A Good Sound

(for Wendell)

From steady rain we step to sheltered ground
in the dark cathedral of the barn,
breathe in scents of damp wood and hay,
assume a reverent stillness.
The dog, with the sudden confidence
of one engaged, at last, in good work,
trots through the barn’s far doorway
heading seven white-faced ewe lambs.
Not knowing me, they halt, uncertain,
until you smoothly bucket corn
from storage to trough, and they—
as sheep will—follow where hunger leads.
Hard teeth crack dry kernels
in percussive counterpoint,
a muted consort mimicking the fall
of winter rain on wooden shingles.
In entiring darkness, we stand, until
from your post beneath the hayloft beams,
you turn to me, grinning, and say,
That’s a good sound. And it is.
~Brian Volck “Visiting”

Every now and then, I forget to turn off the lights in the barn. I usually notice just before I go to bed, when the farm’s boundaries seem to have drawn in close. That light makes the barn seem farther away than it is — a distance I’m going to have to travel before I sleep. The weather makes no difference. Neither does the time of year.

Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses.
~Verlyn Klinkenborg from A Light in the Barn

…let me live
in a small room
up the narrow stairs from the stalls,
the horse shifting comfortably below,
browsing and chewing sweet hay.
A single bed with blanket the color
of factory-sweepings will suffice,
each day shaped to the same arc, 
because days can only end when
the lock slides free on the stall’s
Dutch door, and I lead the horse in,
then muscle the corroded bolt shut.
That’s what days are for: I cannot rest
until the horse comes home.
~Julie Bruck from “To Bring the Horse Home”

The best moment in the barn is in the evening just following the hay feeding, as the animals are settling down to some serious chewing. I linger in the center aisle, listening to the rhythmic sounds coming from their stalls. It is a most soothing contented cadence, first their lips picking up the grass, then the chew chew chew chew and a pause and it starts again. It’s even better in the dark, with the lights off.

In the past, I’ve enjoyed listening to the eating sounds at night from the remote vantage point of my bedroom TV monitor system set up to watch my very pregnant mares before foaling. A peculiar lullaby of sorts, strange as that seems, but when all my farm animals are chewing and happy, I am at peace and sleep better.

It reminds me of those dark deep nights of feeding my own newborns, rocking back and forth with the rhythm of their sucking. It is a moment of being completely present and peaceful, and knowing at that moment, nothing else matters–nothing else at all.

If I am very fortunate, each day I live has a rhythm that is reassuring and steady, like the sounds of hay chewing, or rocking a baby. I awake thinking about where my next step will bring me, and then the next, like each chew of sweet hay.

I try to live in communion, without distraction by the worry of the unknown.

But the reality is:
life’s rhythms are often out of sync,
the cadence is jarring,
the sounds are discordant,
sometimes I’m the one being chewed on,
so pain replaces peacefulness.

Maybe that is why this lullaby in the barn~~this sanctuary~~is so treasured, the chosen place of Jesus’ birth. It brings me home to that doubting center of myself that needs reminding that struggle is fleeting, and peace, however elusive now, is forever. I always know where to find it for a few minutes at the end of every day, in a pastoral symphony of sorts.

Someday my hope for heaven will be angel choruses of glorious praise, augmenting a hay-chewing lullaby.

So simple yet so very, very good.

TEXT
O magnum mysterium,
et admirabile sacramentum,
ut animalia viderent Dominum natum,
iacentem in praesepio!
Beata Virgo, cujus viscera
meruerunt portare
Dominum Iesum Christum.
Alleluia!

TRANSLATION
O great mystery,
and wonderful sacrament,
that animals should see the newborn Lord,
lying in a manger!
Blessed is the virgin whose womb
was worthy to bear
the Lord, Jesus Christ.
Alleluia!

The Velvet of Sleep

The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of that sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart “The Hundred Names of Love”

In the lull of evening, your son nested in your arms
becomes heavier and with a sigh his body
sloughs off its weight like an anchor into deep sleep,
until his small breath is the only thing that exists.

And as you move the slow dance through the dim hall
to his bedroom and bow down to deliver his sleeping form,
arms parting, each muscle defining its arc and release—
you remember the feeling of childhood,

traveling beneath a full moon,
your mother’s unmistakable laugh, a field of wild grass,
windows open and the night rushing in
as headlights trace wands of light across your face—

there was a narrative you were braiding,
meanings you wanted to pluck from the air,
but the touch of a hand eased it from your brow
and with each stroke you waded further

into the certainty of knowing your sleeping form
would be ushered by good and true arms
into the calm ocean that is your bed.
 — Alexandra Lytton Regalado, “The T’ai Chi of Putting a Sleeping Child to Bed” author of Matria

Each of those countless nights of a child wakening,
each of the hundreds of hours of lulling them in the moonlit dark,
leading them back to the soft forgiveness of sleep.

