The moment when, after many years of hard work and a long voyage you stand in the centre of your room, house, half-acre, square mile, island, country, knowing at last how you got there, and say, I own this,
is the same moment when the trees unloose their soft arms from around you, the birds take back their language, the cliffs fissure and collapse, the air moves back from you like a wave and you can’t breathe.
No, they whisper. You own nothing. You were a visitor, time after time climbing the hill, planting the flag, proclaiming. We never belonged to you. You never found us. It was always the other way round. ~Margaret Atwood “The Moment”from Eating Fire
The farm where we live has fields on a hill with woods. Evening walks are listening walks, with birdsong now identifiable thanks to our Merlin app on our phones.
There is always plenty to hear.
It is an immense relief to listen to something other than talking heads on TV or podcasts. The voices we hear in the woods remain unconcerned about politics, hantavirus outbreaks or the state of the economy.
I also listen to the sound of breezes rustling the tree branches, the crunch of sticks and dry leaves under my boots, and more often than not, woodpeckers tapping away at tree trunks, eagles chittering from the treetops, and unseen owls visiting back and forth from their hidey-holes.
So, like the outside world, our farm does have its own talking heads and drama, but I know who I will listen to and where I prefer to hang out if given a choice.
I know I’m only a visitor to their world – there is no owning this land, only temporary stewardship. We will be invited back as long as we tread softly.
Until next time then, until next time.
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Though I know well enough To hunt the Lady’s Slipper now Is playing blindman’s-buff, For it was June She put it on And grey with mist the spider’s lace Swings in the autumn wind, Yet through this hill-wood, high and low, I peer in every place; Seeking for what I cannot find I do as I have often done And shall do while I stay beneath the sun. ~Andrew Young “Lady’s Slipper Orchid”
Everything is beautiful and I am so sad. This is how the heart makes a duet of wonder and grief. The light spraying through the lace of the fern is as delicate as the fibers of memory forming their web around the knot in my throat. The breeze makes the birds move from branch to branch as this ache makes me look for those I’ve lost in the next room, in the next song, in the laugh of the next stranger. In the very center, under it all, what we have that no one can take away and all that we’ve lost face each other. It is there that I’m adrift, feeling punctured by a holiness that exists inside everything. I am so sad and everything is beautiful. ~Mark Nepo “Adrift” from Inside the Miracle: Enduring Suffering, Approaching Wholeness
Under the pines, near the murmuring brook, I know the wild orchids grow, Fair and pure in their shady nook, A page in God’s own wonderful book With a message for me to know.
Come in the Spring to that beautiful bower And pause by the moss and the fern To study. And know from the little flower God’s promise of hope is ready to shower On those who will trust and learn.
Over the land, with colors so bright, Leaves whirl in the chill, fitful breeze. The gurgling brook, ice-coated and white; Ferns, mosses and orchids have vanished from sight, Dead and lost in the Winter’s first freeze.
In weakening faith and hopeless despair, Black winters of woe hold my soul. For death is the end; and each mortal must share The fate of the orchids that once blossomed there. Oblivion marketh the goal.
Hold thy hope, faithless soul, for again in the Spring Neath the pines, the wild orchids will bloom. Struggle upward toward God, thy Creator and King. The Saviour is risen and Nature doth sing, Christ overcomes death and the tomb! ~Joseph Pullman Porter “Wild Orchids”
How strange to find you where I did along a path beside a road, your legs in graceful green dancing to music made by wind and woods.
Like ladies from a bygone age, you left your slippers there to air in dappled shade, while you, barefoot, relaxed your stays, let loose your hair.
The treasures of this world might be as simple as an orchid’s bloom; how sad that so much time is spent in filling coffers for the tomb.
If only life could be so fresh and free as you in serenade, we might learn we value most those things found lost in woodland shade. ~Mike Orlock “Lady Slipper Serenade (in 4/4 time)”
My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals. After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed. Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.
My father realized what selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes.
He was on a mission.
As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil. There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers (Calypso bulbosa) from the woods.
These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day. They are not easy to find unless you know where to look.
My father remembered exactly where to look.
We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean. Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover. He would stop occasionally to get his bearings as things were overgrown. We reached a small clearing and he knew we were near. He went straight to a copse of fir trees standing guard over a garden of lady slippers.
There were almost thirty of them blooming, scattered about in an area the size of my small bedroom. Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence. To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot. To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers. We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch. Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.
When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods. He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch. We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them. Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.
The next spring, only six lady slippers bloomed from the original thirty. Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home. The following year there were only three. A decade later, my father left our farm and family, not looking back.
Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer.
