Not a color I’ve wanted to wear—too innocently girlish, and I’m not innocent, not a girl. But today the gnarled cherry trees along Alabama Street are decked out like bridesmaids—garlands in their hair, nosegays in their hands—extravagant,
finally the big spring wedding to splurge, and hang the cost. Each really wants to be the bride so she can toss her bouquet until, unaccustomed, the gutters choke with pink confetti that flies up and whirls in the wake of cars going west… ~Luci Shaw from “Pink” in What the Light Was Like
If you stand in an orchard In the middle of Spring and you don’t make a sound you can hear pink sing, a darling, whispery song of a thing. ~Mary O’Neill from Hailstones and Halibut Bones “Pink”
I have always avoided wearing anything pink other than the blush of my windblown cheeks on a brisk April morning. Yet how can I help but listen to pink as its blooms burst open all around me, bubbling with pastel ebullience, whispering me awake in the morning and gently bidding me goodnight.
I. Allegro non molto– Frozen and trembling in the icy snow, In the severe blast of the horrible wind, As we run, we constantly stamp our feet, And our teeth chatter in the cold. II. Largo– To spend happy and quiet days near the fire, While, outside, the rain soaks hundreds. III. Allegro– We walk on the ice with slow steps, And tread carefully, for fear of falling. Symphony, If we go quickly, we slip and fall to the ground. Again we run on the ice, Until it cracks and opens. We hear, from closed doors, Sirocco, Boreas, and all the winds in battle. This is winter, but it brings joy. ~Vivaldi (Winter poem)
La Primavera (Spring) Opus 8, No. 1, in E Major
I. Allegro– Festive Spring has arrived, The birds salute it with their happy song. And the brooks, caressed by little Zephyrs, Flow with a sweet murmur. The sky is covered with a black mantle, And thunder, and lightning, announce a storm. When they are silent, the birds Return to sing their lovely song. II. Largo e pianissimo sempre– And in the meadow, rich with flowers, To the sweet murmur of leaves and plants, The goatherd sleeps, with his faithful dog at his side. III. Danza pastorale. Allegro– To the festive sound of pastoral bagpipes, Dance nymphs and shepherds, At Spring’s brilliant appearance. ~Vivaldi (Spring poem)
L’Estate (Summer) Opus 8, No. 2, in G minor
I. Allegro non molto– Under the heat of the burning summer sun, Languish man and flock; the pine is parched. The cuckoo finds its voice, and suddenly, The turtledove and goldfinch sing. A gentle breeze blows, But suddenly, the north wind appears. The shepherd weeps because, overhead, Lies the fierce storm, and his destiny. II. Adagio; Presto– His tired limbs are deprived of rest By his fear of lightning and fierce thunder, And by furious swarms of flies and hornets. III. Presto– Alas, how just are his fears, Thunder and lightening fill the Heavens, and the hail Slices the tops of the corn and other grain. ~Vivaldi (Summer poem)
L’Autunno (Autumn) Opus 8, No. 3, in F Major
I. Allegro– The peasants celebrate with dance and song, The joy of a rich harvest. And, full of Bacchus’s liquor, They finish their celebration with sleep. II. Adagio molto– Each peasant ceases his dance and song. The mild air gives pleasure, And the season invites many To enjoy a sweet slumber. III. Allegro– The hunters, at the break of dawn, go to the hunt. With horns, guns, and dogs they are off, The beast flees, and they follow its trail. Already fearful and exhausted by the great noise, Of guns and dogs, and wounded, The exhausted beast tries to flee, but dies. ~Vivaldi (Autumn poem)
I walk this path to stand at the same spot countless times through the year, to witness the palette changing around me.
The Artist chooses His color and technique lovingly, with a gentle touch for each season.
My life too is painted with richness and variety: from the bare lines of winter, to a green emergence of spring, a summer sweet fruitfulness and a mosaic crescendo of autumn.
This ever-new pathway extends beyond the reach of the canvas.
I got out of bed on two strong legs. It might have been otherwise. I ate cereal, sweet milk, ripe, flawless peach. It might have been otherwise. I took the dog uphill to the birch wood. All morning I did the work I love. At noon I lay down with my mate. It might have been otherwise. We ate dinner together at a table with silver candlesticks. It might have been otherwise. I slept in a bed in a room with paintings on the walls, and planned another day just like this day. But one day, I know, it will be otherwise. ~Jane Kenyon “Otherwise” from Otherwise
We become complacent in our routines, confident in the knowledge that tomorrow will be very much like yesterday. The small distinct blessings of an ordinary day become lost in the rush of moving forward to the next experience, the next task, the next responsibility.
