A Wardrobe Mind

You are our portal to those hidden havens
Whence we return to bless our being here.
Scribe of the Kingdom, keeper of the door
Which opens on to all we might have lost,

Generous, capacious, open, free,
Your wardrobe-mind has furnished us with worlds
Through which to travel, whence we learn to see
Along the beam, and hear at last the heralds,
Sounding their summons, through the stars that sing,
Whose call at sunrise brings us to our King.

~Malcolm Guite from “C.S. Lewis: a sonnet”


This is the 57th anniversary of C.S Lewis’s death in 1963, overshadowed that day by the assassination of President John F. Kennedy.

Sign on the Lewis wardrobe built by C.S. Lewis’ grandfather that served as his inspiration for “The Lion, the Witch and the Wardrobe” — it first stood in his childhood home and later in his home “The Kilns” at Oxford.
Now part of the C.S. Lewis collection at the Marion Wade Center at Wheaton College, Illinois:

“We do not take responsibility for people disappearing.”

This is no mere piece of furniture;
Enchantment hangs within
Among the furs and cloaks
Smelling faintly of mothballs.

Touch the smooth wood,
Open the doors barely
To be met with a faint cool breeze~
Hints of snowy woods and adventure.

Reach inside to feel smooth soft furs
Move aside to allow dark passage
Through to another world, a pathway to
Cherished imagination of the soul.

Seek a destination for mind and heart,
A journey through the wardrobe,
Navigate the night path to reach a
Lit lone lamp post in the wood.

Beaming light as it shines undimmed,
A beacon calling us home, back home
Through the open door, to step out transformed,
No longer lost or longing, now found and filled.

Facing Forward to November

The wild November come at last
Beneath a veil of rain;
The night wind blows its folds aside –
Her face is full of pain.

The latest of her race, she takes
The Autumn’s vacant throne:
She has but one short moon to live,
And she must live alone.

A barren realm of withered fields,
Bleak woods, and falling leaves,
The palest morns that ever dawned;
The dreariest of eves.

It is no wonder that she comes,
Poor month! With tears of pain;
For what can one so hopeless do
But weep, and weep again?
~Richard Henry Stoddard “November”

Leaves wait as the reversal of wind
comes to a stop. The stopped woods
are seized of quiet; waiting for rain
bird & bug conversations stutter to a
stop.

…the rain begins to fall. Rain-strands,
thin slips of vertical rivers, roll
the shredded waters out of the cloud
and dump them puddling to the ground.

Whatever crosses over
through the wall of rain
changes; old leaves are
now gold. The wall is
continuous, doorless. True,
to get past this wall
there’s no need for a door
since it closes around me
as I go through.
~Marie Ponsot from “End of October”

I reluctantly bid October good-bye to face forward
into a darkening November.

Summer is mere memory now;
all color drained from
leaves fallen, dissolving
in frost and rain.

There’s no turning around now
that the clock has fallen back.
We commit our stumbling feet to the path
that trudges toward winter,
silenced and seized
by the relentless momentum of doorless darkness.
There appears no escape hatch.

Yet when the light rises on the hills, even briefly,
I feel a veil lift enough
that I am able to see
far beyond my reach.
The horizon extends on and on forever
and I only then I know
I will endure another winter.

Best of Barnstorming – Winter/Spring 2020

For more “Best of Barnstorming” photos:

Summer/Fall 2019

Winter/Spring 2019

Summer/Fall 2018

Winter/Spring 2018

Summer/Fall 2017

Winter/Spring 2017

Summer/Fall 2016

Winter/Spring 2016

Summer/Fall 2015

Winter/Spring 2015

Summer/Fall 2014

Winter/Spring 2014

Best of 2013

Seasons on the Farm:

BriarCroft in Summerin Autumnin Winter, 
at Year’s End

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Muddied But Whole

The crow’s voice filtered through the walls of the farmhouse
makes sounds of a rusty car engine turning over. Clouds on a
north wind that whistles softly and cold. Spruce trees planted
in a line on the south side of the house weave and scrape at the
air. I’ve walked to a far field to a fence line of rocks where I am
surprised to see soft mud this raw day. No new tracks in the
mud, only desiccated grass among the rocks, a bare grove of
trees in the distance, a blue sky thin as an eggshell with a crack
of dark geese running through it, their voices faint and almost
troubled as they disappear in a wedge that has opened at last
the cold heart of winter.

~Tom Hennen, “Early Spring in the Field” from Darkness Sticks to Everything: Collected and New Poems

I shouldn’t be turning on the heat in the house on a late May morning but there is still an undeniable chill, even at this point in spring. The flowers outside are lush, but we’re still two or three weeks behind our usual bloom schedule.

We’re all impatient to be done with the coldness of a winter that has driven a wedge between people and politics, families and friends, well and ill.