The split rail fence still stood, guarding nothing but old memories. No lady slippers bloomed. There was not a trace they had ever been there. They had given up and disappeared.
The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods. They probably thought it surrounded a graveyard of some sort.
And they would be right – it did.
An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”
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I miss the friendship with the pine tree and the birds that I had when I was ten. And it has been forever since I pushed my head under the wild silk skirt of the waterfall.
The big rock on the shore was the skull of a dead king whose name we could almost remember. Under the rooty bank you could dimly see the bunk beds of the turtles.
Nobody I know mentions these things anymore. It’s as if their memories have been seized, erased, and relocated among flowcharts and complex dinner-party calendars.
Now I want to turn and run back the other way, barefoot into the underbrush, getting raked by thorns, being slapped in the face by branches.
Down to the muddy bed of the little stream where my cupped hands make a house, and
I grew up on a small farm with several acres of woodland. It was my retreat until I left for college; I walked among twittering birds, skittering wild bunnies, squirrels and chipmunks, busy ant hills and trails, blowing leaves, swimming tadpoles, falling nuts, waving wildflowers, large firs, pines, cottonwoods, maples and alder trees.
I had a favorite “secret” spot sitting perched on a stump where a large rock provided a favorite sunning spot for salamanders. They and I would make eye contact, pondering our common Creator.
At college I longed for a place as private, as serene, but nothing could match the woods and creatures of my childhood home. After living a decade in the city, I nearly forgot what a familiar woods felt like.
On this farm we’ve stewarded for nearly forty years, I’ve longed for a similar sanctuary, yet my distractions are so much greater than when I was a child. Filled with greater worries, I can’t empty my head and heart as completely to receive the varied gifts to be found around me.
In my ever-shortening timeline to accomplish what I’ve been placed here to do, I need to study the faces of creation, knowing those eyes reflect the face of God.
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They shut the road through the woods Seventy years ago. Weather and rain have undone it again, And now you would never know There was once a road through the woods Before they planted the trees. It is underneath the coppice and heath, And the thin anemones. Only the keeper sees That, where the ring-dove broods, And the badgers roll at ease, There was once a road through the woods.
Yet, if you enter the woods Of a summer evening late, When the night-air cools on the trout-ringed pools Where the otter whistles his mate, (They fear not men in the woods, Because they see so few.) You will hear the beat of a horse’s feet, And the swish of a skirt in the dew, Steadily cantering through The misty solitudes, As though they perfectly knew The old lost road through the woods. But there is no road through the woods. ~Rudyard Kipling “The Way Through the Woods”
Nature has a way of covering our offending tracks, given time and left alone.
We think we’ve built a lasting impression, clearing the path for easy passage, forging ahead into the future.
Yet no invitation is needed for the overgrowth to reclaim the road some folks traveled, once upon a time.
Now the old lost road is overwhelmed by the mists and mosses of time; may it stay buried in the past as we pass through, unnoticed and oblivious.
photo by Emily VanderHaak
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Ask the questions that have no answers. Invest in the millenium. Plant sequoias. Say that your main crop is the forest that you did not plant, that you will not live to harvest. Practice resurrection. ~Wendell Berry from “Manifesto: The Mad Farmer Liberation Front”
If I have to pick a side, let me side with the bees, with summer blossoms and winter snowdrifts. Let me side with the children I know and the ones I don’t, with the late-shift nurse and his aching back, with the grandmother digging in her garden. Let me side with the earth in all her sighing, the stars in all their singing, with stray dogs and street artists, with orphans and widows. Like Berry, let me say everything was for love of the forest I will never see, the harvest I will never reap. I pledge my allegiance to the world to come. ~Jen Rose Yokel “Choosing Sides”
photo by Danyale Tamminga photo by Nate Lovegren
We are each here in this life for such a short time…
What we leave behind is a shadow of the gifts we received at birth – given the chance, we can renew and rebuild this struggling earth. Listening to the sighs of a world in distress, I try to plant words and living things to last beyond my time here.
Every day we choose sides. Standing alone in our choices, we wonder how we will ever connect to one another.
I want to wrap my arms around anyone who needs a hug right now.
I know I do. Maybe you do too.
Starry Night – Van Gogh
photo by Sara LenssenAI image created for this post
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At once whatever happened starts receding. —Philip Larkin
Last night I walked the woods lit by the final moon of the month.
Days don’t count here beneath the centuries-old pines
where my grandmother took her solace on hard farm days, passing up
the washboard or jam-making for the eternal whooshing
of the forest as much serenity as yearning. ~Dave Malone “Walk in the Woods” from Tornado Drill
Over my seventy years, I’ve had the opportunity to walk through woods in different parts of the world – from my childhood home near Puget Sound, to the Bay Area in California, from central Africa above Lake Tanganyika to the forests of Northern Ireland and the coastline of Vancouver Island.