The reality is there is nothing ordinary about this day – it could be otherwise and some day it will be otherwise.
Jane Kenyon wrote much of her best poetry in the knowledge she was dying of leukemia. She reminds us that we don’t need a terminal diagnosis to understand the blessings of each ordinary moment.
So I look around longingly at the blessings of my life that I don’t even realize, knowing that one day, it will be otherwise. I dwell richly in the experience of these moments, these peaches and cream of daily life, as they are happening.
It’s easy to love a deer But try to care about bugs and scrawny trees Love the puddle of lukewarm water From last week’s rain. Leave the mountains alone for now. Also the clear lakes surrounded by pines. People are lined up to admire them. Get close to the things that slide away in the dark. Be grateful even for the boredom That sometimes seems to involve the whole world. Think of the frost That will crack our bones eventually. ~Tom Hennen “Love for Other Things” from Darkness Sticks To Everything: Collected and New Poems
Some people complain that this constricted life — due to pandemic COVID limitations and the restrictions placed upon us — is boring.
Nothing to do, no places to go, no people to see.
Yet I haven’t been bored – not even for a minute. There is so much to see and do right in my own backyard which I rarely had time to observe and appreciate previously. Rather than spending 6-8 hours a week in my car commuting, I’m gifted that time to work at my desk, do chores on the farm, walk with the dogs, and muse about how things have changed.
One person’s boredom is another person’s liberating freedom.
But we have it easy compared to those whose jobs can’t be done from home. We can grow our own food here, but that isn’t an option for those living in a high rise. We can isolate and still maintain our connections virtually with our friends and family. I know I am blessed with options.
This COVID-tide will end eventually and our stack of responsibilities will resume, but I’m wiser than I was before. I don’t need to live life at break-neck speed. I don’t need constant entertainment and novel experiences. No longer do I need to feel indispensable because it is so completely obvious that I’m not.
I didn’t need this virus to remind me of my mortality and my shortening days on earth, yet it has.
Our time here is too brief to waste even a minute. So I live each moment to the fullest, knowing it will never come again.
In the shallows of the river After one o’clock in the afternoon Ice still An eighth of an inch thick. Night never disappears completely But moves among the shadows On the bank Like a glimpse of fur. Meanwhile Trees Grass Flies and spiderwebs Appear alone in the flat air. The naked aspens stand like children Waiting to be baptized And the goldenrod too is stripped down To its bare stalk In the cold Even my thoughts Have lost their foliage. ~Tom Hennen“At the Beginning of Winter”, from Looking Into The Weather.
My thoughts are stripped bare these days, no flowers or flourishing foliage left behind- just stark rows of naked branches, waiting, orderly and plain.
It is the nature of winter to think only of the essentials when night is always creeping around the edges of midday.
There is silence outside and echoing in my head, while waiting for something, ~anything~ remarkable to bud out and bloom.
From the tawny light from the rainy nights from the imagination finding itself and more than itself alone and more than alone at the bottom of the well where the moon lives, can you pull me
into December? a lowland of space, perception of space towering of shadows of clouds blown upon clouds over new ground, new made under heavy December footsteps? the only way to live?
The flawed moon acts on the truth, and makes an autumn of tentative silences. You lived, but somewhere else, your presence touched others, ring upon ring, and changed. Did you think I would not change?
The black moon turns away, its work done. A tenderness, unspoken autumn. We are faithful only to the imagination. What the imagination seizes as beauty must be truth. What holds you to what you see of me is that grasp alone. ~Denise Levertov “Everything that Acts is Actual”
Within these days of early winter is disappearance of our familiar world, of all that grows and thrives, of new life and freshness, of hope slipping away in a scurry for survival.
Then there comes this moment of softness amid the bleak, a gift of grace and beauty, a glance of sunlight on a snowy hillside, a covering of low misty puffs in the valley, a moon lit landscape, a startling sunrise, clouds upon clouds and then I know the actual world is seized with Your Truth because You have grasped hold of it and won’t let go.