Tag: landscape

The Edible World

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I came downstairs for Lavina’s scones, butter-ready
from the oven, crusty and cratered, awaiting their dollop
of jam.

The morning clouds had whipped themselves up
to a billow, mounds of soft cream.

The plink plink song of a chaffinch dotted the air like currants.
Daffodils, pats of butter on thin stems, did their little dance, and the edible world spread its feast before me on the fresh green tablecloth.

Oh, how delicious, this sweet Irish spring.
~Barbara Crooker, “Morning Tea” from The Book of  Kells

Northern Ireland
Whatcom County
Northern Ireland
Home
Whatcom County
Whatcom County

It was nine years ago we visited Northern Ireland where we were surrounded by ever-delicious colors and landscape and gracious hospitality where ever we went.

As I look out at our own rolling green hills and billowy clouds of a Whatcom County springtime, I am filled as if it were all edible feast, reminded of the vibrant green of the Irish countryside, backed by the silhouettes of the nearby Mourne Mountains.

If only all the world could be blessed and tasty as fresh warm scones with jam and a pot of tea.

Mourne Mtns – Northern Ireland
Whatcom County
Northern Ireland
Northern Ireland
Northern Ireland

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An Absence of Secrecy

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I came here to study hard things
– rock mountain and salt sea –
and to temper my spirit on their edges. 
“Teach me thy ways, O Lord” is, like all prayers,
a rash one, and one I cannot but recommend. 

These mountains — Mount Baker and the Sisters and Shuksan,
the Canadian Coastal Range and the Olympics on the peninsula — are surely the edge of the known and comprehended world…. 

That they bear their own unimaginable masses and weathers aloft, holding them up in the sky for anyone to see plain, makes them,
as Chesterton said of the Eucharist, only the more mysterious
by their very visibility and absence of secrecy.
~Annie Dillard from Holy the Firm

Sometimes the mountain
is hidden from me in veils
of cloud, sometimes
I am hidden from the mountain
in veils of inattention, apathy, fatigue,
when I forget or refuse to go
down to the shore or a few yards
up the road, on a clear day,
to reconfirm
that witnessing presence.
~Denise Levertov  “Witness”

Even on the days like today when the mountain is hidden behind a veil of clouds, I have every confidence it is there.  It has not moved in the night, gone to another county, blown up or melted down.  My vision isn’t penetrating enough to see it through cloud cover today, but it will return to my line of sight, if not tomorrow, perhaps the next day, maybe not until next week. 

I know this and have faith it is true – the mountain does not keep itself a secret.

On the days when I am not bothering to look for it, too preoccupied so walk right past its obvious grandeur and presence, then it reaches out to me and calls me back, refocusing me. 

There are times when I turn a corner on the farm and glance up, and there it is, a silent and overwhelming witness to beauty and steadfastness.  I literally gasp at not noticing before, at not remembering how I’m blessed by it being there even at the times I can’t be bothered.

It witnesses my lack of witness and, so in its mysterious way of being in plain sight, stays put to hold me fast yet another day.  And so I keep coming back to gaze, sometimes just at clouds, yearning to lift the veil, and as a result, lift my veil, just one more time.

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Wired With Alertness

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Edmund Darch Lewis – Susquehanna
Agnes Wallace by Robert Sivell

I have never been fishing on the Susquehanna
or on any river for that matter
to be perfectly honest.

Not in July or any month
have I had the pleasure — if it is a pleasure —
of fishing on the Susquehanna.

I am more likely to be found
in a quiet room like this one —
a painting of a woman on the wall,

a bowl of tangerines on the table —
trying to manufacture the sensation
of fishing on the Susquehanna.

There is little doubt
that others have been fishing
on the Susquehanna,

rowing upstream in a wooden boat,
sliding the oars under the water
then raising them to drip in the light.

But the nearest I have ever come to
fishing on the Susquehanna
was one afternoon in a museum in Philadelphia,

when I balanced a little egg of time
in front of a painting
in which that river curled around a bend

under a blue cloud-ruffled sky,
dense trees along the banks,
and a fellow with a red bandana

sitting in a small, green
flat-bottom boat
holding the thin whip of a pole.

That is something I am unlikely
ever to do, I remember
saying to myself and the person next to me.

Then I blinked and moved on
to other American scenes
of haystacks, water whitening over rocks,

even one of a brown hare
who seemed so wired with alertness
I imagined him springing right out of the frame. 
~Billy Collins Fishing On The Susquehanna In July

A Hare in the Forest by Hans Hoffman (Getty Museum)
Susquehanna by Jasper Francis Cropsey
Hayfield–oil painting by Scott Prior http://www.scottpriorart.com

I live a quiet life in a quiet place. There are many experiences not on my bucket list that I’m content to simply imagine.