Here on the farm, we have some dense woods that our grandson has designated “the haunted forest” because of its many downed trees from windstorms. He is convinced BigFoot lives somewhere in the dense underbrush, and he may well be right.
During a walk in the woods, no matter where it may be, I find solace in a world where there is teeming life thriving under the ground, at eye level, and overhead. I feel a palpable vibrance with each step I take, while experiencing sounds and smells I find nowhere else.
So, I too leave behind the work of the day – the laundry, the cleaning and cooking – if only for an hour or so. And once again, I sync my own heartbeat to the pulse of the mysterious life I find, ongoing and eternal, in the woods.
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J.R.Tolkien’s writing desk at the Wade Center at Wheaton CollegeEars of Wheat – Van Gogh museum
A writing desk is simply a repurposed tree; the smoothly sanded surface of swirling grain and knotholes nourish and produce words and stories rather than leaves and fruit.
I can easily lose myself in the wood and wondering about its origins, whether it is as I sit at a window composing, or whether I’m outside walking among the trees which are merely potential writing desks in the raw.
Museums often feature the writing desks of the famous and I’ve seen a few over the years – it is thrilling to be able touch the wood they touched as they wrote – to gaze at the same grain patterns and knotholes they saw as the words gelled, and feel the worn spots where their elbows rested.
Though my little desk won’t ever become a museum piece, nor will my words be long-remembered, I am grateful for the tree that gave me this place to sit each morning, breathing deeply, praying that when I sit here, I might bear and share worthy fruit.
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Though I know well enough To hunt the Lady’s Slipper now Is playing blindman’s-buff, For it was June She put it on And grey with mist the spider’s lace Swings in the autumn wind, Yet through this hill-wood, high and low, I peer in every place; Seeking for what I cannot find I do as I have often done And shall do while I stay beneath the sun. ~Andrew Young “Lady’s Slipper Orchid”
How strange to find you where I did along a path beside a road, your legs in graceful green dancing to music made by wind and woods.
Like ladies from a bygone age, you left your slippers there to air in dappled shade, while you, barefoot, relaxed your stays, let loose your hair.
The treasures of this world might be as simple as an orchid’s bloom; how sad that so much time is spent in filling coffers for the tomb.
If only life could be so fresh and free as you in serenade, we might learn we value most those things found lost in woodland shade. ~Mike Orlock “Lady Slipper Serenade (in 4/4 time)”
My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals. After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed. Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.
My father realized what her selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes. He was on a mission.
As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil. There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers (Calypso bulbosa) from the woods.
These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day. They are not easy to find unless you know where to look.
My father remembered exactly where to look.
We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean. Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover. He would stop occasionally to get his bearings as things were overgrown. We reached a small clearing and he knew we were near. He went straight to a copse of fir trees standing guard over a garden of lady slippers.
There were almost thirty of them blooming, scattered about in an area the size of my small bedroom. Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence. To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot. To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers. We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch. Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.
When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods. He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch. We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them. Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.
The next spring, only six lady slippers bloomed from the original thirty. Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home. The following year there were only three. A decade later, my father left our farm and family, not looking back.
Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer. The split rail fence still stood, guarding nothing but old memories. No lady slippers bloomed. There was not a trace they had ever been there. They had given up and disappeared.
The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods. They probably thought it surrounded a graveyard of some sort.
And they would be right – it did.
An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”
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Though I know well enough To hunt the Lady’s Slipper now Is playing blindman’s-buff, For it was June She put it on And grey with mist the spider’s lace Swings in the autumn wind, Yet through this hill-wood, high and low, I peer in every place; Seeking for what I cannot find I do as I have often done And shall do while I stay beneath the sun. ~Andrew Young “Lady’s Slipper Orchid”
My grandmother’s house where my father was born had been torn down. She sold her property on Fidalgo Island near Anacortes, Washington to a lumber company – this was the house where all four of her babies were born, where she and my grandfather loved and fought and separated and finally loved again, and where we spent chaotic and memorable Thanksgiving and Christmas meals. After Grandpa died, Grandma took on boarders, trying to afford to remain there on the homesteaded wooded acreage on Similk Bay, fronted by meadows where her Scottish Highland cattle grazed. Her own health was suffering and she reached a point when it was no longer possible to make it work. A deal was struck with the lumber company and she moved to a small apartment for the few years left to her, remaining bruised by leaving her farm.
