But Right Now

Maybe night is about to come
calling, but right now
the sun is still high in the sky.

It’s half-past October, the woods
are on fire, blue skies stretch
all the way to heaven. Of course,
we know that winter is coming, its thin
winding sheets and its hard narrow bed.

But right now, the season’s fermented
to fullness, so slip into something
light, like your skeleton; while these old
bones are still working, my darling,
let’s dance.
~Barbara Crooker, “Reel” from The Book of Kells

I’ve never been much of a dancer; we were taught square dancing in grade school when we were kids so I could do-si-do with the best of them.

The non-descript dancing of the sixties and seventies never appealed to me – it was kind of like writhing in place, sometimes alone, sometimes in parallel with another body.

Our church used to hold once a year square dances in November along with a harvest dinner, gathered in a school gymnasium, so my husband and I learned to Virginia Reel up and back and be sore the next day. Those were the days…

But right now, we watch our trees dance this time of year, getting more naked with each passing day and breeze. They sway and bow and join limbs, their bare bones grasping one another in preparation for their cold and narrow winter bed, wrapped in the shroud that will give way, yet again to the green leaves of spring, only a few months away.

A book of beauty in words and photography, available to order here:

Spin Until I’m Dizzy

Tomorrow
there will be sun, scalloped by clouds,
ushered in by a waterfall of birdsong.
It will be a temperate seventy-five, low
humidity. For twenty-four hours,
all politicians will be silent. Reality
programs will vanish from TV, replaced
by the “snow” that used to decorate
our screens when reception wasn’t
working. Soldiers will toss their weapons
in the grass. The oceans will stop
their inexorable rise. No one
will have to sit on a committee.
When twilight falls, the aurora borealis
will cut off cell phones, scramble the internet.
We’ll play flashlight tag, hide and seek,
decorate our hair with fireflies, spin
until we’re dizzy, collapse
on the dew-decked lawn and look up,
perhaps for the first time, to read the long lines
of cold code written in the stars….
~Barbara Crooker “Tomorrow” from Some Glad Morning.

Might I hope for a better tomorrow?

Awash in this world of technological and political complexity, I forget the simple pleasure of lying in the grass, looking up and staring at the stars spinning above me.

I become dizzy with the possibilities.

A new book from Barnstorming is available for order here:

On the Lip of the Solstice



It’s deep time here, this barrow grave five thousand years old,
where we follow like sheep behind the guide to the heart
of its cruciform center. I’ve never been in a space so dark.
What was it like to fear that the sun would not return,
that crops would wither, deer flee, that night’s dark cloak
was all there was? But miraculously, on the lip of the solstice,
the light returned, liquid and golden, ran down the narrow corridor,
hit the back wall, splashed in the stone basin, and they knew summer
would come back, run to fruit. Light, dark, freeze, thaw, seedtime,
harvest, wheel of the year, the spiral dance. What would they make
of our device-laden lives, fossil-fueled cars, over-stocked larders?
Who stands in the dark and listens now, gaping at the stars?
— Barbara Crooker, “Newgrange” from The Book of Kells

Finnis Soutterain underground

Finnis Soutterain underground

There is nothing so dark as centuries-old underground tunnels and portal tombs, some positioned with an opening to capture a beam of light exactly at either the winter or summer solstice, illuminating what dwells in blackness the rest of the year.

The more recent ninth century soutterain tunnels were refuge for Christians hiding from invaders, keeping whole villages safe from capture.

The dolmens and portal graves are Neolithic structures built before the pyramids. They still exist today as they were constructed to last by people serious about their beliefs. Though those people are long dust, the stones and tunnels remain as they were, to protect the spirits of the departed.

What would they think now of our extravagance, our plethora of goods and foods, our modern ways of crippling others with the weapons of internet words and hacking, rather than stealing, pillaging and enslaving strangers?

We moderns are lost in our over-abundance of light year round, scarcely noting the calendar or the passing of the longest and shortest days.

What remarkable people of strength have preceded us, seeking to preserve the significance of Light in their darkness.

Legananny Dolmen, Northern Ireland
Legananny dolmen
Kilfeaghan Dolmen
Goward Dolmen at the foot of the Mourne Mountains

A new book from Barnstorming is available to be ordered here:

A Hunger for More

how you can never reach it, no matter how hard you try,
walking as fast as you can, but getting nowhere,
arms and legs pumping, sweat drizzling in rivulets;
each year, a little slower, more creaks and aches, less breath.
Ah, but these soft nights, air like a warm bath, the dusky wings
of bats careening crazily overhead, and you’d think the road
goes on forever. Apollinaire wrote, “What isn’t given to love
is so much wasted,” and I wonder what I haven’t given yet.
A thin comma moon rises orange, a skinny slice of melon,
so delicious I could drown in its sweetness. Or eat the whole
thing, down to the rind. Always, this hunger for more.
~Barbara Crooker “How the Trees on Summer Nights Turn into a Dark River,” from More

I don’t move as quickly as I used to (which is good as I’m watching more closely where I step).

I need more sleep than I used to (which is good because I’m not running “on the rim” as much as I have in the past).

I am not as driven and ignited with impulses as I used to be (which is good as I take more time to savor what I have rather than crave what I think I need).

This doesn’t mean I lack appetite for this continuing journey on the endless road of summer that seems to go on forever. I’m still hungry for more and don’t want to waste a single moment.

It is getting noticeably darker earlier now and I too want to pluck any lingering light out of the sky and swallow it down whole, hoping – just hoping – it might keep me glowing on the road home.