I remember the moves of that hypnotic dance,
a head nestled snug into my neck,
their chest pressed into mine,
our hearts beating in synchrony
as if they were still inside.

Even when our sleep was spare and true rest was sparse,
those night times rocking in unison
were worth every waking moment, trusting
we’re in this together, no matter what,
no matter how long it takes.

We’re in this together.

The Map of Your Soul

May it be a light to you in dark places, when all other lights go out. ~J.R.R. Tolkien, The Fellowship of the Ring

This is a song in praise 
of hard, dark nights:
no firelight, 
no afterglow, 
but the sliver of a crescent moon 
and a few stray stars 
flung out 
into the wilderness, 
calling you into the great Alone 
with your animal self, 
falling down
on tired knees 
broken against the ground.
Then prostrate—
cross-like—
face down
and stretched 
to the end of yourself
by how wrong you’ve been—
because, of course,  
this is the end.

But there is still some warmth 
coming up from the Earth,
and a humming
in the sweet black air—
some great vibration of life 
that goes out before you.
And though you can’t see them,
the birchwood and pines 
rustle inside the wind’s 
divine pull—
in a dance of wills—
and somewhere, 
a great horned owl bellows 
his clear, determined hoot
like a psalm across the land. 

So, you learn 
to breathe, 
again,
with his heralding—
a rhythm that beats
electric blue like a pulse:
“It’s not the end—
it’s not the end—”
 

No, this is not the end—
hardly an end,
but a hard beginning.
There will always be 
a morning—
a rebirth.

So, here in the dark—
in a night bleaker than bleak—
in a time outside of time— 
there is a mark 
on the Holy map 
of your soul
where you found 
your Maker
in the hard, dark night—
and then lived to see 
the light of dawn. 

~Kimberly Phinney “An Ode to Hard, Dark Nights”

So many seem lost without a map,
unable to find their way in the dark,
wrecked and wandering, weeping and wretched,
believing they have come to the end.

Yet this is not the end, only the beginning.
A hard start – all rebirths are hard.

As I have been shown mercy, so
I must become mercy,
be loving where others show hate,
be giving when others take away,
build up while others tear down.

We walk together in the emerging light –
it’s right there –
on God’s holy map of your soul.

AI image created for this post

We Are No Longer Alone: Welcoming the Light

Sure on this shining night
Of star made shadows round,
Kindness must watch for me
This side the ground. 
The late year lies down the north.
All is healed, all is health.
High summer holds the earth. 
Hearts all whole.
Sure on this shining night

I weep for wonder wand’ring far alone
Of shadows on the stars.
~James Agee

Gloomy night embraced the place
Where the Noble Infant lay;
The Babe looked up and showed his face,
In spite of darkness, it was day.
It was thy day, Sweet! and did rise

Not from the east, but from thine eyes.

Welcome, all wonders in one sight!
Eternity shut in a span;
Summer in winter; day in night;
Heaven in earth, and God in man.
Great little one, whose all-embracing birth
Lifts earth to heaven, stoops heaven to earth.

~Richard Crashaw from “In the Holy Nativity of Our Lord” 

For God, who said, “Let light shine out of darkness,” has shone in our hearts to give the light of the knowledge of the glory of God in the face of Jesus Christ.
2 Corinthians 4:6

This first day of winter
means disappearance of the familiar world,
of all that grows and thrives,
of color and freshness,
of hope for light and life.

Then there comes a moment of softness in the chill,
a gift of grace and beauty,
a glance of sunlight on a snowy hillside,
a covering of low cloud puffs in the valley,
a moon lit landscape,
and I know the known world is still within my grasp
because you have been here, walking in winter,
and you never let go of even one of us.

This year’s Advent theme is from Dietrich Bonhoeffer’s sermon on the First Sunday in Advent, December 2, 1928:

The celebration of Advent is possible only to those who are troubled in soul, who know themselves to be poor and imperfect, and who look forward to something greater to come. For these, it is enough to wait in humble fear until the Holy One himself comes down to us, God in the child in the manager.

God comes.

He is, and always will be now, with us in our sin, in our suffering, and at our death. We are no longer alone. God is with us and we are no longer homeless.
~Dietrich Bonhoeffer – from Christmas Sermons

Let the Evening Come

Let the light of late afternoon
shine through chinks in the barn, moving   
up the bales as the sun moves down.

Let the cricket take up chafing   
as a woman takes up her needles   
and her yarn. Let evening come.

Let dew collect on the hoe abandoned   
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.   
Let the wind die down. Let the shed   
go black inside. Let evening come.

To the bottle in the ditch, to the scoop   
in the oats, to air in the lung   
let evening come.

Let it come, as it will, and don’t   
be afraid. God does not leave us 
comfortless, so let evening come.