I’m not a rock climber or a zip liner or willing to jump out of an airplane. I won’t ride a horse over a four foot jump or race one around a track. Not for me waterskis or unicycles or motorcycles.

I’m grateful there are those who are eagerly wired with alertness for the next experience: adventurers who seek out the extremes of life so the rest of us can sit back and admire their courage and applaud their explorations and achievement.

My mind’s eye and imagination is powerful enough, thanks to the words and pictures of others. I find I’m content to explore the corners of my quiet places, both inside and outside, to see what I can build from what I find right here under my nose.

When the light is right, and I’m open enough to it, what I see is ready to spring right out of the frame.

The difficulty to think at the end of day,
When the shapeless shadow covers the sun
And nothing is left except light on your fur—

….and August the most peaceful month.

To be, in the grass, in the peacefullest time,
And to feel that the light is a rabbit-light
In which everything is meant for you
And nothing need be explained;

You become a self that fills the four corners of
night.
~Wallace Stevens, from “A Rabbit As King of the Ghosts”

More of my images along with Lois Edstrom’s ekphrastic poetry can be found in this book, available for order here:

An Exquisite View

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How often do we miss the fainter note
Or fail to see the more exquisite hue,
Blind to the tiny streamlet at our feet,
Eyes fixed upon some other, further view.
What chimes of harmonies escape our ears,
How many rainbows must elude our sight,
We see a field but do not see the grass,
Each blade a miracle of shade and light.
How then to keep the greater end in eye
And watch the sunlight on the distant peak,
And yet not tread on any leaf of love,
Nor miss a word the eager children speak?
Ah, what demand upon the narrow heart,
To seek the whole, yet not ignore the part.
~Philip Britts  “Sonnet 1”

I saw the lovely arch
    Of Rainbow span the sky,
The gold sun burning
    As the rain swept by.

In bright-ringed solitude
    The showery foliage shone
One lovely moment,
    And the Bow was gone.
~Walter De La Mare “The Rainbow”

We are born nearly blinded, focused solely on our emptiness – a hunger to be filled and our need to be held.  As we grow, our focus sharpens to fall in love with those who feed and nurture us.

Eventually we discover, challenge and worship He who made us.

This world is often too much for us to take in as a whole — our exquisite view of shadow and light, color and gray, loneliness and embrace, sorrow and joy.

With more years and a broader vision, we scan for the finer details within the whole before it disappears with the changing light.  Time’s a wasting (and so are we) as we try to capture it all with the lenses of our eyes and hearts.

The end of life comes too soon, when once again our vision blurs and the world fades away from view.

We hunger yet again to be filled and held.

And then heaven itself will seem almost too much to take in – our hearts full to bursting with light and promise for the rest of eternity.

A new book is available from Barnstorming – maybe you know someone who would enjoy a gift of light and color and insightful words? Order here:

Much Too Beautiful to Stay

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I love the look, austere, immaculate,
Of landscapes drawn in pearly monotones.
There’s something in my very blood that owns
Bare hills, cold silver on a sky of slate,
A thread of water, churned to milky spate
Streaming through slanted pastures fenced with stones.

I love those skies, thin blue or snowy gray,
Those fields sparse-planted, rendering meagre sheaves;
That spring, briefer than apple-blossom’s breath,
Summer, so much too beautiful to stay,
Swift autumn, like a bonfire of leaves,
And sleepy winter, like the sleep of death.
~Elinor Wylie from “Wild Peaches”

An amber light stretches from sky to ground
this beautiful morning, another mid-summer dawning-
today a clone of yesterday’s and the day before.

A stretch of forty identical days cannot last and will not stay.
I long again for rain and chill nights.

Drying up and pock-marked with holes,
I feel punched and withering in this browning landscape,
wondering on this Sabbath day of communing together
where holiness is to be found.

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To Live in the Layers

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I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon

How shall the heart be reconciled
to its feast of losses?

Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
“Live in the layers,
not on the litter.”
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.
~Stanley Kunitz from “The Layers”

A child is asleep. Her private life unwinds inside skin and skull; only as she sheds childhood, first one decade and then another, can she locate the actual, historical stream, see the setting of her dreaming private life—the nation, the city, the neighborhood, the house where the family lives—as an actual project under way, a project living people willed, and made well or failed, and are still making, herself among them.

I breathed the air of history all unaware, and walked oblivious through its littered layers.
~Annie Dillard from An American Childhood

photo of Wiser Lake and Mt. Baker by Joel de Waard

…we become whole by having the courage to revisit and embrace all the layers of our lives, denying none of them, so that we’re finally able to say, “Yes, all of this is me, and all of this has helped make me who I am.”