My father realized what her selling to a lumber company meant and it was a crushing thought. The old growth woods would soon be stumps on the rocky hill above the bay, opening a view to Mt. Baker to the east, to the San Juan Islands to the north, and presenting an opportunity for development into a subdivision. He woke my brother and me early one Saturday in May and told us we were driving the 120 miles to Anacortes. He was on a mission.
As a boy growing up on that land, he had wandered the woods, explored the hill, and helped his dad farm the rocky soil. There was only one thing he felt he needed from that farm and he had decided to take us with him, to trespass where he had been born and raised to bring home a most prized treasure–his beloved lady slippers from the woods.
These dainty flowers enjoy a spring display known for its brevity–a week or two at the most–and they tend to bloom in small little clusters in the leafy duff mulch of the deep woods, preferring only a little indirect sunlight part of the day. They are not easy to find unless you know where to look.
My father remembered exactly where to look.
We hauled buckets up the hill along with spades, looking as if we were about to dig for clams at the ocean. Dad led us up a trail into the thickening foliage, until we had to bushwhack our way into the taller trees where the ground was less brush and more hospitable ground cover. He would stop occasionally to get his bearings as things were overgrown. We reached a small clearing and he knew we were near. He went straight to a copse of fir trees standing guard over a garden of lady slippers.
There were almost thirty of them blooming, scattered about in an area the size of my small bedroom. Each orchid-like pink and lavender blossom had a straight backed stem that held it with sturdy confidence. To me, they looked like they could be little shoes for fairies who may have hung them up while they danced about barefoot. To my father, they represented the last redeeming vestiges of his often traumatic childhood, and were about to be trammeled by bulldozers. We set to work gently digging them out of their soft bedding, carefully keeping their bulb-like corms from losing a protective covering of soil and leafy mulch. Carrying them in the buckets back to the car, we felt some vindication that even if the trees were to be lost to the saws, these precious flowers would survive.
When we got home, Dad set to work creating a spot where he felt they could thrive in our own woods. He found a place with the ideal amount of shade and light, with the protection of towering trees and the right depth of undisturbed leaf mulch. We carefully placed the lady slippers in their new home, scattered in a pattern similar to how we found them. Then Dad built a four foot split rail fence in an octagon around them, as a protection from our cattle and a horse who wandered the woods, and as a way to demarcate that something special was contained inside.
The next spring only six lady slippers bloomed from the original thirty. Dad was disappointed but hoped another year might bring a resurgence as the flowers established themselves in their new home. The following year there were only three. A decade later, my father himself had left farm and family, not looking back.
Sometime after the divorce, when my mother had to sell the farm, I visited our lady slipper sanctuary in the woods for the last time in the middle of May, seeking what I hoped might still be there, but I knew was no longer. The split rail fence still stood, guarding nothing but old memories. No lady slippers bloomed. There was not a trace they had ever been there. They had simply given up and disappeared.
The new owners of the farm surely puzzled over the significance of the small fenced-in area in the middle of our woods. They probably thought it surrounded a graveyard of some sort.
And they would be right – it did.
An embroidery I made for my father after he replanted the lady slippers — on the back I wrote “The miracle of creation recurs each spring in the delicate beauty of the lady slipper – may we ourselves be recreated as well…”
Once more, once more into the sunny fields Oh, let me stray! And drink the joy that young existence yields On a bright, cloudless day. Once more let me behold the summer sky, With its blue eyes, And join the wild wind’s voice of melody, As far and free it flies. Once more, once more, oh let me stand and hear The gushing spring, As its bright drops fall starlike, fast and clear, And in the sunshine sing. ~Frances Kemble“A Farewell”
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Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow.
My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year.
He gives his harness bells a shake To ask if there is some mistake. The only other sound’s the sweep Of easy wind and downy flake.
The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. ~Robert Frost, “Stopping by Woods on a Snowy Evening” from The Poetry of Robert Frost
I wish one could press snowflakes in a book like flowers. ~James Schuyler from “February 13, 1975”
When a January night lingers long, beginning too early and lasting too late, I find myself in my own insistent winter, wanting to hide away from trouble deep in a peaceful snowy woods, knowing I choose to avoid doing what is needed when it is needed.
I look inward when I must focus outside myself. I muffle my ears to deafen voices crying in need. I turn away rather than meet a stranger’s gaze.
A wintry soul is a cold and empty place, not lovely, dark and deep.
I appeal to my Creator who knows my darkness. He expects me to keep my promises because He keeps His promises. His buds of hope and warmth and color and fruit will arise from my bare branches.
He brings me out of the night to finish what He brought me here to do.
A book from Barnstorming combining the beauty of Lois Edstrom’s words and Barnstorming photography, available for order here:
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