~Jane Kenyon “Let Evening Come”

photo by Josh Scholten

We resist nightfall in our lives. We fear the dark.

I wish I could remain forever sunshiny, vital and irreplaceable, living each moment with the energy I feel with the dawn. But I know that the forward momentum of time inevitably will wind me down to twilight.

I thought of this poem today as many of us struggle with newly elected leadership, uncertain what it means for us short-term and long-term.

We are not alone in our need to catch our breath and be still.
Each of us is created in the image of God, no matter how we disagree. 

So let evening come, as it will – there is no stopping it –
our lungs filled with the breath of God, our Creator.

We will not be left comfortless.

Now let the night be dark for all of me.
Let the night be too dark for me to see
Into the future. Let what will be be.

~Robert Frost from “Acceptance”

AI image created for this post

I Kept My Word…


‘Is there anybody there?’ said the Traveller,
Knocking on the moonlit door;
And his horse in the silence champed the grasses
Of the forest’s ferny floor:
And a bird flew up out of the turret,
Above the Traveller’s head:
And he smote upon the door again a second time;
‘Is there anybody there?’ he said.
But no one descended to the Traveller;
No head from the leaf-fringed sill
Leaned over and looked into his grey eyes,
Where he stood perplexed and still.
But only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller’s call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
’Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:—
‘Tell them I came, and no one answered,
That I kept my word,’ he said.
Never the least stir made the listeners,
Though every word he spake
Fell echoing through the shadowiness of the still house
From the one man left awake:
Ay, they heard his foot upon the stirrup,
And the sound of iron on stone,
And how the silence surged softly backward,
When the plunging hoofs were gone.

~Walter de la Mare “The Listeners”

At times it seems I knock on a door that remains closed.
My inquiries go unanswered. Is anybody there?
All is silence and darkness.

When I get spooked by the deep dark surrounding this world,
I want to turn around and flee,
the only sound are footsteps echoing away into the night.

Yet I know there are listeners who hear my words.
I know my long travels are not in vain.

We must not be discouraged.
I promised I would come, no matter what.
I have kept my word.

The Light That’s Left Them

Now’s a good time, before the night comes on,
To praise the loyalty of the vase of flowers
Gracing the parlor table, and the bowl of oranges,
And the book with freckled pages resting on the tablecloth.
To remark how these items aren’t conspiring
To pack their bags and move to a place
Where stillness appears to more advantage.
No plan for a heaven above, beyond, or within,
Whose ever-blooming bushes are rustling
In a sea breeze at this very moment.
These things are focusing all their attention
On holding fast as time washes around them.
The flowers in the vase won’t come again.
The page of the book beside it, the edge turned down,
Will never be read again for the first time.
The light from the window’s angled.
The sun’s moving on. That’s why the people
Who live in the house are missing.
They’re all outside enjoying the light that’s left them.
Lucky for them to find when they return
These silent things just as they were.
Night’s coming on and they haven’t been frightened off.
They haven’t once dreamed of going anywhere.

~Carl Dennis, “Still Life” from Ranking the Wishes

Wendell Berry – Another Day Sabbath Poems

The transformation of objects in space,
or objects in time,
To objects outside either, but tactile, still precise…
It’s always the same problem –
Nothing’s more abstract, more unreal,
than what we actually see.
The job is to make it otherwise.

~Charles Wright from “Basic Dialogue” in Appalachia

Annie Dillard – Pilgrim at Tinker Creek

Let us treasure the Light that is left to us, to dwell outside in its midst as night is coming.

Meanwhile, a still life exists within, unchanging, real, tangible, not going anywhere.

Stillness is always there if we decide to come in as the dark descends.

AI image created for this post

The Celestial Face

But when Aurora, daughter of the dawn,
With rosy lustre purpled o’er the lawn.

~Homer from the Odyssey

Aurora is the effort
Of the Celestial Face
Unconsciousness of Perfectness
To simulate, to Us.

~Emily Dickinson

…for the sun stopped shining.
And the curtain of the temple was torn in two. 
Luke 23:45

It felt appropriate to whoop and holler when the lights began to shimmer and shift above us.

Yet as the colors deepened and danced, what struck me most was the sense of how the heavens and earth had found a “thin place” where the space between God and us had narrowed and we were being summoned to communion with Him.

Just as the curtain barring us from the holy of holies in the temple was torn in two at Christ’s moment of death, the curtain between heaven and earth was pulled apart last night.

We are no longer separated from God.
He bids us to join Him and see His face.

A Hush Now

There is a hush now while the hills rise up
and God is going to sleep. He trusts the ship
of Heaven to take over and proceed beautifully
as he lies dreaming in the lap of the world.
He knows the owls will guard the sweetness
of the soul in their massive keep of silence,
looking out with eyes open or closed over
the length of Tomales Bay that the egrets
conform to, whitely broad in flight, white
and slim in standing. God, who thinks about
poetry all the time, breathes happily as He
repeats to Himself: there are fish in the net,
lots of fish this time in the net of the heart.