We seek warmth and renewal and hugs and handshakes.

Instead we are asked for patience, to continue to practice the art of waiting for a safe reentry to spring and summer. No one wants to be tossed brutally back to the winter we just crawled away from.

May we emerge together, muddied but whole, ready to face whatever comes next.

The Soul Confined

 
It’s frail, this spring snow, it’s pot cheese
packing down underfoot. It flies out of the trees
at sunrise like a flock of migrant birds.
It slips in clumps off the barn roof,
wingless angels dropped by parachute.
Inside, I hear the horses knocking
aimlessly in their warm brown lockup,
testing the four known sides of the box
as the soul must, confined under the breastbone.
Horses blowing their noses, coming awake,
shaking the sawdust bedding out of their coats.
They do not know what has fallen
out of the sky, colder than apple bloom,
since last night’s hay and oats.
They do not know how satisfactory
they look, set loose in the April sun,
nor what handsprings are turned under
my ribs with winter gone.
~Maxine Kumin “Late Snow” from Selected Poems: 1960 – 1990

photo of spring snow by Paul Dorpat

This past weekend we had it all: sun, rain, windstorm, hail, and some local areas even reported a late April snowfall. It is indeed disorienting to have one foot still in winter and the other firmly on grass that needs mowing.

It is also disorienting to look at pandemic data and hear varying experts’ interpretations about what is happening, what they predict and what strategies are recommended.

It may be time to loosen the tight grip on social distancing yet many are reticent to emerge from their confinement, for good reason.

Just last week, we released the Haflingers from their winter lock-in back onto the fields – their winter-creaky barn-confined joints stretched as they joyfully ran the perimeter of the fields before settling their noses into fresh clover. Their ribs sprung with the fragrance of the apple blossom perfume of the orchard and it lifted my sagging spirit to see them gallop. But even the horses are not ready for complete freedom either – I whistled them in after two hours, not wanting them to eat themselves sick with too much spring grass. Their time on the outside will be tightly controlled until it is safe for them to be out unrestricted.

Surprisingly, the horses come in willingly to settle back into their stalls and their confinement routine.

I’m not so different. I long to be set loose in the April sun and the freedom to go when and where I wish. But the new reality means winter is not entirely gone yet and may not be for some time. There are still tragic and untimely losses of life, still plenty of weeping and lament from the grief-stricken who have been robbed prematurely of loved ones due to a virus that is circulating indiscriminately.

So we must ease out slowly, carefully and cautiously, with one ear cocked and ready to be whistled back in when we are called to return to safety.

Something Easters Up

There is a fragrance in the air,
a certain passage of a song,
an old photograph falling out from the pages of a book,
the sound of somebody’s voice in the hall
that makes your heart leap and fills your eyes with tears.


Who can say when or how it will be
that something easters up out of the dimness
to remind us of a time before we were born and after we will die?

God himself does not give answers. He gives himself.
~Frederick Buechner from Telling the Truth: The Gospel as Tragedy, Comedy and Fairy Tale

“Let Him easter in us, be a dayspring to the dimness of us, be a crimson-cresseted east.”
― Gerard Manley Hopkins
from “The Wreck of the Deutschland”

All changed, changed utterly:   
A terrible beauty is born.
~William Butler Yeats from “Easter, 1916”

It has been a slow coming of spring this year, seeming in no hurry whatsoever as we all shelter in place, isolated and lonesome for one another.

Snow remains in the foothills and the greening of the fields has only begun. The flowering plum and cherry trees finally have burst into bloom despite a continued chill.  It feels like winter at night yet the perfumed air of spring now permeates the day.

Such extreme variability is disorienting when we are desperate for something – anything – that feels routine and normal. It is almost like standing blinded in a spotlight in a darkened room.

This is exactly what eastering is like.  It is awakening out of a restless sleep, opening a door to let in fresh air, and the stone that locked us in the dark rolled back.

Overnight all has changed, changed utterly. We, who have been wintering and weathered, weary and withered, are transformed by the Light.

He is not only risen.  He is given indeed.

The Otherness of Things

I am struck by the otherness of things rather than their same-
ness. The way a tiny pile of snow perches in the crook of a
branch in the tall pine, away by itself, high enough not to be
noticed by people, out of reach of stray dogs. It leans against
the scaly pine bark, busy at some existence that does not
need me.

It is the differences of objects that I love, that lift me toward
the rest of the universe, that amaze me. That each thing on
earth has its own soul, its own life, that each tree, each clod is
filled with the mud of its own star. I watch where I step and see
that the fallen leaf, old broken grass, an icy stone are placed in
exactly the right spot on the earth, carefully, royalty in their
own country.
~Tom Hennen “Looking for the Differences” from Darkness Sticks to Everything. 

We dwell so much on our differences rather than our similarities, especially in an intense political year like this one. There is nothing wrong with “otherness” if each other is seen as God sees us.

