from “The Book of Questions”

Here I am, on the eve of my 66th birthday, with more questions than answers, the child still inside me puzzling over the mundane and profound.

The “why’s” of life are the reason to keep getting up every day, if only to greet the air, feel the sun, smell the flowers and recognize that from hidden roots come beautiful growth.

I’m still growing by asking the questions that need to be asked.
I’m still growing while my roots reach deeper by the day.
I’m still growing because I know I need to reach out to the Light.

All Things Glad and Flourishing

Spring flew swiftly by, and summer came;
and if the village had been beautiful at first,
it was now in the full glow and luxuriance of its richness.
The great trees, which had looked shrunken and bare in the earlier months, had now burst into strong life and health;
and stretching forth their green arms over the thirsty ground,
converted open and naked spots into choice nooks,
where was a deep and pleasant shade
from which to look upon the wide prospect,
steeped in sunshine, which lay stretched out beyond.
The earth had donned her mantle of brightest green;
and shed her richest perfumes abroad.
It was the prime and vigour of the year;
all things were glad and flourishing.”
~ Charles Dickens from Oliver Twist 

Despite a pandemic,
despite economic hardship,
despite racial tensions and in-the-street protests,
despite political maneuvering and posturing:

life is green and flourishing and vigorous
even when we feel gray and withered and weakened.

May we not forget why we are here.
May we never forget our calling and purpose
to steward the earth and care for one another.

Springtime Passion

You come to fetch me from my work to-night 
When supper’s on the table, and we’ll see 
If I can leave off burying the white 
Soft petals fallen from the apple tree. 
(Soft petals, yes, but not so barren quite, 
Mingled with these, smooth bean and wrinkled pea);
And go along with you ere you lose sight 
Of what you came for and become like me, 
Slave to a springtime passion for the earth. 
How Love burns through the Putting in the Seed 
On through the watching for that early birth 
When, just as the soil tarnishes with weed, 
The sturdy seedling with arched body comes 
Shouldering its way and shedding the earth crumbs.
~Robert Frost “Putting in the Seed”

The garden is ready;
the soil turned over,
the compost mixed in,
rototilled to a fine crown.
Next will come the laying out of strings,
the trench hoed straight,
the seed laid one by one in the furrow
and covered gently with a light touch.

Then the sun warms
and showers moisten,
the seeds awaken to push upward,
bold and abrupt,
wanting to know the touch of sky and air
to leaf and leap
and bloom and bear.

Oh, how Love burns
in the Putting in the Seed.

This Tranquil Dust

I like to live in the sound of water,
in the feel of mountain air. A sharp
reminder hits me: this world still is alive;
it stretches out there shivering toward its own
creation, and I’m part of it. Even my breathing
enters into the elaborate give-and-take,
this bowing to sun and moon, day or night,
winter, summer, storm, still—this tranquil
chaos that seems to be going somewhere.
This wilderness with a great peacefulness in it.
This motionless turmoil, this everything dance.

~William Stafford, “Time for Serenity, Anyone?” from Even in Quiet Places

We are, as breathed on dust, called into the service and company of another, called to do work other than our own. This creature, formed of dust, is entrusted with the garden, with all the animals, and with all living things. Our creatureliness binds us to the role of steward, friend, and companion of all other creatures who share our fragility.
~Walter Brueggemann from “Remember You Are Dust”

As a physician, I am reminded daily of the fragility of our bodies and minds, this breathed-on dust of us, especially now as a mere novel virus has immobilizes the world’s population.

As a farmer, I dwell compatibly with the dust I’m entrusted to steward.  I carry it around under my fingernails, on my boots, my skin smudged in unexpected ways and places as I go about my chores and tasks.  The dust of the barnyard wilderness clings to me, not wanting to let go of one of its own as I return indoors.  Sunbeams in our house swirl with released dust motes given new life through solar energy, each mote a source of fragile strength, tranquil beauty, complex simplicity.  Such joyful dust dance makes me reluctant to get out the dust rags and cleaning solutions.

As a child of the Creator, I am well aware of the cleansing needed in this grimy, desperately soiled world.  The dustiest parts of me lie far deeper than my shedding skin — the breathed-on dust that innervates, circulates and motivates me.

God sent His Son to be the dust rag I sorely need;  I cling to Him as He comes to clean house.