~Linda Gregg “Fishing in the Keep of Silence” from All of It Singing.

The second before the sun went out we saw a wall of dark shadow come speeding at us. We no sooner saw it than it was upon us, like thunder. It roared up the valley. It slammed our hill and knocked us out. It was the monstrous swift shadow cone of the moon. I have since read that this wave of shadow moves 1,800 miles an hour. Language can give no sense of this sort of speed—1,800 miles an hour. It was 195 miles wide. No end was in sight—you saw only the edge. It rolled at you across the land at 1,800 miles an hour, hauling darkness like plague behind it. Seeing it, and knowing it was coming straight for you, was like feeling a slug of anesthetic shoot up your arm. If you think very fast, you may have time to think, “Soon it will hit my brain.” You can feel the deadness race up your arm; you can feel the appalling, inhuman speed of your own blood. We saw the wall of shadow coming, and screamed before it hit.

This was the universe about which we have read so much and never before felt: the universe as a clockwork of loose spheres flung at stupefying, unauthorized speeds. How could anything moving so fast not crash, not veer from its orbit amok like a car out of control on a turn?

Less than two minutes later, when the sun emerged, the trailing edge of the shadow cone sped away. It coursed down our hill and raced eastward over the plain, faster than the eye could believe; it swept over the plain and dropped over the planet’s rim in a twinkling. It had clobbered us, and now it roared away. We blinked in the light. It was as though an enormous, loping god in the sky had reached down and slapped the Earth’s face.

When the sun appeared as a blinding bead on the ring’s side, the eclipse was over. The black lens cover appeared again, back-lighted, and slid away. At once the yellow light made the sky blue again; the black lid dissolved and vanished. The real world began there. I remember now: We all hurried away.

We never looked back. It was a general vamoose … but enough is enough. One turns at last even from glory itself with a sigh of relief. From the depths of mystery, and even from the heights of splendor, we bounce back and hurry for the latitudes of home.
~Annie Dillard from her essay  “Total Eclipse” in The Atlantic about the February 1979 eclipse in Washington State

In February 1979, I was working as a medical student on an inpatient psychiatric unit in a large hospital in Seattle, less than a hundred miles from the band of total eclipse Annie Dillard describes above happening just to the south.

Our clinical team had tried to prepare our mostly psychotic and paranoid schizophrenic patients for what was about to happen outside that morning.

Our patients were much more anxious than usual, pacing and wringing their hands as the light outside slowly faded, with high noon transformed gradually to an oddly shadowy dusk. The street lights turned on automatically and cars moved about with headlights shining.

We all stood at the windows in the hospital perched high on a hill, watching the city become dark as night in the middle of the day. Our unstable patients were sure the world was ending and certain they had caused it to happen. Extra doses of medication were dispensed as needed while the light faded away and then slowly returned to the streets outside. Within an hour the sunlight was fully back, and many of our patients were napping soundly, safe in the heart of the net we had thrown over them to protect them.

A hush had fallen over us all as we watched the light go out and then return. We were safe.

We all breathed a sigh of relief, having witnessed such transient glory from the heavens. We did not cause it but a Power far greater did. The eclipse swept – a racing shadow followed by restoration of light – the edge of our sanity to accept that our light can indeed be taken away. 

For some, they live their whole lives consumed by shadow.

Miraculously, the Light has been returned to us in this shining night. We may not be able to look it in the Face —  simply too blinding — but we need never dwell in darkness again.

Morning Unfurls

I know this sound, first birds of morning.
As a child, I waited for hours for the drape
of night to roll up again. Leaning into the first
hint of the fresh day, the fragile lace of hesitant
light, the receding darkness dappled with bird song,
able at last to close my eyes.
I know this sound, some kind of redemption,
waking me from scattered sleep, a healing fragment
even as the work of the previous day marks my bones
in notches. Night leaves its small fur as the dawn
pushes, as the birds persist, and morning unfurls
like a promise you hoped someone would keep.
~Susan Moorhead “First Light” from Carry Darkness, Carry Light

Our February farm sunrises have always been full of promise over the three decades we’ve been here. The birds are waking earlier each day and when mornings are soaked, dripping with light and color, the air itself is alive.

Nothing though quite matches the phenomenon in February 2015 (top photo) when a fall streak hole or “key hole” cloud formed over nearby foothills. It looked to me as if angels were bursting through an unfurling break in heaven’s moving veil. Though it didn’t last long, it was seen for miles around us.

When morning breaks the night, it is like the first morning which came into being with His Words:

“Let there be light” and there continues to be the most amazing light…