We each are one of His precious and specially-made creations, worthy of existence even in our muddy, rocky, fragile state.

These days, though a “snowflake” is disparaged in the political banter of the day as weak and overly sensitive, there is nothing more uniquely “other” than an individual crystalline creation falling from heaven to the exact spot where it is intended to land. Something so unique becomes part of something far greater than it could be on its own, blending in, infinitely stronger, but never lost.

I am placed here, weak as I am, in the exact right spot, for reasons I continue to uncover and discover. I try every day, as best as I can, to not get lost and, of course, to stay out of the mud.

An Opened Palm of Offering

These woods
on the edges of a lake
are settling now
to winter darkness.
Whatever was going to die
is gone —
crickets, ferns, swampgrass.
Bare earth fills long spaces of a field.
But look:
a single oak leaf
brown and shining
like a leather purse.
See what it so delicately offers
lying upturned on the path.
See how it reflects in its opened palm
a cup of deep, unending sky.
~ Laura Foley, “The Offering” from Why I Never Finished My Dissertation

Winter still has us in its chilly grasp for another four weeks. We feel caught up in its wintry web as viruses continue to swirl among us despite efforts to monitor and quarantine, and we wonder when our own turn will come.

The natural world, its joys and its threats, has always had the upper hand. We are dumbfounded, never quick enough to catch on to its tricks and sly mutations, unprepared to respond in the moment.

Like a withering leaf soon to become dust, we offer up what we can when we can: our reflection of the light, our hope of better things to come, our gift of beauty back to a despairing world.

Winter never has the last word.

Let Me Go to the Window

…leave me a little love,
A voice to speak to me in the day end,
A hand to touch me in the dark room
Breaking the long loneliness.
In the dusk of day-shapes
Blurring the sunset,
One little wandering, western star
Thrust out from the changing shores of shadow.
Let me go to the window,
Watch there the day-shapes of dusk
And wait and know the coming
Of a little love.
~Carl Sandburg from “At a Window”

Now close the windows and hush all the fields;
If the trees must, let them silently toss;
No bird is singing now, and if there is,
Be it my loss.

I will be long ere the marshes resume,
It will be long ere the earliest bird:
So close the windows and not hear the wind,
But see all wind-stirred.
~Robert Frost “Now Close the Windows”

Everything looks a little different framed by a window. We are set apart, looking out, rather than immersed within the landscape ourselves.

It is not unlike being in an art museum, walking past masterpieces that offer a framed view into another time and place, with people we don’t know and will never meet.

Let me go to the windows, moving through the house and peering out at the glory that awaits beyond the frame. But rather than simply admire the view, protected from the chill wind, I’ll walk out the door into the life that pulses continually beyond the glass.

Waiting for News of Spring

It’s a motley lot. A few still stand
at attention like sentries at the ends
of their driveways, but more lean
askance as if they’d just received a blow
to the head, and in fact they’ve received
many, all winter, from jets of wet snow
shooting off the curved, tapered blade
of the plow. Some look wobbly, cocked
at oddball angles or slumping forlornly
on precariously listing posts. One box
bows steeply forward, as if in disgrace, its door
lolling sideways, unhinged. Others are dented,
battered, streaked with rust, bandaged in duct tape,
crisscrossed with clothesline or bungee cords.
A few lie abashed in remnants of the very snow
that knocked them from their perches.
Another is wedged in the crook of a tree
like a birdhouse, its post shattered nearby.
I almost feel sorry for them, worn out
by the long winter, off-kilter, not knowing
what hit them, trying to hold themselves
together, as they wait for news from spring.
~Jeffrey Harrison “Mailboxes in Late Winter”

This time of year I too often feel like an off-kilter mailbox – rusty, dented, leaning rather than upright, covered with mildew and lichens — it will take some effort to look presentable after a long winter.

There isn’t much that would recommend me as a potential destination; most of the mail that is delivered to me is junk mail or bills. It is a rare pleasure to find a hand-addressed card or note. I have myself to thank for that: I rarely send one to anyone else. I’m not even sure I could find a stamp at home if I wanted one.

It reminds me how infrequently I actually hand write any form of communication any more, how dependent I’ve become on the instantaneous nature of texting and email, and how much I used to enjoy writing letters back and forth to family and friends, in what feels like another life.

Letters can be forever–a tangible representation of the writer illustrated by their choice of envelope, stamp and paper, writing utensil, style of script, sometimes a scent. The neatness or hurried nature of the writing says something about the urgency with which it was written. Emails have none of those features, and can feel ephemeral, although we know they can always be found and retrieved, for good and for ill, by those who know how to look for them.

It has been too long. It’s time to commit to writing a letter a week to someone who needs to be able to tangibly feel my caring about them, right in their hands.

Then just maybe, I can share news of the spring to come.