A Simple Field

Field with Wheat Stacks – Van Gogh

He fell in love with a simple field
of wheat, and I’ve felt this way, too;
melted, like a pool of mint chip
ice cream, foolishly in love,
even though we know
how it turns out in the end:
snicked by the scythe, burnt
in the furnace of the August
sun, threshed, separated, kernel
from chaff. But right now,
it’s spring, and the wheat aligns
in orderly rows: Yellow green.
Snap pea. Sage. Celadon.
His brush strokes pile on,
wave after wave, as the haystacks
liquefy, slide off the canvas,
roll on down to the sea.

~Barbara Crooker “Field with Wheat Stacks” from Les Fauves.

Wheat Field with Sheaves -Vincent Van Gogh
Sheaves of Wheat in a Field –Vincent Van Gogh
Ears of Wheat – Van Gogh 1890

There is nothing here but wheat, no blade
too slight for his attention: long swaying
brush strokes, pale greens, slithery yellows,
the hopefulness of early spring. All grass
is flesh, says the prophet. Here, there are no
gorgeous azures stamped with almond blossoms,
no screaming sky clawed with crows, no sunflowers
roiling gold and orange, impasto thick as Midi sunlight.
His brush herringboned up each stalk, the elemental
concerns of sun, rain, dirt, while his scrim of pain receded
into the underpainting. He let the wind play
through the stems like a violin, turning the surface
liquid, a sea of green, shifting eddies and currents.
No sky, no horizon; the world as wheat.
~Barbara Crooker, “Ears of Wheat, 1890” from Les Fauves

I continually fall in love with the fields in my world – I’m unable to take my eyes off them as they green up in the spring, as they wave in the breeze in June, as they turn into gold in August.

Each day brings a change to record and remember.

The colors pile on, one after another after another until it all must be cut short, harvested, stored and consumed, leaving behind the raw shorn remnants.

Yet in stubble is the memory of something that was once truly grand and beautiful and will be again.

Even stubble in a simple field reminds me of what is yet to come.

A Day of Grace in the Dead of Winter

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photo by Josh Scholten
crescent moon photo by Josh Scholten

Leaning by the counter,
we steal a long slow kiss,

tasting of coffee and cream.

The chicken’s diminished to skin & skeleton,
the moon to a comma, a sliver of white,
but this has been a day of grace
in the dead of winter,
the hard knuckle of the year,
a day that unwrapped itself
like an unexpected gift,
and the stars turn on,
order themselves
into the winter night.
~Barbara Crooker from “Ordinary Life”

photo by Josh Scholten
photo by Josh Scholten

…it’s easy to forget that the ordinary is just the extraordinary that’s happened over and over again. Sometimes the beauty of your life is apparent. Sometimes you have to go looking for it. And just because you have to look for it doesn’t mean it’s not there.
God, grant me the grace of a normal day.

~Billy Coffey

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…there is no such thing as a charmed life, not for any of us, no matter where we live or how mindfully we attend to the tasks at hand. But there are charmed moments, all the time, in every life and in every day, if we are only awake enough to experience them when they come and wise enough to appreciate them.
~Katrina Kenison from The Gift of an Ordinary Day

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These dead of winter days are lengthening, slowly and surely, but I still leave the farm in darkness to head to my work in town, and I return in darkness at the end of the workday.  Barn chores at either end of the day happen under moonlight and starlight.

Each day, so extraordinary in its ordinariness, is full of grace if I awake to really see it, even under cover of darkness.

The bones of the trees, and the bones of me, illuminated.

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Everything Brief and Finite

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photo by Joel DeWaard
above  photo by Joel DeWaard

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Another October. The maples have done their slick trick
of turning yellow almost overnight; summer’s hazy skies
are cobalt blue.

I want to praise things
that cannot last. The scarlet and orange leaves
are already gone, blown down by a cold rain,
crushed and trampled. They rise again in leaf meal
and wood smoke. The Great Blue Heron’s returned to the pond,
settles in the reeds like a steady flame.
Geese cut a wedge out of the sky, drag the gray days
behind them like a skein of old wool.
I want to praise everything brief and finite.
Overhead, the Pleiades fall into place; Orion rises.
Great Horned Owls muffle the night with their calls;
night falls swiftly, tucking us in her black velvet robe,
the stitches showing through, all those little lights,
our little lives, rising and falling.
~Barbara Crooker from her poem “Equinox” in Selected Poems. © Future Cycle Press, 2015

This fading transitional October
renders us transient ourselves-
only visitors here,
not laying down claims
but passing through
while enjoying the scenery,
knowing that this too won’t last
but it is sweet
~let me say it again~
oh so sweet
while we’re here.

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Hope Borne on Wings

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Sometimes I am startled out of myself,
like this morning, when the wild geese came squawking,
flapping their rusty hinges, and something about their trek
across the sky made me think about my life, the places
of brokenness, the places of sorrow, the places where grief
has strung me out to dry. And then the geese come calling,
the leader falling back when tired, another taking her place.
Hope is borne on wings. Look at the trees. They turn to gold
for a brief while, then lose it all each November.
Through the cold months, they stand, take the worst
weather has to offer. And still, they put out shy green leaves
come April, come May. The geese glide over the cornfields,
land on the pond with its sedges and reeds.
You do not have to be wise. Even a goose knows how to find
shelter, where the corn still lies in the stubble and dried stalks.
All we do is pass through here, the best way we can.
They stitch up the sky, and it is whole again.
~Barbara Crooker from “Sometimes I am Startled Out of Myself” from Radiance. © Word Press, 2005.

When it feels like the world is rent in two,
and the gulf into which I topple
too wide and dark to climb without help,
I can look to the sky
and see the stitching there
the careful caring line of connection
drawing me out of my hole, startled and grateful
to be made whole.
Hope is borne on wings:
may I fly threaded to others.

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