When we get to that point, amazingly, we can look at all the layers together and see the beauty of the whole.
~Parker Palmer from “Embracing All the Layers of Your Life” in On Being

My favorite scenes are ones where there are several “layers” to study, whether it is a still life of petals or a deep landscape with a foreground, middle and backdrop. The challenge is to decide where to look first, what to draw into sharp focus, and how to absorb it all as a whole. In fact, if I only see one aspect, I miss the entire point of the composition. It is wonderfully multi-faceted and multi-layered because that is how my own life is – complex with so much diverse and subtle shading.

If I try to suppress some darker part of my own life I wish to forget and blur out, I ignore the beauty of the contrast with the light that illuminates the rest.

The layers reflect who I was created to be as an image-bearer – complex, nuanced, illuminated in the presence of dark.

Beautifully composed and ultimately transformed.

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Abundant Overwhelming June

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I wonder what it would be like to live in a world
where it was always June.
~L. M. Montgomery from Anne of the Island

Each month is special in its own way:  I tend to favor April and October for how the light plays on the landscape during transitional times — a residual of what has been, with a hint of what lies ahead.

Then there is June.  Dear, gentle, abundant and overwhelming June.  Nothing is dried up, there is such a rich feeling of ascension into lushness of summer with an “out of school” attitude, even if one has graduated long ago.

And the light, and the birdsong and the dew and the greens — such vivid verdant greens.

As lovely as June is, 30 days is more than plenty or I would become completely saturated. Then I can be released from my sated stupor to wistfully hunger for June for 335 more.

Send Me Dreams

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Still and calm,
In purple robes of kings,
The low-lying mountains
sleep at the edge of the world.
The forests cover them like mantles;
Day and night
Rise and fall over them
like the wash of waves. 
Asleep, they reign.
Silent, they say all.
Hush me, O slumbering mountains –
Send me dreams.
~Harriet Monroe “The Blue Ridge”

I live where the surrounding hills circle like wagons,
strong shoulders promising protection,
lying steadfast day after day,
while the palette of sky changes with the season.

These are friends in whose shadows I sleep;
they will be here long after I take my rest,
but I will remember, even in my dreams,
I will long remember
how light emerges hopeful over the crest
at the breaking of dawn.

The Light is Enough

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There were moments, hours even,
when it was clear what I

was meant to do, as if
a landscape had revealed itself

in the morning light.
I could see the road

plainly now, imagining myself
walking towards the distant mountains

like a pilgrim in the old stories—
ready to take on any danger,

hapless but always hopeful,
certain that my simple belief

in the light
would be enough.
~Joyce Sutphen “Those Hours” from Carrying Water to the Field

We’re not always sure we’re on the right road, are we? Too often we’re struggling to find our way in the dark.

Suddenly things are under water, the bridge is washed out, there are potholes everywhere, the fog line disappears in the mist, a mudslide covers both lanes – the road seems impossibly impassable.

Yet we set out on this road for a reason and a purpose; this is not wasted effort. If we can’t see where we are going, fearing we may plunge off an unseen cliff, we pause, waiting until the light is enough to take the next step.

So the light will come.
I believe it will.
I know it will as it always has.

Sepia September Light

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Wheat Field with Sheaves -Vincent Van Gogh

This far north, the harvest happens late.
Rooks go clattering over the sycamores
whose shadows yawn after them, down to the river.
Uncut wheat staggers under its own weight.

Summer is leaving too, exchanging its gold
for brass and copper. It is not so strange
to feel nostalgia for the present; already
this September evening is as old

as a photograph of itself. The light, the shadows
on the field, are sepia, as if this were
some other evening in September, some other
harvest that went ungathered years ago.
~Dorothy Lawrenson “September” from Painted, spoken, 22

Sheaves of Wheat in a Field –Vincent Van Gogh

September/remember naturally go together in every rhyming autumnal poem and song.

For me, the nostalgia of this season is for the look and feel of the landscape as it browns out with aging – gilded, burnt and rusted, almost glistening in its dying.

I gather up and store these images, like sheaves of wheat stacked in the field. I’ll need them again someday, when I’m hungry, starving for the memory of what once was, and, when the light is just right, how it could be again someday.

Summer ends now; now, barbarous in beauty, the stooks rise
⁠Around; up above, what wind-walks! what lovely behaviour
⁠Of silk-sack clouds! has wilder, wilful-wavier
Meal-drift moulded ever and melted across skies?

I walk, I lift up, I lift up heart, eyes,
⁠Down all that glory in the heavens to glean our Saviour;
⁠And, éyes, heárt, what looks, what lips yet gave you a
Rapturous love’s greeting of realer, of rounder replies?

And the azurous hung hills are his world-wielding shoulder
⁠Majestic—as a stallion stalwart, very-violet-sweet!—
These things, these things were here and but the beholder
⁠Wanting; which two when they once meet,
The heart rears wings bold and bolder
⁠And hurls for him, O half hurls earth for him off under his feet.
~Gerard Manley Hopkins “Hurrahing for Harvest”

Hayfield–oil painting by Scott Prior http://www.scottpriorart.com